My roommate told of the Kappa, who are turtle monsters that live in japan. According to some, these monsters only live by rivers. His mom would tell him that if he played outside after dark, the Kappa would come to get him. His parents and grandparents would tell him this to keep him from wandering out of the house at night. He says that is a tradition for parents to tell kids this, and that Kappa are so widely believed in by children that there are Kappa statues next to some of the rivers. The tradition of telling this story probably came from concerned parents, and used the kappa as a way to scare their kids into not doing certain things, like playing in the river or going outside at night. The actual turtle monster aspect probably came from the numerous species of turtles that are native to Japan.
Category Archives: Folk Beliefs
Ride Safe Sign
The gesture: Out with the left hand extended downward by his thigh, “O” made a gesture like a peace sign, the index and middle finger extended and the palm turned forward facing the same direction as him.
“It’s the universal for, like a ‘ride safe’ thing when you pass another biker, like on the opposite side of the street, because there’s that sense of community that comes from riding, so it’s like, when you see someone else who’s taking that risk and is out riding and stuff, you always give them that little sign. And it’s kind of a biker only thing.
Analysis: As the informant identified, this gesture encourages community members to support each other and recognize their risk and commitment. More than that, this gesture seems like a blessing, especially in its almost compulsory nature. The informant mentions that one ‘always’ gives this sign when seeing another rider as a way to say ‘ride safe’. “Ride safe” in itself is a blessing, a wish upon others to be safe on the road, and the gesture creates a nonverbal blessing that riders can give while also riding safe themselves. Because it is expected to always give this sign, the absence of it might indicate ill will or a jinx, making the upkeep of this tradition and gesture more important to those who believe in its significance.
Knock on Wood
Knock on Wood
“If I say something I think will be jinxed or bring bad luck, I’ll run over to the nearest wood thing and knock on it frantically”
Context: Informant remembers starting this behavior around the start of high school, at about age 14. There is no pattern to the number of times the informant knocks, but they will leave conversations at any point to complete the gesture. The informant does not remember who passed this gesture on to them and does not know of many people who use the same gesture, but hypothesizes the initial knowledge may have been passed unknowingly by interviewer.
Analysis: The folk behavior of ‘knocking on wood’ is meant to ward off bad luck or jinxes brought on by the verbal mention of such knowledge. It acts as a measure of protection for the informant, and requires immediacy. It is implied that if one does not complete this action, they might be accidentally inviting bad things to happen to them. Additionally, whether the practice does ward off jinxes or not, its belief has significance to the perception of subsequent events and may be used as reasoning for good/bad luck following the gesture. Notably, this gesture is in response to a specific statement, not a broad gesture to ward off evil. The individual must speak the opportunity for jinxes into existence, and this gesture is not useful before a statement has been theorized.
Pagpag
Title: Pagpag: When coming from a wake, a Filipino practice would be not to go home straight away as it is believed that the soul of the dead would follow one back to their house. One may stop anywhere one pleases as long as one does not go straight home.
Context: “It’s a really common belief in the Philippines. Basically, after attending a wake or a funeral, you’re not supposed to go straight home. You have to stop somewhere else first, like a restaurant, a friend’s house, or even just a store before heading back. The reason behind it is that if you go directly home, the spirit of the deceased might follow you, bringing bad luck or misfortune to your household.
I first learned about pagpag from my family when I was a kid. Anytime we attended a wake, my parents would always say, “We have to stop somewhere first, or the spirit will follow us home.” It was just something we always did, even if it was just stopping at a convenience store for a few minutes. I remember once asking my mom if skipping pagpag would actually cause something bad to happen, and she just said, “Better to be safe than sorry.” That really stuck with me because even though she wasn’t superstitious, she still followed the practice out of habit and respect for tradition.
Now that I’m older, I don’t fully believe in the supernatural aspect of it, but I still do pagpag whenever I attend a wake. It’s just ingrained in me at this point. Plus, I’ve noticed that even people who don’t believe in ghosts or spirits still follow it, mostly out of respect for elders or to avoid any potential bad luck. It’s one of those folk beliefs that continues to be passed down, even if people aren’t sure whether it’s real or not.”
Analysis: Pagpag is a prime example of folk belief in the Philippines, reflecting deep-seated cultural values about death, the afterlife, and spiritual protection. At its core, this practice serves as a ritual of separation, ensuring that mourners do not bring lingering spirits into their homes. This aligns with broader funerary folklore, where many cultures have traditions meant to protect the living from the influence of the dead. The belief that a spirit may follow someone home reveals an underlying fear of unresolved energy, a common theme in folklore that deals with death and the supernatural.
From a folkloric perspective, pagpag also functions as a preventative ritual, reinforcing the idea that small actions can influence fate. Even though many modern Filipinos may not fully believe in the superstition, they still follow it out of cultural habit or respect for elders, which shows how folklore persists even as belief systems evolve. Additionally, pagpag reflects the communal nature of Filipino traditions, where shared practices around death strengthen social bonds and provide comfort during mourning. Ultimately, it demonstrates how folk beliefs help people navigate uncertainty, providing a sense of control in the face of death, one of life’s greatest unknowns.
Sukob
Text: Sukob: If two siblings (or sometimes even first cousins) marry within the same year, it is believed that one or both marriages will be unlucky, resulting in financial struggles, sickness, or death.
If a child gets married in the same year that a parent or grandparent dies, it is also considered bad luck, as it is believed to bring misfortune to the family.
Context:
“It’s a really well-known superstition in the Philippines. Basically, if two siblings (or even first cousins) get married in the same year, it’s believed that their marriages will be unlucky. People say it could lead to financial struggles, sickness, or even death. There’s also another version of sukob that says if someone gets married in the same year that a parent or grandparent dies, it brings bad luck to the whole family.
I first heard about sukob from my family when I was younger. I remember my aunt was supposed to get married, but she had to wait until the next year because my other aunt had already planned her wedding. My grandparents were really strict about it and didn’t want to risk bad luck. It was one of those things that everyone just followed, even if they weren’t superstitious.
Even now, some people still take sukob seriously. I know some families who will purposely delay a wedding just to avoid it. Even me and my husband were not able to get a Christmas wedding because my husband’s oldest sister had their wedding scheduled earlier that year. We had to wait for January so our weddings would not fall on the same year.”
Analysis: Sukob is a powerful example of folk belief in the Philippines, reflecting deep cultural values surrounding family, fate, and the supernatural. At its core, this superstition highlights the importance of harmony and balance within the family unit, a key aspect of Filipino culture. The idea that two weddings in the same year could bring misfortune suggests that major life events must be carefully spaced to maintain order and avoid upsetting spiritual forces. Similarly, the belief that a marriage following a death brings bad luck reflects a respect for mourning periods, reinforcing the idea that certain events should not overlap out of reverence for both the living and the dead.
From a folkloric perspective, sukob functions as a cautionary tale that influences real-life decisions, much like other folk beliefs meant to guide behavior. It operates as a form of social control, ensuring that traditions are followed and family members prioritize collective well-being over individual desires. Even though some people no longer believe in sukob, many still follow it out of cultural respect or fear of tempting fate. This demonstrates how folklore persists and adapts, continuing to shape traditions and beliefs even when its original supernatural explanation may no longer hold the same weight.