Tag Archives: peacock feathers

White Peacock Encounter & Mythology

Nationality: American
Age: 52
Occupation: Director of Student Engagement for the Office of Religious and Spiritual Life
Residence: Los Angeles, CA
Language: English

Text: “So, I was in Scotland for my fortieth… Forty-fifth birthday. Fortieth birthday. Forty-fifth birthday. Yes, I’m sorry, I was in Scotland for my 45th birthday, and I was on my way to find Iona Abbey, because Iona is the birthplace of Scottish Christianity and is kind of a pilgrimage site. But to get to Iona Abbey, you have to go across several little tiny islands to catch a ferry over to Iona abbey. So um.. and these little tiny islands have like a one lane road.

“So, my honey bun and I were driving on the last… across the last little island to catch the ferry. When we came around a bend in the road, out in the middle of nowhere, no like, country, and there was this beautiful white peacock with its feathers fully displayed, standing in the middle of the road, just looking at us. So I freaked out. I’m like, ‘oh my god you see that white peacock?!’ So the white peacock is just standing in the middle of the road looking at us, and we’re looking at the white peacock. And it didn’t move, and it just had its beautiful feathers displayed. And I knew that that white peacock was there for me, I just didn’t know what it meant. But I knew it was there for me. It did not move until we started to creep the car forward, and when we finally started to creep the car forward a little bit, it moseyed — you know, in Oklahoma terminology — it just moseyed off the road. Um… but it was gorgeous, and I’d never seen a white peacock in the wild, and I certainly had never come around a bend and had one waiting for me. But I felt like that peacock had been waiting for me. So I was mesmerized, and if we hadn’t been in a hurry to catch the ferry — because we were catching the last ferry over, and we were of course running late — I would have gotten out and, you know, tried to interact with this peacock. So it always haunted me that I never interacted with this white peacock, because I knew it was there for me.

“So fast-forward to when I’m 50, and I’m reading a book by Meggan Watterson, who’s a Harvard-trained divinity scholar, and it’s called The Sutras of Unspeakable Joy, and I think it was sutra number 14… I think it was 14. She has a line in it that says, ‘I am nothing more than the albino peacock of my own incandescent soul.’ Well, the moment I read that line… You know those moments in life where your whole body goes aflame, you’re like, “Wah!! What does this mean?” It took me down lots of rabbit holes where I was trying to understand the symbology around white peacocks in particular, not just peacocks but white peacocks. Well, there’s a lot of different things. One is that if you see one, it portends that you are on the right path, and because I was sort of on my pilgrimage at that age, I was like ‘yes, this is — I’m on the right path.’ I was sort of starting my path towards my spiritual sovereignty, so for me it was about spiritual sovereignty, and just knowing that I’m on the right path. But there’s a whole mythology around white peacocks that’s connected to Kuan Yin. And I’m gonna totally butcher this, but I want you to look it up. If I could go back to my journaling, I have it written down. But Kuan yin at some point, a goddess, was incarnate. By choice, because she wanted to be here to help the humans. And for some reason she had to go back to wherever that is. And she, like…. um… See, I’m not gonna say this very well, but the mythology is that the eyes on the peacock? She’s the one who created the eyes on the peacock. And the eyes on the peacock are supposed to be looking out for humanity while she is not here. While she is, you know, on the side of the gods and goddesses — the eyes of the white peacock are supposed to do that work for her.

“I just thought that was really cool because part of my growing up years, you know, I did my doctoral research about abusive Christianity, and I framed that through a panoptic gaze, and a punitive gaze, and it was so lovely to have a different framing of a gaze… And these eyes on the peacock feathers were a loving gaze, and a watchful gaze, but in protective way, and not like a “Let me see what all you’re doing wrong,” you know that kind of a gaze. So that’s partially why it was so striking to me. But look up the mythology around white peacocks, its pretty cool. And so now white peacocks are one of my… Totem animals, spirit animals? I don’t know what you would call it, but yes, there’s the story.”

Context: Informant RS is a highly educated individual from the Oklahoma with multiple PhDs. A key part of her life was recognizing and healing from the abusiveness of the religious tradition that raised her. After graduating college, she spent many years exploring different spiritual traditions that valued divine femininity, intuition, animism, and environmentalism. RS currently identifies as Pagan and feels a spiritual connection to Scotland, especially upon learning that she has ancestral connections there. She is also a Carl Jung enthusiast and values his theories of archetypes and synchronicity. Kuan Yin is the Buddhist goddess of compassion.

Analysis: RS’s experience with and reaction to the white peacock is reminiscent of various (and often overlapping) traditions including witchcraft, Wicca, Native American spirituality and Paganism that ascribe magical or spiritual powers to non-human beings. Thus, she interpreted the peacock sighting as a sign of guidance, protection, and compassion during a formative point in her spiritual journey. Her knowledge of Kuan Yin’s mythology in Chinese culture reflects her education and spiritual exploration, and she was able to translate her experience in terms of spiritual and religious folklore she had studied.

Theatre Occupational Superstition: Peacock Feathers on Stage

Nationality: American
Age: 53
Occupation: Adjunct Faculty at the University of Southern California
Residence: Los Angeles, CA
Performance Date: April 20th, 2012
Primary Language: English
Language: German, French

Interview Extraction:

Informant: “There are more explanations to this superstition than the one I know, but the one I am aware of is that peacock feathers have all these eyes.  And that you either don’t want all those eyes staring at you, or you don’t want all those extra eyes taking away your eyes as an actor.  But I think there are more versions of that story.  There is something that is connected to the past on that one.  And that is one that, more than the others that I know of, some of the old actors take that one really seriously.  And I’ve always felt that if someone involved in the production does believe in that superstition, honor the superstition and don’t use the peacock feathers in the production.  But that is one that they have the right to have that superstition, because you don’t want that competition with all those eyes.”

Analysis:

In my research I was not able to determine the historical reasoning behind why peacock feathers are unlucky in theater.  However, the idea that peacock feathers are unlucky is not unique to theater and can be found in British superstition and Greek superstition, which features the idea that the peacock feathers contain the Evil Eye.  Perhaps because the theater has such a strong heritage from England and Greece, these superstitions have become integrated into theater superstitions.

My informant draws particular attention to the idea that having extra eyes on the actor is bad luck.  In this logic, I don’t understand why having extra eyes on the actor would be a bad thing because you want the attention to be on the actor.  But if the extra eyes are symbolic of the Evil Eye, and we are looking at the superstition in that context than the lore makes more sense to me.  Having all those Evil Eyes on you is seen as bad luck in English and Greek cultures because they are thought to bring personal injury and misfortune to the person the Eye is on.  When an actor is trying to perform, all their focus should be on the performance at hand.  They can’t focus properly if they are worried about the ill fortune that the Evil Eye will bring to them.

The final idea is that you don’t want all those eyes to take away the audience’s attention or ‘eyes’ is also a possible theory.  In theater the attention should be on the performer, and it is considered bad taste to upstage the actor through the use of a flashy set or costume.  This is because it is the costume, lighting, and set designer’s job to make the actor look good, the focus should be on them.  As another one of my professors at USC wisely puts it, “if the audience is looking at that little detail on the set, than there isn’t something wrong with the set, there is something wrong with the actor.” Therefore, the use of peacock feathers taking away from the attention of the actor possibly comes from the idea that they are very beautiful objects and thus distracting.

My informant was born in 1949, Connecticut.  He works as a costume designer in the entertainment industry occasionally, and serves as the head of the USC costume shop in addition to being a faculty member for the USC School of Dramatic Arts.  He has more than 40 years of experience in the theater.