Category Archives: Kinesthetic

Body movements

Money Spraying

Text:

“People will come forth and spray them with money to show love and support — and oftentimes, if it is something like a service of songs, it’s also financial support in a time of need. So essentially, the celebrants are just dancing in the middle, and then people will come with dollar bills or sometimes five-dollar bills. Typically, it’s small amounts because what matters most during this act of celebration is that there are a lot of bills on the floor. People essentially shower the celebrants with money.”

Context:

The informant is a 21-year-old of Nigerian descent who recounted a money spray at her own graduation party. A common practice in Nigerian celebrations, especially those with Yoruba and Igbo roots, is for guests to dance up to the person being honored and press or toss currency against them as a blessing and a show of collective support. She recalled the experience as joyful and deeply validating, noting that the loving words accompanying the spray added a layer of emotional richness that far surpassed the monetary value of the act itself.

Analysis:
Money spraying is a cross between material gifting and ritualized blessing — economically meaningful, and symbolically prophetic all at once. The bills are not for the practical transfer of wealth. Their value is in their accumulation and display. A floor covered with money is a visual statement of the collective love, communal investment in the future of the person being honored, and the strength of the social network surrounding them. This is consistent with what folklorists refer to as “gift folklore”: exchanges in which the social relationship enacted and reaffirmed is more important than the object given. For the diaspora, where Nigerian and American cultures coexist, the money spray also serves as an assertion of ethnic identity, a way to mark a celebration as uniquely Nigerian, even when it occurs far from its place of origin.

All School Handshake

Text:

“Okay, so I went to a really small private high school and it was a really tight-knit community and to start the to, uh, kick off the school year, we’d have the all-school handshake. So we’d essentially all line up the student body, shoulder to shoulder, along the perimeter of the formal gardens, with the headmaster at one end. And then the headmaster and the entire school president would stand side by side and flip a coin. And if it was heads, they would go to the right, and if it was tails, they would go to the left, or whichever way.

Context:

This was a ritual the informant participated in every year at her small private boarding school in Illinois. The tradition is held at the beginning of each school year as a formal opening ceremony for the entire school. It’s set in the formal gardens, and the coin flip, she noted, decided which way the handshake procession would go, injecting an element of chance into what was otherwise a very ordered tradition.

Analysis
The all-school handshake is a ritual of initiation and collective renewal — a physical enactment of the social ties that constitute the school as a community. By having each member shake the hand of every other member, the tradition performs a kind of annual social contract; each participant touching every other participant materializes the school becoming a web of mutual relationships. The coin flip is especially interesting as a ritual element—it adds a moment of chance to an otherwise highly ordered event, reminding participants that the direction of the community is, in part, determined by forces beyond any individual’s control, and that all are equally subject to that uncertainty.

Wishing on an Eyelash (Top or Bottom Fingers)

Age: 38
Hometown: Menlo Park, CA
Location: N/A

Context:
I learned this from my mom. She learned it as a child but doesn’t remember exactly where she got it from. She does remember that is was a common thing among her peers and they would all do it to each other.

Content:
Interviewer: “What do you do when you find an eyelash?”

Interviewee: “So you have to take the eyelash and you put it between your pointer finger and your thumb and hold it together and then you lift up your pointer finger and your thumb in whichever side the eyelashes on well.

Interviewer: “Why do you do that?”

Interviewee: “You’re supposed to guess which side first before you do that, and then if it lands on the side where you guess top or bottom then your wish will come true, and then you can blow it to make the wish.”

Analysis:
This is act is a form of everyday folklore and superstition, where a small ritual gives meaning to a random event. It has spread through peer groups, especially children, and has been passed down through generations like it has in my family. This also feels like something kids do together, which makes it more about bonding and sharing than just the wish itself. Overall, it shows how people take something simple and turn it into a meaningful moment, even if they don’ fully believe it will work.


San Jose Sharks: the shark chomp

Age: 20s Hometown: Lafayette, CA

Text: When the other team draws a penalty, the entirety of the NHL San Jose Sharks hockey fans in the rink do a shark chomping motion with their hands.

Context: Participant and I were watching hockey and they starting do a hand motion in celebration . She is a lifelong sharks hockey fan, with her parents being season ticket holders. She does this hand motion out in the wild too when she runs into other fans and want’s to show solidarity.

Analysis: This is an example of folk gesture and kinetic folklore within a sports subculture. The shark chomp is a ritualized performance that unifies thousands of strangers into a single sharks fan folk group through synchronized movement. The participant mentioned that it also serves to bring up the energy for the upcoming powerplay and intimidate the other fans/teams with the sheer amount of people participating. It also serves as an in-group signal for other sharks fans outside of the usual performance space- the ‘shark tank’ hockey rink.

Christmas struffoli (honey balls)

Age: 50s Hometown: Bronx, NY

Performance Context: I experienced this recipe and performance firsthand every December/ around Christmas time as the informant is my father. He comes from a large Puerto Rican and Italian-American family from the Bronx. His Italian family’s side are from Sicily and Naples.

Recipe/Description:

According to my father (the informant) – dough is hand mixed with orange zest and it cools a large gathering, usually the kids/cousins, roll the dough into strips called the ‘snakes’ of a certain thickness of a finger. The snakes are then chopped into squares which are then rolled by hand. They are then deep fried and left to cool in a pot of honey with a splash of sambuca as the secret ingredient. This is usually done in huge batches meant to be tinned and given to neighbors, friends, extended family, and people like doctors, teachers, dentists, etc.

The rolling technique along with the size of the balls are highly specified as the smaller the piece the crispy they end of getting fried. The informant states that nowadays their family (myself included) “does not create the proper sized dough pieces” and that back in the day the informants grandmother would make them “re-do entire batches of them if they weren’t up to standard” .

My father mentions there were a staple among his childhood and grew up sitting at a table rolling dough all day in the weeks leading up to Christmas. He remembers the act so vividly because his hands would start cramping and he would be so bored when the younger cousins would give up and leave the ‘rolling’ table.

Analysis:

This is a classic example of family/holiday foodways. The making of the Struffoli becomes a whole day and entire family affair. Once the day is decided to be dedicated to making honey balls, nobody can escape the kitchen. I think the fact that it’s such a labor intensive process, repetitive and boring, keeps the memory of this tradition so vivid. “It’s a very unique tradition”, even among other Italian-American traditions, according to my Father.

The specific snake rolling technique is a perfect piece of kinetic folklore, it’s a physical skill passed down through imitation, using the “thickness of a finger” as a marker. My father’s grandmother, and then his own, role in ensuring the quality shows how this specific tradition is policed and ensured to be passed down consistently generation to generation. The act of gifting the honey balls also serves as social currency, showing appreciation and love as well as signaling those in the community of their Italian heritage.