Tag Archives: Theater

Don’t say “Macbeth” backstage

Nationality: American
Age: 21
Occupation: Student
Residence: Los Angeles, CA
Performance Date: March 9, 2013
Primary Language: English

“Macbeth–the Scottish play. You can’t say it backstage during a performance.”

 

Actors are probably the most superstitious professional group on the planet. Among their more common superstitions is the idea that “the Scottish play” – Macbeth – is cursed. Simply speaking the name of the play backstage will bring calamity upon whatever production is being put on, so actors call it “the Scottish play” instead. There are legends about bad luck following the productions of Macbeth, but at this point, the superstition is likely kept up just for traditions’ sake. However, my informant was adamant about the fact that she would not speak the name backstage, even though she doesn’t personally believe in the curse; apparently, enough actors do believe in it that it is better to refrain than risk their wrath.

Riding the Pony

Nationality: White
Age: 20
Occupation: Student
Residence: Los Angeles, CA
Performance Date: 4/25/13
Primary Language: English

“One of them, our biggest one, was called ‘Riding the Pony’ and you might’ve, I might’ve told you about this before, or something, or you might… other people do it too. Yeah, it’s a bunch of people standing in a circle and then people will go in the middle, like 5 or 6 people will go in the middle, and then everyone goes: ‘C’mon baby let’s ride that pony. C’mon baby let’s ride that pony.’ And under that, while that’s happening you’ll, the people in the middle, will run around the circle and then they’ll find someone, so it’ll go: ‘C’mon baby let’s ride that pony. C’mon baby let’s ride that pony.’ You go ‘front, front, front’ and then you go, ‘side, side, side’ and ‘back, back, back’ on them and then you say, ‘This is how we do it.’ And you switch and then new people come in and do it so it’s just, like ‘C’mon baby let’s ride that pony. C’mon baby let’s ride that pony. Front, front, front. Side, side, side. Back, back, back.’ Switch. And you do it. And you just do it a million times, um, and it’s really fun ‘cuz when you’re doing the ‘front, front, front’ part, people are, like, grinding up on each other and stuff. And in the back you’re, like, hitting your butts on each other and just pushing each other out of the circle. So that’s a huge, like, energy thing for us that we would do.”

My informant was very involved in the theatre program at his high school, Dos Pueblos High School, in Santa Barbara, CA. This was a game that the casts of shows he performed in would play before a performance. It was a fun thing to do, but also a good warm-up to increase energy before a performance. My informant enjoyed telling this story and he laughed about it a lot.

Improv Warm-up Rituals

Nationality: Caucasian
Age: 20
Occupation: Student
Residence: Los Angeles, CA
Performance Date: 4/25/13
Primary Language: English

“So in improv, because usually there’d be a lot of improv people, within shows, we would get together and, um, the girls would do something where they would just, like, talk about being womanly and then would do– they just go, “fem, fem, fem-prov” and it was femprov. Um, and then the guys would get together and we’d huddle together and this was, like, a big secret thing that no one knew what we did, but we’d go in, like, a corner, like, far away from everybody else and we’d, uh, start slowly, really slowly chant, we’d start chanting the words: “Gay, penis, sodomy, gay.” (LAUGHS) And we start really quiet. You go, “Gay, penis, sodomy, gay.” And you get bigger and bigger and bigger. Do you remember the ‘rape, kill, pillage, and burn?’ That they do here? It’s like that. You just get bigger and bigger and bigger in your circle and you run round and round and round and round and you just finish going “GAY, PENIS, SODOMY, GAY” just like running around. It was really weird but just a lot of warm-upy– like feel connected…

We’d also get all the improv people together and play something called “Golden Ball of Light” where—this would take forever—but, um, you stand in a circle and, um, you say, ‘Imagine that there is a golden ball of light starting at your toes and it’s working your way up. And now it’s into your feet. And there’s a golden ball of light and it’s covering all of your feet and everything’s, from your ankles up now,’ and you’d just work your way up… and once your body’s covered, which takes such a long time. Cause like, ‘Oh, it’s in your hair, it’s coming out of your hair…” And then the golden ball of light is—and everyone’s supposed to have their eyes closed just focusing on this golden ball of light—it comes up and it connects you to all the actors in this room, and now it’s going up it’s connecting to all the audience members and all that And it’s connecting you to anyone who’s ever been in a show before. And then just all of humanity. And now it’s, the golden ball of light, it’s up in the universe and you just feel it, you feel everyone’s presence, you feel everyone. And then you take a deep breath. So its just… it’s one of those things, ya know.”

My informant remembered quite a few rituals that were done in theatre at his high school. He enjoyed remembering all the details about somethings he hasn’t done it quite awhile and said that discussing them made him very nostalgic. Theatre games and warm-ups are done almost always when performing. Not only is it beneficial for cast energy, it is also a way for the cast to bond together.

“Don’t say ‘Macbeth’ in a theater.”

Nationality: American
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: April 30, 2013
Primary Language: English

My informant described himself as a “theater kid” in high school. He told me about a folk belief that was held by the members of his school’s theater. According to him, it is bad luck to say the word “Macbeth” in any theater. He thinks that this folk belief is quite widespread in theaters around the world. This is his description:

 

“I actually have no idea where the Macbeth tradition came from. I think it might just be… I heard a rumor that the opening cast of Macbeth on Broadway—when it was first on Broadway—all got mono during the rehearsal process, so that might have been it. And I know that happened with the first cast at my high school when we did Macbeth a few years ago. Like, six of the twelve people in the cast all got mono. I think I heard of this superstition for the first time when I first said it in the theatre, because someone was like, ‘You can’t say that in the theatre!’ And I was like, ‘What?’ So I got in on this conversation about all this bad stuff that has happened. And at first I thought it was stupid, but then that night, there was a short circuit backstage and like, sparks flew out and ignited a piece of carpet. And we didn’t have wings my theater; we had garage doors on the sides of the stage because… well, Illinois state funding. And one of them just fell down in the middle of a set change and hit someone in the head. And a costume change didn’t work, and something ripped. And lots of bad stuff happened that night and I don’t know why, other than attributing it to the fact that ‘Macbeth’ was said in the theater that day. So now I’ve learned to call it ‘The Bard’s Thirteenth Play’ or something like that, or like, ‘The Play That Starts with M.’ So yeah, that’s where that came from, and I have like, weirdly believed in that ever since.”

 

Folk beliefs—or “superstitions”—like this one are very common in drama and theater environments. Performers are very aware that they are under a significant amount of pressure to make sure everything to goes right during the show. This can be quite stressful because there are so many things that are out of their control, from technical difficulties to illnesses that plague the cast. Perhaps by not saying a certain word, they are making an attempt to curb the things they cannot control. Furthermore, it gives them what they see as a rational explanation for why things do go badly sometimes. It provides them a scapegoat for the problematic issues that can arise during a performance. They shift the blame to an old curse on a forbidden word; this explanation is widely accepted in the theater community. My informant admits being quite skeptical of this at first, but the suspicions were confirmed for him when a string of disasters occurred after “Macbeth” was uttered in his theater. That was enough evidence for him; he does not want to be the reason for future problems by being the person to say “Macbeth.” It may simply be that he was expecting things to go badly, so when they did, he immediately linked them to the folk belief. Yet who is to say that this word does not have the power to curse a theater?

Pre-show theater traditions

Nationality: American
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: April 30, 2013
Primary Language: English

My informant describes himself as a “theater kid” in high school. He told me the rituals he and the other cast members go through before every show they perform. He said that the male and female members of the cast start out separately, and that they have slightly different traditions. This is his description:

“I obviously don’t know all that much about what the girls do before a show, because it’s kept secret. I do know they listen to… What is that 90s song? Oh, it’s ‘If You Wanna Be My Lover’ by the Spice Girls. And they listen to that and dance around, and I don’t really know what else they do. But the boys… There is a knife that has been kept up in the suspended ceiling of the boys dressing room for several years know, and we use the same knife to cut up lemons every show. And then we listen to Bohemian Rhapsody, and jump around and are crazy, and everyone eats a slice of lemon and throws it in the urinal. I don’t know who started the lemon tradition, but I know that the senior class that was there when I was a freshman… it had already been there for a few years when they were freshmen. So that’s about ten years now. So after the lemon eating, they do a stupid chant. It’s really sexist and terrible, so I don’t think I should repeat it. I actually didn’t participate in it for awhile because I was like, ‘This is stupid.’ And then the girls came up with their own rival chant, so now I participate because sexism is fine as long as it’s an eye for an eye? Right? No. Whatever, anyway… We yell this chant in the dressing room, and because the girls and boys dressing rooms are right next to each other, we like, will have battles between the girls and the guys to see who can be louder, which is usually the guys. And then everyone gets together and we get in a circle, and we pass a pulse around by squeezing each others’ hands in a circle. And we do a big a chant together which is not sexist and is just weird, which is, ‘Everybody, have fun tonight! Everybody, wang chung tonight! And in the honor of Kristin Wendel, let’s kick some ass!’ Kristin Wendel went to my high school several years ago. She was a very quiet girl who yelled, ‘Let’s kick some ass tonight!’ before her last show of her senior year. Anyway, another thing we do is, if you haven’t yet performed in our auditorium, we make you kiss the stage. It’s very low-key hazing, basically.”

This is a tradition that initially creates purposeful rivalry, but it ultimately ends by unifying the students. The chants the cast members yell divides them by gender, and they compete against each other to see who is louder. Furthermore, the nature of the chants is apparently quite sexist. Despite these divisive aspects, my informant says these traditions bring the cast together. They also pump up their energy and get them all excited to perform. They convert all their nervous anxiety into positive exhilaration. Another function of these customs is to remember and pay homage to those who came before them, such as Kristen Wendel. The fact that they repeat these same rituals before every show means that they keep the customs that had been in place for years alive. In this way, they are connecting their past to their present. By teaching these things to younger members of the cast, they also ensure that they are building connections to the future. Each student likely hopes to leave some kind of legacy, and for a few of them, a part of that will be the new variations they make on the pre-show rituals.