Tag Archives: building

Purdue University Bell Tower Superstition

Text

At Purdue University, there is a long-standing superstition that if you walk under the Bell Tower, where the university seal is, you will not graduate within four years.

Context

My informant is a 20 year old sophomore at Purdue University studying mechanical engineering. I was interested in learning about folklores surrounding other universities, and asked him if he could recall any fun ones he heard at Purdue. He shared that he learned about this superstition during his official freshman orientation, and that while he isn’t superstitious, he actively goes out of his way to walk around the tower just in case.

Analysis

What I found most interesting about this superstition is that compared to other university superstitions, which are often vernacular and informally transmitted throughout students, this legend was told to the students during their official freshman orientation. It may be possible that this legend started vernacular but became so famous that the university incorporated it as a “fun fact” at official meetings, which mirrors some of our lecture concepts of how folklore can often become commercialized, like Native American cultures often being popular costumes.

Another interesting component of this superstition is its function; at its surface, it functions as a warning with serious consequences, yet also creates a strong sense of school culture implicitly. To start, this superstition is transmitted to the new members of the Purdue students folk group, showing that it is an important element that only insiders can relate to. In addition, since the reason walking under this tower bringing bad luck is because it forces students to step on the university seal, it indirectly sends a message for the students to take pride and respect their university, as stepping on the official logo could symbolically be seen as a sign of disrespect.

Finally, such superstitions of not walking under a certain building or a touching a certain statue exists in various universities. Beyond the multiplicity of this genre of folklore, the fact that such superstitions continue to exist and influence the actions of students like my informant shows the power of long-standing folklore, regardless of the levels of belief. All in all, I find this tradition to have great cultural value in terms of school pride for students, but also a great exemplification of the key elements of folklore like multiplicity and the sense of belonging they create.

Six in one hand, half a dozen in the other

Interview and Context

DO – It just means its pretty much, two different ways of doing the same thing, and neither is better than the other.
Interviewer – And it gets used all the time here (in the wood shop).
DO – Yes.
Interviewer – When was the first time you heard it?
DO – I have no idea, like when I was a kid.
Interviewer – Have you always worked in shops?
DO – No, I heard it before. I don’t think it s necessarily a shop only saying, but it is heavily used in shops. Between… (shouts to shop manager, DM) would you agree that between you, me, and (other shop manager) that we say six in one hand, half dozen in the other— like how often do you think we would say that phrase, or a version of?
DM – Ehh, at least weekly?
DO – It, it’s generally used in the planning stage of a thing because we’re like, “How are we doing this, what do you think?” and it’s like, “How do you suggest we like—”
DM – There’s usually two or three ways to accomplish the same thing. At least.
DO – And sometimes there’s an advantage to one way and sometimes there’s not. It’s comparable.

Analysis

This metaphor is used frequently in this informant’s environment. They mentioned that it is most common in planning stages of set construction, which explains why the regular student workers had not heard the saying (because they are not involved in the planning or designing stages), while set designers and technical directors had heard it.
Because six is equal to a half dozen, the metaphor is saying that there are multiple ways to achieve one goal, and neither way is necessarily better than the other, so it does not much matter which option they choose. However, it also signifies a tiny roadblock caused only by indecision between two equal choices.
The informant doubted it was a saying unique to construction shops, even recalling they had heard it before entering that specific culture, suggesting it was more of a crafting cultural saying than a specific construction one.

Money is first. Creativity is second. Safety is third

Text and Context

DO – Money is first, second is art, creativity, whatever, third is safety
Interviewer – Is this something that just you says?
DO – No, no. Safety third is like, grips will say it like all the time. Like carpenters and everything.
MI – Money comes first—you know getting paid, comes first. Being creative comes second. And being safe comes third.
DO – Right. Like the producers come in and will be like yeahyeahyeah! Safe first! Safety first! But then when it comes time, and it’s like no, no. You’re costing me money, get up on that fucking thing and get that done. Right? Uh, the director comes in, and is like, this is my vision! This is what we want to do! But its like, I can’t do that, I’d have to like— “I don’t care! Get it done!” y’know, kinda thing. And AFTER that comes safety. Like, what else, like what is fourth, I don’t know. So it’s be safe, unless it’s costing us money, or impacting our vision. Essentially
DO – So it’s something that people like us say, when we’re feeling like: alright, we’re putting our bodies on the line and not being treated well. We’re like, “Hey safety third!” Because they looove saying safety first. They talk the talk but don’t walk the walk.
Interviewer – So it’s kind of an ironic saying.
DO and MI (at the same time) – Yes!
DO – It is very sarcastic. But it’s also very, very true. The number of times when we’re like, y’know, you’re talking about working like, sixteen hour days. You cannot work sixteen hour days and use a power tool safely. It’s impossible. Like if you’re sleep deprived, you cannot operate heavy machinery, power tools safely. Like you, you’re gonna do stupid stuff. We were talking about it, not so much as a danger type thing, but when you work sixteen hour days you get so—you make stupid decisions, and you do stupid stuff, and you come in the next day and spend the first two, three hours fixing the mistakes that you did at the end of the day before because you were just trying to get stuff done. Y’know? Uhhh, but given that fact—a lot of studies say, like if you’re driving on the road and you feel a little sleepy. What do they say? Pull over and take a nap. You know, like whatever. Because that’s the safe thing to do. But all the time productions go, like, sixteen hour days when it’s costing them money, like why don’t you just rent the sound studio another week or push for— nope, that costs money, we gotta get it done. We have to get it done. Or why don’t we cut this scene? No, no, director wants that scene, or whatever. Get it done.

Analysis

The informer(s) clearly had strong feelings about this saying, as they spoke extensively on the subject. I collected this saying while the informant(s) were sitting in the break room of their wood shop. We were talking about general wood shop sayings, so it didn’t come up in the context in which the saying would generally be used, such as during construction.
It is interesting that this is a response to another common saying, “safety first,” and would not stand so well without the popularity of “safety first.” It shows a folk group within set construction, while director and producers are the out-group, because the hierarchy creates a binary separation where the people in power (producers and directors) risk the safety of those they employ. The set construction workers are aware of the danger they are sometimes being put in, and understand the bitter irony of their superiors pretending to care, or caring until it interferes with their money and creative vision.

Every tool is a hammer

Text

DO – In scene shop construction, “every tool is a hammer, except for a screwdriver, which is a chisel.” Basically what that means is you can use anything to bang something (like getting a stubborn bolt through a hole), but a screwdriver you use for cutting things like a chisel.

Context

The informant was working on constructing a set for a theatrical performance, when a coworker asked for a hammer for a bolt they were struggling with. The informant walked over, grabbed their measuring tape, and whacked the bolt into place. Then they recited the proverb.

Analysis

There is a tool for every function one might need when constructing a theatrical set, props, furniture, etc. Some of these tools are very bizarre in appearance, have no obvious appearance upon first glance, or have only one, minuscule function that may get used only once every few years because it is not a common technique. Other tools have always remained relatively the same, like the hammer and chisel. That may be because… anything can be used like a hammer to smash something, and any strong sharp thing can chip away at a softer material.
Wood shops will likely have hammers that are made to be durable, ergonomic, highly engineered improvements on the most rudimentary tools humanity has always had. But sometimes they aren’t within reach or you weren’t expecting to need a hammer so you didn’t bring one. Same for specially crafted chisels. But theater construction is fast-paced, and usually, rudimentary tools and basic hand-eye coordination will do the job just as well and way faster than going to get a real hammer or chisel.

The Wetting Tree

Leave a reply
Nationality: American
Age: 52
Occupation: General Contractor
Residence: Cloverdale, California
Performance Date: May 3, 2021
Primary Language: English
Language: Norwegian

Background:

My informant for this piece is an American of Scandinavian descent. He lived in Norway for a time during high school and learned the language while he was there. He also still keeps in contact with his host family from his time living there, and his son recently spent a year abroad there as well. In regards to this particular piece, it was said in old Norwegian culture that trees represent life, and each tree has a separate spirit.

Context:

After my informant moved into his house, he built a barn to operate his business from. When the barn was finished, the wetting tree tradition took place.

Main Piece:

“Traditionally, an evergreen bough is nailed into the final beam of a barn–the ridge beam. When the whole building is done, a party is thrown and everybody drinks a toast to honor all the trees that went into the structure and to wish it a good future. We used a live tree–an olive tree–in a pot. And when it was all done we took it and planted it in the row by the house.”

Analysis:

Personally, I like this tradition because those who have helped to construct the building show their gratitude towards the trees for providing the materials which them to build it. But when we take a look at this Scandinavian tradition, it looks like an instance of sympathetic magic. More specifically, I believe it’s a practice of homeopathic magic. In order to ensure the prosperity of the recently built barn, a bough–or in my informant’s case, a whole tree–is hung from the highest rafter of the barn. Thusly, a part of what the barn is made out of watches over the entire structure in order to protect it.