Tag Archives: rural

Antelope Valley Fair

Text: 

The Antelope Valley Fair in Lancaster, CA

Minor Genre: 

Festival; Celebration

Context: 

“One of the festivals we had growing up was the Antelope Valley Fair. I think these [fairs] go back to where every year, you grow a crop and all the farmers bring in their best livestock and crops and whatever and show off what they made. It’s a huge community coming together to have a celebration.

“In Lancaster, [the fair] was basically all of the kids who did FFA and 4H and would bring their show animals. Steers, pigs, and sheep were the main livestock. One year, I had a grand champion lamb that I showed. But [in addition to the livestock], you still had all the other arts and crafts and stuff and everything else. It always happened the last week of summer before school started.

“I was there every year, but probably when I was seven or eight was when I started 4H, and that was when we got really into it. But we probably went there just for fun my whole life. My dad’s older brothers did the haybaling competition; before everything was automated, guys would go out on trucks and have to lift these hay bales with pulleys and hay forks. They had tractor races, too –– basically anything associated with a farm. My uncles were haybaling champions for many years in the 1950s.”

Analysis:

Antelope Valley’s first main industry was agriculture, with farmers crowing crops such as alfalfa, various fruit, carrots, onions, lettuce, and potatoes. The city of Lancaster emerged as a bustling city with successful farming at the end of the 19th century, and in the 1980s, had a large increase in population due to the development of new housing tracts. The informant was born in 1974 and would have experienced the Antelope Valley Fair during the period of this population boom, which may have corresponded with a popularity increase in the county fair.

The informant’s memories of the Antelope Valley Fair suggests a heavy agricultural influence in both their personal life and in the city of Lancaster. He had a history of farmers in his family –– the informant’s father raised animals, and his uncles had experience baling hay –– which likely skewed his perception of the fair to lean more heavily on its agricultural experiences, particularly because the informant himself participated in 4H. Additionally, the farm-oriented activities such as competitive hay-baling suggest that success as a farmer was a highly valued trait in Antelope Valley during the time period.

Yunnan/Sichuan Torch Festival

This is a story from when my informant, who is Chinese-American, went back to the rural town in Yunnan, China that her father’s family hails from when she was around 10 years old.

Text

“So in Yunnan, China (and Sichuan, which I’ve learned from outside research) there’s this festival that happens at the end of summer called the torch festival, with a lot of stuff like people dancing around bonfires, lighting paper lanterns, lighting torches, etc. When I was younger and in China during that time, I participated in the festival at the rural town that my grandparents live in called Xiangyun. One of the activities I remember most about it is people gathering in a circle around the fire and jumping over it. I accidentally ran towards it as the same time as another person and burned a hole in my shoe haha.”

Context

“When I asked my parents about it, they said it was to ward off insects as the harvest season started. When I did more research on it, I found out it was based around a specific legend of how a hero warded off a swarm of locusts with fire (I believe this story comes from the Yi people, but double check me on that). As far as I know, I think the custom is endemic to that specific area of Yunnan, cause I couldn’t find it in the resources on the torch festival online. Although I was only looking at sources in English, so that might’ve affected it.”

Interpretation

This festival shares a lot of similarities with many holidays that occur at the end of summer and usher in autumn and winter. It focuses on the presence of light and warmth (lighting torches and lanterns) to ward off the increased darkness of the following days and emphasizes creating a bountiful harvest by warding off harmful insects. The ritual of people jumping over a fire is interesting because it seems like people want to take the risk of being burned to heighten their spirits and get ready for the gloominess of winter.

A Proverb From the South/Midwest

“Better than a stick in the eye”

This is a proverb that the informants mother used to repeat to describe something that happened that is only marginally good, usually to put life in perspective. That circumstances aren’t ideal, but that they could be worse. It’s similar to the phrase “better than nothing”. Her mother grew up near St. Louis, Georgia, and rural Illinois in the 40s-50s.

“Better than a stick in the eye”  is a reflection of resilience, perspective, and a pragmatic approach to life’s challenges valued by the community from which it came. It highlights values of endurance, gratitude, and humor as essential tools for navigating life’s ups and downs, deeply rooted in the personal, cultural, and historical context of the time and place from which it originates. Considering the historical context of the 1940s-50s in areas near St. Louis, Georgia, and rural Illinois, this proverb reflects the economic and social challenges of the time. Post-World War II America was a period of significant adjustment, with rural communities often facing economic hardships and societal shifts. It could also predate this time and originate further back to times like the great depression with even worse economic devastation. The saying may sum up the ethos of a generation accustomed to hard work, modest living, and finding contentment in stability rather than excess.

Family Haunted House

Text:

“Gee [grandma]’s house is lowkey haunted, it’s messed up. The man who Gee got the deed to their land from, we call him Old Man Hattfield. When my mom and my aunt were growing up they would come home from basketball games really late at night, and one night they came from the back door. They came around the corner and my mom swears that she saw a man at the top of the stairs, and then by the time that my aunt and Gee got over there the man was gone, they didn’t see him. Obviously my mom was freaking out, she was scared to death. So they all went upstairs, there was nobody up there, the windows weren’t open, there was no way anyone could’ve gotten there. They think it was Old Man Hattfield, my friends still refuse to go upstairs at Gee’s house because they think it’s haunted by Old Man Hattfield. . That’s one story. Gee has another story about this dress. So when they bought the land it was from debt, so I think with the deed to the land came other things like this pocket watch and this wedding dress. It’s this white wedding dress, and I don’t know who’s it was, but Gee had this dress up until maybe 10 years ago until she finally got rid of it. She’d wake up in the middle of the night and swear she saw a woman wearing this dress at the foot of her bed. So eventually she was like, “I’m tired of this, I’m gonna burn this dress.” So she sets it out in the burn pile. But then she’s going through their stuff at least five years later, and the dreams had not stopped. So she didn’t know what happened, she thought the dress had been burned. Then she found the dress inside the house in a drawer, and she’s like “what is this? How is this dress here?” And she asked Papa and he said “Yeah I saw you put it in the burn pile but I put it back in the house.” They burned it after that and the dreams stopped. 

Context:

GR is a 19-year-old college student from a small town in Arkansas. His grandma, Gee, has told him this story, and many members of the family believe that Gee’s house is haunted. 

Analysis: 

The figure of a ghost woman in a wedding dress is a pretty common one. She’s seen in La Llorona, a ghost women who walks around in a white dress, and there are many other versions of the “White Lady,” female ghosts in white dresses. The white dress is commonly associated with wedding dresses, and in this story the ghost is in a wedding dress. The wedding is a huge important ritual for a community, and it’s a large moment of shifting identity for women. They go from being part of one family to another, from being in the pre-reproduction phase of their life to being ready for reproduction. From a maiden to a wife, soon to be a mother. Weddings are a moment of liminality, where magic often happens. Ghosts are another figure of liminality, where they’re not quite alive and not quite dead. They’re not in this world, but they’re not in the next. The ghost bride can represent anxieties of when the marriage ritual goes wrong, just like how the ghost comes about from the death rituals going wrong. The wedding ritual is very important to a community, because it brings about new members of the community, but it’s also very anxiety inducing for the bride, because a lot can go wrong in this new identity and in the moment between the two identities. It’s also frightening for people to see these ghost brides because weddings are often supposed to be a large celebration of happiness, and people don’t like to acknowledge when they are not. However, oftentimes throughout different cultures weddings are not a moment of happiness for the bride. They could be just an economic situation, they could’ve been forced into the marriage, they could be a child, the marriage could tie them potentially forever to a bad person. There are a lot of negative things that can be associated with marriages, but people like to turn away from those. That’s why the ghost bride comes out, as a representation of all the anxieties that moment of liminality can bring. Studying a specific ghost bride figure can also tell you a lot about women’s place in that specific culture. 

“Naked as a jaybird”

Nationality: American
Age: 20
Occupation: Student
Residence: Los Angeles, California
Performance Date: 02/21/2023
Primary Language: English

1. Text (folk simile)

“Naked as a jaybird”

2. Context 

My informant heard this piece frequently from her grandmother. She grew up in rural Tennessee, a small town with a population of about 900 people. If you’re going outside and looked like you’d be cold based on what clothes you have on, she’d often heard her grandmother say “Put some clothes on, you’re naked as a jaybird!” When asked, my informant made me aware that the phrase is not said in a joking manner, but rather just a normal, everyday phrase. When the phrase is used, she recalls that it is said in a more serious tone and in a way that doesn’t embrace nakedness as natural, but it is taken more negatively seeing it as a shock factor.

 3. Analysis/YOUR interpretation

The folk simile “Naked as a jaybird” to me, originally, seemed to imply one is fully nude. According to my informant’s rural Tennessee background, however, it is not used by her family in the same way. This is a prime example of Von Sydow’s proposed oikotypes as the meaning of this folk simile where one does not need to be fully nude, is a local variant of the original meaning that implies one is fully nude. The implication that the idiom does not always refer to a nude body, is a logical extension of the comparative method. The phrase is likely heard in more rural areas where there is more of a connection between animals and humans as opposed to cities. There also are no sexual connotations meant to go with this phrase, it is simply meant in a harmless way to say that someone simply isn’t dressed properly and should put on more clothes. When I first heard this saying, I immediately associated it with being another way to say that a person is nude but did not associate any sexual connotations. When you hear the phrase “naked as a jaybird”, are jaybirds naked? Birds don’t have clothes hence they are always “naked” and relating nakedness to a bird, lessens sexual connotations.