Tag Archives: story telling

Apache Tear Mountain

‘ In Arizona, there is a mountain called Apache Tear Mountain. Back in the mid and late 1800s, the Apache people lived around this mountain. They were peace-loving and wonderful people. They raised their families in this area, but at one point, the Apache that lived around there went to war with another Native American tribe. The tale goes that the warriors of the Apache tribe met and fought the other tribe on top of the mountain. They fought and fought and fought… Many warriors of the Apache tribe were killed. At the end of the battle, the wives and daughters went to the top of the mountain and saw their family members… grandfathers, fathers, uncles, and brothers… dead from battle. The women wept and cried, and as they cried their tears fell down the mountain and turned to beautiful black glassy stone which then turned into obsidian… the Apache tears.’ – PB

Growing up, PB and his dad would travel to Pima, a town in central Arizona. It was on this drive his dad would always remind him of this legend that many people in Arizona know and share with others. His dad learned this from his father, who was actually a miner in central Arizona, mining silver, copper, tin, and manganese. PB remembers when he would travel to Apache Tear Mountain, he would ask for Apache Tears and would be brought beautiful black stones, stones of obsidian. He even went into the mountain on hikes and trips, and recalls that when he would dig in the soil, it would unearth even more beautiful obsidian. While he learned this from his father, PB has also shared this tale with his own family and children, taking them to the exact spot he grew up going.

This legend was told to me as a child, and has been a story I share with friends on road trips throughout the Arizona deserts. This piece of folklore follows many of the trends that lore is known for. It latches on to the cultural beliefs of the Native American peoples in Arizona and combines it with the legends that were told among these communities. While it can be assumed that these legends were adapted as they flowed through the many diverse communities who told them, this is still a key aspect of folklore; the adaptation of the tradition as it follows through many cultures. Furthermore, this legend combines the tradition and cultural beliefs with an origin for a mineral formed among a mountain, allowing the imagination to give reason as to why and how obsidian was created there in the first place. This tale also allows these communities to uphold the sacred connection to the land in central Arizona. History and legends are combined into one, giving a unique oral tradition to a tale told thousands of times.

Taily Poe Colorado Cryptid

Text:

“This guy is living in a cabin and he has two dogs, and he lives in the middle of nowhere. There’s no cars, no grocery stores, it’s old times, so he goes hunting in the dead of winter. He’s walking for hours and sees nothing, no animals, and he thinks it’s so strange. The woods are eerily quiet. He comes back and he goes to bed hungry and so do his dogs. Next day he goes out and looks for food again, and it’s eerily quiet, not even wind in the trees, just nothing, it doesn’t feel real. No food, no rabbits, no deer, no plants. Just snow and white and quiet. His dogs and him go to bed hungry. Next day he goes out, he’s exhausted, he hasn’t had food in him, his dogs are exhausted, he’s been walking for miles and miles. He’s lost and worn out. He sees a flash of black, and he’s like “what was that?” He sees the flash of black again and he shoots it. All he gets is this little tuft of meat that fell off, it seemed like it was cut off from the creature he shot. It seems like his tail, so he takes the tail and carries it back to his cabin. It’s not a lot of meat but it’s all he has, so he fixes it up, cleans off the skin and cooks it up, and he gives the leftovers to his dogs. He goes to bed full, wakes up in the morning, and goes hunting again. Suddenly it seems like the woods are alive again, he’s finding food, he’s finding rabbits, there’s some spring green poking through the snow, so he comes back with a good collection of food. He goes home, but as it gets dark it starts to get cold and eerie again. He starts to hear this voice from outside and some creaking on the roof. It goes “Tailyyyyyy poooooe. Taaaaaaaily poe.” He’s like “is this the wind? What noise am I hearing?” He hears it again. “Taaaaaaily poe, taaaaaaaaily poe.” He looks outside and sees nothing, it’s not windy out, so he closes the door and locks it cause he’s getting freaked out. He gets under the covers and he hears the voice all night but he tries to sleep. He wakes up in the morning, goes hunting again and gets a good amount of food. He’s got plenty of rabbits, he shot a buck. He goes home, cooks up his dinner. When it gets dark out again, he hears the voice again. “Taaaaaaaaily poe.” He checks outside, there are no branches scratching against his window, there’s nothing on the roof even though there’s incessant creaking. He closes and locks the door, but then he looks back at it and the door is cracked open. He hears it again “taaaaaaaily poe, taaaaaily poe.” He goes to bed even though he hears it all through the night. Next morning he takes his dogs out on a walk, goes fishing, he comes home and he cooks up the fish and feeds it to his dogs. Then he notices his dogs start barking at the door. Woof woof. So he lets them out, thinks maybe they have to pee, and the dogs start running. He calls them back, and they’re very well trained dogs, but only one comes back. He wonders what happened to the other, but he knows his dogs don’t run away so he figures the other dog will be back in the morning. So he closes the door, brings the one dog inside. It’s too dark and cold to look for the other one even though he’s very worried. He starts to hear it again. “Taaaaaaailey poe. Taaaaaailey poe. I know you have my tailey poe.” Now this part is new. He hears the creaking on the roof, wakes up in the morning, spends the whole day looking for his dog “Boy come here, come here!” He comes back to his cabin after looking for his dog, and sees his dog’s tail on the ground outside his cabin. He goes back inside, and the other dog starts barking at the door again. He lets his dog out, and the dog runs away. He’s now alone, he’s lost his two best hunting dogs. He closes the door, locks it, he’s freaked out and staring at the wall. The door slowly opens and he sees a black figure run towards him. He feels this pressure on his chest. He hears “Taily poe, taily poe, I’ll finally have my taily poe.” And then he dies. The end. So when you’re camping and you hear the wind saying “taaaaaily poe,” that means that Taily Poe is still looking for his tail and he might get you.” 

Context:

M is a 19-year-old college student from Colorado Springs, Colorado. She often goes camp and hiking in the woods, and her town has a lot of different cryptids and legendary monsters that people look for and talk about when in the woods. She says this particular story is a campfire story, and that Taily Poe is a cryptid that might come after you in the woods when you’re sleeping. She says that the story is meant to be ever longer, and that you’re supposed to add more to the story to make it as long as possible, she says the point is to add suspense. 

Analysis: 

Taley Poe is a legendary cryptid who is supposed to be wandering the woods. He’s one of the many legendary creatures that cryptozoologists search for in deeply forested areas like Colorado. Cryptids like him arise from people’s fear of the wild and the unknown, both the certain knowledge that there are frightening uncontrollable beasts in the woods, and from the idea that the wild is the land of the devil. This particular story is also similar to a tale though because oftentimes the teller of the story doesn’t actually believe it happened, they’re just trying to frighten people while camping. The story is told in a very particular structure, and the informant said herself that you can add things to make it longer to add more suspense. This is an example of the Oral Formulaic Theory at work, earlier known as the Perry-Lord Hypothesis. This is the idea that folk story tellers are able to remember really long stories and are able to draw them out to engage the audience by adding certain formulaic speech into the story. We see examples of this formulaic speech in this rendition of the story, with the descriptions of which animals the  man was or wasn’t able to find while hunting, with the added description to detail his plight (ex:  “He’s exhausted, he hasn’t had food in him, his dogs are exhausted, he’s been walking for miles and miles. He’s lost and worn out.”) The phrase “taily poe” can be drawn out to as long as the speaker wants and can be repeated as many times as they want. We also see the importance of performance in the way the speaker sometimes speaks as the character, seen in the dog bark sounds she makes and the “here boy, here boy.” All of these aspects draw the listener in and add to the ambiance of fear. People love to hear ghost stories and cryptid stories by the campfire, perhaps for a similar reason to why people love horror movies. They’re able to dabble in a bit of the emotion of fear while they’re actually in a safe, controlled environment surrounded by people they know and trust.

La Senora de Blanco

Informant: My informant is my Mexican dad, who grew up in Puebla, Mexico. Although he has had many experiences with seeing spirits or potentials ghost, he retells me an interaction that he had with potential with a ghost on a day that he went to work at the same apartment in which we have been living for the past 21 years. 

 Context: This event happened in 2019. The following transcripts come from a conversation between me and my dad (S). He retells the story of a potential ghost that he might have seen one day when he left to work, and how he recalls this interaction to not have been scary, but rather more of a surprise to him. He recalls that in this interaction, it felt almost as if he knew the woman in white, or at least they had interacted in the past. 

Text: 

Me: Oye papá, cuéntame algo interesante. Nunca te has topado con un fantasma o has oído de una historia de fantasmas? 

S: Si, si me he topado con uno. No se si te acuerdas pero te había contado tu y tu mama de esa señora de blanco que me la encontre aca abajo de la escaleras donde vivimos. Eran las 4:30am de la mañana y ves que me voy temprano al trabajo. Pos ese dia era como cualquier otro dia. Me bañe, me cambie, y los dejó dormidos. Iba yo bajando las escaleras y luego vi una señora de blanco. Era con una estatura de casi igual que yo, flaquita y como con vibra buena. Bueno y cuando me la tope, le dije buenos días. Y medio me contestó pero no le podía yo ver la cara para nada, porque estaba tapada como con un reboso. Y ves como los que se ponen aya en pueblito. Después, le abrí la puerta, y se pasó. Nomas que vez que yo camino para el carro. Ella se fue de la tercera, y yo me fui para la seis. Ni un minutos paso y ya no estaba! 

Translations of the text: 

Me: Hey dad, tell me something interesting. Have you ever encountered a ghost or have you heard of a ghost? 

S: Yes, I have come across one. I don’t know if you remember but you and your mom had told you about that lady in white that I found here downstairs where we live. It was 4:30 in the morning and you see that I leave early for work. Well, that day was like any other day. I showered, changed, and left you guys asleep. I was going down the stairs and then I saw a lady in white. She was about the same height as me, thin, and with like-good vibes. Well, and when I ran into her, I said good morning. And she half answered me but I couldn’t see her face at all, because it was covered as if with a shawl of some kind. You know like those in my little town. After, I opened the door for her, and she walked outside. You know how I walk to the car. She left through third street and I left to the other side of our street. Not even a minute passed and she wasn’t there anymore! 

Analysis: I believe this ghost story because there are so many people who have claimed to have seen a woman in white as well. Although it is of course not with the same textures of clothes or in the same place, it all just seems to be really due to the fact that my informant remembers every detail of it. Due to the fact, that my informant states that they weren’t really scared of it, but much more felt some sort of warmth to this spiritual being came to a surprise. If I had been in the shoes of my dad, I would have tried to not even talk to the woman, due to the fact that she was stranger. However, based on his spiritual encounter it proves to see that not everyone is prone to be scared of these experiences.

Harvest Festival in Chinese tradition

Nationality: chinese
Age: 26
Occupation: environmentalist
Residence: LA
Performance Date: may 2 2021
Primary Language: English

Context: My informant is a 26 year-old woman who is of Chinese descent. She grew up in Hong Kong and lived there until she moved to Pasadena at the age of 7. Listed below is an account of a Chinese holiday called “Harvest Festival”. She detailed her experience of the holiday growing up and where the story that surrounds the holiday comes from. She knows and loves these stories from personal experience.

Informant:

“There’s this thing called the ‘Harvest Festival’ which we celebrate on the harvest moon which is in September and basically there’s this tale behind it where earth had 10 suns, which was too hot, and this soldier would shoot down the 9 suns so there would only be one. The emperor then gave him an elixir that would make the soldier live forever, he said oh great, takes it home and marries the love of his life. He then went off to war and the wife, out of curiosity, drank the elixir and eventually became the moon. This was a curse so she couldn’t be with the love of her life. So now the story goes that he could never be with her since she is so far away but, on the day of the harvest moon, the moon is the closest to the earth so he can be with her. We light lanterns and they guide the way for him to see her. We eat mooncakes and walk around the street with paper lanterns on that day too.”

Thoughts:

I found this story beautifully mystical and extremely interesting. I was not familiar with any Chinese lore before talking to the informant about this and I am really excited to learn more. The symbol of the moon being eternal and also feminine is magical and I have always seen the moon in a more feminine light as well. I also find it fascinating that their holiday is centered around the moon. I am curious to know where this connection to the lunar calendar ties in. I would like to know where the lesson of the curse comes in. It might be connected to greed or not following one’s orders as the wife drank the elixir even though her husband said not to. I loved hearing the intricate beauty in this story and am excited to learn more about Chinese culture.

For another reference of this holiday, check here: 

https://www.chinahighlights.com/festivals/mid-autumn-festival.htm#:~:text=The%20common%20customs%20of%20the,displaying%20lanterns%2C%20and%20regional%20activities.

The Hakawati

Nationality: Arab American
Age: 22
Occupation: Law student
Residence: Silver Spring, MD
Performance Date: April 22, 2017
Primary Language: English
Language: Arabic, Turkish

“A Hakawati is, simply put, a story teller. What makes Hakawatis different from other story-tellers is that they can share one story over the course of months. Additionally, Hakawatis are chosen by popular demand. If a Hakawati is unpopular, a new one comes in to try to entertain the crowd.

“Hakawatis throughout the Middle East have laid foundations for the stories of the 1001 Arabian Nights. The Arabian Nights stories borrow the story-telling techniques of the Hakawatis. Hakawatis came from all over the world, including Persia, Central Asia, and North Africa. Each region had its own twist to stories, which led to the Arabian Nights stories possessing not only Arabic stories, but also South Asian, Central Asian, Persian, Amazigh, and Turkic stories.

“Hakawati traditions are ancient, and are not ubiquitous today. Rabih Alameddine, my favorite modern Arab author, re-introduced the notion of Hakawatis to contemporary readers. In the book, Hakawatis told thousands of stories in coffee shops, holiday festivals, and even at the end of kite-flying competitions. The Middle East was a very different place back in the day.”

Background information: “I heard about Hakawatis from a Lebanese author, Rabih Alameddine. The stories Hakawatis told have been foundations for great Arabic stories encased in 1001 Arabian Nights. Rabih Alameddine is my favorite modern Arab author.”

Context: The informant told me about this in a conversation about folklore.

Thoughts: It was interesting to learn about a specific type of story teller; I did not know there were actually names for them. I had heard of 1001 Arabian Nights, but have never read it, so it’s interesting to learn about the foundations and inspirations for it. I can’t imagine sharing one story over such a long period of time, so these people must be masterful in their craft, in remembering bits and details and keeping the stories creative and compelling.

For another version of this description, see The Gulf News.