Tag Archives: festivals

Rave kandies and the process of trading them at festivals

Nationality: Korean/White
Age: 21
Occupation: Student
Residence: Los Angeles, CA/Colorado
Performance Date: 4/19/2020
Primary Language: English

Main Piece 

Informant: The motto and the handshake of the community, and the code we live by is PLUR. It stands for Peace, Love, Unity, Respect. It means you’re peaceful, and not there to start shit. We gotta spread love, we gotta spread unity because we are all vibing together. Then there is respect, because you have to respect everyone there and the land where the concert is because we don’t want to leave trash around. 

One of the things that ravers do to express themselves are Kandies. They are bracelets made of elastic string and beads, they are really easy to make and people usually make them themselves, and then some people get really advanced. You can trade kandi with people, when you meet them usually you trade kandies when you are about to leave and there is a whole handshake for the trade. 

Interviewer: What is the handshake like?

Informant: First it is peace so you hold out a peace sign and touch both fingertips. And then you do love, so you make half of a heart with your hand and join it to theirs. So when they’re together they make one big heart. And then you do unity where you grab each other’s hands, like interlocking fingers. And then on respect, you trade the kandies and transfer it from your wrist to theirs while your hand is still interlocked. 

Interviewer: What are kandies usually made out of?

Informant: The kandies are usually handmade, they are made of beads. sometimes they spell out different artists, different DJs, different sayings. It is kinda like the pins at Disneyland, people are always looking to trade kandies with each other to collect memories of different times. 

Background

The informant is a great friend and housemate of mine, who is currently a senior at USC studying Health and Human Sciences whose family is living in a town four hours outside of Denver, Colorado. Coming from a military family, the informant has lived in various areas, the most memorable for him was New Orleans. The informant is half Korean and half Caucasian, and is a sports fanatic having played soccer for most of his life. The informant is also a very big raver, as he enjoys going to several festivals a year, originally beginning to attend in his senior year of high school. 

Context

One day while we were at our house I noticed that he had on a whole sleeve full of what looked like friendship bracelets, and when I asked him what they were for he explained that they were kandies for a rave he was attending that night. After he was willing to interview, I asked him about the bracelets and the customs of raves. 

Analysis

I think these folk objects are a very inexpensive and easy way to make and a great way for ravers to identify with one another when they are in crowds at large festivals. I think the practice of trading kandies and the handshake that goes along with it symbolize folk greetings at these festivals, and provide a sense of unity and togetherness. As the informant mentioned, it is also a way for people to remember certain festivals or raves that they attend. 

Kandi in the Rave Community

Nationality: United States
Age: 20
Occupation: Student
Residence: Los Angeles
Performance Date: 3/10/2020
Primary Language: English

The following is a retelling of a performative event experienced by the informant: 

Informant: 

“ In the rave culture, that is the community and happenings surrounding EDM (electronic dance music) there are a lot of things that everyone in the community partakes in together as acts to show unity and respect. Actually, there is a term P.L.U.R., this stands for Peace, Love, Unity and Respect. There are these bead bracelets that are worn called “Kandi” and people make all kinds of kandi, some are really simply and just a single strand of beads and some are very intricate and are even 3-D. Ravers have these kandi to trade with people at shows that they have moments with – like they dance together for a song or a set and have fun, one person lends someone something etc and then at the end of a moment they will exchange these bracelets with a handshake that emulates “P.L.U.R.” . For Peace they both make a peace sign, like a “v” with their index and middle finger, touch the finger tips together and from that they keep their hands pressed against each other and make the shape of a heart for “love” with each person making one side of the heart. For unity they move their hands so they are flat against each other’s, palm to palm like a prayer position, then they interlock their fingers on respect and while their hands are interlocked one of them pulls a bracelet from their wrist over their interlocked hands and then to the other person’s wrist and the other person with reciprocate. It’s a fun way to remember wholesome moments with strangers, and a lot of times people will keep their favorite Kandis and only trade them with people who mean a lot to them.” 

Background: 

The informant refers to himself as a raver and has partook in the giving and receiving of kandi. He says it is sometimes a really lovely moment and is one of his favorite things about going to EDM festivals. He says he often makes Kandi for people he is going to raves with, and then if he is with that friend at a set for a Dj they both love, he will trade the person a specialized kandi and it is always a really special moment for both of them as the other person has often also made a special kandi for the moment. 

Context: 

The informant is a friend of mine and I was asking him questions about why he likes raving so much. He then brought me a kandi and he taught me the handshake.

My thoughts: 

I think this is a really wholesome way to share and remember events with strangers. Not only is it a performative moment that can serve as an initiation into the in-group since it’s a big deal to receive your first kandi. 

Jumping Three Times at Midnight on New Years

Nationality: Filipino American
Age: 20
Occupation: Cal Poly Pomona student
Residence: Burbank, CA
Performance Date: 4/25/20
Primary Language: English

Piece

AM: If you jump three times at midnight [on New Years] you’ll get taller. That’s what my grandparents tell me when I was little. 

Interviewer: Did you do it?

AM: Yeah, but did I get taller. No! I’m 5’2 still. It was just on New Years when it hits 12:00am.

Interviewer: Is this a cultural thing?

AM: Um, I think it is because that is what a lot of like old Filipinos would say when I was little 

Context

AM is a childhood friend of mine and we were having a causal chat on Facetime when I asked her if she had any folklore to share with the database. She is a 20 year old student at Cal Poly Pomona. Her family is from the Philippines, but she has lived in Southern California all her life. She comes from a Catholic household and went to a private catholic school for elementary and middle school.  

Analysis: 

Rituals done on New Year’s Day often represent our desires and hopes for the coming year. Midnight on New Years’s is the most liminal time of year where you might be able to break the natural rules and use that to your advantage and change something about yourself in a way that would not be possible any other time of the year. 

Also, three is a sacred number in Christianity, which is likely why it was chosen for the number of spins as many people in the Philippines and members of AM’s family are Catholic. The role of belief also plays a major part in the transmission of the custom. It was the older generation that enforced the practice and believed in it to a greater extent. AM was only following what was told to her by her grandparents. However, she did not continue the practice and will likely not encourage her children to take part in it as she does not believe in it.  

Ghost Parties in Thailand

Nationality: Thai American
Age: 24
Occupation: Student
Residence: Long Beach
Performance Date: April 30 2020
Primary Language: English

Informant: So, like, my family is kinda, like, the official designated ghost family in my village. And my family is from this very small, um, place, kinda outside of Chiang Mai, like 30 minutes outside of Chiang Mai in Northern Thailand. Um. And so my mom, even though she was adopted– so she doesn’t have this official designation, but it’s my family, they basically take care of all the ghosts in the village. And the ghosts are like the ancestors of all of the families that live there and each generation, they have a special woman that they picked out, that’s like part of the bloodline, and.. it can’t be a man, it has to be a woman, and she’s like the keeper of the ghosts. Um, and so it used to be my grandma, and now it’s, um, its fallen to, like, one of my aunties, and now it’s with my cousin who– lemme tell you about my cousin, her name is {name}, and she has like a very severe, like.. learning disability.. So she’s the new keeper of the ghosts. And its, its, kind of interesting because, like, she can’t work, she can’t have a job, she can’t marry.. She’s very, very frail and very thin, but.. It’s kinda nice, cuz now she’s the one that has this responsibility. 

Collector: Right, right, she doesn’t need to… Does she makes money off this?

Informant: No, no, it’s not– it’s more of like a communal village position. But the village is like one big extended family. Y’know. And all of our ancestors are everyone else’s ancestors. And we have one little temple in the very center, y’know, we go to like, mass– it’s like Buddhist mass, basically, on Sundays. Um, so.. But anyways, every eight years there’s what we call like a ghost party. I missed the last couple cuz I was in school, um, but basically every eight years it’s like throwing a big party for all of the ghosts. Like, all of the ancestors, and you get, like, all the food gets spread out.. Spirits in Thai culture are very hungry.. They’re basically like, the ultimate hedonists, they just wanna consume everything. And so you give them, like, entire spreads of like chicken, and food, and like carnations, flowers, they love cigarettes, you get them a lot of cigarettes, they really like, um, whiskey, so you give them a lot of whiskey. Um, and it’s like, everyone gets drunk and gets together, and the process of getting drunk with your family members and your village, its like the spirits come, and they’re getting drunk, and they’re eating with you. 

Collector: This is all so interesting.. When, when you say taking care of the ghosts, you mean like giving them offerings, and keeping the altars clean? 

Informant: Yeah, so it’s kinda like that, it’s also kinda like, part of the spirit lore is like, they’re ghosts, so its like human ancestors, and another part of it is like, like, a lot of high-elf fantasy stuff, like, kind of speaks true to Thai culture, where like before the humans came, there were spirits in the forest. And these spirits are very old, and they had been there for like millennia. And they owned the forest, that’s their domain, and like, in Thailand, you know, we cut down the forest, we lived there and we farmed, and so we need to like, give back to the spirits. 

Context: The informant is a close friend of mine, and is a Thai-American young woman. She lived in Thailand for several years with her mother, before they both moved to Southern California.

Analysis: This is possibly my most exciting collection, seeing how I have a friend who has thrown a ghost party before. This experience is obviously personal to not only my informant, for also for the entire village. They do not differentiate their own ancestors from the village ancestors, which ties the entire village together, even after death. It is interesting that Thai spirits are considered to be hungry, as I have seen previous examples of hungry ghosts in Korea and Japan, all of which stem from Buddhism. I also find it interesting that only woman can serve the ghosts, as previously mentioned.

Sweeping Good Luck Away– Filipino custom

Nationality: Filipino American
Age: 57
Occupation: Healthcare Receptionist
Residence: Long Beach
Performance Date: April 27 2020
Primary Language: English
Language: Tagalog

Piece:

Informant: If, ah– let’s say you’re sweeping at night, and you have your, y’know.. So if you sweep at night, don’t sweep the dirt, the– y’know, the dirt out on the door. It’s, ah, bad, bad luck.

Collector: If you sweep it out the door?

Informant: Out the door. So it has to be–you can sweep, but y’know– the door is closed, and you just sweep and get all the, y’know, 

Collector: Get all the dust out?

Informant: But not to sweep–yeah.

Collector: So you’re supposed to sweep it into a pan and then take it outside?

Informant:Yeah, oh no, well, you just sweep–just not the door.

Collector: Do you know why?

Informant: Yeah, y’know, it’s same thing, it’s– no good [laughs].

Context: The informant is the mother of a close friend of mine, and is an immigrant from the Philippines, specifically Cavite City, which is about an hour away from Manila. She has lived in Southern California for roughly 40 years, while still maintaining close connections with her home country. 

Analysis: By sweeping the dust out of the door, one might inadvertently sweep the good luck out of the house. When asked, she reported that she had heard about the custom from other housewives in the Philippines. I have heard similar sayings in Jewish culture, though I cannot recall anything specific. As I did with my previous piece, I looked up “sweeping dirt out door” online, to better gauge who participated in this belief. This time, the results were varied; Though there were still many posts that labeled it a strictly Filipino custom (i.e. “You know you’re Filipino When..”), many seemed to consider it a general housewife belief. In this case, it seems as if this particular ritual can be seen in many different cultures.