Tag Archives: Mexican legend

Legend of Chupacabra

Age: 20

Text: The Legend of Chupacabra

Context: “My parents told my sister and I about many different Spanish creatures and figures, one of them being the chupacabra. The chupacabra is a vampire-like animal that sucks on the blood of other animals. I grew up on a farm, so we had pigs and cows that we took care of. My sister and I grew up with the fear of the chupacabra attacking our animals, so we had to be extra cautious at the farm. My parents made us have a bucket of water beside the animals, because allegedly, chupacabras are scared of water, and pouring water on them would “drown” them. One time, one of our cows got mange, and my sister and I were so worried that a chupacabra attacked him. It took us a while to get over our fear because we genuinely believed that they were coming to suck the blood of our animals. We realized later on that our parents told us this story for two reasons. The first is, even though I’m Mexican, I did not grow up speaking Spanish well, and my parents were worried I would not have a strong connection to my ethnicity. They told my sister and I this story as a way to understand our culture more. The second was more for teaching purposes, as they wanted us to learn how to take care of our animals properly and be extra cautious in order to prevent them from getting diseases.”

Analysis: This story about the chupacabra is a classic legend. The chupacabra is a folkloric, legendary figure based on Spanish culture. This creature exists in the real world, but the truth value behind it is unknown.

The actions described in the story is an example of ostension, as the belief has led to real actions. The interviewee placed water buckets next to the animals because they believed it would protect them in case they had to come in contact with a chupacabra. Even though this protection mechanism has no scientific evidence or reasoning, it gives the family a sense of control. When one of the cows got mange, the chupacabra was blamed, which shows how folklore can become a cultural model that explains misfortune and negative consequences. Folklore can work as a way to try to explain the unexplainable. Although the legend may not seem believable, the belief is contextual. Since the interviewee grew up on a farm where hsi animals encountered unknown illnesses and death, the legend was a way to explain this. 

The story is also an example of polygenesis, as there are similar stories of blood-drinking animals in many different cultures. For example, the most notable one I could think of is vampires in European culture. It is also often compared to Sasquatches, which are another common predatory figure. These creatures are a reflection of shared fears among different cultures. For example, the sickness and death of animals and humans due to environmental experiences. Without scientific knowledge of why this happened, people turn to folklore to explain it. Many cultures experienced this fear, which is why they came up with legendary creatures, and as a result, the creation of allomotifs. These narrative figures fulfill the same role within their cultures, but are slightly different based on the region.

As the interviewee mentioned, the story also reflects the role of folklore in intergenerational education. By telling their children stories about chupacabras, the interviewee’s parents are not only passing down a story, but also teaching them how to care for their animals. The legend is able to shape the behavior, as a memorable narrative can be more effective than instruction.

Charro Negro

Text:

A man on a horse makes a deal with the devil to save him from his crippling debt. After he makes the deal, he manages to pay off his debts but dies. However, his soul still rides on a horse doing the devil’s bidding and offering greedy individuals gold in exchange for their souls.

Context:

The informant heard this story from his mother, who is from Puebla, a city in Mexico.

Analysis:

From what I heard, I believe the legend reflects Mexico’s values around morality, greed, and justice. Because it is said that El Charro Negro comes to those who are greedy or desperate and offers wealth in exchange for their souls, it can be interpreted as a warning against moral corruption–material gain without integrity will come with a heavy, often dangerous price. This makes sense, as the tale emerged during the colonial times and blends indigenous beliefs with Catholic influences, such as a pact with the devil.

The Legend of La Llorona

Nationality: Mexican
Age: 24
Occupation: College Student
Residence: Los Angeles, CA
Language: English

Legend:

“The most popular legend in Mexico is “The Legend of La Llorona.” That of a lower class woman who fell in love with a wealthy man, who was already married. This woman had two children with him, and hoping he would leave his wife, she lost control one day. Filled with despair, she decided to drown her children in a river, and, since then, her soul wanders in sorrow through the streets every dawn, mourning the murder of her children. La Llorona walks each night with disturbing cries of regret, saying “Ay mis hijos!” which means “Oh, my children!” Dressed in a white gown that covers her entire body, down to her bare feet. There are those who say they have seen her: according to them, the ghost also has long hair, and her face resembles a skull. Many have also claimed that this woman also attacks midwives, doctors, and nurses who help pregnant women end the lives of their unborn babies.”

Context:

My informant told me that many Mexican legends are passed down from generation to generation, taught in class, or even shared from neighbor to neighbor on the street. She had heard this legend on the playground when she was 6-7 years old. She said that children would share this legend with each other as a way to frighten other children.

Analysis:

In class, we read an article and talked about the legend of La Llorona. In the article “The Politics of Taking: La Llorona in the Cultural Mainstream,” Domino Renee Perez writes that La Llorona “wails at night as she wanders dark roads searching for her children or any other potential victims” (154). We had talked about La Llorona mainly targeting children, so this variation of the legend is interesting because it instead is about the spirit of La Llorona going after people who terminate their pregnancies/their unborn children. One can argue, that instead of La Llorona attacking children, she is going after people who are making the same choice she did to end (by ending their unborn babies’ lives) that doomed her to haunt the streets. This view/belief depends on one’s own view of terminating a pregnancy, but it is interesting to think about the different interpretations of the La Llorona legend. I find this variation between different versions of the legend of La Llorona fascinating.

El Callejón in Guanajuato, Mexico – The Kissing Alley Legend

Nationality: Mexican
Age: 24
Occupation: College student
Residence: Los Angeles, CA
Language: English

Legend:

“It [the tale] follows the tragedy of Carmen and Luis. They were two lovers who lived a street apart; their balconies faced each other. Carmen’s dad found out about their constant sightings that eventually turned into a relationship and in a moment of rage, he killed Carmen. After, Luis said goodbye to Carmen and then he killed himself. The legend says that if a couple kisses on the third step of the narrowest area of the alley, they will have 15 years of prosperity and love.”

Context

My informant told me that this legend is centered around a popular tourist destination in Guanajuato, Mexico. The tourist destination is an alley with stairs underneath where the two balconies face each other. Many couples walk the steps and take pictures kissing on the third step of the stairs in the alley. Couples stand specifically on the third step because, there, they are directly under the two balconies that face each other.

Analysis

When my informant told me this legend, I immediately thought of Shakespeare’s play Romeo & Juliet and the forbidden romance between the two main characters. I find it interesting that the idea of forbidden love is so appealing to a lot of people, specifically when the couple ends up ending their lives to be with each other (something the play and this legend have in common). There is something to be said about audiences enjoying a tragic love story. The idea of this legend being the thing that attracts tourists to this location reminds me of the idea of the “Legend Quest” we talked about in class. A “Legend Quest” is when people hear a legend and go on a “quest” to find out if it is true. In this case, tourists find out that if they go to the third step and kiss underneath the balcony, essentially recreating the romance between Carmen and Luis, if they will be guaranteed 15 years of love. So, they go, hoping that the legend is true.

Memorate: My Great-Grandparents’ Joaquin Murrieta Sighting

Context:

Informant J is a 73 year old Mexican-American man and is the collector’s grandfather. He is from San Jose, California, but his family moved there from parts of Texas and Mexico. For the majority of his life, J was a manager at a regional grocery store, and studied art in college with a focus in jewelry making. J is now retired and his hobbies include guitar playing, metal working, and reworking vintage cars.

Text:

(Please excuse typos, this is an unaltered text message from the informant): “My parents said they were just finishing up a picnic at Alumn Rock park on the East side of San Jose and were getting ready to head home when a man who looked like he had been dug up (his clothes was old and tattered and resembled clothes from the cowboy days. He came up to their car window and just stood there not saying a word but staring in a daze. They believe it was the ghost of Juan Murrieta who lived during the late 1900’s. He was famous for robbing people in that area of the park. My dad started the car and got the hell out of there! My parents were very scared and they were familiar with the legend of Juan Murrieta and never stopped talking about the incident!”

“Ps: The cowboy did have an old style revolver as well!”

Interpretation:

I’d like to note that people often confuse Juan and Joaquin Murrieta, and that my grandpa was almost certainly referring to the latter. I did some research after being told this story, as I hadn’t heard of either figure until now. Juan was a pioneer, whereas Joaquin is a Mexican figure commonly known as the Robin Hood of the West. More specifically, stories about Murrieta rose in California during the Gold Rush. I find it interesting that my great-grandparents claim to have seen Joaquin Murrieta, because they associated something strange with something they already knew about (ghosts), and their knowledge of it is heavily influenced by culture. Even though my family was Mexican-Texan, they had heard enough about this specifically Mexican-Californian legend in the little time that they lived there that they assumed the figure was him. What’s more, this story hints at a combination of folkloric beliefs, as my great-grandparents claim to have seen a kind of undead version of Joaquin Murrieta, who is more of a legend than a popular ghost. There are debates over whether he existed, but stories of seeing him are rarer. But my great-grandparents seem to have believed in ghosts in general, so this memorate only furthered their personal view of the world.