Tag Archives: africa

Ewiha Chant (Zalghouta): Folklore Song/Gesture

Nationality: Lebanese
Age: 18
Occupation: Student
Residence: Los Angeles
Performance Date: 2/14/23
Primary Language: English
Language: Arabic

Text: Ewiha Chant (Zalghouta)

Context: AH’s relationship to this piece stems from his Lebanese culture which allows him to have various experiences as he heard this song/gesture within his childhood and early adult life. His relationship relates to his connection with his aunt as she is the specific woman in his family that is in charge of leading the performance. He typically hears this chant at weddings during the dinner portion of the event or after the ceremony. Within his family, they typically use this song/gesture as a Lebanese tradition as they wish good luck to the newly wed couple. Within the tradition, self-expression is evident as yells, screams, yodeling and ululations are present. AH interprets this tradition as a good luck charm and as a sign of felicitations as his family believes that if this song/gesture is not performed, it is considered bad luck on the newly wed couple.

Analysis: The overall cultural value within this song/gesture is based on the act of ululating (zalghouta) which is practiced all over the Middle East and in some parts of Africa. Given that this act stems from Lebanese tradition, it holds cultural values within women considering this song/gesture is typically done by women given they are the only ones that can perform an ululation which is a high-pitched tongue trill. I see this gesture/song as an overall expression of happiness, joy, and celebration. Considering that I have not experienced this tradition being performed, I believe that this song/gesture during family events is a momentous moment that is filled with positive affirmations as two families conjoin together where luck, love, and unity is emitted within the atmosphere.  

Eritrean Wedding Dancing Tradition and Money

Background provided by DG: DG was born and raised in Redlands, California. Both of their parents were born in west Africa, but more specifically Eritrea. Eritrea is located on the Horn of Africa and adjacent to the Red Sea. They belong to a specific tribe of Eritrea, called Blen (spelled Blien). DG also identifies as being part of the Habesha ethnic group, which describes Roman Othodoc Christians in West Africa. After war broke out, both of their parents migrated to America. 

Context: DG was approached about folklore, which they shared in the middle of the day. They were very enthusiastic about sharing parts of their culture because not many people are aware of Eritrean tradition and culture. They explain a specific Eritrean wedding practice involving money and dancing. 

Main Piece Transcription of interview (contains the context of particular performance and additional background information):

DG: “ During the wedding … like the whole time … like if you’re dancing really well … they like stick money on you. And, typically … people like … really favor the bride and the groom … and like the bride and grooms’ parents … cause they’re like the ones that … spend the money. Ummm …. And they’ll just … like stick money on your forehead … or on your shirt … or whatever. That means … like you’re dancing … well … they do that the whole weekend.” 

Analysis: This custom is indicative of many Eritrean beliefs and values. One of them being is art of dancing. Dancing is often considered it own language because it conveys emotions and attitudes in a very physical and performative manner. DG explained how this custom rewards great performances, but seems to place an emphasis on recognition amongst peers. Another Eritrean value is the supportive community. DG explained how many would favor the groom/ bride and their parents because they are spending money on the wedding ceremonies. The whole community comes together to not only suport the union of two individuals, but also provide some form of financial support in a possible time of need. Lastly, it seems like Eritrean people are very physically affectionate. They are not shy about showing their appreciate to others who are dancing well by placing money on others.

Eritrean Wedding Day 1: Day of Blessings

Background provided by DG: DG was born and raised in Redlands, California. Both of their parents were born in west Africa, but more specifically Eritrea. Eritrea is located on the Horn of Africa and adjacent to the Red Sea. They belong to a specific tribe of Eritrea, called Blen (spelled Blien) After war broke out, both of their parents migrated to America.

Context: DG was approached about folklore, which they shared in the middle of the day. They were very enthusiastic about sharing parts of their culture because not many people are aware of Eritrean tradition and culture. They explain some general details about Eritrean weddings, which span for a minimum of three days. 

Main Piece Transcription of interview (contains the context of particular performance and additional background information):

DG: “ So, the first day is … like … the day where they get married, where the bride and groom get blessings from their elders. Ummm … typically there’s A LOT of dancing. It’s like … shoulder dancing (raises shoulders up and down, almost like  shrugging)  … and like … they like kneel over their ancestors … and do their … like prayers.  They also dance with a stick like this (proceeds to pump fist in the air in a very rhythmic manner) … but there is also at one point …. I don’t know the cultural significance of it … but the bride and the groom … individually … like sit and everybody dances around them and they get this white blanket … it’s called a Gabi (proceeds to spell G-A-B-I). And they’d have someone sit with them … so for … like the bride, a little boy sits with them … and like the groom … a little girl sits with them … and they take the Gabi and throw it over (motions as if casting a net over an object) … and like that I guess. You go up … like that … and put it on like that … while you’re singing.” 

Me: “ So … is the Gabi … like … a cloth … or … is it ….?” 

DG: “It’s like a blanket. It’s … like handmade … I wanna say it’s like a cheese cloth, but like … it’s not … it’s cotton. It’s … like … multi-use. It’s like bringing .. the bride and … groom together like bringing the bride and groom over the threshold … or something like that .”

Analysis: This portion of an Eritrean wedding emphasizes the union of two individuals through symbolism and customs. The Gabi seems to be a tangible unifying object that close family and friends use to represent their approval. It seems like past, present, and future is represented in this ceremony. Ancestors are honored and respected. The married couples celebrate their union with loved ones. The young boy and girl who sit next the groom and bride are symbolic of future happiness either to have children or for the children to be happily married.

For more information about traditional Eritrean weddings including images please visit https://omar-safeer.blogspot.com/2014/08/wedding-tradition-in-eritrea.html.

Eritrean Wedding Day 2: Melsi

Background provided by DG: DG was born and raised in Redlands, California. Both of their parents were born in west Africa, but more specifically Eritrea. Eritrea is located on the Horn of Africa and adjacent to the Red Sea. They belong to a specific tribe of Eritrea, called Blen (spelled Blien). DG also identifies as being part of the Habesha ethnic group, which describes Roman Orthodox Christians in West Africa. After the war broke out, both of their parents migrated to America.

Context: DG was approached about folklore, which they shared in the middle of the day. They were very enthusiastic about sharing parts of their culture because not many people are aware of Eritrean tradition and culture. They explain some general details about Eritrean weddings, which span for a minimum of three days. The first day is known as the Day of Blessings.

Main Piece Transcription of interview (contains the context of particular performance and additional background information):
DG: “The second day is … like the actual thing … they go to church. Umm .. cause we’re all Christian (laughs). And then, at the end of mass, they were like a crown … and like … a cape … like bridal cape … and they walk out of church wearing this. It’s like … more religious thing. They wear that thing and … take photos. This is like … the most American part of the wedding … like the bride is wearing like … a typical American gown.  Uhhh … when the bride … groom … walk in … they don’t have .. like a typical announcement. Like … the men … all the men enter … and the women stand in … like a procession and there’s like … a procession into the venue. Like everybody is standing outside and everybody enters … together. The men begin … then its the groomsmen … then the bridesmaids … then the bride and groom come in, together.  All the women are holding flowers as they … like  enter, so … like that procession … it … ALWAYS happens … like in American weddings I’ve seen they say “ Welcome, Mr. and Mrs.”, but … they never do that. It’s … like somebody always has like a … drum … it’s like a big drum and it goes like (rhythmically taps the desk to make a baaa-dumm baaa-dumm noise), then they sing … like … uhhh “Marshala, Marshala” (in sing-song voice). They always sing that song … it kinda means … like … umm welcome … or something. They sing and they dance, then they sit.  Then the bride and groom eat, and everybody eat.  And then everybody dances to Tigrinya music, the WHOLE time. And then … also … typically… they don’t do this so much anymore, but in a lot of weddings it’s called a gorshaw (spelled gorsha) … in a VERY traditional wedding they do gorshaw, where like … the bride and groom eat … the maid of honor … and the like … ummm … best man, they feed the bride and groom. They don’t touch their food, and that’s like called gorshaw … like …when someone else feeds you … is called gorshaw … cause its like a hand food … so like … they feed them. It doesn’t normally happen on the first day … cause like  … its much more traditional for the second day, cause that’s much more traditional. And then …  when there’s like … cake … in a VERY traditional … like when I see wedding videos from Eritrea … the bride and groom stand up after they eat the cake … and feed all their guests, and their guests feed them. Like that’s a very traditional thing, in the Eritrean culture, everybody is always feeding everybody. The second day it’s called a Melsi (proceeds to spell it M-E-L-S-E) … and like on that day … the majority of that day … the women are getting ready … because they have to get their hair … like braided … in traditional braids. And they also get … like henna. Like traditionally, you’re not supposed to get henna until … you’re like married … so he bride gets it all over their hands and feet … but like … the most someone who is not getting married can get is like a little dot right here (uses index finger to point to the center of their palm) … but like … yeah. They get their hair braided, henna, and like everyone wears sooyahs, which are like … cultural dresses. And that’s like the bridesmaids … and the groomsmen. You can also … I went to a wedding … where we were … like chiffon … it was my cousin’s wedding … and we wore like … chiffon. That’s like … much more fancy than … like a Sooyah. It’s kinda … like another party … with the same procession, but like … the bridesmaids at a certain point … do like a boon ceremony (spelled bun), which … is … like … coffee … and like the bridesmaids .. we  do … like a … dance … we’re supposed to do like a dance around the bride. We … uhh … carry  … like all the materials to make coffee. Everybody … like … dances around the table … and the … like older women make coffee, for like … the bridesmaids and the bride, not for the men. ONLY for the women. It’s like very traditional. Then … yeah … they’re married … and people party … Also people drink a lot of … uh soowah (spelled siwa),  Habesha alcohol.  Typically, someone … like … in the family makes it, before time. And they put it in bottles, and the bottles have … like stickers that have … have photos of the bride and groom. Then we eat ingerat (spelled injera), that’s like a traditional Eritrean dish.”

Analysis: Weddings are often big events. DG explains many of the intricacies involved with Eritrean weddings. The second day, Melsi seems to be the focal point of Eritrean traditions. The subtle variations of the traditions DG mentioned demonstrates the dynamic nature of culture as it relates to nuptial ceremonies. It seems like Eritrean weddings are occasions that involve the whole community in an extremely intimate event. The wedding also emphasizes the various stages of maturation, especially with the Bun and henna.

How the Tortoise Got Its Cracked Shell

Nationality: Nigerian
Age: 20
Occupation: Student
Residence: Los Angeles
Performance Date: April 20, 2017
Primary Language: English

Interviewee:

“There is a lot of animal folklore in Nigeria. I used to hear this one story all the time when I was little. It goes like this:

There was once a great drought in all the land. So the animals gathered to try and make a plan. It was decided that the tortoise, due to his charm and manner of speaking, would fly up to heaven with the birds in order to bring food down. As he flew, he told the birds that at such times it is important to change your name. So he told them his name was “all of you.” They got to heaven (and the feast) and God said the food was for “all of you.” The tortoise gorged himself. The birds got mad and left, but the tortoise begged them to tell his wife to put soft things by his house so that he could jump and fall from heaven safely. The birds told his wife the opposite and the tortoise jumped and broke his shell.

I’ve heard that one a million times. There are many Nigerian folktales about the cunning tortoise.”

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This story reminds me of many tales that revolve around how an animal or other natural phenomenon came to be. It is a way of explaining the world around us before science or other explanations came about to replace tales. The cunning tortoise is a recurring character in Nigerian folklore, representing craftiness and outsmarting others, often at his own expense.