Tag Archives: folk object

Clamshells as Folk Objects – Long Island, NY

Nationality: American
Age: 21
Occupation: College Student
Residence: California, USA
Performance Date: 04/18/2021
Primary Language: English
Language: Spanish

Context:

Informant KC was a current undergraduate student at the University of Southern California at the time of this collection and was raised in the east end of Long Island, NY.

When speaking with KC, they told me how clamming is a source of income and entertainment for many living along/near the coast along the east end of Long Island. They mentioned how people use large rake-like tools to sift through the sand while searching for clams. Once the clams had been cracked open, emptied, and cleaned, KC explained how the shells are often “repurposed” as folk objects. After cleaning, the shells can be decorated, painted, or kept looking “natural.”

In listing the many unique uses for old clamshells they mentioned how they have seen them repurposed as…

Text:

  • Spoon rests
  • Ashtrays
  • Plant pots
  • Jewelry holders

Analysis:

After speaking with KC, I considered how these examples of folk objects help illustrate/represent the identity and interest of east end Long Islanders. Whereas outsiders might not understand the repurposing of a clamshell or mistake it for a commercially bought object, insiders (east end Long Islanders) have a different connection to these objects as reflections of their identity and customs. This leads me to believe that east end long islanders might hold shared values of sustainability and/or craftiness which are able to be expressed through these repurposed clamshells.

The Lemon-Chilli Bad Luck Repellent

Nationality: Indian
Age: 43
Occupation: Business Owner
Residence: Mumbai, India
Performance Date: 29/04/21
Primary Language: English
Language: Hindi

The Interviewer will be referred to as ‘I’, and the informant as ‘C’. Translations for Hindi words will be italicised and in parentheses. The Informant is a 43-year-old Sindhi man, born and raised in Maharashtra, India.

C: This is like our own desi (of the country, essentially self-reference by South Asians) evil-eye. To ward off evil. 

I: Great! So, what is it?

C: We call it nimbu-mirchi (lemon-chilli), I don’t know if it really has an official name, but basically you have… you thread lemon and green chillies, alternately, and you make about a six-inch length thread, and normally, you know how you have the evil eye? I think it’s an Egyptian concept, the eye to ward off evil? That’s kind of a similar thing, this is our way of warding off nazar (the evil eye, bad luck). So that is something, even now, when people buy a new car, a new house, a new office, or during poojas (prayer), this, that, the other, a new baby is born, weddings, whatever… it’s a very standard thing to put this. You’ll find it hanging, dangling under every single truck on the road, they still have it. They’re sold at all traffic lights, you’ll see some people, street-sellers going around with nimbu-mirchi pieces. And Saturday is like a special day when everybody’s supposed to buy it and do it. Like, that shani (Saturn, and also the prefix to the word for Saturday, but it is also used to refer to negativity), right? Something like that—shani bhari hoti hai (Saturn, and therefore Saturday, is heavy, and the negativity associated with it), or whatever. You even use chillies and salt, or lemons and chillies to remove nazar from people, you take it and swish it around their entire body to lift the nazar. My niece used to have a lot of chest congestion, colds, it was like her chest wasn’t even clear for four days in a month… we did it for her, my mother did, because she believed it was nazar. I know my friend’s mother did the same thing for her grandson too, it’s very common.

Analysis:

The idea of nazar is very common within Indian culture, and so is this particular ritual of removing or preventing it. Anywhere you go, you will probably see a nimbu-mirchi dangling somewhere, from the rearview mirror of a car, to the entrance of somebody’s house. Similarly, the chilli-salt/chilli-lemon ritual along with a chant or prayer is very common to alleviate people of strange, persisting illnesses or odd, out of character behaviour—another account of this can be found in “White Things: An Account of Demon Possession”, at http://uscfolklorearc.wpenginepowered.com/white-things:-an-account-of-demon-possession. Indians are largely a spiritual people, we like knowing things are auspicious, bringing good luck and warding off the bad, often relying on cultural superstitions and practices. So, culturally, both of these things make sense: the ritual, as well as the folk object that the lemon-chilli string is. What these practices convey falls within a very prominent folk belief: negativity (that comes with Saturn, as well as with negative emotions and the evil eye) must be warded off, discouraged, and good luck and blessings can be attracted, through poojas (prayer) and physical symbols of luck like the nimbu-mirchi, along with a person’s own lifestyle and deeds (their karma).

Udala~ Folk Object/Legend

Nationality: Nigerian American
Age: 56
Performance Date: 3/30/2020
Primary Language: English
Language: Igbo

Context: Udala Tree is a folk object/legend native to my dad’s village of Onitsha. He knows about this legend because he is a titled man just like his father before him, hence why knowledge was passed down to him.

C: Udala tree is a sacred tree in Onitsha that can only be used by titled men[Ozo title and members of Abalenza] who are the spiritual and cultural leaders within the village. The Udala tree is a powerful tree that is kept as a means of communing with one’s ancestors. Titled men receive what is called an Osisi, which is made from parts of the Udala tree. The Osisi is a staff that has immense power as it too is a means of communing with one’s ancestors and is connected to the Udala tree. No portion of the tree can never be given as a gift because it holds immense power that could possibly be used for evil doing and should not be given to those without the proper understanding of its potential.

Thoughts: I think this is really interesting and is something that I never really understood until now. Growing up my dad was always telling my brother and I stories revolving around his childhood and in particular my late grandfather who was a titled man who was widely respected in his village. Similar to my grandfather, my dad is also a titled man and is designated as a spiritual and cultural leader within his village and in our family as well. The description of the Udala tree is eye-opening because it represents a sacred folk object for men like my dad. Tapping into my memory, one instance stood out to me that became more clear because of the description of the power held by titled men. I remember that my dad would refuse to pray when he was angry. I never really understood why, but in seeing the power he held it makes sense[i.e. It would not be wise to pray angry because you could unintentionally wish harm or do harm to someone out of anger during prayer].  I am unsure in my dad’s description, however, as to whether this tree is real or only a legend passed down by titled men. I know there are some things that my dad refuses to tell me because I am not yet ready to learn or even understand the things that he does, but I hope to eventually verify whether or not this sacred tree is in fact real.

Mardi Gras Cups

Residence: New Orleans
Performance Date: 4/20/20

Main Piece:

SG has been to Mardi Gras almost every year since she was a little kid. Decorated plastic cups are a typical throw in every Mardi Gras Parade. Parades, known as Krewes to the locals, each have a unique name and theme to them. Riders in each parade have “throws”, which are items riders throw off of floats. These commonly include beads and doubloons, but what is solemnly talked about is cups. Cups are a collectible item during Mardi Gras as they have more value than most other throws. Not only can you keep it as a memorate of a parade, but you can use it for years to come. Families collect these and use them as normal drinking vessels in their homes and lives. Go in any cabinet and next to the glass cups you will find various Mardi Gras cups themed to each parade.

A Swig of History: The Mardi Gras Cup | Where Y'at
https://www.whereyat.com/a-swig-of-history-the-mardi-gras-cup

Context:

SG is my mother and has been to Mardi Gras with kids since I was born. She is from New Orleans and attends every year. This was taken during a conversation with her in our backyard while reminiscing Mardi Gras. She still collects cups and send me them each year.

Thoughts:

As a New Orleanian and a avid fan of Mardi Gras, as I have been many times before, I did not realize that this was not much of a practice outside of New Orleans, collecting cups to use throughout the years. For instance, after my first year at USC, I missed Mardi Gras for the first time in my life. As a response I got my parents to ship me a King Cake and some decorated cups. In the house I was living in, I used them frequently, and people always commented on the designs on the cups calling them unique. I was so used to using the cups that I never took a moment to think about the designs. Each design reflects the idea of that parade. Krewe D’etat, a parade devoted to a satirical take on the previous year, would have cups that mock events from the last year. Krewe of Muses, an all female parade, would have cups with feminine symbols such as the iconic red lips symbol of the krewe. Each design is unique and can only be gotten if one attended that parade in that year.

Muses Decorated Heels

Nationality: American
Age: 20
Occupation: Student
Residence: New Orleans
Performance Date: 4/20/20
Primary Language: English

Main Piece:

According to EG, a resident of New Orleans, Muses is one of the first all female parades in Mardi Gras. To set it apart from the other parades they started throwing decorated heels. Each rider decorates their own shoes and put their spin on them, with glitter, writing, and designs. It turns into a pretty sculpture of a shoe. Each rider decorates 10-12 shoes and throws them off of their float during the parade. She has caught 3 shoes in her time at Mardi Gras and she considers it a symbol of New Orleans Mardi Gras. Because of muses other parades have started to throw other items like it. Other parades like the Krewe of Tucks and the Krewe of Nyx throw decorated toilet plungers and purses respectively.

Context:

EG is a college aged resident of New Orleans. She was born there and has lived there her entire life. This was collected in a conversation at my home. She has been to Mardi Gras every year since her birth and considers it to be a central part of her life.

Thoughts:

I, also being a resident from New Orleans, understand this piece of folklore very well. The heels thrown from the float are a sub-genre of what is know as throws, or things float riders throw off a float during a parade. Beads and Doubloons are what people mainly consider as Mardi Gras throws, but there are many more. Cups, spears, and as EG mentioned, heels and other decorated items are all throws that separate one parade from another. I think the main reason for these throws is that each has a distinct item that not only tells a story of the rider and the parade, but something you can only get if you participate in or go to the parade during the season.