Tag Archives: graves

Virginia Mice Graves

Context:

The informant recalls a childhood tradition in which she and her peers referred to small and neatly arranged stones as “mouse graves.” The group would sometimes pause for moments of silence believing them to be tombstones. The informant is now a student in university and recalls this from her childhood in Virginia.

Text:

“I remember when I was um growing up, back in Virginia, kind of in like a suburban area and we would have like, the car riders, walkers, and like bus riders. Which basically, we’re all grouped based off of like how we got home.

I was sometimes a car rider, sometimes a walker. But when we would walk to home from school, there was like a tunnel system. So we would go down the tunnel to get to the other side of the street without crossing the street. 
It was like a safer way for kids to get to the neighborhoods. And for some reason, when we were younger, we used to, joke like down by the tunnel entrance. I think it was like a storm drain or something like that. It was like this like big, kind of like circle looking, like sewer thing. That was shorter than us, but still, reachable, if that makes sense. 
There were these stones outside of the drain. And, when they were like tiny and they were positioned in the very light organized way. 
I think it was like keep debris from, like crawling down. And I, like me and like the group of friends, would like call them like mouse graves, because, like, they were tiny, like, tombstones.

And so like, we would sometimes have like moments of silence for, like, the mice. And, these mice, so sad that they left this way, but so happy that they get to be together, like, we took it very seriously. 

So that was our, like, I guess, our explanation for tiny things. 
Like everything was, like, it was small. in a spooky area had to be a grave of some sort of animal. It’s not.
”

Analysis:

This example is a form of children’s folklore and a type of legend belief for this folk group. The physical environment, the storm drain and arranged stones, incites the narrative creation, demonstrating how folklore often emerges from interpreting ambiguous or unexplained features in the world around us, especially when were are younger and everything is new to us.

It also reinforces group cohesion as the shared interpretation and ritualized behavior, like the moment of silence, creates a sense of belonging among the children. While the informant now acknowledges it isn’t the truth she states that in the moment is was very real to her. This level of seriousness comes from the frame set around the event and allows children to interact with death in a way that feels safe. It lives in a slightly eerie atmosphere that encourages imagination and allows the ritual of death and funerals to be a part of their life at a young age.

It also shows how anyone, even children, are active bearers of tradition as they perform the ritual for the dead mice. The practice transforms the ordinary stones or manmade features into a cultural place showing how folklore is tied to social integration and imagination. This legend belief and safe place to play gives kids meaning to their surroundings and strengthens their connection to their home and peers and their walk back from school.


Don’t Stick Your Chopsticks Straight Into Your Rice

Nationality: Chinese
Age: 55
Occupation: Registered Nurse, Teacher
Residence: Lake Oswego, Oregon
Performance Date: 2/22/2019
Primary Language: Chinese
Language: English

Context:

My informant is a 55 year old woman that immigrated from China to America in her early 30s. She is a mother, a registered nurse, and also a teacher in nursing school. In this account, she explains why Chinese people never stick their chopsticks straight up and down in their bowl of food. This conversation took place in a hotel one evening. The informant and I were alone, and I asked for the story behind this folklore because I had known of this superstition for a while, but never understood why it was considered bad. The informant told me the she learned this from her parents, and that this taboo is highly integrated into Chinese culture—“no Chinese person would ever be found doing this…” Because her English is broken, I have chosen to write down my own translation of what she told me, because a direct transcription may not make as much sense on paper as it did in conversation (due to lack of intonation and the fact that you cannot see her facial expressions or hand motions in a transcription).

 Text:

“Especially in the countryside, when they bury a person, they stick a stick on top of the section of land that they use to bury a person. On the stick, they tie little white strip of cloth to the stick, and this serves as the gravestone.

Because chopsticks are quite literally sticks, we can’t stick them straight up and down into our food because it too closely resembles the gravestone. Doing this is essentially a call to bad luck, because if you do it, you’ll bring death to both you and your family.

I honestly don’t know if I fully believe in this custom, but because it’s been so ingrained in my culture, seeing people do it makes me extremely uncomfortable, and it just seems safer to not do it and to teach my own friends, family, and kids to not do it.”

 

Thoughts:

This is a taboo that I grew up knowing, but never understood why it wasn’t allowed. I remember my grandmother scolding me when I was around seven years old for sticking my chopsticks straight up and down in my bowl of rice, but when I asked her I couldn’t do it, she told me that it would give me indigestion. It actually wasn’t until this year, in college, when one of my friends that I made here (who also happens to be Chinese) and I were talking about the weird taboos we had grown up, and she mentioned that the chopstick one seemed to be a stretch because it was supposed to resemble a gravestone. Surprised, I decided to ask my informant about this taboo to clarify the reason for its existence.

I did some further research after my conversation with the informant, and I found out that there is more than one way that sticking your chopsticks straight into your food brings death: apparently, Chinese people stick burning incense into rice to honor the dead. Breaking this taboo can bring bad luck to you because no one is dead, so it’s as if you’re summoning death by honoring yourself. This is an example of sympathetic magic: the Chinese believe that if you make a gesture that resembles something bad in the world, you’re making a calling to it. I also noticed that this is not limited to only Chinese culture—in Japan, sticking your chopsticks vertically in a bowl is also considered taboo because it reminds Japanese people of funerals, where a bowl of rice is offered to the spirit of the person who has just died either at their deathbed or in front of the photograph.

 

Waluhmaloo Bird

Nationality: Mexican-American
Age: 22
Occupation: student/nanny
Residence: Los Angeles, CA
Performance Date: 28 April 2014
Primary Language: English
Language: Spanish

The informant (L) is a 22 year old film student at the California State University Los Angeles. She grew up in Tulsa, Oklahoma until leaving for college after high school. She attended camp many summers during her middle and high school years. She told me the story of the Waluhmaloo bird that is told at Camp Waluhili in Chouteu, Oklahoma. She had never seen a written version of this story, so the spelling of Waluhmaloo is just a guess. The story is told by the older campers and counselors to the younger campers (who are as young as seven) when they are taking their first hike to the Indian graveyard. L was both told this story when she was a younger camper and later told this story to the younger campers when she was older. Below is a paraphrased version of her story:

“The camp is on an Indian graveyard. When the white people were attacking the Indians a long time ago, the Indians needed protection. The magical Waluhmaloo bird made a deal with the Indians that he would protect their graves if they agreed to stop hunting the Waluhmaloo birds. The Indians agreed and even now, the Waluhmaloo bird protects their graves and will cause something bad to happen to you if you disrespect the graves. Before you enter the graveyard, you have to spin around three times and say out loud that you believe in the Waluhmaloo bird. Once you go into the graveyard, if you step on a grave, you have to say you’re sorry out loud to the graves. ”

This story seems to give something for the older campers to distinguish themselves from the younger campers. The passing of the story from older campers to younger campers is a rite of passage and effectively lets the younger and older campers share something. This story may also remain popular with campers over the years because it gives a way to deal with the tension formed by being so close to not only a graveyard, but a graveyard of what are now seen as a group that the American government and people treated very unjustly in the past. There is a hesitance within American culture to deal with the dead, as if remains somehow hold some special property. This is symbolized by the Waluhmaloo bird, who is there to make sure the graves are not disrespected. I am not sure if the camp is actually on or near an Indian graveyard, and I was unable to find any more information about the practice through internet searches. I don’t really think that the realness of the graveyard matters as long as the campers themselves believe it is there, and that it is real.