Author Archives: Sonali Chanchani

Swedish Mythological Creature: Elves

Nationality: Swedish and English
Age: 21
Occupation: Student
Residence: Los Angeles
Performance Date: April 22, 2013
Primary Language: English

Contextual Data: After talking to me about the Tomten, my friend mentioned that there was a similar tradition of elves in Sweden. They are seen as these mist-like creatures that come out at night over the lakes. The following is an exact transcript of conversation.

Informant: “One that I also think is really cool to talk about is, um…Has to do with elves. And in northern Sweden, when the temperature starts changing in the summer, um, you’ll get these clouds of mist [Mimes a sphere shape with her hands] that show up on like the lake surfaces — so the surfaces of the lakes, and obviously Sweden is one of the places that has, like, a ton of lakes just from the glacial paths and stuff. Um, and so at night obviously the lakes will be completely flat and then you’ll see these like balls of mist and the ball — and it’s weird because it’s not mist just like coating the lake, there are like balls of mist that are separate from each other, and I don’t know if it’s the wind or something but they kind of like twirl around. Um, and so when I was little and I saw them, my dad told me that they were, um…Elves that are dancing on the water and that’s kind of like a Swedish — well I mean at least in the northeastern part of Sweden where my family is from. Um…There’s this concept of the mist as being like the elves that come out of the forest at night and they dance on the water when you’re not watching. Um, and then of course by the morning — when the morning comes, the sun comes up and they disappear. So you can only see them in, like, the middle of the night when the temperature is just right… It’s actually really cool. And if you get too close, too, they kind of dissipate, so you can only see them — you can never actually get that close.”

Me: “Do you think that’s something they tell for the sake of the children? Or is there any other significance to it?”

Informant: “I think — That actually I don’t think that’s necessarily the case. I think that—and one thing that I really love about northern Sweden is that, um, the connection between, like, humans and the land I think is much stronger than it is here in the U.S. or even maybe in more urbanized part of the country. Um, you know, people really—It’s remote. And you live out there, and my — I know my family, um, they built their house. Like, they cut down the logs and built the house, and then they — they built a boat to take them from the mainland to their house [Laughs]. I mean they’re very, like, they live off the land and in a way that a lot of people don’t now. I mean my…my…Like they weave their own blankets and I mean they’re…It’s really intense. Um, and just like I said: there’s this connection that doesn’t exist here… Um, and I think that people see — even adults see more magic in the land than we do now. And I think that’s something that, you know, while it’s for kids… I think people are more willing to accept it because they understand that nature has, like, a magical quality to it. You know…”

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My informant seemed to provide a pretty thorough account of why this tradition sticks around in Sweden. In particular, this idea of the elves as dancing on the water really does seem to speak to the perception of nature as having “a magical quality to it.” Beyond this, it also seems to be a way of making sense of an unusual natural phenomenon — this description of the mist as forming little balls or clusters over the lakes rather than just existing as a sort of loose blanket, as one might expect it to.

Baba Marta: Bulgarian Springtime Ritual

Nationality: Bulgarian
Age: 19
Occupation: Student
Residence: Palos Verdes, CA
Performance Date: April 26, 2013
Primary Language: English

Contextual Data: A friend and I were sitting together one day after class and exchanging different bits of folklore we had encountered in our childhood. She mentioned to me that she was Bulgarian and there was one particular tradition that her family continued to participate in, which had just passed the previous month. The following is an exact transcript of her description.

Informant: “Okay, so Baba Marta. It’s a holiday for Spring in Bulgaria, um, and the name—it literally translates as, um, Grandmother March, since March is like the month of Spring, and we start celebrating it on March 1st. And what you do is, um, you put this little pin on you. Um…Or a bracelet. And it has to be with red and white threads because those are, I guess, Bulgarian symbols of Spring. And they kind of symbolize, you know, rebirth and regrowth and newness. And you have to wear that pin or that bracelet. And it can come in, like, many different forms. Um, especially nowadays—they get really creative with the designs and they have like little dolls, and etcetera. But you wear it for the entire month of March. Um, and then you can take it off either when you see a flowering tree, or—like you take it off and you pin it on the tree—or just like at the end of March. And then again, you find some nice blossoming tree or flower and you just kind of pin it on there. And we get ours from our relatives and they just kind of like mail it to us—because you obviously can’t find any here—which is nice. And then you get to… Just kind of wear it and, like, still be connected to the culture and like people ask you about it and they’re like, ‘Oh, what’s this?’ And you’re like, ‘Oh, it’s for Spring.’ Um, which is cool. And… It’s a nice little decoration or bracelet I guess.”

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This ritual very much seems to be a part of a life-cycle celebration. My informant explained that the beginning of March marks the beginning of Spring in the Bulgarian calendar, and as can be seen in many different cultures, this time of the year symbolizes “rebirth and regrowth.” That people perform this ritual could therefore be a way of sort of earning luck or signifying a rejuvenation as they move forward. It could even just be away of acknowledging the importance of this “rebirth” in the earth cycle — particularly if the colors stand as “Bulgarian symbols for the Spring.” My informant also mentioned that now that she lives in America, it is kind of a way of allowing her to still be part of the Bulgarian culture and to connect to her family back in Bulgaria (particularly as her grandparents are the one to mail her the bracelets). Whenever she sees those bracelets hung on trees during this time of year, she does get a little thrill of excitement from it — a kind of “oh, that’s nice.”

Chinese Saying: We Found You in a Trashcan

Nationality: Chinese
Age: 20
Occupation: Student
Residence: San Marino, CA
Performance Date: April 20, 2013
Primary Language: English
Language: Cantonese

Contextual Data: After talking to me about another Chinese folk belief, a friend of mine quickly continued into this account of another folk saying that her parents had been saying to her ever since she was little. The following is a transcript of her description.

“I don’t know why, but in every Asian society, like every child is supposed to be found in a trashcan. You’re not conceived, we found you in a trashcan, and it’s kind of like a, like a ‘diamond in the rough’ kind of thing…where, um, ‘We’re really happy that you’re here, and like, you have life and we love you and everything.’ But, um… but, it’s—I dunno. It’s kind of like, it’s like: ‘You’re a jewel and we, like, we found you. We picked it up. And we were like graced by God that you gave — that you’re here with us today.’”

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My informant did a fairly thorough job of explaining the significance of this saying — that it is essentially a way of saying “you’re special” and “we’re luck to have you with us.” I think idea of a parent letting their child know that they do value them and that they are special is a big part of the reason why people might continue to use this saying — it’s essentially an expression of love and affection. I did ask a couple of other Chinese friends about this, however, and they mentioned that they had no recollection of ever being told this, which suggests it may not be a saying that is as widely known and/or confined to the Guangzhou region in China, where my friend is from.

Hindu Myth: How Ganesh Got His Elephant Head

Nationality: Indian
Age: 50
Occupation: N/A
Residence: New Jersey
Performance Date: March 18, 2013
Primary Language: English
Language: Hindi, Gujurathi

Contextual Data: My family isn’t particularly religious, but my parents both grew up in India and they were raised in Hindu households, and so, over Spring Break, I asked my mother if there were any Hindu myths that she remembered particularly well—if there was one she wouldn’t mind recounting for me. The following is an exact transcript of a myth she told me about how Ganesh, the well-known elephant God, got his elephant head.

“So Shiva is the destroyer, right? So he was supposed to have a temper… or flare-ups or whatever. So Ganesh is Shiva’s son. So Shiva went away to the mountains—Shiva’s wife is called Parvati. So, and their son is Ganesh. The elephant god that everybody’s house you see in. So when Shiva went away to the forest for whatever — I don’t know what reason, but he was away for a while, and then when he came home, Ganesh was a little kid, so they — living in the mountains in the Himalayas or whatever. So Ganesh was playing at the entrance of the cave, and he didn’t recognize his father, because he must have gone away — he was a little kid and he must have gone away for a certain period of time or something. So when he came back, he wouldn’t let him enter the cave. He’s saying, ‘Who are you?’ And, you know, ‘You can’t come in,’ and that kind of thing. So apparently Shiva got angry at him. Like, ‘Who are you to tell me not to come into my own house?’ kind of… And in his anger he’s supposed to have chopped away the kid’s head [Mimes cutting across the throat]. And when the wife hears the commotion and comes out and says, ‘What have you done? This was our son.’ You know… So then to bring him back to life, he cuts a head off the nearest thing he finds, which is an elephant—cuts off his head and puts it on Ganesh’s he—this thing [Gestures to neck].”

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When I asked my informant about the significance of this, she said that it related to ideas of Ganesh as the “god of obstacles”—that he’s the figure in the Hindu religion that’s traditionally thought of as either introducing or removing obstacles from an individual’s life and from a family’s home. Many family’s hang up pictures of Ganesh as a way of honoring him and respecting these obstacles that he’ll either introduce or remove from the home. It also may speak to the perceived relationship of the son to the household—that when the father is away, he is meant to protect the household and act as a protector to his mother.

When I asked my informant where she first heard this story, she mentioned that it was just something she kind of grew up with—it was everywhere. In India, these types of myths were often rendered in comic books, so she may have first either encountered it in one of these books, or heard it from her parents. For the most part, she says there’s little, if any, variation in this story. In general though, the myth is one that people in India tend to know really well because Ganesh is so meaningful to them and because the Hinduism is an important part of the culture in many regions of the country.

Indian Wedding: The Groom’s Arrival

Nationality: Indian
Age: 50
Occupation: N/A
Residence: New Jersey
Performance Date: March 18, 2013
Primary Language: English
Language: Hindi, Gujurathi

Contextual Data: Over Spring Break, my family received an invitation to attend a wedding. I was a bit curious about what it would be like, as I hadn’t been to a wedding — specifically, an Indian wedding — in a really long time and couldn’t remember very much about any wedding traditions. I asked my mother to tell me a bit about Indian weddings and some specific aspects of the weddings that stood out to her. She mentioned the parade that happens when the groom arrives to the venue. The following is an exact transcription of her description.

“The groom is supposed to come… It’s called a barat—B-A-R-A-T — so him and his family are supposed to come to the girl’s house for the wedding. The wedding takes place generally in the girl’s house. And so they come in that procession… The groom is usually on a horseback or something or walking ahead. There’s a band playing in the front first, then the groom is behind—on either a horse or a car or something — and then behind that there are like people dancing. And then… behind that is all — everybody else who…is just walking. It’s usually a short distance. So they set it up such that it’s a short distance from wherever the girl’s family decides to host the wedding. And…uh. That’s what it is. And they come and when they enter the venue (either the house or wherever they’ve set it up) then the groom — the bride’s mother does a pooja, welcoming the groom. And then the bride is supposed to put a… necklace — mala, a flower one — a flower necklace around the groom and the groom does the same I think… Uh. I think so. I think the bride does it… And, at least in our tradition sometimes they make it difficult for the bride to put it, because men are generally taller. So they lift the guy up so it makes it even harder for the girl to do it [Laughs.] That kind of little stuff goes on.”

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When I asked my informant what she thought the significance of these traditions were, she attached no particular symbolic meaning to them. Mainly, she suggested the groom arrives with a parade because he’s essentially coming to take the bride away, and so, he’s arrived with all the accompanying “fanfare” — it’s a way for him to announce himself to the bride’s family.

Additionally, there are certainly symbolic meanings that can be attached to the act of the bride’s family throwing a flower garland around the groom (thinking about concepts of virginity and the term “deflowering”). The fact that the groom’s family might make this difficult by lifting the groom seems to speak to the idea of a wedding as a liminal, transitory state and the importance of being able to complete these rituals properly and wholly in order for the transition to be complete. But beyond this,  the parade seems primarily to speak to the fact that weddings are considered special, celebratory, joyous occasions — the parade is what kicks off the wedding with this air of festivity, particularly through the music and the dancing and the fact that it happens in a very public place; this is an important day for the groom and one on which he deserves some attention and which he should be happy for.