Category Archives: Magic

Ritual actions engaged in to effect changes in the outside world.

Ouija Board Experience

Age: 19

Interviewer: Well first off, what is an Ouija Board?

CJ: The Ouija board is like a board full of numbers and letters to help, um, What’s it called? To help speak to people who have passed away. They help you learn more about that person. [The ghosts] could be good or bad.

Interviewer: Mm-hmm. And um, okay, who, who related to you uses the board?

CJ: My mom, friends. A lot of people around me actually.


Interviewer: So, okay, so when your mom uses the board. Who would she use it with? Would she use it by herself?

CJ: She was younger when she would use it. I don’t think my mom has an Ouija board anymore, but she would use it with, um, like her, her siblings. Like, they were really into that stuff.


Interviewer: What were the stories that you heard from her or any one of them about the board?


CJ: When she was younger, and like, when she used the board, she would try to talk to her mom’s mom. My great grandma. She was trying to um, figure out her name.


Interviewer: Mm-hmm.

CJ: My grandma wouldn’t tell my mom her great grandma’s name. I don’t know why. I feel like something followed her from the Ouija board because I feel like they were really young when they were doing that shit. There’s rules to it. Me and my cousin Isabella would always talk about how there was something in the house and like, my grandma heard stuff in the house.

Interviewer: You feel like a ghost followed your mom?

CJ: There’s just always weird vibes around her house. I think. I kind of stay far away from that shit because I get scared.

Interviewer: Mm-hmm. Can you explain some of the rules? Of the board?

CJ: I think you put your hands on a mold. Put the um- it’s kind of like a, it kind of looks like an illuminati symbol. kind of. You put it on the board and you put your fingers on it and kind of ask questions.

Interviewer: Mm-hmm. To the ghost?

CJ: Yeah. And the ghosts will guide your fingers on that mold across the board to help communicate.

Interviewer: Mm-hmm. And then is there a specific way to, like, start communicating and end it?

CJ: Um, I don’t know the way to end it, but you kind of just- you- I think you kind of have to put yourself in that headspace to communicate with ghosts, and that’s how you start it, but I don’t know how you end it. I think you’re supposed to say like, goodbye to like, completely disconnect yourself from those bad spirits. I’ve never done it personally. I’ve never touched anything like that before because I don’t want to play with my life like that.

Interviewer: Yeah.

CJ: But, um, my mom did something to herself because of it. We’ve all felt bad stuff in her house. I think that’s why they don’t talk about it though, because, my Tia Miriam also used to do tarot cards. It’s similar to what my mom was doing. She said she’s had like bad experiences with seeing um, spirits. In the process of it.

Interviewer: Oh.

CJ: it’s just something she doesn’t really talk about because she got traumatized by it. Um, and like, Um, I’ve seen it at, or- I’ve heard it at my mom’s house.

Interviewer: And what would you hear and see?

CJ: I’d see like- I never saw anything, but I would hear things. Like, for example, like, I’d hear footsteps walking up and down the hallways. Then one time, I tried to use the restroom, but both doors- because our bathroom had 2 doors in it. One door was leading into the, um, like sink room where you kind of wash your hands, and then there was a separate door in that bathroom where the shower and toilet was. Both of those doors closed, like, they slammed shut and locked. I remember, I was thinking to myself like: oh, it must have been the wind. I kind of waited 5 minutes for somebody to come out, but I realized nobody was coming out, so I unlocked it with a penny. It kind of just made me think, like, these doors would never, like- yes, they could close to the wind, but they would never lock on their own. Both of those doors locked.

Interviewer: Yeah. That’s scary.

CJ: You know? And in the middle of the night, we’d hear like, footsteps running up and down the hallways when I was younger.

Context: The informant says a specific ghost has been following her family for years. Her family has a history of dabbling in activities that involve communicating with the dead, or have strong ties with spiritual guidance. Her family very strongly believe in ghosts, and have all shared some paranormal experiences while living together in her mom’s house in Rancho Cucamonga, CA. Although her family hasn’t used an Ouija board in years, her mom still practices using Tarot cards for spiritual guidance, and frequently engages in other activities that involve speaking with spirits.

Analysis: Most people encounter an Ouija Board as children. It is a combination of ritual and social experience between participants who use the board. Its used as a ritual for spirit communication, and kind of represents human curiosity about the afterlife. A lot of Memorates emerge from this ritual specifically, and I have found myself recalling many other stories I’ve heard about a friend or friend of a friend’s encounter with an Ouija Board. I also think that its really interesting how individual and cultural experiences and backgrounds can effect how this ritual is viewed. Charlie’s personal experiences makes the idea of talking with spirits dangerous and taboo, while her mom frequently uses various methods to communicate with spirits regularly.

Throwing Salt Over your Shoulder

Age: 22

“I feel like this is a fairly common superstition slash like, like little thing that you do, um, but this was particularly common on my dad’s side. I don’t know why. He’s from the Midwest, and I think that maybe people are just more superstitious there. They’re like pretty rural Midwestern. My dad was the one who taught me to always throw salt over my left shoulder when I’m cooking. So, if I’m grinding salt from a salt grinder, I won’t do it. But if I pour salt into my hand to put it onto something, you always have to take a few grains and throw it over, specifically your left shoulder. The left is the side of the devil. If you throw the salt grains over your left shoulder, they’ll hit him in the eye, and he’ll run away from you, which I think is also an Italian thing. It’s weird, because I don’t have any Italian ancestry.”

Context: The informant, who is ethnically Irish and grew up in California, recalls an Italian tradition that was taught to her by her dad. She typically does this while cooking, and notes that her family is very superstitious and follow many rituals that center around good and bad luck.

Analysis: I think that it’s interesting to note that Folklore is so strongly spread across cultures and places that even the informant was wondering how her family came across this specific ritual even though she has no Italian ancestry. Different kinds of folklore can be removed from its origins and put into different cultural contexts, even though the Italian ancestry is absent, its still meaningful within the informants family. Folklore has a common connection to good or bad luck based on rituals, and this salt throwing example is no different. Life is very unpredictable, stressful and sad, so it makes sense why this ritual emerged in order to “take control” of the uncontrollable (life). Since it involves protection against the devil from the Bible, I believe this may also fall into Folk magic since it is a way to ward off evil.

Family Black Magic

Informant: “So there’s this thing in my family called “black magic.” I was taught it when I was really young, probably around six or seven. I remember my sister and I sitting in my grandparents’ living room, and they were like, “Alright, you guys are old enough now to learn black magic.” Before that, they had done it for us a few times, and it always felt like actual magic.

Basically, it’s this “power” in my family where one person leaves the room, and someone else stays behind to lead. The rest of the group picks an object, and everyone in the room knows what it is, except for the person who left. When that person comes back in, the leader starts asking questions like, “Is it this object? Is it that object?” and somehow, they always guess the right one.

There’s actually a method to it, but for the longest time, I thought it was real magic. Eventually, they taught us the trick, so now I know how it works.

Now it’s one of those things, if I’m ever with my sister or anyone from my family, we can do it anytime. It’s still really fun, and it still kind of feels like magic.”

Context: The informant is from the East Coast, and the family is Italian American. This occurred throughout her childhood, and was taught to her as a young adult. She is aware it is not actually magic, but believes that thinking it is magic is a part of what makes the tradition in her family so important. 

Analysis: This is a clear example of family folklore. The practice of “black magic” is a structured guessing game, but it is framed as something mysterious and exclusive, which gives it the feel of folk magic or supernatural belief, especially for younger participants.

The way it is taught is important. Being told you’re “old enough now to learn” creates a sense of initiation, a common feature in folklore where knowledge is gradually revealed. Before learning the method, the informant experiences it as real magic, showing how folklore can rely on partial belief or suspended disbelief, particularly among children.

Colombian New Year’s Grapes

Age: 22

Text
“A tradition that my family has, it’s a Colombian tradition, is that on New Year’s Eve when it hits midnight I eat 12 grapes in the first 12 seconds of the new year under the table. So like my siblings and I will crawl under the table and literally just like, basically just stuff grapes into our mouths as fast as we can and it basically means good luck for the whole year.”

Context
CM describes a Colombian tradition that has always ran in her family for as long as she can remember. It’s a tradition that she does along with her siblings every New Year’s Eve to New Years transition, and it’s held in high regard in her extended family as good luck. CM also says that she isn’t sure when she started participating or who started it in her family, she just remembers participating every year.

Analysis
The 12 grapes tradition is a Colombian/family tradition that CM has participated in since she was young. She doesn’t remember when it started or who taught it to her and felt that it was always just a part of her life, which shows how folklore is disseminated informally through participation. This tradition includes aspects of sympathetic (specifically homeopathic) magic, with the relation between 12 grapes, 12 seconds, and 12 months of the new year working to create good luck. This tradition is also part of the holiday/festival that is the New Year’s celebration to transition into a new year filled with positivity and luck.

Interlocking Arms

Age: 21

Text
“I played varsity basketball all 4 years in high school, and one like common thing that would always come up throughout the season was interlocking arms. On like senior night, the seniors would interlock their arms with each other before the game as their names were getting announced to like walk up and take their pictures and get flowers and stuff. I think it was like a way of showing that we were together, kinda like one group, one team sort of thing. But also during like clutch free throws at the end of the game everybody on the bench would interlock arms for the free throws. It was kind of like a superstition, something we did for good luck. You see it a lot on like TV too like in college basketball games they’ll do it and also in soccer games during penalty shootouts a lot of times the players in the back will have their arms interlocked, so yeah like the same thing we were doing.”

Context
DZ remembers interlocking arms as an unspoken act that would come up throughout the season for his high school basketball team in moments of solidarity (senior night) and in clutch moments when they needed the best luck. He says that the whole team would always participate, and no one would have to say anything; if one person started it, everyone would follow suit. DZ notes that this wasn’t something independent to his team and that he has seen it on TV a lot, so even the first time that his team did it he had an understanding of the meaning behind the act.

Analysis
DZ’s story of interlocking arms contains a lot of different folkloric themes. He says that the gesture was always unspoken and that he knew the meaning behind it from the very first time that his team locked arms, showing how folklore can be shared and enacted through example. The gesture also become a core part of the basketball team’s identity, representing unity and the team’s bonds in valuable moments. This gesture also served multiple purposes. In moments like senior night, it was used as somewhat of a rite of passage, marking the seniors transition into a new beginning. In clutch moments during games, it served as a superstition with magic behind it, a gesture that would create good luck and influence the outcome of the game positively. These different uses are an example of Santino’s point that rituals are both symbolic and instrumental, as interlocking arms represented team togetherness and helped create good luck. DZ saying that the gesture was not one created by his team, but rather a popular gesture among athletes shows that it is a core piece of lore among the athlete folk group, and also that it exists in multiplicity and variations around the world. I, for one, always noticed this gesture by sports teams in games I watched on TV, so I thought it was very cool that somebody I knew engaged in it in their own team as well.