Tag Archives: christmas

Christmas Saran Wrap Game

Text: “At Christmas, we did a saran wrap game. Where it’s just like you get a pretty big bowl and add presents into the bowl. Once their in the bowl you wrap it in saran wrap in multiple layers. Then you time everyone, and you have to unravel the saran wrap, like really quickly, so that you can get gifts. Which you want to do because you want because you wanna get the big gift in the middle, but then there’s a bunch of other tiny things like candies and stuff around it, and that was always really fun.”

Context: When discussing Christmas traditions with AL, they described a holiday tradition their whole family would participate in. Grabbing a big bowl with an array of presents, some small like little toys and candy, but with the addition of a bigger wrapped present in the center of the bowl. The bowls for each family member were wrapped multiple times in saran wrap. Everyone then is timed to see who can unwrap their bowl the fastest. They are additionally motivated to get to the center of the bowl so they can get to the big present.

Analysis: This tradition shows how families can turn something simple like gift-giving into a game that everyone gets excited about. The saran wrap game adds competition and urgency, since everyone is racing against time to unwrap their bowl and reach the bigger prize in the center. At the same time, the smaller items like candy keep it fun along the way. Because everyone is doing it together and reacting in the moment, it creates a lot of laughter and energy, which makes the experience more memorable than just opening presents one by one. It highlights how adding a playful challenge can make holidays feel more interactive and bring people closer through shared excitement.

Buñuelos

Text:

Context: A dessert RF would make with her family during Christmastime, which they call buñuelos. RF recalls the making of this food being an event–her great-grandmother was well-known in the family for making them and would use a specific cooking instrument (a kind of ornamental iron on the end of a long stick) that has since become a family heirloom. The recipe wasn’t written, only in her great-grandmother’s head, but it included some kind of whiskey or bourbon in the batter, and the buñuelos were to be fried in lard. The iron was dipped in the runny batter, then submerged in the hot oil–the batter would instantly begin to fry and fall off of the iron while maintaining shape (usually a snowflake or a pinwheel). Once cooked to a golden brown, the buñuelos would be placed onto a paper towel to drain excess oil, then placed into a large basin of cinnamon sugar. RF recalls being in charge of this step, when she was young, using a fork to roll and coat the buñuelos in the sugar. They would make multiple trays of them for the big family Christmas party, and everyone would take some home at the end of the night–with a reminder to keep them uncovered, as they would get stale otherwise.

Analysis: This is a Latin American dessert that obviously holds significance for this family and their culture. The act of making the food is, in and of itself, a big deal, and it was clearly important that there was more than enough in supply. I see it as a way to provide for the entire family, and a connecting kind of ritual of cooking, especially during the holidays.

Tamales

Text:

RF: The making of the tamales was a big group activity. With everybody, you know, around the table, and the big pots of the masa, and all that stuff. Most of the time we were over at my [aunt]’s house, and my great grandmother was there, and my mom, and–it seems to me like there were so many aunts and uncles around. But, you know, we’d have the big pot with all the masa that they’d mixed, and they’d mixed it up with their hands. We would go to [store name] and get the masa for tortillas, and then we would hand-mix the lard in, and they would do it with their hands and I was always like, “that’s disgusting.”

Interviwer: [laughs]

RF: And then they would have to soak the hojas in water, and you’d have to clean them because there would be like, the strings from the corn, right? And you would have to make sure there were no bugs in there. And then there would be this big spread out on the table and everyone would have a seat, and there would be… the cheese, the grated cheese with the Ortega chilis. And then there would usually be the pork, like shredded red pork. And sometimes there would be the sweet ones, which I didn’t care for–they would put pineapple and cinnamon or raisins, or something, and they would dye the masa different colors. You know, it was just a big deal, very familial. Everyone had the spoons, and spreading out the masa, and then lay the cheese very carefully, and then roll it and tist it and fold it and prop it up, and–it was a big deal. I don’t think it was hours, but it seemed like it did go on all day.

Interviewer: Yeah.

RF: And then they would fill the big pot. And uh, we’d wait and wait for these things to cook, and then we’d have, you know–we’d have dinner the night before, of tamales, and then we would make enough tamales for the party, and then everybody would take home tamales as well.

Context: RF is a woman of mixed Mexican heritage in her mid 50s. She mentions this food being made in her family during Christmastime, and the making and preparation of the tamales being a big event in advance of a large family Christmas party that happened annually. She was born and raised in Southern California, and mentioned the event of going to a very specific store to search for the ingredients for the tamales with her great-grandmother.

Analysis: I think this ritual of food preparation before a big Christmas celebration is a common one, though one as communal and joyous as it is here is not always the case. I think this is a celebration of family, community, and culture, and a way of expressing care for the people around you. This is especially evident in the point made to allow every family member to bring tamales home with them after the event–a show of care and excess made possible only by a festival atmosphere, a way to take care of every member of the family.

The Christmas Tree Pickle

Nationality: American

Age: 21

Occupation: Student 

Residence: Mason, OH, USA

Date: 4/29/2025

Language: English

Description

It’s a ritual that my family does on Christmas morning. It’s one we used to do, but now we don’t do, um. Because we got older, but basically there’s this old. I think German or Austrian tradition where you would, uh, hang a pickle on a Christmas tree. Okay, and whoever finds the pickle gets to open the first present. And so, in order to, uh. Uphold that tadition. Uh, my family had had I think we still have it. I think it broke eventually, but we have a pickle ornament that we would hide amongst all of the other ornaments. My parents would hide it Christmas night and then Christmas morning, and, whichever of me and my siblings found the pickle first got to open the first present and the Christmas day starts with the the finding of the pickle. 

Subject’s Opinion

Interviewer: What do you think the pickle meant? Why a pickle? Why do you think that’s the case?

Subject: I don’t know. It probably has something to do with, maybe… the smell of it. Oh, I don’t know. I, I feel like it could have to do with the smell of it. Um, because it’s like a sort of like, briny, sort of, like, very strong smell coming from the Christmas tree, and some sort of purging of that from the tree. Sounds like it could be something significant, but I’m also completely talking out of my ass. 

Interviewer: What do you think then having that thing does to your family Christmas mornings?

Subject: It makes it feel more like…I guess something is beginning, like a ritual is starting. It’s like if we just sort of woke up and started hacking at the presents like crazy, which is what we do now, it doesn’t really feel like there was something significant beginning. It’s just sort of like, there’s a clear through line from the last day into the next, but there is a significant, okay, we’re all coming here and initiating something. And it can be its own little thing, so you find the pickle, then it’s the present opening ceremony, and then once all of it is done. It is the acknowledgment between a group of people that something is beginning that is separate from what has happened before.

Analysis

The Christmas tree pickle seems oddly specific and clearly rooted in a greater cultural heritage, but the subject expressed he had no idea where the ritual came from. What is observable is the effect of the ritual, how it gives order and structure to the family’s Christmas mornings, in turn creating a narrative that concretizes meaning and consolidates memory as it unfolds. As all rituals do, the act of finding the pickle allows the family to embody meaning from the past and use symbolic actions to bring unique meaning to the warmth and joy of Christmas mornings.

Christmas Songs

Age: 19
Occupation: Student

Context: “I grew up in a big Christmas family. We went to church, decorated every part of the house, and sang every Christmas song there was. Singing wasn’t just for caroling; it happened throughout the season. Every year, the same songs, the same excitement. My parents were especially big on the ‘magic’ of it. They were really believed in ‘the magic of Christmas’ and really believed that it brought everyone closer together. I personally don’t know about that but I think it’s nice that even just for a little bit or just one day, everyone gets even closer for the holidays. There’s one song specifically called Must Be Santa, and it was so annoying, but we used to sing it at church every year.”

Analysis: Singing Christmas songs is a ritual that blends both religious and secular traditions. In families like Anne’s, it reinforces seasonal joy, community belonging, and shared memory. A song like Must Be Santa, though often seen as lighthearted or even annoying, takes on symbolic importance through repetition; especially in a church setting where it bridges sacred and playful elements. The act of singing together, becomes an expression of belief, nostalgia, and identity. It binds participants to cultural rhythms and holiday expectations. Even “annoying” songs serve as touchstones of collective memory, especially when tied to family or religious routines.