Category Archives: Kinesthetic

Body movements

Soul Train Line

Nationality: American
Age: 47
Occupation: Spanish teacher
Residence: Memphis, TN
Performance Date: April 25, 2015
Primary Language: English

The tradition: “At wedding receptions, the guests form 2 lines facing each other, men on one side and women on the other. The 2 at the front of the line dance down the aisle together and go to their sides when they reach the end. Then the next 2 dance all the way down and so on. It’s comes from the 70s and 80s dance show, Soul Train. It’s called the Soul Train Line.”

The informant (my mom) is a black American woman who grew up in Tennessee. Soul Train aired in 1971, and was the first all-black show on national television when it moved from Chicago to Los Angeles. So my mom (and dad) basically grew up watching Soul Train almost everyday after school, learning the dances and watching the various R&B performers through the 70s and 80s, when they were children and teens. The Soul Train line became famous from the TV show, and now it’s a popular practice at African-American weddings; it’s almost a staple. My mom says it happens at basically every black wedding she goes to, in addition to “lots of line dancing: wobble, Cupid Shuffle, 2 stomps…” in her words. Improvisation and line dancing are huge parts of black folk dance in America. The Soul Train line combines both, and emulates the practices done on the show itself. People go down the line in pairs, improvising and feeding off of one another. Every move is choreographed in the moment, feeding off the energy of the crowd. I think the emergence of Soul Train in the 70s was very important for young black children in America, to see their community represented onscreen. It made them excited, and want to imitate the dance practices they saw on TV. That generation (my mom’s generation) is the generation that mostly practices, or starts, these Soul Train lines. I was at my cousin’s wedding last summer, who is in her thirties, and it was the older adults who began chanting to start a Soul Train line. They’re fun and energetic, and a good way to interact with people you may not even know well through dance.

Camping for Brotherhood

Nationality: Caucasian
Age: 19
Occupation: Student
Residence: San Diego, CA/New Orleans, LA
Performance Date: 3/31/15
Primary Language: English

Collector: What camp did you go to?

Informant: I went to Fallen Creek in North Carolina.

Collector: Did you guys have any, like, special songs or chants or anything?

Informant: Every Sunday we’d do this campfire. It was kind of like church, minus, like, the religious aspect, more of just a community thing. And it would always end with taps, but throughout there would be all these songs, like counselors and campers would get up and sing and stuff. And we’d do skits and stuff. Every week we would have special messages about brotherhood.

Collector: Was it an all guys camp?

Informant: Yeah. I went Eight years.

Collector’s Notes: A huge aspect of folklore, and one of its purposes, is that it builds community.  One of the long-used ways of doing this is through song.  Singing has been around for a very long time, and people teaching others songs that the community is familiar with to welcome them and make them part of the group.  I also think that the message about brotherhood is important here.  The camp is creating a tight-knit group by repeatedly reminding this group of young boys that they need to be there for each other.  The taps are somewhat ceremonial almost.  Historically, the TAPS is something that has only taken place in the United States military.  Oddly enough, it’s usually used at funerals, wreath-layings, and memorial services (Villanueva).  The military is one of the most well-known tightly knit, family-like communities that exists, so it makes sense that they would use this to subconsciously provide that type of atmosphere.  Also, the ceremonial use of it is important.  These ceremonies, like funerals, are really important in folklore.  They signify someone passing out of the community and into whatever afterlife they believe in.  Also, some cultures use funerals to celebrate life instead of grieve over death.  This could possibly be an underlying message in the Fallen Creek tradition of playing.  Skits also have been a usual way of getting people to become more comfortable.  A lot of ice-breaker games are centered around working together and team building to work toward a common goal (“Ice Breakers”).  This is a way that the group in question, in this case the boys in the camp, make a special bond with other boys around the same age, thus creating a “folk.”

REFERENCES:

“Ice Breakers: Getting Everyone to Contribute at the Start of a Successful Event.” Mind Tools. Mind Tools Ltd., n.d. Web. 12 Apr. 2015.
Villanueva, Jari. “History of Taps | JV Music.” JV Music. WordPress, n.d. Web. 12 Apr. 2015.

Dancing With the Devil

Nationality: Mexican American
Occupation: Learning Specialist for SAAS at USC
Residence: Los Angeles area
Performance Date: April 15, 2015
Primary Language: English
Language: Spanish

The informant’s family had been a traditional Mexican family then they moved to America and expanded their culture here. His parents were born and raised in Mexico and learned many cultural forms of folklore with the informant who was born in America. He shared some of the folklore that he was told that stuck with him as he grew older and more wise and mature. 

The Dance

Informant…

“Their was a woman in Mexico who wanted to go to this dance but her parents told her no you cant go, but she really wanted to go so she snuck out at night to go. So she went out to the dance and she was having a really good time. Some point while she was at the dance she met a guy and he seemed really cool, he was good looking, and well dressed. She started dancing with him and the party went on around them it was raging and exciting and a typical dance environment. The party progressed and my grandma described it to me that they were ballroom dancing. She looked around and noticed that there was no one there but her and the guy. She realized that they were just dancing alone and by this time it was late into the night and every one had been gone. She thought it was strange and looked back again and it was just her standing there and the guy was gone. She realized that she was just dancing by herself the whole time and she was alone the whole night. Frightened, she ran out of the dance place because she was so freaked out by what had happened and where the strange man came from. When she ran out, there was a black dog who chased her all the way to her house. The mom came to the door just as the girl was about to get there and said ““where the hell have you been its 2 o’clock in the morning!”” The girl was screaming crying that a dog was chasing her so the mom beat the dog with a broom, scratched it on the eye and the dog ran away. The next day in the town there was a weird creepy man. The creepy man had a patch on his eye and it was bruised up pretty badly. The story infers that the creepy man is supposed to be the Devil.”

The informant also stressed, “the message it is trying to get across is you better listen to your mother because you might end up dancing with the devil or doing the devil’s work.”

The informant said that this wasn’t necessarily meant to have any meaning behind it, but once his grandmother told him this he was put on the right path and was so freaked out that he would be home every night by ten o’clock, or he wouldn’t talk to any type of stranger. This story was creepy enough to the point where he wanted to listen to his parents when they said no.

Analysis…

I was able to collect folklore information from two Latina descendants. In this culture it seems common where the stories are created for the children to get them to get on the right track. The legends, myths, tales, and family tales all have a way to persuade the children to act the way the parents want them to ask whether that is a scare tactic or giving the children a saint to look up to. In the culture I’m use to, it is common where stories are told to direct children in the paths that their parents want but it is more common where the legends, myths, or tales are told to confuse the older generations. We talk about the existence of aliens, Bigfoot, vampires, werewolves, or any other strange tales that are told to our older generations. It is interesting how the folklore is geared to attract different age groups of people.

Southpaw

Nationality: Italian
Age: 19
Occupation: student
Residence: New York
Performance Date: April 29, 2015
Primary Language: English

Anthony is a student at USC and one of my closest friends. He grew up in New York and moved to Los Angeles this year to study at USC. He comes from an Italian background.

 

 

Performance: “Southpaw is like a thing because when you introduce yourself to a girl you want to have your right hand open. You don’t want to have your right hand clammy or cold. Is that the reason?”

Sure, whatever reason you think is right. that’s why it’s folklore. keep talking. How does it happen and what does it mean.

“Well if you’re drinking a beer, and the beer is in your right hand, your hand is cold and wet from the can or bottle, and thats bad when you meet people. First you have to switch what hand the beer is in , and then your hand is cold. Southpaw is when you see somebody with their drink in your right hand, you say “Southpaw,” and they have to chug their entire drink. It’s to encourage you to always hold your drink in your right hand.”

 

Response: I’ve heard of southpaw before – it is very popular at USC and in party communities. A variation of this folklore that I’ve heard before is “Buffalo” where “buffalo” is exclaimed at a person holding a beer in their right hand and the same rules apply. I am unclear where the word buffalo would come from. Southpaw makes some sense, as that is the colloquial term for left handed pitchers in baseball. Anthony learned the phrase not in his home of New York but at USC.

Left is Law

Anthony is a student at USC and one of my closest friends. He grew up in New York and moved to Los Angeles this year to study at USC. He comes from an Italian background.

 

 

“Left is law is a phrase you say when smoking. If you are sitting in a group of people smoking, hookah or whatever, you have to pass to the left always, counterclockwise, never to the right. Left is law. If you ever try to pass to the right everybody freaks out and reprimands you for it. It’s like a ritual type thing. If you ever pass to the right then it’s all fucked. The whole time is ruined, and it’s all shit. You always pass to the left.”

 

 

Response: This is a sort of ritual/magic folklore that revolves around smoking. I’ve never come across the folklore before, but my friend Anthony was adamant about it’s importance and relevance. He was shocked that I had not heard of it before. Perhaps it just exists in order to create a “go to” or “status quo” for a situation that is often variable. There also seems to be an expectation of having a good time tied to following the ritual, and a poor time associated with breaking it.