Tag Archives: #tradition

New Month Prosperity

The Story:

“A tradition I grew up seeing was on the first of every month take a handful of cinnamon and blow it out on your doorstep from the palm of your hand. It’s  so  interesting. It was meant for prosperity, to bring prosperity for the new month. I think this is more of a witch spell type thing, I don’t think it’s cautionary really, but it’s just for you to bring abundance and prosperity to your front door, on the first day of the month.”

Reflection:

The informant showed an example of ritual with the historical link to voodoo and magic. The tradition of cinnamon and the first of every month with the blowing action frame this to be a prosperity spell originating from a folk group. Additionally, something I noticed from the information was the acknowledgment of these spells, but they did not participate. It allowed for the informant to talk about how they appeared in their life while also being able to objectively inform me, an outsider, on the origin and the purpose behind these spells. This allowed for a nice insight of folk magic and just how deeply they are rooted within a folk group, even if it is not practiced by every single folk member. In this case, it was not an active ritual, but had enough significance to still be acknowledged by the informant. The timing of this ritual also shows the importance of calendrical rituals in this case and how they can be the backbone behind certain rituals within a folk group. 

Kola Nut Offering

Age: 20

The Story:

So this story is about the kola nut. It’s not really about the nut itself, it’s an offering. The kola nut is the center of the prayer, and the prayer revolves around the core of Igbo tradition.

We believe in three chis. There’s Chukwu, which is God. And then there’s chi, which is like your guardian angel. My great-grandfather would break the kola nut in his house before he left the house. The prayer invokes your chi, invokes Chukwu to guide your steps. It also invokes an internal ethics, don’t do to someone what you wouldn’t want done to you. That’s the traditional religious version.

When someone comes to visit you, you don’t do anything until the kola nut is broken by the owner of the house. By breaking it, you’re signifying that whatever you do in the house will not harm the others. Usually the oldest male present breaks it. At events, the kola nut is broken as a symbol of peaceful coexistence. But in some Igbo traditions, only women with titles can break it.

At weddings, the nut is divided into two. The father of the bride or the bride’s kinsmen offer the kola nut to the guests. There’s a prayer for the couple to have children. If it breaks into four segments, that’s a good omen, it means the couple will have luck, lots of babies. The kola nut affirms the union of families.

Reflection:

The informant’s story reminds me of UNESCO’s Intangible Cultural Heritage (ICH) framework. The kola nut ceremony has Turner’s “two poles of the symbolic”: a sensory pole (the nut, the breaking) and an ideological pole (prayer to Chukwu, peaceful coexistence). When the nut breaks into four segments, the ritual is complete and there is a superstition grants peace and mutual existence between the two parties. The “three chis” reveal how ritual encodes worldview.

Additonally, I believe this ritual combats the Western framework of ownership. The kola nut ceremony cannot be copyrighted, as it belongs to the Igbo community; however, ICH designation risks “fossilization” or freezing a practice that was never frozen. The informant’s great-grandfather did it. And the informant plans to do so in the near future, so the chain of the tradition won’t be broken.

Reid Hall Customs

Text:

“It’s almost like a respect thing — treating Reed Hall as a nice place, you know? Like, you’ll go to other places to be rowdy and stuff. But Reed Hall is supposed to be the place where you are, like, content and calm. So I think it is just a respect thing, because it is like someone’s house, and you’re made very aware of that.”

Context:

The informant attended a private boarding school in Illinois, which dated back to the 1800s. The school’s original headmaster lived in a building, Reid Hall. Pictures of the building during the headmaster’s residency were made visible around the building to mark the historical continuity. The informant initially shared this tradition during winter break, after insisting that the lights be turned off before we left the building, and later reflected on it.

Analysis:

Reed Hall illustrates how place-based folklore can come from more than fear-driven origins. Many campus ghost legends function as a form of protection, keeping certain spaces intact and, over time, evolving into etiquette. Instead of the building behind being haunted, the students were clear that it was someone’s house, fostering a behavioral norm of care and respect. The folk belief has moved past supernatural claims and has actually been folded into the school decorum. The informant’s insistence on turning out all the lights is evidence of successful folk transmission: the etiquette has been internalized and can now operate on a subconscious level.

Money Spraying

Text:

“People will come forth and spray them with money to show love and support — and oftentimes, if it is something like a service of songs, it’s also financial support in a time of need. So essentially, the celebrants are just dancing in the middle, and then people will come with dollar bills or sometimes five-dollar bills. Typically, it’s small amounts because what matters most during this act of celebration is that there are a lot of bills on the floor. People essentially shower the celebrants with money.”

Context:

The informant is a 21-year-old of Nigerian descent who recounted a money spray at her own graduation party. A common practice in Nigerian celebrations, especially those with Yoruba and Igbo roots, is for guests to dance up to the person being honored and press or toss currency against them as a blessing and a show of collective support. She recalled the experience as joyful and deeply validating, noting that the loving words accompanying the spray added a layer of emotional richness that far surpassed the monetary value of the act itself.

Analysis:
Money spraying is a cross between material gifting and ritualized blessing — economically meaningful, and symbolically prophetic all at once. The bills are not for the practical transfer of wealth. Their value is in their accumulation and display. A floor covered with money is a visual statement of the collective love, communal investment in the future of the person being honored, and the strength of the social network surrounding them. This is consistent with what folklorists refer to as “gift folklore”: exchanges in which the social relationship enacted and reaffirmed is more important than the object given. For the diaspora, where Nigerian and American cultures coexist, the money spray also serves as an assertion of ethnic identity, a way to mark a celebration as uniquely Nigerian, even when it occurs far from its place of origin.

Trevi Fountain

Text:

If you ever visit Trevi Fountain in Rome, toss a coin over your shoulder into the fountain. This is so fate will bring you back again.

Context:

This is a commonly referenced tradition for tourists to do when visiting the Trevi Fountain. The informant for this article was told this in preparation to visit, and again when at the fountain.

Analysis:

This is a fun and very specific tradition that brings tourists together and makes them feel more connected to the Trevi Fountain. It also connects them to one another, as they see others doing it, they tell their friends who have done it before and trade stories, etc.