Tag Archives: rave

Rave Cards

Age: 23

Date Collected: 04/27/2026

Context:

My roommate and friend of three years has been involved in the rave scene for about 5 years now. More specifically, he helps out one of the largest hard techno organizations in the country. He occasionally DJs, mixes, and knows a lot of people in the scene. The organization he works for and the scene he is involved in are more underground; they throw warehouse raves around the Los Angeles area. He was showing me his collection of items he’s gotten from raves and festivals, and these unique cards really stuck out to me.

Text:

My friend was telling me about the deep culture and really interesting community of LA’s hard techno scene. The organization he works with, 6 AM, recently started giving out custom Pokémon-style playing cards at shows. They don’t have any official name yet, but my friend calls them rave cards.

The cards are unique to each event; new ones are made for each night they have shows. Most cards feature a performer, headliner, or crew member specifically from the show you attended. They also feature brief descriptions such as “type: human” or “age: unknown” to build lore about the performers. The special attacks listed are either inside jokes, the DJ’s popular songs, or just funny facts about the character. They range in rarity, with headliners and special guests being rarer and more desirable. Those rare cards are typically printed with foil or holographic coloring to make them stand out visually from the rest. Performers returning to perform at a 6 AM event receive multiple evolutions on their cards. So my friend has some performers with multiple evolutions. You can see that the yNOTI cards are a first and second evolution. There are also other cards, like quest cards and curse cards. For example pictured above, one card jokingly curses ravers for an ever-growing bathroom line that stretches for miles. Another quest card challenges ravers to meet new people and high-five them. My friend says there’s no real benefit or reward to completing the challenges, or to being cursed. It’s just for fun to mix things up.

To get the cards, you need to find “KL,” the organization’s marketing guy, somewhere at random in the crowd. When you find him at a show, ask him for a card, and he’ll fan a deck of cards faces down, and you get to pick one card. The cards are all free, but “he only prints about 50 per event, so you have to find him quick.” He also doesn’t give them out before 2 A.M. because the event hasn’t really started yet, and it would be unfair to give them all away so early. There’s no special quote or saying he says because the sound systems are pretty loud and conversations are hard to hear. “You only get one per show. Once you pull your card for the night, you can’t switch with him or try again that night.”

My friend told me that KL makes the cards himself. He comes up with the designs himself and has a card maker at home; he creates all of them himself. My friend doesn’t think that the idea is completely original. But it might be pretty close to being new or original. KL makes cards for crew members’ birthdays, as well as making enough for the crew. One of our friends who got one made for them didn’t even know about it till they were given out on her birthday. KL pulls the pics from Instagram or online and edits them to fit whatever vibe he is feeling. My friend explained that all the cards are KL’s ideas; he doesn’t really ask the artists or headliners what they want on them. KL definitely takes pride in this and sees it as art. My friend explained that only people who are really into the scene will get cards, because most people don’t know to find KL or that the cards even exist.

My friend has amassed quite a collection; he has about 25 cards, and they only started this new trend last year. People collect these cards and trade them with one another at shows. But again, this is fairly unique to one organization operating mainly in LA. My friend can’t think of any other companies really doing this, definitely not “mainstream” rave companies. We tried finding stuff online about this, but it’s pretty hard to find and also unique to the hard techno scene. Other raves he has been to don’t really have those cards; they have other things.

But he does have a card from another popular DJ, Vendex. That DJ plays in the hard techno scene and is really on top of trends and personal branding. Vendex designed and makes his own Yu-Gi-Oh!- style playing cards, which he personally hands out at events to fans and friends. My friend has one of these, which is one of the coolest stories behind a card he’s got in both of our opinions. He met Vendex outside an event. Vendex was unmasked, and they talked for a while about the genre, scene, and equipment. After, Vendex gave him the card and followed him on IG. My friend has also gotten real Pokémon cards handed to him by other ravers at events. So maybe that friendly community interaction inspired KL to make custom cards.

Analysis:

I got to document a tradition that’s only just beginning to develop, which was really cool to me.

KL rightly sees himself as an artist. He is a true folk artist creating art that is unique to his community. These cards mainly hold value to ravers because they loved that night’s set. But, it could also be because they love the DJ or the card itself. Although he gets paid by the organization, KL doesn’t make any commissions off the cards themselves. They’re for the love of the game and to build lore, community, and excitement. Aside from being an artist, KL is kind of recording the history of his organization. The cards are marked with days, specific performances, inside jokes, and the performers or crew themselves. This memorializes significant events and gives people ways to remember fun events. Also, the only way you could get them is if someone tells you who KL is, you find him, then ask him. Although the cards themselves are physical, the ways you get them and learn about them are not.

These cards are also a fantastic example of bricolage folk art. They recombine elements like Pokémon cards, taking them from a commercial purpose, giving them a memorial and independent meaning. In fact, my friend told me that he’s been given Pokémon cards many times at events long before Pokémon came on the scene. Maybe, that pre-existing folk custom is what incentivized KL to make his cards. Unlike other folk art or collections, these cards create a hierarchy and bestiary of characters, jokes, and people. It shows what’s popular at a certain time, who or what the community values, and what’s worth preserving. As well as categorizing them by type and highlighting what makes each unique. Also, what’s interesting is that the cards are static. You might be pissed you pulled a “low” card or a non-trending artist. But then, 5 months later, that original, pre-fame card is so much more special and valuable once the artist blows up. Similarly, the evolution system rewards and reinforces performers to stay loyal to the company. Of course, the DJs don’t really care much about the cards, but it’s a small thing that does help.

The cards are also anonymous; the backs are unique to each show, but fanned out and in the flashing lights, you can’t possibly tell them apart. The act of choosing one is something like divination. You don’t actually pick the card, with the smoke lingering from the fog machines, neon lights, and dark, heavy atmosphere, you feel like the card has selected you. Especially when you get the one you wanted. I’ve been to shows with my friend, but never picked a card. We typically get there fairly early, around midnight, but even then, the atmosphere feels unreal. It feels magical. The cards only enhance that atmosphere.

Comparing the 6 AM cards to Vendex’s is also interesting. Because 6 AM’s is made by an individual who has minimal connection to the characters he creates and the cards he produces. He doesn’t do it so much for branding, instead its more for the love of the game and to reward people involved in the scene. They’re anonymous and fairly impersonal. The person who draws the card decides the value from context. Vendex’s cards, on the other hand, align more with personal encounters, narratives, and personal branding. He personally creates them and gives them out after meeting people. That’s an important difference from the 6 AM cards. The story of how you met him, the conversation you had, and in my friend’s case, being followed on IG was as important as the card itself.

The cards are difficult to make mainstream. The company branding and personal images aren’t something that a company can easily profit off of selling. KL giving these out for free in a limited number and only to people who showed up somewhat resists the capitalist tendencies to commodify folklore. That is especially important when a lot of the organization’s other marketing strategies (merch, purchasable mixes, and branded collabs) are all monetized. The cards are by the people, for the people.

Kandi and PLUR

Age: 23

Date Collected: 4/27/2026

Context:

My roommate and good friend of three years is involved in the rave scene here in LA. He does operations for one of the largest hard techno organizations in California. He is mostly involved in the hard techno scene, but occasionally he goes to festivals and dub shows where passing out kandi bracelets (pronounced “candy”) is more popular. He showed me his collection of goodies he’s gotten in his 5 years raving, and these stood out to me.

Text:

Kandi bracelets are a great representation of the exciting and friendly rave scene. Kandi are handmade elastic bands made of colorful plastic pony beads, featuring fun messages, images, or small items tied to them. Some of them are quite complicated, including finger designs, while others are quite large and stretch up the arm. The most common, though, are simple bands with funny messages or jokes. My friend explained that “they’re connected to the dub, trance, and outdoor-festival communities.” You can see kandi passed around at mainstream shows like Tomorrowland, Lollapalooza, or Electric Daisy Carnival. Those festivals are during the day, when you can get away with lighter clothing and show off your kandi. People wear loose clothes with bright clothing to match the fun color of their kandis. My friend has gotten several kandi bands at Outside Lands, smaller Afro house shows, and other events with chill crowds. Its normal to give kandi to people you like or just feel a positive vibe from.

He mentioned that there’s a specific ritual to giving them away. The PLUR (Peace, Love, Unity, Respect) handshake is the way ravers exchange their kandi. He learned it from someone when they came up to him and gave one to him. He showed me holding up a peace sign, and I held up a peace sign to his hand. “To the beat, you dance around. Then you make half a heart shape.” I completed the heart for “love.” Now, you place your palms together his for “unity,” like a high five.” Finally, we interlocked fingers for “respect.” At that point, the initiating raver would pull one of their kandi bracelets from their arm, over their hands to their arm, all while their fingers are still interlaced. All this is done to the beat of the music, or in a fun flow state. Then you should pass one of your kandis over your arm to theirs. Then you can dance around and either part ways or make a new friend. But “you don’t need to actually give any back; people just want to give them out.” For example, my friend never brings kandi to shows; he doesn’t make them either, yet he has gotten around five from his time raving and has built up quite a collection. He doesn’t wear them to shows because, well, mostly they aren’t his style. But also because kandi bracelets are not common or popular at the shows he goes to. They are more associated with the mainstream EDM scene. He goes to underground techno shows, which are typically held at night and where kandi is far less common.

People trade them, give them away, and they are all made by hand independently. He doesn’t really remember who gave them to him; he was just enjoying the music. All the ones he has are very unique, and no two look really all that similar. He told me they’re all usually unique and like a fingerprint. Each artist has their own style. People try not to copy one another, and they all try to have unique ones so that you can remember that show or specific interaction. As you can see from the picture, they’re all made from relatively cheap beads and elastic string from Amazon or a craft store, yet each seems to have a unique bead pattern, color choice, and style. There’s one that says “sploinky” (no real meaning, just fun). Another says “xing”, which probably stands for crossing the threshold or barrier, and tripping. The final one says “cum bucket,” which was given to him by a girl. This highlights the ironic and really funny humor at these shows. There’s even one with a pacifier on it, which you can use if you’re grinding your teeth. Very practical. Another, pictured above, is pink and star-shaped and goes over the back of your palm. That one is great if you are wearing long sleeves or want a full sleeve of kandi.

Analysis:

Out of his collection, these stood out to me. I immediately thought of them as folk art and, more specifically, I think they are a perfect example of bricolage. They are made of mass-produced items recombined to create something new. These items aren’t meant to sell; they have no real monetary value. But, they do have sentimental value. One of their main purposes is to serve as a physical reminder of your great time at a show or of a new friend you made. Each Kandi is given new meaning based on the context in which it is given. They are also deeply rooted in the festival and mainstream EDM scenes, and associated with rave culture at large. To me, they’re instantly recognizable as a great folk element of that scene that was made by the people. A company, the festival organization, for instance, can’t profit from or poach these Kandi. They’re just beads and string. Any unique bead design could be made by a raver using a 3d printer at a public library. I don’t think it could really be commodified easily. There is also a paradox that something sentimental or valuable is made out of such cheap materials. It’s funny because it reminds me of a crappy macaroni plate a kid makes for their parent’s birthday. Each individual piece is worthless; even together, it isn’t that valuable. But to ravers, these are memories. They hold so much individual value because of the context in which they were given. If my friend gave me a Kandi just for fun or sold one to me, I probably wouldn’t care as much as if I had gotten my own at a show. So the context is the value, a company can’t easily replicate that or profit off of it, which ensures it is of the people and for them.

Aside from being a tangible record of interactions, they also serve as a way to build community. I mentioned that these are very common in the mainstream scene. They’re bright, colorful, fun, and inviting. They help create bonds between ravers and give people an opportunity to connect. This is especially important because at these venues, the music is very, very loud. People wear earplugs or AirPods to protect their hearing. That makes casual conversation and small talk really hard. So, the kandi gives you an easy way and a reason to approach a stranger who is part of your community. It is also very helpful in the mainstream scene, since new ravers or shy people might be uncomfortable. But if they’re given a Kandi, that be like inviting them into the fold. They could feel valued and seen and a member of the community which is really cool and helps keep the scene thriving and positive.

Aside from the purity of the folk art, the PLUR handshake is also a great example of how folk gestures are taught and learned in real time. He said he felt a little confused, but he got the idea pretty quickly. I had a similar experience. The PLUR gesture also highlights the friendly vibes that rave scenes go for. The acronym isn’t just for fun, its a code. To be part of that culture, you need to be peaceful, show others love and respect, and be unified. The community really does care about being respectful. To the shows I have personally been to with him, I’d say they were far more respectful than your average line at Walmart or Disneyland. The PLUR is a great acronym that effectively sums up the values and code of the rave scene into one fun gesture. Its a great way to teach new members and remind old ravers what’s important.

Kandi in the Rave Community

Nationality: United States
Age: 20
Occupation: Student
Residence: Los Angeles
Performance Date: 3/10/2020
Primary Language: English

The following is a retelling of a performative event experienced by the informant: 

Informant: 

“ In the rave culture, that is the community and happenings surrounding EDM (electronic dance music) there are a lot of things that everyone in the community partakes in together as acts to show unity and respect. Actually, there is a term P.L.U.R., this stands for Peace, Love, Unity and Respect. There are these bead bracelets that are worn called “Kandi” and people make all kinds of kandi, some are really simply and just a single strand of beads and some are very intricate and are even 3-D. Ravers have these kandi to trade with people at shows that they have moments with – like they dance together for a song or a set and have fun, one person lends someone something etc and then at the end of a moment they will exchange these bracelets with a handshake that emulates “P.L.U.R.” . For Peace they both make a peace sign, like a “v” with their index and middle finger, touch the finger tips together and from that they keep their hands pressed against each other and make the shape of a heart for “love” with each person making one side of the heart. For unity they move their hands so they are flat against each other’s, palm to palm like a prayer position, then they interlock their fingers on respect and while their hands are interlocked one of them pulls a bracelet from their wrist over their interlocked hands and then to the other person’s wrist and the other person with reciprocate. It’s a fun way to remember wholesome moments with strangers, and a lot of times people will keep their favorite Kandis and only trade them with people who mean a lot to them.” 

Background: 

The informant refers to himself as a raver and has partook in the giving and receiving of kandi. He says it is sometimes a really lovely moment and is one of his favorite things about going to EDM festivals. He says he often makes Kandi for people he is going to raves with, and then if he is with that friend at a set for a Dj they both love, he will trade the person a specialized kandi and it is always a really special moment for both of them as the other person has often also made a special kandi for the moment. 

Context: 

The informant is a friend of mine and I was asking him questions about why he likes raving so much. He then brought me a kandi and he taught me the handshake.

My thoughts: 

I think this is a really wholesome way to share and remember events with strangers. Not only is it a performative moment that can serve as an initiation into the in-group since it’s a big deal to receive your first kandi. 

German Raver Cyborg Mohawks

Nationality: American
Age: n/a
Occupation: Professor at the University of Southern California
Residence: Los Angeles, CA
Performance Date: April 24, 2018
Primary Language: English

Background: I interviewed Professor Nye to talk about his raving experiences. He discovered electronic music as an exchange student in 1995-96 in Germany. Clubs at this time in Germany were playing a lot of techno pop music, and he heard from friends about “underground” or unsanctioned dance events. He attended events like this his senior year of high school in the Bay area of California.

Context: This interview took place the Thornton School of Music faculty building at the University of Southern California during his office hours on a Tuesday afternoon. There was a flute playing in the background throughout the whole interview. As Professor Nye is describing the styles he saw in European dance events, he remembered a specific hairstyle he saw in Germany. 

“My favorite was probably in Germany these kind of very cyberpunk outfits with just full you know like everything plastic, full plastic cyborg dress. There was this style that ravers had back in the day, especially in Germany, was like shaved on all the side, neon hair, and then like cyberpunk spikes going down the side like this. Does that make sense? That was kind of more sci-fi imagery.”

 

As he is speaking he is gesturing to the center of his head where you would typically expect to see a mohawk and then gestured to both sides of the mohawk in a straight line to describe where the “spikes” would be.

 

 

“You Know You’re A Raver If” Jokes

Nationality: American
Age: n/a
Occupation: Professor at the Thornton School of Music at the University of Southern California
Residence: Los Angeles, CA
Performance Date: April 24, 2018
Primary Language: English

Background: I interviewed Professor Nye to talk about his raving experiences. He described his most active era to be from 1997-2001 in the underground trance music scene of the Bay Area. He attended many outdoor, open-air, camping events that are described as “underground” or not necessarily sanctioned in the same way that official music festivals, such as Coachella, or Outside Lands are.

Context: Professor Nye was describing jokes and stereotypes of ravers that existed when he was involved in the underground trance scene in the Bay area. He was laughing throughout the joke-telling still clearly very amused by the jokes. Professor Nye seemed to expect that I would understand the jokes as a student in his Electronic Music and Dance Culture course based on our learning about rave culture.

“I remember just jokes around… actually this is hilarious I remember a list going around of “You Know You’re A Raver if” blah blah blah. Have you ever heard these before? At that time one of my favorite ones was, that I kind of came up with with friends was “You Know You’re A Raver if your email is happysparklyglowbear15@plur.org Another one is, you know you’re a raver if you’re doing the laundry and you start arguing about whether the washing machine has a style of tribal or trance. The strongest example was you know you’re a raver if you pay $30 for a party that may not happen, pay $20 for a pill that may be aspirin, but you will not pay $2 for a bottle of water.”