Tag Archives: theatre

“Don’t Use Children or Dogs in Theatre”

Nationality: British, American, Canadian, Indian
Age: 40
Occupation: Actor, Director, Producer, Teacher, Consultant and Coach (spoken work and performing, arts)
Residence: Los Angeles
Performance Date: April 27, 2013
Primary Language: English
Language: Sindhi, Spanish, French

“Don’t use children or dogs in theatre.”

 

In theatre, the informant said it’s supposed to be bad luck to use children or dogs in a show. In the informant’s first full run production of a play (as a producer) in 2010, he used several children and one dog. He said that the belief ma be valid because children often have varying degrees of discipline, and both they and dogs can be distracting to audiences. In this production, the informant said the dog pulled focus (her tail was moving back and forth “like a flag” much of the time because she was so happy to have attention).

The informant learned of this when he started doing theatre 10 years ago. He regularly hears it from theatre professionals. He says that because audiences love kids and dogs, they often find them more entertaining than the actors, which is not ideal for those putting on the play. Ultimately, he has found that dogs and children may be difficult to work with, and may steal focus.

Understandably, dogs and children are very distracting because they are so easy to focus on (many YouTube videos will attest to that), so this belief makes sense. However, it could become problematic for productions that require children or dogs because adults dressing up as either could also be distracting. This also causes me to question whether or not writers steer away from adding children or dogs to their plays.

Riding the Pony

Nationality: White
Age: 20
Occupation: Student
Residence: Los Angeles, CA
Performance Date: 4/25/13
Primary Language: English

“One of them, our biggest one, was called ‘Riding the Pony’ and you might’ve, I might’ve told you about this before, or something, or you might… other people do it too. Yeah, it’s a bunch of people standing in a circle and then people will go in the middle, like 5 or 6 people will go in the middle, and then everyone goes: ‘C’mon baby let’s ride that pony. C’mon baby let’s ride that pony.’ And under that, while that’s happening you’ll, the people in the middle, will run around the circle and then they’ll find someone, so it’ll go: ‘C’mon baby let’s ride that pony. C’mon baby let’s ride that pony.’ You go ‘front, front, front’ and then you go, ‘side, side, side’ and ‘back, back, back’ on them and then you say, ‘This is how we do it.’ And you switch and then new people come in and do it so it’s just, like ‘C’mon baby let’s ride that pony. C’mon baby let’s ride that pony. Front, front, front. Side, side, side. Back, back, back.’ Switch. And you do it. And you just do it a million times, um, and it’s really fun ‘cuz when you’re doing the ‘front, front, front’ part, people are, like, grinding up on each other and stuff. And in the back you’re, like, hitting your butts on each other and just pushing each other out of the circle. So that’s a huge, like, energy thing for us that we would do.”

My informant was very involved in the theatre program at his high school, Dos Pueblos High School, in Santa Barbara, CA. This was a game that the casts of shows he performed in would play before a performance. It was a fun thing to do, but also a good warm-up to increase energy before a performance. My informant enjoyed telling this story and he laughed about it a lot.

Improv Warm-up Rituals

Nationality: Caucasian
Age: 20
Occupation: Student
Residence: Los Angeles, CA
Performance Date: 4/25/13
Primary Language: English

“So in improv, because usually there’d be a lot of improv people, within shows, we would get together and, um, the girls would do something where they would just, like, talk about being womanly and then would do– they just go, “fem, fem, fem-prov” and it was femprov. Um, and then the guys would get together and we’d huddle together and this was, like, a big secret thing that no one knew what we did, but we’d go in, like, a corner, like, far away from everybody else and we’d, uh, start slowly, really slowly chant, we’d start chanting the words: “Gay, penis, sodomy, gay.” (LAUGHS) And we start really quiet. You go, “Gay, penis, sodomy, gay.” And you get bigger and bigger and bigger. Do you remember the ‘rape, kill, pillage, and burn?’ That they do here? It’s like that. You just get bigger and bigger and bigger in your circle and you run round and round and round and round and you just finish going “GAY, PENIS, SODOMY, GAY” just like running around. It was really weird but just a lot of warm-upy– like feel connected…

We’d also get all the improv people together and play something called “Golden Ball of Light” where—this would take forever—but, um, you stand in a circle and, um, you say, ‘Imagine that there is a golden ball of light starting at your toes and it’s working your way up. And now it’s into your feet. And there’s a golden ball of light and it’s covering all of your feet and everything’s, from your ankles up now,’ and you’d just work your way up… and once your body’s covered, which takes such a long time. Cause like, ‘Oh, it’s in your hair, it’s coming out of your hair…” And then the golden ball of light is—and everyone’s supposed to have their eyes closed just focusing on this golden ball of light—it comes up and it connects you to all the actors in this room, and now it’s going up it’s connecting to all the audience members and all that And it’s connecting you to anyone who’s ever been in a show before. And then just all of humanity. And now it’s, the golden ball of light, it’s up in the universe and you just feel it, you feel everyone’s presence, you feel everyone. And then you take a deep breath. So its just… it’s one of those things, ya know.”

My informant remembered quite a few rituals that were done in theatre at his high school. He enjoyed remembering all the details about somethings he hasn’t done it quite awhile and said that discussing them made him very nostalgic. Theatre games and warm-ups are done almost always when performing. Not only is it beneficial for cast energy, it is also a way for the cast to bond together.

Backstage Rules

Nationality: American
Age: 19
Occupation: Student
Residence: Santa Fe, New Mexico
Performance Date: April 29th, 2013
Primary Language: English

“At the Greer Garson theatre, absolutely NO non-performing arts majors are allowed backstage. There’s no other reason, okay, well maybe it’s a slight liability issue too, but the belief it is bad luck to have an audience member or such behind the scenes.”

My actress friend told me this. In my experience, thespians are a pretty superstitious bunch. However, I imagine this practice originated in the practical issue of actors and crew members not wanting to have to deal with extra people getting in the way of heavy moving sets and quick changes.

Mopping a Theatre Floor

Nationality: American
Age: 19
Occupation: Student
Residence: Santa Fe, New Mexico
Performance Date: April 29th, 2013
Primary Language: English

“Mopping the floor after every strike is supposed to symbolize the completion of a show and the allowance of another one to be built on the same place. That and it makes everything all shiny and such.”

This cleansing ritual is used as a transition between shows performed in the same theatre. In my high school, the honor was only performed by seniors, but in the informant’s theatre it is open to anyone and everyone who wants to help ease the transition between shows and mark the liminal phase. It probably started out of the necessity of cleanliness, and stuck around as a transition  ritual.