Category Archives: Earth cycle

Seasonal and celetial based

We Are A Circle- A Pagan Chant

Nationality: American
Age: 20
Occupation: Student
Residence: Houston, TX
Performance Date: April 25, 2020
Primary Language: English

Background: My informant (M) shared with me her experience with a song we learned growing up. We attended a daycare, which was run by our grandmother, from infancy to 5 years old, and would frequently stay there during summer breaks. She shared with me her perspective on a ritual we performed daily. Neither of us had ever thought too much about this ritual until we got older, but talking about it now we could tell there was probably more to this chant than we realized as kids. Our grandmother always talked about the importance of being kind to the Earth and thanking it whenever we took something from it, like food. As kids, this was just part of growing up, and the chant was part of our daily routine, we agreed that we never thought about the words or meaning until we got older.

M’s Perspective on The Ritual: 

M: “I guess it was a way for all of the daycare kids to come together and bond and be calm. We would sit in a circle with a candle in the middle and we would sing childhood songs and tell nursery rhymes. At the end of the “circle time,” as our grandmother called it, we would have a closing ceremony of sorts where we would stand up and join hands and we would sing this one song. She played it on a CD, but we all knew all the words and we would look at each other and sing. There were a couple of verses to the song that I don’t remember very well, but during the chorus, we would all sing loud and join hands and walk in a circle. Then it would be another verse and we would stop walking. The verses all had to do with the elements, you know fire and wind and stuff. And with each new chorus, we would walk faster and faster until it got a little crazy and we were screaming this song (laughs). I don’t think she does it anymore because it started getting a little aggressive. But anyway the closing line had something to do with coming “FACE TO FACE” and we would all get really close to each other- you know face to face- and we would throw our hands up and someone would blow out the candle and that was it (laughs and pauses).

And we did this for probably ten years or more. It was a little strange now that I’m thinking about it, like what was that even about? We never really anything else that I can look back on as being out of the ordinary.         

Main Text:

We are a circle within a circle

With no beginning and never ending

You hear us sing, you hear us cry

Now hear us all you, spirits of air and sky

We are a circle within a circle

With no beginning and never ending

Inside our hearts there grows a spark

Love and desire, a burning fire

We are a circle within a circle

With no beginning and never ending

Within our blood, within our tears

There lies the altar of living waiter

We are a circle within a circle

With no beginning and never ending

Take our fear, take our pain

Take the darkness into the Earth again

We are a circle within a circle

With no beginning and never ending

The circle closes between two worlds

To mark this sacred space where we come face to face

We are a circle within a circle

With no beginning and never ending

Analysis: I looked up this song to find the lyrics we remember from our grandmother’s. I also wanted to see if I could find an explanation for it. What I found was the song has strong ties to paganism and Wicca, relating to a spiritual bond with the Earth and magic. The song is written by Rick Hamouris in the 80s so I’m not sure when or where our grandmother learned it. It seems like it’s been adopted by Wicca and other pagan religions and some say it is a song for festivals or a full moon chant. The book Casting Circles and Ceremonies by Oberon Zell-Ravenheart and Morning Glory Zell-Ravenheart explains how circle chants like this one are effective for “casting circles” and “calling quarters.” These terms refer to creating the circle, which is the safe and sacred space and utilizing the Earth’s quarters-the four elements and the four directions. 

You can read more about this here: http://www.egreenway.com/wands8/envoke1.htm

Grapes and Red Underwear on New Years Eve

Nationality: Mexican American
Age: 19
Occupation: Student
Residence: Arizona
Performance Date: 4/25/20
Primary Language: English
Language: Spanish

Context:

MV is a 2nd generation Mexican-American from New Mexico. Half of her family is of Japanese-Mexican descent and much of her extended family lives in Mexico. I received this story from her in a video conference call from our respective homes. Her aunt taught her this and said it’s a Venezuelan tradition.

Text:

MV: You’re supposed to eat thirteen grapes in the last ten seconds of the new year. And if you do it, then that’s good luck. Also if you wear red underwear.

JS: Why grapes?

MV: I don’t know, that one’s just a weird challenge.

Thoughts:

Ritual transitional ceremonies such as new year celebrations often involve superstition and folk belief, as ways of marking a transition from one period to another. In other iterations of this practice, you eat twelve grapes, one for each month of the year. The element of skill and difficulty make this tradition a fun and competitive ritual. The tradition can be traced back to Spain, where the bourgeoise adopted it from the French, who ate grapes and drank champagne on the new year. The tradition was picked up by members of other classes who ate the grapes likely to make fun of the upper class. The fact that one is scarfing these grapes at a high speed can be seen as a mocking gesture towards the elite, who would daintily eat the grapes with their champagne, a way to mimic and critique the ways in which they cover up their pernicious and consumptive practices of economic exploitation with a mask of civility and decadence.

As for the red underwear, red symbolizes lust, luck, and life in many cultures. Being a Spanish tradition, the use of red resonates with the colors of the nation. The choice of garment suggests sexual overtones in this bit of folk superstition, with the new year as a time for new beginnings, creation, and sexual proliferation. The belief also, for the duration of the new years celebration, allows undergarments to be a topic of conversation, allowing for a less sexually repressed and euphemistic celebration, with the topic coming up more apparently to the surface.

Oliebollen

Nationality: Dutch American
Age: 55
Occupation: Micro-Biologist
Residence: San Francisco, California
Performance Date: 4/30/2020
Primary Language: English
Language: Dutch, German,

Context:

NS, my father, is a 55-year-old Dutch immigrant to the US. He grew up in the small town of Delft. He told me about this new year’s eve food tradition that is observed where he grew up.

Text:

NS: New years is one of the most important holidays for the Dutch. On new years’ eve, we would gather together, there would be on the TV a comedian doing a run-down of the year, and we would have oliebollen (oil balls). They are a food you only eat during new years and you can get them from a stand on the street in late December. My mom used to make them. To make them, you put some flour and yeast together in a bowl with some sugar to let the mixture rise. Then you add all kinds of stuff in it: nuts, apple, raisins, cranberries, other dried fruits. You plop them into balls and fry them in oil. Then once you’re done you can put some powdered sugar on them.

Thoughts:

The informant, even though he now lives in San Francisco, makes this treat every year as a member of a global nationality. He likes oliebollen because he associates the taste with childhood memories and festivities. He told me that the new year is one of the most important and elaborate celebrations for the Dutch, so it makes sense that he wants to keep this foodway alive as he carries out his identity as a Dutch-American. I have eaten them every new year as well, the informant is my dad, and I have to say that the taste definitely reminds me of that particular time. Since they are only consumed once a year for this event, they take on a special significance and anticipation which leads me to savor each bite when I get the chance. The food tradition is a way for my dad to keep his sense of Dutch-ness alive as he lives abroad in a foreign land.

Rabbit, Rabbit, Rabbit

Nationality: White American
Age: 56
Occupation: Media relations specialist
Residence: San Francisco, CA
Performance Date: 4/23/20
Primary Language: English

Context:

I received this tradition and superstition from my mother, who grew up in a white suburban household in Colorado during the late 20th century. She learned it from her father, an English professor, who read it in a student paper about superstitions. When I was younger, she used to practice this little act of magic, but she does not do it anymore.

Text:

If the first words you say in the month are “rabbit, rabbit, rabbit,” you will have good luck for the whole month.

Thoughts:

Rabbits symbolize good luck in various cultures. I have seen rabbit foot keychains, which are intended to endow their owners with good luck. The word comes in threes, another example of the primacy of the number three in American folk belief. This piece of folklore was transmitted through the written word and stuck in my own family. To attach a special incantation to the beginning of each month gives the start of the month some special significance. It helps to mark off the months as distinct from one another, each as an opportunity for a new beginning, a renewal of luck. Rabbits are also associated with procreation and fertility, so their evocation at the beginning of each monthly cycle could signify renewal, new birth, and fecundity. This incantation is a way to be ‘reborn’ each month, as if to say: “no matter how difficult or painful last month was for me, here’s a chance to start one anew.” This little act of superstition can help people to maintain their faith in the future and retain a spirit of hope and growth going into each new month.

Birthday Traditions in Elementary School

Nationality: Korean-American
Age: 20
Occupation: Student
Residence: United States
Performance Date: April 10th
Primary Language: English

Main Piece:

At the informant’s elementary school, there were very intricate birthday traditions. When there was a birthday in the class they would go outside and stand in a large circle. The birthday child would stand in the middle holding a globe. Then all the kids would sing “The earth goes around the sun, tra-la-la. The earth goes around the sun. Around and around and around and the earth goes around the sun” 

Then the teacher would say “and then [birthday child’s name] turned 2!” and a friend of the birthday child would hold a picture of the birthday child when they were two and walk around the entire circle showing all the classmates. The song would then start over and the pattern would continue with 3, 4, 5 and so on until the class reached the age of the birthday child.

Background:

This tradition happened at a private, Montessori school where the informant attended. The school was located in the southern United States so the weather was almost always nice enough to do this tradition outside.

Context:

This tradition was explained to me when the informant was discussing the importance of traditions at their schools throughout their childhood.

Thoughts:

This tradition captures a lot of elements that are important to birth, growing up, and continuing on with one’s life. There is the emphasis on the globe and the sun, to explain to the children that the years pass with each orbit of the sun. Then the photos of the child at each age allow for the children to get to realize what their classmates looked like before they knew each other. This shows the physical changes each child has gone through as they grow up. All these elements mesh into a creative demonstration to show the importance of being one year older that will make an impact on these children.