Tag Archives: family

Muslim tradition : Eid

Nationality: American
Primary Language: English
Age: 21
Occupation: Student
Residence: Los Angeles, California
Performance Date: 9 April 2024

Tags: Muslim, Islam, Christmas, Ramadan, family, festival

Text:

Eid can be seen as an “Islamic Christmas”, a time where one can spend time with family and friends to celebrate the end of Ramadan and such. It’s actually tomorrow (April 10 as of this recording) but it usually lasts 3 days minimum, with people celebrating as long as they want or need to for about a week or two. It’s based on the Lunar calendar. People often go to each other’s houses, celebrating with prayer and joy, and the holiday is very familial in nature. Since it starts right as Ramadan ends, the goal is to break one’s fast every day, starting by eating a date, due to the belief that the prophet Mohammed also broke his own fast with a date. The phrase for this festival is “Eid Mubarak”, which approximately translates to “Happy Eid”, simply.

Context:

J is a student studying ANTH 333 in the University of Southern California. She regularly participates in Muslim traditions and cultural activities with her friends and family.

Analysis:

The comparison between Eid and Christmas is pretty interesting, as while both festivals/celebratory periods have virtually nothing to do with each other, the activities and festivities held in each are similar enough to where a comparison can be drawn. It’s evident to see through Eid and various other religion-based festivals that spending time with family to eat and have fun together is a universal experience that goes beyond location or religion-based culture.

Taiwanese Festival: Lunar New Year

Nationality: Taiwanese
Primary Language: Taiwanese, Mandarin
Age: 46
Occupation: Branch Manager
Residence: Taipei, Taiwan
Performance Date: 19 April 2024

Tags: Lunar, New year, firecrackers, red, family, Asia

Text:

Lunar New Year (also called Chinese New Year) is one of, if not the, most famous festivals/traditions in all of Asia. Starting at the turn of the Lunar Calendar (around February in the Gregorian calendar), families from all around Asia come together to enjoy good food, share fortune with each other, and have good times. Various activities before and after the main celebration include cleaning the house to let the good fortune inside, putting scrolls and characters on doors and walls, decorating various places with red, and lighting fireworks. The latter two are in relation to the mythological story of Lunar New Year, about a fierce beast named Nian who would come and terrorize the local people before they warded him off with firecrackers and the color red. Now, elders give the young red envelopes filled with money (usually after a short give-receive ritual of sorts), eat foods like dumplings in the shape of money and other such cuisine that invoke good fortune, and have an overall wonderful time with each other.

Context:

C was born and raised in Taiwan, and has traveled the world various times due to her work and studies. She regularly participates in Taiwanese and Asian festivities with friends and family.

Analysis:

I put “Taiwanese Festival” in the title, but really, any sort of Western Asian country would do due to how widespread this particular festival is. Virtually every single action one takes and food one eats can be linked to a specific belief or superstition, making it one of the busiest times of the year for Asians due to how much work gets put into everything. It truly is a showing of how various different people from different backgrounds can come together and share in one traditional time.

Myth: Anansi Story from a Coworker

Context:

Informant S is a 25 year old graduate student in the film production department of USC SCA and is the collector’s coworker. S is from New Jersey, and their family is from the Virgin Islands. S has “heard various Anansi stories within [their] family. This one [they] remember partially reading it for a project [they] were doing in a class but it also was within the realm of the ones [they] heard growing up [they] just couldn’t fully remember it so [they] just found one.” The informant has studied folklore for their own personal interest in it and employed it in their own filmmaking.

Text:

Informant: “Anansi is essentially like an African diaspora. It’s a spider, like a trickster-spider, and it’s everywhere in the Caribbean, it’s in the whole diaspora. And there’s one Anansi story I sort of remember where he’s hungry and he wants dinner. So he keeps getting himself invited to, like, dinner parties and pretending there’s a bunch of people and then he steals the host’s dinner and just, like, leaves. I think he killed one of them at one point. But it’s all these different like creatures of the forest I think, there’s a fox, a wolf, and a crow I believe? And then eventually he keeps coming home, eating all the food he stole, and not bringing any back for his wife and kids. So, I think his wife rats him out and then there’s like a fake dinner party made to get him and he eats so much food he can’t move anymore. And then all the people he stole the food from capture him and basically tie him up and leave him tied against a tree. And then he eats the rope and escapes. That’s not… that’s the gist of it, I can remember.”

Collector: “Like that’s how it ends?”

Informant: “Something like that. They usually have kind of dark endings but the… essentially Anansi is supposed to teach you […] lessons about why not to trick people and be greedy and selfish and a bunch of stuff. […] Anansi itself is like a… almost universal… one of the few universal diasporic concepts. There’s a whole bunch of them, that’s just one I remember.”

Interpretation:

I was lucky enough to find an informant for this collection entry that was familiar with concepts of folklore itself. S mentioned that their interest in the African diaspora is rooted in their own personal background, connecting them to heritage or family as we’ve discussed in class. It seems like this kind of interest in cultural folklore is common among the children and grandchildren of immigrants in America. S’ story reminds me of the concept of “universal archetype” – though that theory has been disproved, I can see why some folklorists have considered it. The concept of a trickster god, while not archetypal, appears in a number of folklores – notably in Indigenous American folklore, according to Lévi-Strauss’ work in structuralism. Anansi, like Lévi-Strauss’ examples, acts on instincts that are pretty reminiscent of human flaws, and is connected with a specific type of animal – a spider. Though S believes the story is to teach people not to mess with trickster gods, I believe it has to do with human flaw such as greed and gluttony as well. What’s more, I think it’s interesting that the informant specifically mentioned what they believe the story is supposed to teach, and has a pretty clear understanding of this story as a myth.

Folk Belief: On Money and Hands

Context:

Informant E is a 21 year old USC student studying American Studies and Ethnicity. She identifies as Chicana and and was born and raised in the greater Los Angeles area. E is a junior at the university and is the interviewer’s roommate.

Text:

E: “So if my right hand – the palm of my right hand – is itchy, I put it in my pocket, because it means I’m gonna get money. If the left palm/hand is itchy, that means I owe someone money. So I have to scratch it.”

Interviewer: “Did you learn this from someone?”

E: “My family.”

A friend, also in the room: “If you scratch it does it mean that you don’t owe them money?”

E: “Like I’m not gonna get – it could mean, like, ‘Oh I have to pay rent soon,’ so it’ll start itching. Or I have to go pay someone back because they took me out to go eat. So then that means I have to get them back.” “If I scratch my hand, I don’t have to pay them back. Sometimes.”

Interviewer: “So who taught you this?”

E: “My grandma and then my grandma taught my mom and then me.”

Interpretation:

E’s folk belief is a kind of self-soothing ritual and, though a bit more complicated, I would compare it easily to knocking on wood or throwing salt over one’s shoulder. It’s clearly been passed down to her as familial knowledge. I did search for more information online and found that the superstition originates in the Caribbean which, although not part of Latin America, is close to it, and the belief itself seems to have spread easily throughout the world. I find it interesting that this belief has to do with hands, as I feel there’s a through-line in history. Bartering relied heavily on hands, and handshakes or palms are often symbols of such agreements. Trade and bartering then became money or payment, which is still then associated with hands, and is what I would argue led to this superstition. In general, money obviously is a good thing to have and a bad thing to lose, so this self-soothing ritual can be comforting and seems so common because of that universal truth about the value of money. The scratching part of this belief makes it a ritual or a form of jinx (re: like knocking on wood) in my opinion, as the participant is doing something tangible, as if to put the belief into effect.

A Friend’s Family Tradition: Christmas Pajamas

Context:

Informant K is a 20 year old USC student majoring in Narrative Studies. She is from the Seattle area in Washington state. K was born in Boston, MA, moved to San Francisco, CA, and then to Seattle at age 3. Her extended family is from parts of Canada and, though her immediate family is not religious, K’s grandmother is Christian. K is a sophomore and has been living in LA for 2 years.

We exchanged folklore as a group during a designated time in our discussion section. We went around in a circle, and this was one of my friend’s stories.

Text:

K: “Mine is also a Christmas tradition. I don’t know if this started with, like, earlier back or if this was a ‘my parents’ kind of introduction or invention but we do Christmas pajamas. So every year on Christmas – on Christmas Eve – we get to open one present. And that is our Christmas pajamas. And it always starts with my mom being like ‘Go look under the tree!’ like ‘Go look for your pajamas!’ And so they’re usually not – I mean sometimes they’re set out? When we were younger it was more like we got to root through the presents under the tree and find our Christmas pajamas and the tag always says, like, ‘Happy Christmas Eve! Love Mom and Dad.’ And then we open them and they usually have a fun little pattern on them, like sometimes they’re candy canes. The ones I got last year were a little less christmassy it was more just animals in a Wintery forest. And my sister and I – we used to get like strictly matching ones, now we get more like coordinating ones. I think as we’ve gotten older, my mom was like, ‘Okay, I’ll give them a little bit more… like I’ll tailor this a little bit more to their personal styles.’ And then we have to go upstairs and we have to try them on and we do like a little mini fashion show for our parents and she’s like ‘Oh, yeah! Those look nice!’ And then we take a picture, usually in front of the tree and you have to go to bed wearing your Christmas pajamas. I don’t think that’s a hard and fast rule but, like, I would never take off my Christmas pajamas ‘cause that would feel like an insult to my parents, and also it just makes it fun and festive.”

A friend, also in the circle: “Is Christmas pajamas just you and your sister or do all of your… do your parents also get…?”

K: “I don’t think my parents get pajamas. I don’t remember if they did at one point but from what I can remember now it’s just me and my sister.”

Interpretation:

What K is explaining is a clear tradition – something contemporary that is done each year. I find it intriguing to discuss costumes or outfits as tradition, because wearing them is inherently a kind of performance. K also mentions ‘showing off’ the pajamas to her mother in smaller ‘fashion show’ performances. Her tradition is observable and fits the general description of one, yet it’s debatable in its references to the past or source material, as K doesn’t actually know the origin. It’s also worth noting that K takes this tradition very seriously – she wouldn’t dream of changing out of the pajamas. As far as I can tell, K’s tradition seems rooted in Americana. Matching pajama sets date back to the age of the nuclear family, so it’s fitting that this is a sibling tradition for the informant. Wearing matching clothes for holidays specifically is common, but I would argue that doing so for a Westernized version of Christmas is a way of creating tradition for an originally religious holiday when the participant isn’t actively religious. It’s a conspicuous example of that which is popular in an immigration-heavy society like the United States. To create a tradition is to strengthen identity, because those who participate in tradition are then considered part of an in-group.