Tag Archives: ritual

Flight Ritual

Nationality: American
Age: 57
Occupation: Dance Studio Owner
Residence: Downers Grove, IL
Language: English

Ritual:

“Whenever I fly, I say the Lord’s Prayer, then repeat “please bless this flight, please bless this flight, please bless this flight.” I do this twice on the ground once we leave the gate and once as the plane is starting to climb.”

Context:

My informant told me that she started this ritual when she was 25 years old. For many years, she had to travel almost every week for her job, so she flew frequently. However, she has a fear of heights as well as motion sickness, so flights always made her nervous. She does not fly as often anymore, but she still performs the ritual when she does. She is Catholic, so saying the Lord’s Prayer is a way to try to combat her flight anxiety.

Analysis:

What is interesting about my informant’s ritual is that she uses something institutionally recognized — the Lord’s Prayer (“Our Father”) — in a folkloric way. Her ritual is apotropaic, meaning that the intention behind her saying the Lord’s Prayer and repeating “please bless this flight” is to protect the flight she is on from any harm. What is also interesting about this ritual is her repeating “please bless this flight” three times. Early on in the semester, we talked in class about the cultural significance, specifically in the United States, of the use of threes. Interestingly enough, threes in the United States, for many Americans, represent balance, which is then equated to goodness. So, her repetition of “please bless this flight” three times is another symbol of her protecting her flight, even if she does not realize it.

Qingming Festival

Nationality: American
Age: 21
Occupation: College Student
Residence: Brooklyn, New York
Language: English

Text:

Collector: “Can you describe any rituals or festivals you have participated in before?”

Informant: “My family and I have a yearly ritual where we go to the cemetery to visit my great grandparents. We visit their grave and burn fake money and clothes to send them these things in the afterlife. We also burn stuff like cars, houses, accessories, jewelry, bags. They are all made of paper but it’s supposed to give them the real thing in the afterlife. We then burn incense and bow and pray to them.”

Collector: “What time of the year do you guys do this tradition? Is it based on your family’s religious beliefs?”

Informant: “We typically try to go a little bit after Chinese New Year. My immediate family isn’t religious, but I believe it’s based on Buddhist beliefs in the afterlife.”

Context:

My informant is Chinese-American and has been participating in this yearly ritual since she was young. While her immediate family is not religious, they practice some Chinese Buddhist traditions such as bringing items to their deceased loved ones and praying to them.

Analysis:

This ritual is a part of a traditional Chinese Holiday, typically practiced in the beginning of April during the Qingming festival, which translates to “Tomb Sweeping Day”. This festival reflects a common Chinese belief in the afterlife, but is not . It is a way for people to honor their deceased ancestors and loved ones, ensuring that they are well taken care of in the afterlife. Some people believe that “sweeping the tomb” is only to be done during the festival, otherwise it would be disturbing the deceased. It is a way for the living and the dead to feel connected. People pray to feel spiritually connected to their ancestors.

Festival: Japanese New Year

Date of Performance: 04/30/2025

Nationality: American

Primary Language: English

Residence: Los Angeles, California

My informant, who is half-Japanese, tells me of the traditional New Year’s celebration her and her family would follow every year. She didn’t grow up in Japan, but her grandparents still lived in Tokyo, so around the new year, they would visit and stay with them for about a week. The week would be spent watching reruns of 80s television, and then on the 31st, her grandmother would prepare a traditional wintertime stew called Oden, which consists of fish cakes, radish, and other vegetables. They would stay up until midnight, and then celebrate with the annual airing of a New Year’s concert attended by various important figures in the Japanese political and entertainment world. The following day, they would eat something called Osechi Ryori, an assortment of traditional dishes that is eaten every new year’s day, each of which have symbolic meaning for good luck and fortune. Then, they would all go to the shrine near her grandmother’s house, where they would make their first prayer of the year, draw cards that symbolized their incoming fortunes, and eat from traditional food stalls. Sometimes she would go in traditional kimono attire, but for the most part she describes this experience as pretty casual. 

Kind of like the Christmas celebrations described by my other informant, while this practice has its roots in religion, my informant has treated it as more of an informal, familial celebration than one related to its Shinto foundation. They related this experience more to their memories of their grandparents than to its cultural and religious significance, but stated that its yearly practice helped to link my informant with her Japanese side.

Ritual: Pre-performance Routine

Date of Performance: 04/30/2025

Nationality: British

Primary Language: English

Residence: Edinburgh, Scotland

My informant is a performing musician, and describes to me his pre-show ritual. He’s a singer, and so his routine is precise – while some of it is mental, any anomalies could compromise the condition of his vocal cords. It consists of several conditions: first, without fail, on the day of a show, he drinks “two full britas” worth of water. This, he explains, is to keep his vocal cords as hydrated as possible. This step is probably the most critical – as an example, he recounts a time when he had several alcoholic drinks instead of water, and embarrassed himself deeply onstage after the fact. Next is his diet: on the day of the performance, he eats only a sandwich with tomatoes and cucumber. Anything oily, like meat or fried foods, throws him off, he says. Before he arrives at the venue, he drinks a thermos of tea, specifically throat coat, at a medium temperature. Finally, while driving to the show, my informant listens to “Boogie Wonderland” by Earth, Wind, and Fire to get him in the right state of mind for his performance. 

He says that he doesn’t necessarily ascribe meaning to each of the steps in his ritual, but that adhering to them keeps his mind and body in the right space so as to perform to his best ability. When asked as to how he formulated each step, he responded that they were things that just sort of stuck with him as he performed more and more. I did witness a concert of his after this interview, and I can attest that his ritual seems to have worked. 

Being a performing musician myself, too, I can understand the importance of a standardized pre-show routine to my informant. While personally, I don’t adhere to as strict of a regimen, the music I perform doesn’t rely heavily on vocal technique, which might be the difference. A lot of singers I know have similarly precise routines, likely due to the biological component of singing properly. Often, they are encouraged to follow more rigid warm-up rituals so as to keep the vocal cords, a muscle, in its best condition, much like athletes would do before a game or competition.

Ritual: Burning of Sugarcane

Date of Performance: 05/01/2025

Nationality: Filipino

Primary Language: Tagalog

Residence: Manila, Philippines

My informant, an older woman in her 80s, recounts to me an annual ritual in her hometown of Bacolod, in the Philippines. The town is on an island known for its fertile, dense soil, and therefore the quality of any plant grown in it. My informant’s family had been sugarcane farmers for generations, and so she grew up around the fields. She describes to me the annual burning of sugarcane plants following a successful harvest, so that new plants might grow in their place, the ash from the burned plants creating soil supposedly twice as fertile for the following harvest season. She remembers how the children of her hometown would gather around the heavy, sweet scent of the burning sugarcane, watching the plume of smoke climb higher and higher. She follows with an anecdote about one of her friends, who, even well into adulthood, would make the pilgrimage from Manila back to her home island during periods of depression and turbulence, and says that the smell of the burning crops would cure any ailment. 

My informant is clearly very fond of her hometown – I’m sure she associates this sensory memory with her feelings of nostalgia and pride. She describes the sugarcane fields and soil with a kind of reverence that I think reflects the importance of agriculture to Bacolod’s local culture and economy.

I was quite touched by this story. The process she describes is known as slash-and-burn agriculture, and is pretty common across the globe, but I can easily relate to her feelings of sentimentality regarding specific smells, sights, and feelings. Often, I think that holidays and festivals are associated strongly with these memories – the smell of pine in the winter, the taste of candy during Halloween – and I think that these sensory recollections do a lot to endear these rituals to those who practice them. The celebration of the practice my informant describes also helps to make the town’s agriculture something close to succeeding generations’ core identities, ensuring prosperity in the future.