Angayapudi Powder

Nationality: Indian
Age: 18
Occupation: Engineering Major
Residence: Seattle, Washington
Language: English

Informant: “Whenever I’m sick, my mom will mix this powder with rice, and it’s supposed to make your stomach stop hurting. It’s a black powder that doesn’t taste all that good. I’m trying to think of why it helps, but I’m pretty sure that when I asked, she would say to just trust her. It’s a bunch of herbs that are dried and ground with hot rice. It has turmeric, dried ginger, dried cilantro, dried cumin, and dried pepper. They are all Ayurvedic medicines, which is something from my moms culture. I would mainly have it when I was little, and it’s been a long time since she gave me any.”

Me: “Did it actually help?”

Informant: “Definitely! I guess it might’ve just been a placebo effect, but a lot of people believe in this stuff, so there’s probably some truth to it.”

Context: The informant recalls a form of folk medicine that her mom would give her when she was sick as a kid. She seems to believe in its effectiveness, although not wholeheartedly, and connected the medicine to Ayurvedic medicines, which are traditional, holistic indian medicines that have been around for centuries. Although the informant no longer uses the powder, they seemed to remember it positively.

Analysis: This seems to be the informant’s mother’s recipe for an age-old traditional medicinal system that focuses on natural solutions. Ayurvedic medicines are common in India, so much so that they operate similarly to our mainstream medical system, with Ayurvedic professionals having to undergo training and certification just like a doctor would in the states. It is supposedly one of the oldest medicinal systems around, which made it surprising that I couldn’t find anything about this specific powder online, but I suppose that may speak to the originality of the medicine that my Informant’s mother was making.

Las Posadas

Nationality: Mexican-American
Age: 21
Occupation: Business Major
Residence: Los Angeles, California
Language: English

Informant: “I’ve celebrated this a few times with my grandma. It’s a Mexican celebration, not on Christmas Day, but around the holiday times. You all get together, sometimes as a church thing, but it’s still a big community event even for the non-religious. There’s some specific activities we always do, like certain games and whatnot. We usually have tamales for the food, but I imagine that differs. We would also sing songs together. There’s one specific song we would sing called ‘Las Posadas’, which I guess the holiday is named after. I think the lyrics talk about Mary’s journey because the celebration itself is meant to be a celebration of Mary’s journey while seeking shelter to give birth to Jesus. We sometimes would hold candles while singing that song, too, and I think that’s a big part of the celebration for some people. For me, it’s really just a good excuse to see family around the holidays. Although it is religious, I would say that the whole community participates, and it doesn’t feel as strictly religious as I may be making it sound. There’s also piñatas, so it would be one of the only times you hit one aside from your birthday. I really liked that part as a kid.”

Context: The informant is telling me about a traditional Christmas celebration that is important to his family. Although he knows the celebration is really about Mary and Jesus, he seems adamant that it has turned into a more general celebration, and is an event for more than just Christians. He seems to remember the celebrations fondly and recalls them as something that was mostly explained and taught to him by his grandmother.

Analysis: Las Posadas is a festival centered around prayer that is celebrated in many places in Latin America, Spain, and, of course, Mexico. Las Posadas, meaning lodging, refers to the shelter provided to Mary in the nativity story. Interestingly, my research indicated that this is an intimately Christian celebration, with some forms of the festival going so far as to re-enact Mary’s journey, complete with actors playing the role of Mary, Joseph, and even angels. Perhaps my informant’s understanding of the festival reflects that his family places more emphasis on being with family over the holidays than celebrating their religion. However, the informant is less religious than many of his older family members, so it is possible the religious themes are still just as present in their practice of the festival, but he finds them less important or relevant to his own personal meaning.

Manifestation – Journaling and Meditation

Nationality: American
Age: 19
Occupation: Engineering Major
Residence: Seattle, Washington
Language: English

Informant: “If I have something I want to happen or become part of my reality, then I use my journal and I write it out as if it has already happened. I just keep doing that with every detail. Over and over. Very specific details as if it had already happened. I’ll write out every little thing I can think of, like what the weather will be like, the exact date and time, and of course, the details of what I want to happen. But, I’m not writing it thinking ‘I want this to happen’. It’s more like, ‘I know this will happen, it’s inevitable.’

Me: “Where did you learn to do this?”

Informant: “I got introduced by friends at school and even by my dance teacher. Sometimes at dance practice, they would have us meditate and do manifestation that way. A lot of times, they would play specific types of music at a specific frequency. For example, I’ll watch a 40Hz video, and then they give you prompts that help you visualize your success and what you want to achieve.”

Context: The informant is referring to their practice of manifestation and how they use it to make positive things happen in their life. They fully believe in its effectiveness, and further, find that complete belief in its effectiveness is necessary for it to work. They were introduced by dance teachers who also taught them other spiritual practices like meditation, all designed to help their mental health and boost their confidence so they can achieve their goals. Lastly, the informant also believes that music at specific frequencies can assist in this process.

Analysis: I have heard of manifestation many times, especially online, and I would say that this explanation of it is pretty similar to my existing understanding. From my research, and as the informant stated, it would seem that belief is a core component of this ritual. By repeating something verbally, on paper, or even in their mind, people who engage in manifestation believe they are affecting the world through their thought process, but it only works through genuine belief. However, I have also heard it described more as a mental health / confidence tool. There are some who practice manifestation not because they expect it to change their reality on its own, but because they believe that by combining such intense belief in themselves (manifestation) with action toward their goals, they can achieve anything. Although I most commonly encounter discussion about manifestation online, and had previously assumed it originated in online communities, my research indicates that it can be tied back to Buddhist principles, which would certainly connect with my informant’s experience of being taught to meditate and manifest at the same time.

How did the chicken cross the road?

Text: “How did the chicken cross the road? To get to the other side.”

Context: This narrative joke was shared by the informant, who recalls hearing it as a young child. The joke was a staple of their childhood, passed down through their family and peers as a simple, classic form of humor. The informant remembers hearing it over and over, often in moments when the goal was not to get a laugh from a punchline but to enjoy the lightheartedness of the joke itself.

The informant’s experience with this joke was part of a broader cultural exposure to humor, specifically American humor, as they were not born in the United States. Upon learning English and becoming familiar with American culture, they encountered this joke in school and among friends, and it quickly became a part of their repertoire. The informant reflects that this particular joke stood out because it was so basic yet somehow funny in its simplicity.

Analysis: The “How did the chicken cross the road? To get to the other side” joke is a perfect example of a narrative joke. What makes this joke work is its simplicity—there’s no complex setup or twist, just a straightforward question and answer. The humor comes from the fact that it should be more elaborate or have a surprise twist, but instead, it’s just a basic, logical answer. That kind of anti-humor, where you’re expecting something more and get something totally simple instead, is what makes it funny.

This joke has become an iconic part of American culture, and it’s one of those pieces of folklore that gets passed around for generations. The way this narrative joke is shared—over and over again—highlights how jokes can be a kind of cultural glue, bringing people together. It doesn’t matter if you’ve heard it 100 times, it still has a kind of nostalgic value, and it’s part of how humor is passed along in a community. The fact that it’s so straightforward also reflects how humor doesn’t always need to be complicated or fancy. Sometimes, it’s the simple things, like a chicken crossing a road, that make us smile and connect with others.

Informant Info

Race/Ethnicity: White

Age: 63

Occupation: Talent Acquisition Manager

Residence: Oak Park, CA

Date of Performance: April 5, 2025

Primary Language: English

Other Language(s): Hungarian, German

Relationship: Parent

The Ghost of Avalon

Text: “In the summer of 1987, right after I graduated from high school, my family rented an old beach house on the 200s block Claressa Street in Avalon on Catalina Island. For those who know Avalon, it was founded in the late 1800s and became an upscale vacation destination in the early 1900s. My great-grandparents had a long-sold off house there and once the iconic Art Deco casino was built in the 1920s, the big bands would come and host their national radio programs from there while dressed-up couples danced the night away overlooking the bay. 

The old beach houses (and Casino) are known for being haunted with spirits from vacations past, but there wasn’t any reason for me to believe it since I’d never seen anything myself in all the years my family had vacationed there. That changed that summer of 1987. 

The original Avalon beach houses all had a similar design with the bedrooms often opening up from each other rather than a hall. In other words you had to walk through one bedroom to get to another, train car style. I was in the bedroom that you could only reach from the one my parents were in, and I had to walk through their room to get to the bathroom.

We would spend the days on the beach and in the sun, and go to bed fairly early since almost all activity takes place there around the ocean. Not much happens at night in Avalon. So after dinner we’d play board games or cards, then go to bed so we could get up early for another day of surf and sun. 

I had gone to sleep that night as always and was awakened by a man standing at the end of the bed looking at me. He was dressed in a dated-style suit with a freshly starched dress shirt with crisp collar points that came up higher on his neck than was the style during the Reagan administration. He was wearing a tie and had a brown hat, rounded bowler style, on his head. He just stood at the foot of the bed looking at me. 

At first I thought I was still asleep, dreaming, or in the confused state between wakefulness and deep sleep. But once I sat up and knew I was 1000% awake and was scared even though he was just standing there looking at me with a benign expression on his face. 

I screamed thinking someone had broken into my bedroom and my mom came running out of her bedroom. She also saw him but knew immediately he wasn’t ‘real’, or flesh and blood like we were. 

She explained to him that he didn’t belong there, that we were in the house now for a visit and that he needed to move along. Just a few seconds later he disappeared into the air. No walking through walls or talking, just dissolved into the air at the foot of my bed. 

I was rattled the whole rest of our vacation but he didn’t appear again. The house is still standing as it was 40 years ago. I’ve walked by it on subsequent trips and thought of the tall, thin man in the suit that visited me.”

Context: This story was shared by the informant, who was a young child at the time of the experience. The event marked a significant moment in the informant’s life, as it was the catalyst for their belief in the supernatural. Prior to this encounter, the informant had not paid much attention to stories of ghosts or spirits, but the vivid and unsettling experience that summer changed their perspective. The informant interprets this as the beginning of their belief in such phenomena, as it was the first time they had directly encountered something they couldn’t explain through logic or reason.

Since then, the informant has experienced several other supernatural encounters, reinforcing their belief in the paranormal. The informant’s perspective is further shaped by the fact that their mother had similar beliefs and, before she passed, shared other stories of her own supernatural experiences. This shared experience between the informant and their mother helped to strengthen their connection to the supernatural world and solidified the informant’s conviction that these types of encounters are real.

Analysis: The figure in the story—a man dressed in an old-fashioned suit—seems to reflect a historical presence tied to the location, adding to the eerie atmosphere of the old beach house. The figure’s benign, non-threatening demeanor contrasts with the fear that the informant felt, suggesting that the supernatural can be perceived as both unsettling and intriguing, rather than immediately harmful.

The way the informant handled the experience—by accepting the figure’s presence and interpreting it as part of a larger, supernatural world—illustrates how personal beliefs can be shaped by direct experiences. This encounter became a touchstone for the informant’s worldview, influencing how they view similar occurrences in the years that followed.

This story also underscores the broader cultural theme of haunted locations, especially in areas with long histories like Avalon. The idea of spirits lingering in places with significant pasts is a common motif in folklore. The informant’s ongoing belief in the supernatural and the continuation of similar experiences suggest that such encounters are seen not as anomalies but as part of a larger, unexplainable reality that transcends time and space.

Informant Info

Race/Ethnicity: White

Age: 55

Occupation: Mother

Residence: Westlake Village, CA

Date of Performance: April 3, 2025

Primary Language: English

Other Language(s): N/A

Relationship: Parent