Category Archives: Game

Iranian Gin Rummy

Nationality: American
Age: 18
Occupation: Student
Residence: Palo Alto, CA
Performance Date: 4/1/2021
Primary Language: English

Main description:

AB: “Are there any other Iranian card games you can tell me about that are special to you?”

DB: “I don’t know. Um. I guess there’s one called Ramee, it’s like the Iranian version of gin rummy. Play it a lot at family reunions with the extended family.”

AB: “How is it different from gin rummy?”

DB: “Uh, let’s see. I guess the first difference is the dealing. You deal the cards out three at time three times to each person, so that’s nine cards. Then you deal out a pair of everybody, bringing it up to eleven. Oh yeah, and then you give two extra cards to the person that starts. Then the next thing is that you don’t keep your cards in your hand. But you can’t put any of them down until you can put down a combo that adds up to thirty. So if you had like, three nines, and you hadn’t come down yet, then you can’t play them, because that’s less than thirty. But if you also had, like, an ace-two-three of the same suit, you could play with your nines, because that’s more than thirty. Then you can just play cards normally for the rest of game. Oh, and then you can add your cards to other people’s stuff. So if somebody played three fours and your have the last one, you can add it to theirs. Oh, and the final crazy part are the jokers. You play with jokers, which are wild, and they can be any number you want, so you could play like two-joker-four and that’s cool. But, let’s say someone else has the three that matches your straight’s, it’s um, suit, they can swap in their three for your joker and then use it however they want. Well, not totally, they have to play it that turn with cards from their hand. So you also can’t add a joker you take to something that somebody else has already played.”

AB: “Awesome. So, you said you normally play this game at family reunions, right? Can you tell me about that.”

DB: “Yeah, so we usually play whenever there’s a lot of us together, for a birthday or a holiday or something. Oh and there’s lots of betting. At the end of the game, you have to give the winner money corresponding to how many points are left in your hand. So if you haven’t come down yet, you’re screwed, lol. One time I was really lucky at Christmas and made like fifty bucks off of our relatives. Now they don’t wanna play with me anymore.”

Informant’s interpretation:

AB: “What can you tell me about why this game means to your family?”

DB: “Um, I guess I’ve always thought of it as like. The grown-up game. The kids always play pasur because it’s easy as long as you can do basic math, but only the adults play rami. That game takes strategy. I was in high school when they taught me how to play and I started betting with them, and I just remember feeling so cool sitting at the adult table and winning some money in Rami while my cousins watched me. They were so butt-hurt, lmao.”

Personal interpretation

Most societies distinguish between children’s culture and adult’s culture, and rami seems to be one such distinction. The informant notes that it’s not only that children are prohibited from playing rami because of gambling, but rami is inaccessible to young children in the first place because it requires substantial strategizing to win. In this way, playing rami may be an important mark of adulthood.

Sephardi and Persian Seder Traditions

Nationality: American
Age: 22
Occupation: Student
Residence: Los Angeles, CA
Performance Date: 5/5/2021
Primary Language: English

Sephardi and Persian Seder Traditions:

Main description:

AB: “What kind of Jewish traditions can you tell me about?”

AA: “Ok well we always go to our family friends house for Passover Seder and one tradition Sephardi and Persian Jews have is to run around and hit each other with celery or large green onions during the song dayenu, which is about liberation from slavery and appreciation or gratitude. And some people think the hitting with celery is to symbolize slavery and whipping but it’s become a fun thing and I think it’s more about celebrating liberation from many things.”

Informant’s interpretation:

AB: “How do you see this tradition? What does it mean to you?”

AA: “It feels more celebratory to me. As a kid, I used to think of it as a game and as I’ve gotten older it’s fun to revisit that inner child. And I think perhaps more importantly it feels like physically letting go and like a physical manifestation of liberation—not necessarily from slavery, but from oppression, harmful thought patterns etc. Passover in general is about escaping a “narrow place” and to me it’s a way to communally perform that liberation and also to acknowledge what oppressive systems exist now and how can we escape them or help others escape them if that makes sense. In short, I love the vegetable violence thing.”

Personal interpretation:

Freedom and liberation appear central to this tradition. The informant notes that the tradition itself mimics the violence of slavery but emphasizes that it’s a celebratory tradition rather than a mournful one. By mimicking slavery in a harmless way, those who practice the tradition can call upon a shared past of oppression and celebrate survival rather than mourning what was lost.

Main Piece: Miss Susie

Nationality: American
Age: 11
Occupation: Student
Residence: CO
Performance Date: 04/12/2021
Primary Language: English

Miss Susie had a steamboat,

The steamboat had a bell,

Miss Susie went to heaven,

The steamboat went to…

Hello Operator,

Please dial Number 9,

And if you disconnect me,

I’ll cut off your…

Behind the ‘frigerator,

There was a piece of glass,

Miss Susie sat upon it,

And cut her little…

Ask me no more questions,

Tell me no more lies,

The boys are in the bathroom,

Pulling down their…

Flies are in the meadow,

The bees are in the park,

Miss Susie and her boyfriend are kissing

D A R K, D A R K, 

dark, dark dark 

Background: This is a folk song that has been circulating the playground since I was a kid, and now, the informant, my little sister, also knows this tune. When she sings it, I can always join in, as can my mom because she also remembers a similar version from her childhood. There is little variation between the three versions of the songs, but as the song has aged, so has the length of the song. 

Context: The informant sang this song to me when I asked her favorite nursery rhyme. This song is definitely more mature than Twinkle Twinkle Little Star, for instance, so I was not surprised that an older child chose it. She sang me this portion of the song and said that there was more, but she was uncertain of all the lyrics off the top of her head. I knew the words of the song up to this point, but my mom said that the version she knew stopped at “Pulling down their…Flies”. 

Thoughts: This is a folk song that has withstood the test of time and grown with age. I looked up the rest of the tune and there are many proceeding verses that are not appropriate for all ages. For example, some lyrics include: “I know I know my sister With the forty-acre bra.”, “I wish I had a boyfriend Who kissed me all the time!”, and “He made me wash his underwear So I kicked him out the door”. For the extended version of this song visit nurseryrhymes.org, Miss Susie Had a Steamboat (Hello Operator). I think this song is a testimony to how our music has become less censored than it was in prior generations. The kids have modified and added lyrics to the song that are more provocative and test the boundaries of childhood. 

Main Piece: Tennis Court Lines

Nationality: American
Age: 53
Occupation: Family CEO
Residence: CO
Performance Date: 04/01/2021
Primary Language: English

Background: The informant grew up playing tennis every single day after school. She and her family members were professional players, and there was an expectation that everyone becomes an expert at the game through endless hours of training and tournaments. She played tennis in college and once she graduated, she coached players on the tour. She is very well respected in the tennis world. The rituals she performed as she was playing competitively never faltered. One of which was the belief that she could never step on the lines of the tennis course. This is a custom that is practiced by many players today because stepping on the lines is a sign of disrespect and bad luck. Player’s go out of their way to ensure that they never touch the white tape in between points.

Context: “As a tennis player, all of my life, I never stepped on the lines of a tennis court. If you watch tennis on TV today, I am in the majority. It was always something- it was something superstitious for many tennis players. It started with John McEnroe and I know that Roger Federer also does not step on the lines. Certainly, Rafael Nadal- I mean would pull a hamstring to step over the alley so he didn’t have to step on the lines… he’s psycho. Do you know what it was…it was more that it made the moments when you weren’t in the point and when you weren’t in the mindset of competition-it made when you didn’t have a lot of control in the point more bearable because the time in between points seemed like they were controllable, right.”

Thoughts: I think that this folk ritual and superstition signals that you respect the game and know the sport intimately enough to practice this custom. Moreover, as the informant explained, became a strategic, calming tactic as well. Having the power to deliberately step over the line and make a decision on the outcome of your movements gives the player a sense of control and is grounding when in such a high-intensity state. The folk tradition has many beneficial implications and has become more popular as more and more players step over the lines. It is interesting to watch how careful some players are never to touch the white lines, and now that I understand this ritual, it is so obvious when watching a game. 

Main Piece: Tape-note game

Nationality: American
Age: 53
Occupation: Family CEO
Residence: CO
Performance Date: 04/01/2021
Primary Language: English

Background: The informant is very fond of the games she played with her family as a child. In the early 70s, they did not have the digital resources we do today to keep us entertained. Board games were a hit in her house, as were cards and chess, but her favorite game is what she calls the ‘tape-not game’. This game is similar to the popularized smartphone game Headsup. 

Context: the informant explained that every Sunday night, her family would choose a game to play together. She was one of 5 children, plus her parents, so games were especially fun because of the size of the group. She said her favorite game was the ‘tape-note game’ and described the premise. Each player writes the name of a person of notoriety on a sheet of paper and tapes it to the person’s forehead next to them, without that person seeing the name on the card. Once all the players are assigned names, each player takes turns asking a yes or no question about the person on their head. The first player to guess who is written on their note wins. The informant loved this game in particular because it was interactive and required a lot of thought to succeed in the game. She also liked that depending on who was seated next to her, she could choose a celebrity that she thought would be funny or challenge the player. The game was more personal than cards, and the informant appreciated all the laughs that accompanied playing. This game was termed by her family and the rules are flexible depending on the night. 

Thoughts: This is a folk game that is specialized to the informant’s family. It became a Sunday night custom and an opportunity for the family to gather together and connect. The informant is reminded of a different version of this game that fits into a more contemporary digital era when she sees people playing Headsup. Another similar popularized game is the board game Headbands. These commercialized games, however, come with a handbook on how to play, whereas this family folk game is less formal and more personalized.