Tag Archives: playground games

Slide Hand Game

Background

Informant is a friend of mine from high school. She is now a junior at USC. She is a first-generation Vietnamese American, and is from Woodbridge, Virginia. She does not have any specific religious affiliations. We both attended The Madeira School, although she graduated two years before I did. Various alumnae were interviewed to compare versions of the same lore from the school. She is referred to as “AH”.

Context

I asked the informant about any playground games she liked as a child.

Content:

Interviewer: And can you explain a like playground game and the rules of it? Like that you just played as an elementary schooler or, or like your favorite one?

AH: Let me think. I am going to go with slide just because that was something my sister taught me. Um, so basically you start, you have a partner and you’re sitting face to face and you put your hands. Out in a parallel like form and you slide with the other person, you like alternate hands and slide, and then you clap and then it goes back and forth. So each round you increase by like one. So you start, you clap, you clap hands. One on each. I don’t know how to describe this verbally. Um, but yeah, you clap one hand, one hand and then you go front, back hands and then clap again. And then the next round starts and you do it twice. So two claps and then two front and back, and then it just goes on until someone messes up.

Analysis

As this explanation is fairly confusing without the attached video of what her hands were doing while she explained this game, I have attached a link to a YouTube video of girls doing the exact game that AH explained. This game is fairly ubiquitous among girls and nearly all of them know how to play it, or have a history of playing it, even if they don’t remember the specifics. AH wonderfully mentions that her sister taught her “slide”, showing how these games can be relevant not only to schoolmates, but sibling and family relationships as well.

Annotation

Video: Splash Games. “Hand Clapping Game “Slide””. Jun 10, 2009. https://youtu.be/QXJsX7T8fYM

Down by the banks

Nationality: American
Age: 20
Occupation: Student
Residence: Los Angeles
Performance Date: 4/29/21
Primary Language: English

The informant explained that this is a hand game or clapping game she used to play at summer camp in between activities with the other girls who were in her cabin. Her estimate for when people play it is ages 6-12. You learn it by playing and other children explain it to you. She also said that this game” slaps” and would totally play it today.

SD: The song is:

Down by the banks of the hanky panky

Where the bullfrogs jump from bank to banky 

With an eeps opps soda pops

Hey mister lilypad went kerplops

So, you sit in a circle with a group of three or more typically and each person has their right hand on top of the person to their right’s left hang. So your left hand is under someone’s right hand and your right is on top of someone’s left. Then while you’re singing the song, every word, there’s a beat on every word, where you slap your right hand onto the person to your left’s left hand and you go in a circle until the song runs out and on the last beat kerplop, the person who is hitting is trying to slap the person to their left’s right hand and that person is trying to avoid getting slapped. If you get your hand slapped, you’re out, or if you try to hit the person’s hand but you miss because they’ve moved their hand out of the way, you’re out. And that keeps going until there are two people left. Then the last two people lock right hands and pull back and forth on the beat of the lyrics and at the end whoever pulls the other person toward them wins.

Context: This piece was collected during an in person conversation.

Thoughts: I was surprised when hearing the informant’s version of this clapping game because I played the same game with different lyrics. This is a common game I played in PE and at recess, taught by other children. So it is passed on from child to child through their community. It’s also clear that it exists in multiplicity and variation given that I grew up on the other side of the country and played it the same way, albeit with different lyrics. There also seems to be an oppositional issue that comes to play in children’s folklore as there is a male vs. female aspect of this game that changes; she said she played it with only girls, while I played with both genders.

Miss Mary Mack

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Nationality: American
Age: 52
Occupation: Appointment Coordinator
Residence: Cloverdale, California
Performance Date: May 1, 2021
Primary Language: English

Background:

My mother, the informant for this piece, tells me that it’s a handclapping game she learned on the playground while growing up in Cloverdale, California during the 1970s. Additionally, she notes that it was one of her favorite games which is why she remembers it so well.

Context:

This handclapping game is played by singing the song below, accompanied by a rhythmic pattern of three claps–one during each of the three words in each line. My informant also stated that it can be played at twice the speed, or started slow and gradually increased; this version of the game is usually played as a competition, and the first person to make a mistake loses.

Main Piece:

“Miss Mary Mack, Mack, Mack

All dressed in black, black, black

With silver buttons, buttons, buttons

All down her back, back, back

She asked her mother, mother, mother

For fif-ty cents, cents, cents

To see the elephant, elephant, elephant

Jump the fence, fence, fence

He jumped so high, high, high

He touched the sky, sky, sky

And didn’t come back, back, back

‘Til the Fourth of July, -ly, -ly

Analysis:

This playground game could be as innocent as it sounds, or, like a great deal of other children’s folklore, could have some kind of metaphorical meaning. If this is the case, it sounds like miss Mary Mack is a young girl who recently lost her father, indicated by her mother’s dressing in all black. Following the same train of thought, the fifty cents she asks for could be the symbolic payment for the ferryman her father needs to pass through the underworld, as was popularized by the Greek myth of Charon. Additionally, the elephant touching the sky and not coming back ’til the Fourth of July could be symbolic of the girl’s father reaching heaven, subsequently being celebrated on the Fourth of July. For this last part to be the case, however, the song would have to have its roots in the Revolutionary War era, which could be possible.

Rock Paper Scissors – Hiroshima

Nationality: American
Age: 19 and 15
Occupation: Students
Residence: Boston, MA and Salt Lake City, UT
Performance Date: April 22, 2020
Primary Language: English
  • Context: The informants are two teenage boys, one 15 (B) and one 19 (A), who took upon the task of explaining rock paper scissors. At first they explained the simple game used to decide the winner in a tie or make a decision between two options, but as the time went on, they explained variations of the game. By adding the words gun, bazooka, nuke, Hiroshima, or God the game is continued on beyond the three options of playing rock, paper, or scissors to ensure an immediate victory.
  • Text:

B: “I say Rock, Paper, Scissors like a… a… a sane person…”

A: “I do as well.”

B: “And you have to go ‘Rock, Paper, Scissors, Shoot!'”

A: “This is an audio… they can’t see your hands dude.”

B: “Ohhh…. so you have a closed fist and you hit in on your hand… and you go ‘Rock’ and you lift it up and hit it again and you go ‘Paper’… lift it up… ‘Scissors’… lift it up… ‘Shoot!’… and on ‘Shoot’ you show, well, a hand motion you want. And I always go with gun because gun can kill anybody.”

Me: “What’s gun? You can do Rock, Paper, Scissors, Shoot! and do a gun?”

B: “No, it’s just uh…”

A: “No. That’s like a joke people do… but the real game…”

B: “There’s more.”

Me: “Tell me about all of them.”

B: “So there’s like Rock, Paper, Scissors, Shoot! Bazooka. Or Rock, Paper, Scissors, Nuke. Or Rock, Paper, Scissors, Hiroshima.

A: “Oh God. Don’t say that.”

Me: “So what do all of the different ones do?”

B: “It’s a thing!”

Me: “It is a thing. So what do all the different ones do?”

A: “They just all try and one-up each other.”

Me: “Okay. So what do they mean? What’s rock?”

B: “Hiroshima blows up the person.”

Me: “What about Rock, Paper, and Scissors?”

B: “Rock is a Rock and Rock beats Scissors because they can break the Scissors. Scissors beats Paper because ‘cus they can cut the [Paper]. And somehow Paper beats Rock ‘cus it can cover [the Rock].”

Me: “And what’s a Gun kill?”

B: “Anything. Bazooka kills a Gun. Nuke kills Bazooka. Hiroshima kills a Nuke.”

Me: “Why don’t you say those when you’re…”

A: “Because one of those is very… uh…”

B: “Overpowered?”

A: “Well no, not overpowered. I was going to say not politically correct.”

B: “Sorry!”

Me: “So it stops at Hiroshima?”

B: “No you can go to like GOD.”

A: “It stops at…”

B: “GOD!”

Me: “God kills Hiroshima?”

A: “God kills everything, unless you pick something that kills God. It can go on forever which is why I just like doing Rock, Paper, Scissors.”

Me: “When do you play this?”

B: “Say if you were playing like a tag, like um… a game in P.E. and the P.E. teachers had you like you play Rock, Paper, Scissors so you can advance. You would always go Rock, Paper, Scissors, Hiroshima…”

A: “If there’s a tie.”

Me: “If there’s a tie?”

A: “If there’s a tie in a competition they do Rock, Paper, Scissors a lot…. Anyway… but what we were talking about before [B] went off on that tangent was…”

B: “That wasn’t a tangent.”

A: “…was the different versions of how to say Rock, Paper, Scissors which is… the two I have heard is Rock, Paper, Scissors and then people in Australia and then some other Asian countries say Paper, Scissors, Rock. And that’s the norm over there… I don’t know why…”

B: “Ive heard some people say Scissors, Paper, Boulder.”

Me: “Boulder?”

A: “What the fuck are you talking about bro?”

B: “Yeah! I know this kid… he goes Scissors, Paper, Boulder.”

Me: “Where is he from?

B: “Utah.”

A: “He probably made it up.”

B: “Or the weird kids who don’t even play Rock, Paper, Scissors. They go ‘Rock, Paper, Scissors, I beat you’ and then they run away. Those are the worst kids.”

Me: “So how old are you when you play Rock, Paper, Scissors?”

B: “Any age.”

Me: “Every age plays Rock, Paper, Scissors? Like if you’re in a business deal are you playing Rock, Paper, Scissors?”

B: “Most likely not.”

Me: “When do you stop? What kinds of decisions do you use Rock, Paper, Scissors for?

B: “Like if you’re playing like a team sport, in like P.E. you can play it… if you… if you’re trying to decide who… uh… who won… but like it’s a very close call, you can play it… um… if you’re trying to decide who to kick off your team you can play it… oh yeah… just like very simple decisions. Like I’m pretty sure when America signed that agreement with Japan so we would stop fighting each other they played Rock, Paper, Scissors. Maybe that’s why we say Hiroshima.”

  • Analysis: I played rock paper scissors as child in school when decision making, and even use the game to this day when making insignificant decisions. That said, I had only ever known of the first three options of displaying either a rock, scissors, or paper. No one has ever played a gun, bazooka, nuke, “Hiroshima” or GOD against me. Each of these tries to one up the next. For example, hiroshima kills nuke, nuke kills bazooka, bazooka kills paper, paper covers rock, rock smashes scissors, and scissors cut paper. I believe kids added in the extra terms for a few reasons. One to try and “out-kill” their opponent. Another to create an in-group and out-group of kids who know the alternate rules and kids who don’t. And lastly as a form of dark humor, poking fun at tragic historical events and utilizing their knowledge of the events in a game used mostly for mundane decisions. I would account for the variation in order of Rock, Paper, Scissors to regional differences in the way the game is taught.

Cinderella Jumping Rope Rhyme

Nationality: American
Age: 20
Occupation: Student
Residence: Los Angeles, CA
Performance Date: 04/27/15
Primary Language: English
Language: french

The informant is 20-years old and finishing her sophomore year at USC. She is a Business and Music Industry Major, is involved in several on-campus organizations such as Concerts Committees. When she’s not doing her school work or work for clubs, she enjoys running, taking hikes, and going to concerts. She grew up in Washington with her mom, dad, and two younger sisters.

 

Informant: “I guess something I learned from other people would be jump roping rhymes. I was super into jump roping with my friends when I was in elementary school. Even into middle school we would play Double Dutch. It’s just an easy thing to play—jump-roping. Like all we needed to have with us was the rope.”

 

Interviewer: “Do you have a favorite rhyme you want to share?”

 

Informant: “I wouldn’t say I have a favorite…But one I think is really weird. Haha. Probably the most bizarre rhyme that circulated around is one about Cinderella. We would sing:

‘Cinderella dressed in yellow

Went downstairs to kiss her fellow

On the way her girdle busted,

How many people were disgusted?’

And then you’d count off 1, 2, 3, 4, etc. Until whoever was jumping rope tripped. And then the song would start all over again.

 

Thoughts: It’s funny that my informant learned this Cinderella rhyme for jumping rope in Washington because I learned the same one in the suburb of Chicago where I grew up. I remember seeing some kids recite it while jump roping, but where I heard it the most was in the figure skating community. I figure skated for ten years and when we had shows, all of the younger kids would convene in a sort of backstage/holding area when we weren’t on the ice. We used to play all sorts of games to pass the time and one game was a one where everyone sat in a circle with their hands touching and we would go around the circle as we sang this song slapping the person’s hand next to us, and when we got to 10, the person whose hand was slapped got out. This seems like a good example of how folklore travels, or of polygenesis, and how it attains different uses and practices as it is spread.