Tag Archives: festival

Michaelmas Festival

Nationality: American
Age: 55
Occupation: Teacher
Residence: Austin, Texas
Performance Date: 03/15/19
Primary Language: English

Content:
Informant – “Every fall, on September 29th, Waldorf schools celebrate Michaelmas Festival to honor Saint Michael defeating the dragon. The 4th grade puts on a play. The play is different from year to year, but the overall plot is the same. A town is besieged by a dragon. A maiden gives herself up to the dragon to save the town. Saint Michael saves the maiden by taming the dragon. After the play, the high school sings a powerful three part harmony.
‘Hearken all, the time has come when all the world at last the truth shall hear; then the lion shall lie down with the lamb. Our lances shall be turned to reaping hooks, swords and guns be cast as plowshares, nations shall live in lasting piece, all men unite as brothers.’ ”

Context:
Informant – “Around this time, meteor showers are very prevalent in the Northern Hemisphere. The whole festival is very indicative of iron coming down to earth and strengthening humanity for its fight against the darker forces as summer ends and winter begins. The dragon isn’t really a dragon – it’s the evil within us. Saint Michael is the Lord of Light, his iron comes to strengthen mankind with light. The whole festival is a celebration of our higher, nobler self defeating our lower, base impulses.”
The informant learned about this festival on her own when she was studying Waldorf education.

Analysis:
The festival is an interesting mix of pagan and Christian influences. It’s intrinsically linked to both Saint Michael and the ending of summer. The fact that the dragon is tamed and not killed is also interesting. It reinforces the informant’s claim that the dragon is not an external enemy, but our own internal demons. We cannot kill our base impulses, but we can learn to control them. The timing of the festival is also interesting. It is a celebration of light and peace at a time when the world is getting darker and all the plants are dying.

Maslenitsa

Nationality: American
Age: 19
Occupation: Student
Residence: California
Performance Date: 4/22/19
Primary Language: English
Language: Russian

Context:

The subject is a USC student, born and raised in Southern California. The subject takes pride in his Russian-Jewish heritage, so I wanted to ask him about any rituals he has attended.

 

Piece:

Subject: There’s a great Russian holiday, um, that’s to celebrate the end of the winter. And I saw it when I was going to school in Russia for a bit in eighth grade, I’m not sure the name in English but in Russian it’s called Maslenitsa. Which is sort of — it’s the process where you burn this, like, hay statue of the, winter witch, or something.

Interviewer: The winter witch?

Subject: Yeah, so it’s like the farmers defeated her, cuz she was gonna ruin their crops, but they survived. So it’s a very joyous time, and, um, you eat all this great Russian food, it was a lot of fun.

Interviewer: So when exactly in the year does it take place?

Subject: The end of winter, whenever it is that year, I, uh, think when I went it was the end of February or something.

 

Analysis:

Upon further research, I’ve found that Maslenitsa is an Eastern Slavic religious and folk holiday, celebrated during the last week before Great Lent, and it may be the oldest surviving Slavic holiday. Since Lent excludes parties, secular music, dancing, etc. which provide as distractions during times of prayer, Maslenitsa is the last time for individuals to take place in social activities.

An important aspect of the holiday which the subject did not include, is the presence of pancakes, and the lack of meat (however, in modern settings the ban of meat is less enforced).

Compared the the rituals and festivals which we studied in class, we can see that this society greatly values its prosperous agriculture. During such dire times of cold, harsh winter, it’s comforting to know that a party is waiting on the other end.

 

The Festival of Lights

Nationality: American
Age: 19
Occupation: Student
Residence: Ashland, Oregon
Performance Date: 4/23/18
Primary Language: English
Language: French

Context & Analysis

The subject is from Ashland, Oregon—a relatively small town in Oregon that is an extremely tight-knit community. She expressed to me that Ashland has a rich tradition of festivals— the subject has a lot of pride for her town and it’s traditions and it’s interesting that this is a tradition that involved the entire town. I asked her to elaborate on a few of the festivals and she mentioned that her favorite is the Festival of Lights. The Festival of Lights takes the weekend following Thanksgiving which signifies the entry into the winter, or the ‘holiday season’. Despite not necessarily being a religious celebration, I find it interesting that the festival chooses to feature figures traditionally associated with Christmas (i.e. Santa, Mrs. Clause, etc.). Additionally, the fact that the subject can name the precise restaurants where the appearances take place underscores the small town’s community and the importance of the event to her.

Main Piece

“The Festival of Lights takes place at, like, night at, like, usually 7 or something like that—maybe not quite that late, yeah. Um, but there’s a parade and you go downtown and it’s the Friday after Thanksgiving every year, um, and, like, Santa comes down to the plaza and he goes up into the balcony of one of the restaurants called…I think it’s the Bookroom? Or maybe it’s Granite Tap House. I think it’s the book room [nods]. It’s gotta be the book room. Um, and he comes out on the balcony so does Mrs. Clause and one of the reindeer—‘cuz you know they’ve been, like, coming down the street—and they turn off all the lights in the town. And then they count down from ten…[she pauses for dramatic effect] and every single Christmas light lights up and my town becomes a winter wonderland [she smiles broadly]. Um, and then you can get hot chocolate afterwards and there’s caroling—people who like stand and sing carols and it is—ugh, it’s so much fun and so quintessential small town.”

The Shakespeare Festival

Nationality: American
Age: 19
Occupation: Student
Residence: Ashland, Oregon
Performance Date: 4/23/18
Primary Language: English
Language: French

Context & Analysis

The subject is a theater major at USC and is very proud of her hometown of Ashland for hosting one of the most highly regarded theater festivals in the country. She described to me a lot of the inside details of the festival and elaborated on the different theaters and plays that have been featured. It’s clear from her narrative that she is extremely passionate and knowledgeable about the subject and the town itself, and it was interesting to hear the information from someone who is so involved in both aspects of the festival.

Main Piece

“Ok, so the Oregon Shakespeare Festival is a regional theater company—one of the most highly regarded theater companies on the west coast and in the US—like really spectacular—and it runs usually from February to November—it has three theaters. They do usually 12 plays between the three [theaters]. The one that has usually the most plays in it per season is usually the Angus Bomer Theater and they do all sorts of plays in there. They’ve done musicals, they do Shakespeare, they do new works in there, it’s just, um, whatever fits the space best…and then there’s the Elizabethan which is, like, the oldest theater there and that is their outdoor theater and they usually do between, like, three to four plays in there. Usually Shakespeare and a musical. I know this season it’s Oklahoma [the play]. But I’ve seen Richard III in there, Hamlet in there, it’s really nice but also it gets really cold. And then there’s the Thomas Theater which is, like, their new kind of ‘black box’ style theater where they can switch up the seating however they want to do it. They’ve done some Shakespeares in there—like last season they did Henry IV part one and part two. It’s just meant for smaller audiences. It brings tourists from like all around the world, sustains the economy of our town and is a really really good place for diversity. They’re really big on, like, being inclusive and diverse. In fact, their production of Oklahoma this year has same-sex couples and it should be really good! They’re very big on not only producing works by authors of color but also making sure people of color are cast and are on all of their teams.”

Visiting Spirits and Dead Babies

Nationality: American
Age: 61
Occupation: Homemaker
Residence: Southern California
Performance Date: March 24, 2018
Primary Language: English

After college, my mom lived in Japan 7 years. She taught English to get by and apprenticed as a potter to gain experience. Growing up, she told me tons and tons of stories from her time there. She’d speak fondly of their unusual ceremonies and traditions, and how, by the end of it, her host families said she was so in tune with the culture, that if they closed their eyes, they couldn’t tell she was a foreigner.

Driving home from lunch one sunny afternoon, I ask her and my dad if they have any stories about the inexplicable that I could use for my folklore project. My mom starts:

“In Japan, it’s a uh … a worshipping of dead ancestors day in August, Oh-Bon. They put out the dead people’s – the dead grandpa, the dead grandma, they put out their favorite food, and they put out chopsticks, and they will, you know, burn their favorite incense and they do all this so the dead can come and visit. They do this in their home. Every year, in August. It’s always in August. So it’s like Halloween, except it’s got a religious significance. It’s when the dead come back. They have festivals in town too, Oh-Bon-Matsi.

“It was a festival for dead children. And there was a river running through the town. Not dead babies but dead children. And, they… But. You know lanterns with lights in them? They’d float these lanterns with lights in them down the river and it was just gorgeous. Each lantern represented a dead child and they had this beautiful eerie music, just vocalizations for the occasion. Traditional Japanese instruments too. And incense burning. It was a very volcanic, sort of lunarscape in the far north. I can’t remember the name of the… the far north of Honshu. So you can look up ‘dead baby festival Honshu’ and figure it out.”

This is a very comforting view of the afterlife. It’s as if death is not the end, but merely a move to a different city. Growing up, she imparted this same sense of the dead on me. She’d always tell me not to fear death or the presence of ghosts, but to welcome them, as they were once in our shoes and only wanted to visit. The dead baby festival further illustrates their benevolent view of death. In America, when a child dies, we mourn and often times never speak of it. In Japan, it is tragic, however they still take time to celebrate their lives. No matter if that life was only for an instant.