Category Archives: Initiations

BACHELOR PARTY PRANK

Nationality: American
Age: 52
Occupation: Sales representative and finisher for wood-flooring company
Residence: Vail, CO
Performance Date: April 18, 2021
Primary Language: English

MAIN PIECE:

Informant: They chained a bowling ball to my leg… With a––with a, like chain. And I just kept telling them they had to remember not to push me in the pool that night… And they put me in a 12-year-old’s Superman costume. Like literally stuffed me into it, and everything was so far up my freaking crotch. So I was walking around the streets of Vegas in this Superman costume with a bowling ball chained to my leg. Like a ten- or twelve-pounder… Wasn’t like a kid’s ball.

INFORMANT’S RELATIONSHIP TO THE PIECE:

Informant: It’s what’s expected, you know…? Especially with my friends, there’s always that… I think it boils down to just playfulness? Like close through playfulness, you know. Giving each other a hard time, teasing each other, playing a prank on each other. Um… ‘Cause we know that we can. We’re so close that we can do it to each other without it, you know, offending anybody or, you know, somebody taking it the wrong way, or, you know… I think it symbolizes… At least in my group of friends, like you know… You know that when…  You’re stuffed into a Superman costume that you’re part of the crew. You know? And everybody’s having a good time at your expense, and everyone––and you’re okay with that. Cause it’s… It’s going to be somebody else’s turn at some point. 

REFLECTION:

Bachelor parties are a transitional period where a man is neither married nor single. He is on the threshold of becoming a husband. Bachelor parties often involve pranks at the groom’s expense, as practical jokes mark initiations into new identities. In International Folkloristics: Classic Contributions by the Founders of Folklore, Géza Róheim writes that there is a “tendency to punish the main actor of the drama,” with the groomsmen and bridesmaids “abreacting their Oedipal revolt in humorous, permissible form, against the new ‘father’-to-be” (273). Across cultures, the groom is clowned at the hands of the young people involved in the wedding party; he is being teased before entering his new, serious role as a man (which in some societies or families may entail becoming a patriarch, father, breadwinner, and head of the household).

In this specific case, pranks also showcase a closeness amongst the friends involved. The informant is part of a playful group of people who reveal their trust in one another through pranks. Being involved in the pranks demonstrates that you are part of the “in-group”––that you have earned their trust, and that you trust them––that they know you will respond to the prank in a certain manner (by finding it amusing and not upsetting). By pranking the informant, the men are not only marking the groom’s transition from bachelor to husband, but celebrating him as one of their own––he is still considered a part of the group, despite transitioning into a new identity. 

ANNOTATION:

Source cited above:

Róheim, Géza. “Wedding Ceremonies in European Folklore.” International Folkloristics: Classic Contributions by the Founders of Folklore, by Alan Dundes, Rowman & Littlefield, 1999, pp. 243–274.

FRATERNITY HELL WEEK

Nationality: American
Age: 52
Occupation: Sales representative and finisher for wood-flooring company
Residence: Vail, CO
Performance Date: April 18, 2021
Primary Language: English

MAIN PIECE: 

Informant: I think this is like our second or third day into Hell Week, and we had had some kind of––we were in the courtyard, and they’d given us these giant bowls of chocolate pudding… And it turned into a food fight. So we had, like, just gone nuts, or you know… Spitting and throwing pudding at each other, and just tackling each other in pudding. So what the actives didwas, they put us in the middle of the courtyard in a group and hosed us down to try and get some of the pudding off, right? Well… They finally said, “Alright. The hose isn’t working. You guys go take a shower.” So what they made us do is we all get in the showers. So they had us all strip down, and the pledges all have the same clothes on. We all have camouflage pants, white underwear, and a white T-shirt. And they threw all of our clothes in a big pile… And… They let us take showers for the first time in like three days, and we were feeling pretty good. And then they shut the water off, and they started yelling and they’re like, “All right, you guys have thirty seconds or whatever to get clothes on and get to bed.” And we were just like, “What?” And we had no idea how to figure out whose clothes were whose. So you just grab whatever pair of underwear you found, threw them on. You try to find pants that fit you, put them on, and a T-shirt. And so you went from a nice hot shower into these ice cold––‘cause it’s January in LA and we’ve been outside getting hosed with cold water––so you’re putting on sticky… Chocolate-covered… Clothes, after a nice hot shower. And then you’re crammed into a tiny tiny room where we had to sleep like literally on top of each other, and we’re told to go to bed. So we’re like lying there in these gooey, cold wet clothes… That was just the worst night of Hell Week for me, ‘cause you just itched… But then you also just had the, you know, burrito eating contests where they designed this burrito to make you throw up. So they put everything in it including chewing tobacco. So it was like, you know, raw fish and fricken chopped up squid. And uh, whoever finished it first––and it was giant––got a beer. So… Everyone knew it was either gonna be me or [X] that was gonna win. ‘Cause most guys––there was, you know, guys were throwing up––cause most guys couldn’t keep it down. And [X] and I went at it, and I beat him and he was so bummed. So, that was that… And like they gave us a night in LA and we had to go out and come back with tributes. So they gave us a couple of cars and the goal was to end––this is the middle of the night. We had to go out into Los Angeles and come back with tributes to the Hell Masters. So my team found a street sign that had the name of one of our founders on it. Just coincidence, right? So other teams are coming in with like liquor bottles or whatever, and we walked in with this giant freaking California Department of Transportation road sign. And that stuff was just fun.

INFORMANT’S RELATIONSHIP TO THE PIECE:

Interviewer: Did you enjoy Hell Week at all? 

Informant: I did, personally, ‘cause I like that stuff… When the Jackass Train left the station I was gonna be on it… I mean, I showed up a day late to Hell Week. [X] and I both did. So the Hell Masters threw everything at us. So when everyone else had to go running, you know, [X] and I had to run circles around them while eating a raw onion. But I just came from the mountains so I could have run all day. And we got a lot of respect from the actives by just rollin’ with everything they freaking threw at us. I just thought it was hysterical. 

Interviewer: Did it bring you closer to the other pledges?

Informant: Kind of. It was all about unity, you know?  Like the actives tell you, “You guys are one unit. If your pledge brother can’t make it, you help him out no matter what it is.” And that could be with like running or push-ups or whatever. A lot of the time it was just eating. I mean they’d try to make us overeat, and [X] and I ate freaking everyone’s food for them and there’s guys like throwing up. But, you know it’s… It’s not like you’re a soldier where somebody’s life is on the line and you’re there for them in their time of need. You’re not bonded in that way. There was never an episode where I can help somebody other than, you know, eating their hamburger. And I was just happy to get food. So it was less about, like, being there for your pledge bros, and it was more about proving yourself to the actives.

REFLECTION:

In their article “Crossing the Line,” Jennifer J. Waldron & Christopher L. Kowalski write, “Initiation rites and rituals are particularly important for men in sex-segregated environments… In the anthropological literature, [Don] Sabo suggested that male rites serve as a means for older players to persuade younger members, often through pain infliction, to conform to the social roles and appropriate behaviors of the team” (291-92). This text is specifically geared towards hazing on athletic teams, but can be applied to hazing within a fraternity, which is also a sex-segregated space. Hazing can be used to establish a hierarchy of power and authority, and to ensure the new members understand where they are ranked on the totem pole.

This informant, however, established a power of his own through the hazing process. Rather than be left feeling submissive and weakened, he felt it was a chance to prove himself to the actives and gain their respect. Thus, while hazing may be a way to put pledges “in their place,” so to speak, it is also a chance for a pledge to stand out. For those who want to prove themselves to the actives, and who fit a more stereotypically, hyper-masculine mold––who eat copious amounts of food, are physically fit, enjoy drinking a lot of alcohol, etc.––it can be a positive experience, and an “appropriate” rite of passage as they enter a hyper-masculine environment.

ANNOTATION:

Source cited above:

Waldron, Jennifer J., and Christopher L. Kowalski. “Crossing the Line: Rites of Passage, Team Aspects, and Ambiguity of Hazing.” Research Quarterly for Exercise and Sport, vol. 80, no. 2, Taylor & Francis Group, 2009, pp. 291–302, doi:10.1080/02701367.2009.10599564.

The Screenwriter’s “Champion”

Nationality: American
Age: 19
Occupation: Student
Residence: Los Angeles, California
Performance Date: April 16th, 2021
Primary Language: English
Language: N/A

Main Piece:

“The only like, real, like screenwriting folklore I know is like the championing method which I don’t think— the more I think about it, the more I think this is fake, but freshman me believed it so hard. It was like— to explain for the folklore archive— it was like the way people get into screenwriting. Every screenwriting professor picks one application and has to fight for it. And so every student has their “champion” who is the one who fought for them to get into this program. And then before you graduate they have to tell you who they are.”

Background: 

My informant is one of my friends, a sophomore in the screenwriting major at USC. During her time at this school, she learned about the folk legend through our upperclassman in freshman year, who are also screenwriting majors. As stated in the performance, she seemed to believe it more in the past than she does now, but still spreads the story like the rest of our peer group does.

Context: 

This piece was brought up in conversation when my informant, another participant, and I were talking about our classes. This then led into a tangent about the kinds of screenwriting stories we’ve heard in the department, and how many different versions there are of the “champion legend” that supposedly led to students being selected for the program. 

My thoughts: 

I heard a similar version of this story when I was visiting USC as a high school senior, and heard it from upperclassmen that have since graduated. Since that was a few years ago, I think it’s fair to say that there has to be some credibility in the legend considering how many times it’s been passed down the cohorts in the screenwriting major. I would consider this story to be a legend because it plays a role in the real world in the sense that the faculty do have to determine which applicants to accept into the school, but it’s uncertain if they actually “champion” a particular application or not. This could furthermore be considered a local legend, at least in the School of Cinematic Arts, and by learning it, new screenwriters are initiated into the peer group. That being said, the story could be also interpreted as a myth, because like a sacred creation story, this piece explains the origins of the USC screenwriting student and how they came to be. Overall what I like about this piece is the various retellings there are from the upperclassman. because them passing down the screenwriting lore to us is like being initiated into the group.

123 Shakespeare

Nationality: American
Age: 19
Occupation: Student
Residence: Bay Area, California
Performance Date: May 2nd, 20201
Primary Language: English
Language: N/A

Main Piece: 

Everyone comes early to rehearsal and they play 123 Shakespeare. What that is is there’s one person who starts, and you have to try— its in a field—  and the goal is to run away from the field without getting, I guess, eliminated and once you are, you join the eliminators. So it starts with one person. To eliminate them you have to drag them out of the zone of the field, and then they join your team, and you work together to get more people. And then once you have a couple more people, you have to start lifting people up and shouting “123 SHAKESPEARE!” while no part of them touches the ground. And then you have eliminated them. And you’re allowed to do whatever you’re comfortable with to be the last one standing, and that happened before every show. 

Background: 

My informant is one of my friends from high school,  and was very involved in our school’s theater department. As he told me, 123 Shakespeare is a ritual game that’s done before the opening of every show, and was one of the most anticipated traditions of our theater department. However, it was also kept secret; only the cast and crew of the show knew about it, not the general rest of the school. It was additionally kept secret from anyone who was participating in a show for the first time. What would happen is that people would be told to come to rehearsal early, “not explaining anything, but [we had] the decency to say ‘bring a change of clothes you don’t mind getting dirty.'” Upperclassmen in the theater department would make up ridiculous rules as a prank, like telling newcomers “No tool boxes allowed,” “Guys, make sure you leave your hoverboards at home!”, and then reveal the actual rules of the game once everyone arrived on the day 123 Shakespeare would be played.

Context: 

This came up when my informant and I were trying to remember traditions that happened in our theater department during high school. While I was involved in a few shows, my friend had more experience than I did, so I asked him what events he could remember, and he described 123 Shakespeare for the archives. 

Thoughts: 

I remember participating in 123 Shakespeare when I was in high school right before the spring musical, and it went exactly as my informant described it. Looking back on it now and knowing what I know about peer groups and folklore, I thought it was fascinating that this tradition was both a ritual, and a bit of an initiation for people who are getting involved with the theater department for the first time. The upperclassman keeping the secrecy of what 123 Shakespeare is establishes the social hierarchy of the theater department, and the joke of making up nonsensical rules can be viewed as a display of that status, and simultaneously accepting the new members into the peer group by initiating playful behavior with them. Similar to the wedding tradition of pulling pranks on the groom by the bride’s family, I think this game of 123 Shakespeare demonstrates a liminal space that new cast and crew members must cross before they can be fully accepted into the peer group of the theater department. This game stands between the tireless rehearsals and the opening night of the show, so this is the point in which they are invited to participate in a longtime tradition passed down through the generations of the theater department. 

Kanye Quest

Nationality: American
Age: 23 and 22
Occupation: Students

Description: A video game created in the RPG maker game engine. On the surface, it seems to be a regular role playing game centered around the musical artist Kanye West. However, there is a secret terminal within the game that eventually leads to the implication of cult recruitment and activity.

Background: Both informants received the information through internet videos.

Transcript:

TS: But basically there was an arg thing in it that people aren’t sure is like an Easter egg or actual cult recruitment (like 90% chance it’s the former but still)

BD: there’s a few video essays on it on youtube

BD: it was an rpg maker game. like the base game was kanye quest but there was a terminal you could enter a password into and it’d go into a weird pseudo game where you had to keep entering passwords and then if you got to the end there’d be a thing saying “congrats you ascended” and would ask if you wanted to move into the next step and if you selected yes it’d ask for your info but the version of the game that was playable didn’t have internet capabilities however original version is lost i believe bc the creator locked it

Me: How does Kanye tie into all that?

BD: Honestly it(Kanye) doesn’t, that’s just what the game was. If you didn’t know about the terminal there was a whole full-ledged game about kanye basically.

TS: Yeah like it was a meme rpg game totally unrelated to anything. That’s why the ARG cult stuff was such a surreal thing.

BD: Also because the cult(referenced in the game) is a real cult.

Me: Is there actual indication that it was real cult stuff?

BD: That’s where it gets murky, like since the game didn’t have internet capabilities people think it was just a thing to spook. There’s also rumors that that’s because it’s the second released version of the game if i remember.

My thoughts:

Cult recruitments through the medium of the internet is certainly not something that is unthinkable. I think what is interesting is how under the surface it is. A seemingly innocent game having cult implications if someone digs deep enough. It is a popular genre when it comes to internet mysteries. One example would be the popularity of the iceberg, where obscure knowledge and rumors about a specific topic is placed within an iceberg image, separated by how obscure the rumor or fact is. This kind of thing tends to be a recurring theme when it comes to the internet. As everything on the internet is somewhat public and monitored, people start to devise methods to encrypt their actions and the information that they want to spread. I think it’s the feeling of secrecy that makes these tales so compelling, the feeling that you are within a secret club for a specific hidden knowledge. Also the hidden sense of excitement and fear when something digital begins to affect the real world. In this sense that hook also applies to many ARGs that have existed. As for what I believe, I think that there is a good chance that the cult elements were real. It is not unthinkable for cults to recruit people through these obscure means, and having Kanye fans as a target does make sense in some ways (some fans worship him like a god).