Chinese Folk Belief on Leg Shaking

Nationality: Chinese American
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: April 2, 2017
Primary Language: English

Note: The form of this submission includes the dialogue between the informant and I before the cutoff (as you’ll see if you scroll down), as well as my own thoughts and other notes on the piece after the cutoff. The italics within the dialogue between the informant and I (before the cutoff) is where and what kind of direction I offered the informant whilst collecting. 

Informant’s Background:

My mom was born in Hong Kong and lived there up until she was 19 before moving here, and I was born here (in America).

Piece:

My mom would not let me or my brother shake our legs. You know how some people have that nervous tick where they shake their legs? Well she thought that it symbolized shaking money off a tree, so if we did it we wouldn’t be rich in the future. So she would tell us “we were shaking the money off the trees” so now me and my brother don’t shake our legs anymore, although we used to a lot when we were kids. 

Piece Background Information:

She probably got that from her parents as well.

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Context of Performance:

In person, during the day, in the informant’s apartment adjacent to USC’s campus in Los Angeles.

Thoughts on Piece: 

This is clearly an instance of homeopathic magic, where the mimicking of shaking a sort of trunk (legs seen as the foundation for which the body depends) has affects in reality and in this case negative effects of losing money or fortune. I could not find other similar accounts so it is pretty likely that the informant’s mother, and possibly the informant’s mother’s parents (and so on), have shared this with their children in order to stop them from shaking their legs and groom them into proper adults. Leg shakers are the worst.

Chinese Folk Belief on White Headdress

Nationality: Chinese American
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: April 2, 2017
Primary Language: English

Note: The form of this submission includes the dialogue between the informant and I before the cutoff (as you’ll see if you scroll down), as well as my own thoughts and other notes on the piece after the cutoff. The italics within the dialogue between the informant and I (before the cutoff) is where and what kind of direction I offered the informant whilst collecting. 

Informant’s Background:

My mom was born in Hong Kong and lived there up until she was 19 before moving here, and I was born here (in America).

Piece:

So my mom would not let me wear anything white on my head because she said that it meant like death in Chinese, or in China. So when I would try to wear like a white headband (I used to wear headbands) or put anything like a white hat on my head, she told me not to because it was death basically. 

Piece Background Information: 

Maybe when they bury someone, they put a white sash around their heads or something. It’s probably something her mom told her.

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Context of Performance:

In person, during the day, in the informant’s apartment adjacent to USC’s campus in Los Angeles.

Thoughts on Piece: 

Although the informant was not too sure on the origins behind this practice, the informant still holds to it to this day.Although I could not find anything supporting the informant’s belief that a white sash is placed upon the heads of the deceased when being buried, which would have been in a sense homeopathic magic (magic of similarity), there are clear associations between white and death, and it comes to no surprise that the informant’s mother would choose to see a white headdress as symbolizing death. Upon further research, apparently white is typically symbolic of the dead in Chinese funeral rituals – it is common in practice to place a white banner over the door of a household to signify that a death has occurred.

The Bad Lady

Nationality: American
Age: 23
Occupation: Trojan Event Services Supervisor
Residence: Los Angeles
Performance Date: April 25, 2017
Primary Language: English

Note: The form of this submission includes the dialogue between the informant and I before the cutoff (as you’ll see if you scroll down), as well as my own thoughts and other notes on the piece after the cutoff. The italics within the dialogue between the informant and I (before the cutoff) is where and what kind of direction I offered the informant whilst collecting. 

Informant’s Background:

I’m Caucasian with a lot of European descent. Grew up in Florida, and my family was originally from New York.

Piece:

So there’s this woman called the bad lady who lives in swamps in Florida and she’s supposed to be like this Native American spirit who hunts down children who are behaving badly. And what she does… which is like REALLY ridiculous is she kidnaps you from your parents and then puts you in a cage and hangs you above her pit of crocodiles, or alligators cause it’s Florida- her pit of alligators. Then she takes off your shoes and rubs a feather against your feet so that your toes start like twitching out. As the alligators below are like snapping at them. And then if you’re a really bad kid, she’ll continue to do it until one by one the alligators bite your toes off. And then you have to go back to your parents as this toeless child to remind you never to be bad to them.

My parents told me this story but they weren’t the only ones. Other kids in my neighborhood heard about it too, older kids. I think the first time I was threatened to be sent to The Bad Lady, I was like 4… by my parents. But then other kids sometimes would like bully the younger kids and be like “oh well if you try to play with us, we’re going to call The Bad Lady. We’ve been there. We know what she does.” And then they would like pretend to take off their shoes and stuff.

Piece Background Information:

I definitely think that like all the moms in the neighborhood got together and just invented this story. But I feel like it had to have come from somewhere so there might have been some background of either like a woman who did weird things in the forest or just like a legend of like a spirit. My mom insists that she(The Bad Lady) is real to this day.

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Context of Performance:

In person, during the day, in Ronald Tutor Campus Center on USC’s campus in Los Angeles.

Thoughts on Piece: 

Although, as the informant believes, The Bad Lady was most likely conceived of by the mothers within the informant’s town, and thus an urban legend, the fact that all the mothers and the older kids spread and hold up the story lends itself to Dundes’ definition of folklore in that there is multiplicity in stories about The Bad Lady as well as variation, in a sense. This variation is, in my opinion, due to its similarity to the story of La Llorana which is also told to kids, usually by parents or those older than them, to keep them from misbehaving.

Gujarati Protection Against Evil Eye

Nationality: Gujarati
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: March 28, 2017
Primary Language: English
Language: Gujarati

Note: The form of this submission includes the dialogue between the informant and I before the cutoff (as you’ll see if you scroll down), as well as my own thoughts and other notes on the piece after the cutoff. The italics within the dialogue between the informant and I (before the cutoff) is where and what kind of direction I offered the informant whilst collecting. 

Informant’s Background:

I’m from Ahmedabad, Gujarat, India.

Piece:

So my grandma always did this thing, where she had this belief where if people see success too much, they give you the stink or evil eye, trying to wish you bad luck. So what she would do and say to do is to make a black mark somewhere you cannot see it- so take a little bit of like eyeliner, or mascara, and put it like right behind the ear or something to ward off evil spirits, and people’s bad visions. It’s the same way either way for males and females, but females do it generally.

Piece Background Information:

Informant already mentioned within piece that their grandmother taught them this folk belief on protection against the evil or bad eye.

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Context of Performance:

In person, during the day, in Ronald Tutor Campus Center on USC’s campus in Los Angeles.

Thoughts on Piece: 

Upon further research, it is commonly believed in India that the main source (i.e. givers) of the evil eye are women, which is why they generally use this protection against the evil eye.  The black mark is meant to cast or ward off negative energy and evil spirits. I could not find significant meaning as to why it is a black mark, or behind the ear, but I found this protection against the evil eye very interesting.

Gujarati Proverb Common Around Diwali

Nationality: Gujarati
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: March 28, 2017
Primary Language: English
Language: Gujarati

Note: The form of this submission includes the dialogue between the informant and I before the cutoff (as you’ll see if you scroll down), as well as my own thoughts and other notes on the piece after the cutoff. The italics within the dialogue between the informant and I (before the cutoff) is where and what kind of direction I offered the informant whilst collecting. 

Informant’s Background:

I’m from Ahmedabad, Gujarat, India.

Piece and Full Translation Scheme of Folk Speech:

Original Script: मिच्छामि दुक्कडम्

Transliteration: micchāmi dukkaḍaṃ

Translation: “May all the evil that has been done be fruitless” or “If I have offended you in way, knowingly or unknowingly, in thought, word, or deed, then I seek your forgiveness”.

Piece Background Information:

One specific thing that’s very interesting- whenever we meet someone on our new year’s day, we say “micchāmi dukkaḍaṃ”. It basically means, “forgive me for anything I’ve done wrong over the past year and I want to start over on a clean slate with you”. Our new year, I think, comes right after Diwali- this big festival of lights. So it (the new year) is the day after that because the whole thing about Diwali is that it’s the conquering of good over evil, based on an ancient story.

So the ancient story is about this lord, he was called Lord Rama. He was a king who was in exile and his wife Sita was taken away by this evil king named Ravanna. So he crossed what is now called the region, the sea crossing between India, the south tip of India, and the current Sri Lanka to go and get his wife back. And they had like a fourteen day war where they basically, the two sides were fighting, and it ended with Rama putting an arrow through Ravana’s chest to kill him. The festival of lights celebrates his return after exile, back to the capital city.

Basically, we are asking for forgiveness from the other person and we want to start the new year off with a clean slate.

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Context of Performance:

In person, during the day, in Ronald Tutor Campus Center on USC’s campus in Los Angeles.

Thoughts on Piece: 

Through setting off fireworks, lanterns, and the like during Diwali, partakers in this tradition are recalling the celebrations that were believed to have taken place upon Rama and Sita’s return to their kingdom in northern India, after having been exiled and defeating King Ravanna. In this sense, Diwali can be seen as homeopathic magic as it is performed in order to bring about new beginnings/ wipe the slate clean through recalling the similar instance in which the slate was wiped clean for the once exiled Lord Rama. It also follows the Earth cycle as the celebration’s dates are dependent upon the Hindu lunar calendar.

For more information on Diwali, see Sims, Alexandra. “What is Diwali? When is the festival of lights?” The Independent. Independent Digital News and Media, 09 Nov. 2015. Web. 28 Apr. 2017. <http://www.independent.co.uk/news/world/asia/diwali-what-is-the-festival-of-lights-and-when-is-it-celebrated-a6720796.html>.