Tag Archives: Theater

Washing the gels for the lights practical joke

Nationality: Caucasian, Irish, German, and Bohemian American
Age: 22
Occupation: Graduate Student in Computer Science
Residence: Minneapolis, MN
Performance Date: 3/25/13
Primary Language: English
Language: Japanese, Spanish

My informant worked in theater during her high school and undergraduate years, specializing in lighting and light designs. She worked in the lighting department at her school for quite some time and she shared with me a story about a trick that she would play on new students working on lighting at the theater. The setting was a casual lunch at a restaurant.

Informant: “We would play this joke on anyone new working on the lights for a show. We used gels made out of gelatin to put over the lights to make them different colors. After a show, they get burnt from the light, so you ask the new kid to go wash them with soap and water. But the gels would disintegrate in the water because they were made out of gelatin! Then they would come back looking all concerned and worried like, “I destroyed them!” And I would just sit there like “Ha-ha-ha.”

Me: Did anyone ever play this trick on you?

Informant: Nope, but I played it on people all the time. It was so funny. Now, gels are not made out of gelatin as commonly so the joke can’t be played anymore.

This story is an example of occupational folklore because only the experienced technical theater workers would know this trick. My informant repeats this because it is funny for her and her coworkers. She also said that it has an element of initiation because once a new person is fooled by this trick, they are then more accepted and assimilated into the group. Once they know about the joke, they can then play it on other new people as a way of showing that they are now more experienced.

Empire Hotel Marquee Ghost

Nationality: Caucasian
Age: 20
Occupation: Student
Residence: North Carolina
Performance Date: May 1, 2013
Primary Language: English

The theater in my hometown is several hundred years old, from back when uh Salisbury, North Carolina used to be one of the centers of the state economy. There were a lot of famous actors that went there. Charlie Chaplin went there. Sarah Bernhardt went there, and other stage actors. And the legend has it that there was a passageway that went under the theater, under the street, to the hotel across the way where they would stay. It was called the Empire Hotel. And, um, I went down there one time. It’s sealed off.
Apparently there at one time was a secret passage. People have told me a lot of different things. It could have been an air conditioning shaft. But it was structurally unsound so it’s gone. But they say that the big stars went under there to the hotel. I’ve been in both places.
One time I was in the Empire Hotel. I was—I don’t know if I believe in ghosts or not! But I know I heard one. You’ll understand what I mean if you have too. I was on the third floor of this Empire Hotel after filming, it was Halloween night, I know that sounds really cheesy, buuuuut, I was looking around, just taking pictures for the heck of it, it was really dark, it’s abandoned now, so it’s completely empty, and I got the keys from the manager of the city. When from downstairs, the bottom of the staircase in the back came this like, “meaerrrrrrrrgh!” Like groaning sound. Ha, how are you gonna type that? Um it happened twice. I was with a friend and we both heard it, and we were both just like frozen in terror. And, um, then he was scared out of his mind and I was like let’s go downstairs and check this out. And we did. And we didn’t see anything there except this old, like, boiler, coal room.
But then we asked this sort of living-legend guy Clyde, who has no last name in our town, what that was and he told us it was a certain ghost whose name I don’t remember, who used to stand on his head on the marquee of the theater. Uh, that’s all I know about him.

This is a ghost story FOAF that I, for one, will be spreading. It is a ghost story based upon the town’s rich history. The ghost is apparently known to haunt the Empire Hotel. The hotel is actually infamous for its paranormal activity, as is the town of Salisbury, and the ghost Clyde tells my friend about it not the only ghost known to inhabit the Empire Hotel. Ghost stories are popular about the Empire, because it is an old place where a lot of history took place. Besides, old abandoned buildings are always disturbing—especially on Halloween night. The story gives importance to, and knowledge of the town’s rich history. While in America, especially, such creepy events are likely to be interpreted as ghosts, my friend and his pal might have interpreted the strange sound differently if they were from another culture. They also probably would not have suspected it was a ghost if they had heard the sound during the day, in a different building, and not on Halloween night.

The Sucks

Nationality: Caucasian
Age: 20
Occupation: USC Student
Residence: Colorado
Performance Date: May 5, 2013
Primary Language: English
Language: Basic German

Ok, so in my high school winter guard team we had these things called sucks. We had them before every show we did. We also had them during color guard season, as like a pre-show ritual. We’d all eat jolly ranchers or life savers or whatever we got that week and say “Suck hard now so you don’t suck later.” And usually some sex jokes were made to lighten the mood, especially by my coach.
The main worry was finishing your suck before we started the show, cause you didn’t want to be sucking while you performed. But you have to finish it. And you actually had to suck hard in order to avoid the bad luck.

This is a high school Drama Club tradition that creates a sense of community through the team conducting a shared superstition to unite them before a performance. Although the “sucks” are a superstition that potentially has a placebo affect for the performers, much of the value of this folklore also comes from the inside jokes the club members would make based on the “suck” tradition. The dirty jokes and funny phrases helped solidify a team that would need to work harmoniously to pull off something as challenging and nerve-wracking as a high school play.

Booty Shaking, Vomit Dance for Good Mojo

Nationality: Caucasian
Age: 20
Occupation: USC Student
Residence: Colorado
Performance Date: May 4, 2013
Primary Language: English
Language: Some German

Before every competition, my high school theater group would circle up, and shake all of our bad mojo/energy into the center of the circle. It usually involved some brushing off, fake vomiting, booty-shaking, etc until our jitters were out of like two minutes had passed. Then we all visualized that nasty ball of nervous energy, lifted it up as a team, and and threw it far far away. It made us perform better.

This is a ritual the theater group would conduct. For superstitious reasons they would join in a type of bad mojo warding dance. Obviously this ritual provides comfort, marks the occasion of the competition, and provides a good placebo affect, but the biggest benefit is likely that the team members joining together to do an embarrassing dance provided the club with a strong feeling of community.

Theatre Occupational Superstition: “Break a Leg!”

Nationality: American
Age: 63
Occupation: Adjunct Faculty at the University of Southern California
Residence: Los Angeles, CA
Performance Date: April 20th, 2012
Primary Language: English
Language: German, French

Interview Extraction

Informant: “The ‘break a leg’ legend. Do you know that story?  It has nothing to do with fracturing any of the major leg bones.  That in a different usage of the language ‘to break a leg’ is ‘to bend a leg’.  So that gives us two possible origins of why when you want ‘to break a leg’ that the old way of bowing, is that you bend the back leg and then take the bow.  So that ‘to break a leg” means to get a big bow at the end of the show.  And other one is a similar thing on bending, that if coins were tossed on the stage at the end of the show, you would have to then bend down, thus breaking the straight line of the leg in order to pick up the coins that were being tossed on stage.”

Analysis:

The superstition of why you say “break a leg” to an actor is because saying “good luck” brings you bad luck.  There are many different origins of why you would say “break a leg” to an actor, and the phrase also changes based on what country you are in.  For example, in France you would say “Merde” which is French for ‘shit’.  The idea of this is that in wishing for something bad to happen such as the actor breaking their leg, the opposite will take place.

There are may theories behind where this idiom came from, such as the idea that my informant mentioned which suggests that to “break a leg” is a different usage of language that also means ‘to bend a leg’.  I like this theory more than the other origin theories that I have seen in my research, such as the idea that to “break a leg” comes from the production of Shakespheare’s Richard III where actor David Garrick became so consumed with his role as Richard III that he did not realize his leg was broken during the performance.  This legend is popular because it promotes the idea of being so into your performance as an actor that everything else is forgotten, and all that exists is the part you are playing in the world of the play.  This is the kind of mind set that all actors should aspire to accomplish, so it is no wonder that this story has achieved such a high level of fascination in the imagination of people who work in theater, especially actors.

The reason why I like this theory more than the other theories I have seen in my research is that it is very logical.  I have always thought that it is interesting that we say “break a leg” to an actor before they perform, but we do not say this to a designer or crew member before they do their job.  If this legend is the real reason behind why we say “break a leg”, than the reasoning behind not wishing a crew member to “break a leg” makes sense because only actors have historically been the ones that bend their legs to either bow or pick up the coins that had been thrown on stage for a job well done.

My informant was born in 1949, Connecticut.  He works as a costume designer in the entertainment industry occasionally, and serves as the head of the USC costume shop in addition to being a faculty member for the USC School of Dramatic Arts.  He has more than 40 years of experience in the theater.