Tag Archives: village

Text: In 2004, a vengeful spirit forces a Bhawanigarh family to abandon their mansion. Decades later, Ruhaan and Reet, mistaken for dead, hide there, uncovering the spirit’s true identity as a family betrayal. The climax reveals a switcheroo between twins Anjulika and Manjulika, leading to a spectral showdown and a plea for forgiveness.

Context: My brother told me about a tale set in Bhawanigarh, where in 2004, a malevolent spirit forced a family to abandon their mansion. Fast forward to 2022, Ruhaan and Reet, who narrowly escape a fatal accident, seek refuge in this very mansion. Ruhaan becomes known as Rooh Baba, believed to communicate with spirits, amid the family’s misconception of Reet’s demise. The spirit’s identity is revealed to be Manjulika, Anjulika’s jealous twin, skilled in black magic. The plot thickens when the family discovers Reet is alive and Ruhaan’s pretended possession by Manjulika, who had been impersonating Anjulika all along. In a dramatic turn, the true Anjulika’s spirit traps Manjulika, advising the family to forgive Reet for her deceit. This tale, weaving through themes of supernatural revenge, mistaken identities, and familial bonds, culminates in a haunting yet poignant resolution, where the spirit’s entrapment brings an end to the family’s curse, leaving a lingering question of forgiveness and redemption.

Analysis:

The tale from Bhawanigarh intertwines supernatural vengeance with familial betrayal, reflecting deep-seated cultural values surrounding family dynamics and redemption. The malevolent spirit, Manjulika, driven by jealousy and skilled in black magic, embodies the dark consequences of familial discord, resonating with Domino Renee Perez’s observation that folklore figures “wield power by making often incomprehensible and at times contemptible choices” (Perez 155). The narrative’s twist, revealing Manjulika’s identity through a twin switcheroo, delves into themes of deception and truth, showcasing the cultural fascination with doppelgängers and the supernatural as mirrors to human psychology.

The climax, marked by a spectral showdown and a plea for forgiveness, underscores the cultural emphasis on reconciliation and the healing potency of forgiveness. This aligns with the belief in redemption’s possibility, highlighting the transformative power of understanding and absolution within personal and cultural realms. Furthermore, the mansion’s role as the story’s backdrop, abandoned due to the spirit’s wrath, emphasizes the significance of space in spiritual beliefs, akin to Ülo Valk’s analysis of how environments shape folklore (Valk 31).

Greek Mountain Village Tale

Text: In the remote mountain villages of Greece, connected by deserted roads, there’s a tradition: when faced with the unfamiliar, one should make the sign of the cross. A young woman was traversing these paths alone, a rarity as custom dictates that she should be accompanied by a male relative. Along her journey between two villages, she stumbled upon an infant. Initially, she felt no need for the protective ritual because it was only just a child. However, instinct prevailed, and she made the sign of the cross just before touching the baby. To her astonishment, the infant spoke in a chilling tone, revealing itself as a demon. It confessed that had she not performed the sign, it would have taken her to hell.

Context: When he was 12 years old, the informant  heard a story during a coffee hour following a Greek Orthodox church service. An elderly Greek woman, who had grown up in a small village but now lived in the Bronx, shared the tale, alternating between Greek and English. His mother helped translate parts of it for him. He noted that he hates the story and thinks it is “hickish” and backwards. He thinks that it’s very uneducated and the type of thing you would hear in a small town. As a Christian he doesn’t like that type of superstition/ fear element being connected to his faith.

Analysis: This story reflects the deep rooted christian beliefs held by those communities and their diaspora here. Greece has one of the highest rates of Orthodox Christianity in the world and when isolated in small mountain villages, stories like that definitely will arise. I think it reflects the dangerous conditions of the time, the informant specifically made sure to point out that the woman shouldn’t have been traveling alone because it was too unsafe but she was anyway. At the time in these tiny villages The churches were the sources of protection and knowledge for the people living there, and this story reflects that they listen to the Church’s authority. 

Lebanon Local Town Hyenas: legend

Nationality: Lebanese
Age: 18
Occupation: Student
Residence: Los Angeles
Performance Date: 3/21/23
Primary Language: English
Language: Arabic

Text: 

Me: “Did you grow up with any legends in your hometown?”

AH: “In Lebanon it’s all mountains, my house will overlook the mountains from a balcony, some noises that no one seems to know of can be heard every night, they sound just like hyenas, like the laughing noise that hyenas make”.

Me: “Oh- have you personally seen hyenas on the mountain?”

AH: “No, no one has ever seen hyenas there. People in my village simply believe that the noises come from a hyena-like person, almost like a werewolf. People in the village try to determine who is a true hyena-like person and they try to find out who could it be. People are determined to find out who it is so they can get them to stop laughing in order to let us sleep at night. However, my parents would always say don’t go to the woods or mountains…they would tell us to avoid it at all costs. So yeah, I always grew up hearing those laughing noises at night”.

Context (informant’s relationship to the piece, where they heard it, how they interpret it):

– AH’s relationship to this piece stems from his Lebanon hometown which allowed him to have various experiences as he would first-hand hear the hyena-like noises constantly in his childhood village. AH would hear this legend be talked about by his parents and from the people in his community. The hyena-like person concept was an idea that was constantly heard about all around town considering many wanted to find the person who kept them up at night. AH interprets this legend as a light-hearted concept within his town considering that not much attention has come about when it comes to doing something about the noises. Given that the village people are not adamant about calling animal control or the city police to investigate, AH interprets this legend as a fun idea that unites his entire community. 

Analysis (what kind of personal, cultural, or historical values might be expressed) YOUR interpretation:

– The overall cultural value within this legend stems from Lebanese culture considering the hyena-like creature is completely precise and embedded in AH’s Lebanon village within their overall lifestyle. Not to mention, the personal values that can be expressed within this legend is that it allows the individual to create different theories surrounding the noise because they have various personal experiences when it comes to hearing the noises from their homes; thus exemplifying their spiritual values. I see this legend as an overall concept of protection or nurture when it comes to the parent’s emphasis on not allowing their children to enter the woods/mountains. Whether the legend is true or not, I think parents use this idea as a tactic to keep their children safe and at home. Considering that I have never experienced any situation similar to this, I interpret this legend to be a nonchalant way for the village people to avoid the sounds in order to save them the trouble of getting to the bottom of what actually keeps them up at night. Not to mention, I interpret this legend as a uniting cultural phenomenon among many generations within their town. Despite the fact that I have never experienced anything similar to this legend, I have heard about similar legends regarding my Mexican culture. I grew up hearing about the legend of La Llorona which had similar motives of making children behave and to stay in at night in order to avoid danger. The legend of La Llorona can be seen as a different oikotype when it comes to the concept of behavioral legends. However, one distinctive difference from AH’s legend compared to La Llorona, was that I grew up knowing that kids in my school would participate in legend quests as they would go hiking in attempt to see if La Llorona was real or not instead of simply being scared and staying at home like the influence of AH’s legend.

Joint Marriages in Gujarat

Nationality: Indian
Age: 36
Occupation: Homemaker
Performance Date: 3/05/2020
Primary Language: Gujarathi
Language: Urdu, English

Context: The following is an account from the informant, a family friend. She told this during a conversation at a get-together.

Background: This information was regarding the wedding customs of her village in the state of Gujarat in India. She had firsthand knowledge from her family and her own wedding.

Main piece: 

Informant: In our village, it is common and customary to have big joint weddings. Families will get together and plan to have five or six different couples getting married at the same time. 

Me: So do they know each other, or are they just random couples from the village?

Informant: Since most people in the village are either related to each other at least distantly or know each other well, people can coordinate without much difficulty. Everyone gets together to help, and my own grandfather helped cook the food in traditional cauldrons. Usually it ends up working well, and is much more economical since multiple marriages happen at the same venue, and the attendees who would have otherwise had to have been invited separately can all come at the same time.

Me: Wouldn’t there be extra attendees because there are so many families?

Informant: No, most of the villagers will come to any wedding that is happening anyways, so the number is about the same as there would be for just one couple getting married.

Analysis: This is a unique way of performing the wedding ceremony that seems to work well mainly due to the close-knit nature of the village, especially since many of the families of those getting married are actually relatives, whether close or distant. It seemed surprising at first because usually weddings are considered to be a special event for the couple, but this style of marriage seems to have more of a social aspect.

Malewal of the Thieves

Nationality: Indian
Age: 55
Occupation: Financial Manager
Residence: San Ramon, CA
Performance Date: 4/26/20
Primary Language: English
Language: Hindi

Main Body:

Informant: So the village we come from? It’s called Malewal. Our ancestors, seven generations up from my dad, so nine generations up from you, there was Chandu, he was the first of two people who came and settled in our village. He shared our last name, he was our ancestor. So those two started the village and this is a story about Chandu.

So at some point in the past there was more than one Malewal in that area, so people would ask, “Which Malewal are you from?” And the Malewal we came from was known as “Malewal of the Thieves.” The story we heard, and I heard this multiple times is, well, Chandu was a farmer. Living hand to mouth most of the time. But Chandu, he also … at times … well he liked being a thief. 

And again, I don’t know the full story. But there was one time where – there was a town called Anandpur Sahib where Sikhism as a martial religion, the last guru, that’s where it started. Straight line, from Malewal, it’s around ten kilometers. There were a lot of Sodhis there, Sodhi is a last name, that was the family. It was a Sikh name. Apparently they were the descendants of some of the ten gurus. They were more affluent. And Chandu, for whatever reason, had enmity with them. So one night Chandu’s father-in-law is visiting, and it’s night and they go to sleep and their beds are right next to each other. So at night, he walks all the way to Anandpur Sahib. He steals a horse, he was a horse-thief. He comes back to our village but goes even further and drops it off at a friend’s house at another village.

The Sodhis come to Malewal in the morning, following footprints or whatever. They suspect it was Chandu. They accuse him but his father-in-law vouches for him saying that Chandu was next to him when he fell asleep and when he woke up, Chandu was still next to him. So the Sodhis had no proof. So that’s the story. And that’s why we’re from Malewal of the Thieves. Chandu was definitely a real person but I have no idea how real this story is. 

Background:

The informant is my father who was born and raised in northern India in the state of Punjab and immigrated to America over 20 years ago. He was raised for a time in a rural village setting which is where much of our family comes from. The village he came from, Malewal, is the center of this story. The story was well known not just within his village but within the surrounding villages as well. It was how people identified where it was he was from. 

Context:

I am back home due to shelter-in-place. One night when my family was sitting in the study I asked my father if he had any folklore samples I could add to the archive. This was one of the ones he shared with me.

Analysis:

I had never heard this story before and it was entertaining to hear somewhat of an origin story for my family. I could find no record of this story or of Malewal being referred to as “Malewal of the Thieves” anywhere online. However this story is very credible. We know Chandu to have existed and stealing a horse is a very doable action. While the story itself does not have much to analyze I think it’s interesting in how it shows how a village gets its name. How one story leads to a label surviving nine generations. Even now, when the other Malewal apparently has ceased to exist, my father says that locals still know Malewal as “Malewal of the Thieves.” While the validity of the story itself is unsure, its impact on how the village has been named and perceived is all too real.