Tag Archives: haunted

Mound Parties

Nationality: Peruvian
Age: 22
Occupation: student
Residence: Lima, Peru
Performance Date: February 15, 2013
Primary Language: Spanish
Language: English

This is another story told to Marisol by a nanny who was from the Andean province of Ayacucho. The nanny told her that as a child, her relatives always warned her not to get close to parties or gatherings of people in the middle of the fields or on top of hills because these were there to take away wayward children, drunks and gluttons. She warned her that if she was out playing the hills and heard laughter and voices, she was to run away immediately and not get close to the table, no matter how delicious and abundant the meal or how inviting the people because if you ate any of the food or touched the guests, they would take you to the afterlife and the party would disappear and all that your family would find on the hill would be a rock.

This story serves to keep kids in line and keep them away from strangers and unknown places. It is a lot like the Irish tales of fairies. There is also the presence of a magical mound which can be found, most famously, in Irish fairy folklore.

La Casa Matusita C

Nationality: Peruvian
Age: 62
Residence: San Francisco, CA
Performance Date: December 17,2012
Primary Language: Spanish

The American embassy used to be situated in a building directly in front of the Matusita house, and it is said that the legends were all invented and fostered by the American mission so as to prevent people from entering the Matusita house and using it as a site to launch terrorist attacks on the embassy itself (during the late 80s unrest due to the communist Sendero Luminoso).
This version is corroborated by multiple  facts. First, my mother and her coevals heard of the Matusita stories only in the early nineties, and second, as a consular officer herself, she once heard from her peers at the Ministry that the Matusita legends were a product of “Hollywood at its politically finest”.

La Casa Matusita A

Nationality: Peruvian
Age: 62
Residence: San Francisco, CA
Performance Date: December 17,2012
Primary Language: Spanish

This house situated in Downtown Lima, Peru is the most famous haunted structure in the entire country. It is famous throughout, you can ask anyone in Lima, and they will all know of it whether they believe in paranormal phenomena or not. The house was first brought to my attention when I moved to Peru by one of my maids, she told me all about it and then my mother confirmed the stories circulated, but said they were all made up. During her last visit, I had her recount a couple of versions of the story of the Matusita which she knew (there are dozens):
At the turn of the twentieth century, there lived in the house a cruel man with two servants (cook and butler). During dinner with friends, the servants decided to get their revenge and poison their master and his friends with hallucinogenic substances. They served the tampered dinner and locked the door of the dining room. A few minutes later, the servants heard  a horrible scuffle. They waited until the noises ceased and then when they opened the door, they saw that the diners were torn to pieces, there was blood spread everywhere. The servants felt terribly guilty and took their lives right there. This version is said to explain the loud voices, conversation and laughter followed by blood curling cries and sepulchral silence that neighbors and passerbyers have attributed to the house.  It is said that if they get close to the house or look in, they will go mad at the sights of gore and debauchery inside.
This version shows the rift between the master and his servants which can be extended to the sentiments that the indigenous and African workers feel towards their European (and later on Asian) masters. This tension is found to this very day since in Peru there is a very strong, but passive racist undercurrent that is perpetuated from generation to generation and never confronted. The race of the master is left unsaid in some versions of the story like this one (it is implied he was white); however , there are also versions that connect this version to version b which I also discuss. In those versions, the master is Asian and a descendent of the Chinese family who lived in the house in the 19th century.

Macbeth Bad Luck

Nationality: British, American, Canadian, Indian
Age: 40
Occupation: Actor, Director, Producer, Teacher, Consultant and Coach (spoken work and performing, arts)
Residence: Los Angeles
Performance Date: April 27, 2013
Primary Language: English
Language: Sindhi, Spanish, French

“Everyone that comes to my house who’s at all superstitious claims our house is haunted. Now, I have noticed all kinds of weird stuff in this house over the years. Believe me… I could not disprove it. I could not prove it, but nor could I disprove it., so there’s a feeling that there’s something going on in the house. Now I always maintain that they’re good ghosts, but when we did Macbeth at the house… it seemed like a very rough time doing that play. There’s a huge rumor in the theatre world that if you produce the play Macbeth, it is a nightmare. All kinds of ghosts come out, mess with your projects. You get all kinds of things that could go wrong… it’s scary.

“That has gone on for hundreds of years. It is the one play—Shakespeare—that is considered so heinously evil. Because the—the guy invites a guest over to his house and then kills him to become king. So, it’s considered so—such an evil premise, that we don’t. You, know, it’s something that you, you take very seriously if you’re going to do the play, and… that summer it was a nightmare to do the theatre.”

 

The informant added that you can’t say the name Macbeth in the theatre. He said that instead, you’re to refer to it as “The Scottish Play” (and the king as “The Scottish King” and queen as “The Scottish Queen”). He said that everyone in theatre will tell you this, (so he can’t remember where he originally heard it, but he hears it frequently). The informant follows protocol and uses the title “The Scottish Play.”

A teacher he worked with at Santa Monica College “freaked out” when they said they wanted to produce Macbeth, and she directed them to take themselves outside, spin around three times, and spit over their shoulders. The informant said people are very serious about this.

During his production of Macbeth, he had a tenant that refused to leave and was not paying him rent (she was a friend of the informant), but a lease had been signed for another person to move in. He also had a rough time with the director, who had also threatened a lawsuit against one of the actors and well as against the informant.

I’ve heard of this superstition often throughout school where the play is frequently read in classes and performed by theatre students, but the specificities of this telling of it (the squatting renter and the lawsuit-threatening-director) add to the belief. It’s the little things that individuals add to the larger superstition that make it powerful and give it truth value.

“When the Log Rolls Over We Will All Be Dead”

Nationality: American
Age: 26
Occupation: Actor
Residence: Torrance, CA
Performance Date: April 23, 2013

“Ok, this one: on the 13th floor, there is a room—said to be haunted—they can never rent it out to anyone, because anyone who does rent it out… dies. One day, a very rich man, well dressed, comes up to the counter and says, ‘I need a room for the night.’ And he says, ‘I’m sorry sir, we’re all booked up, the only room we have is room 13 and it’s haunted.’ The rich man says, ‘pfftttt, I’m not afraid of ghosts.’ Rents the room and, uh, goes up  to get ready for bed. He goes up and changes his jacket and pajamas, and he hears: ‘if the log rolls over we will all be dead!’ The man is petrified, and he jumps out the window, lands in the street and dies.”

“A couple weeks later, a very rich woman comes to the hotel and says ‘I need to rent a room.’ The man behind the counter says, ‘I’m sorry ma’am, we have no rooms to rent except room 13 and it’s haunted. One man died in that room a couple weeks ago.’ The woman says, ‘Pffftt, I’m not afraid.’ And she goes and rents the room. She’s just about to go to the bathroom and rent a shower and she hears: ‘If the log rolls over we will al be dead!’ She is so scared, she runs out the door, down the stairs, and out the lobby and into the street and she gets hit by a taxi and dies.

“A couple week later… a rather common man comes to the hotel… shabby dress, not a lot of money… he very well may have been living off the street. He goes to the counter and says, ‘I’d like to rent a room.’ The man says, ‘I’m sorry sir, we’re all booked up except for room 13 and it’s haunted. Two people have died there in the last month.’ The man says, ‘I’m not afraid.’ He goes and rents the room. He’s about to take a shower, and he hears: ‘If the log rolls over we will al be dead!’ Instead of being scared, he thinks, ‘that sounds like it came from the bathroom.’ He goes to the shower: nothing there. He hears it again: ‘If the log rolls over we will al be dead!’ He thinks, ‘is that coming from the taps?’ He goes to the sink: nothing there. He hears it again: ‘If the log rolls over we will al be dead!’ And he thinks, ‘That couldn’t be coming from the toilet?’ And he goes to the toilet: nothing there. He looks into the tank of the toilet: nothing there. Finally, he opens the lid. He sees a huge log of shit just floating in the water, and about a dozen ants perched on that log of shit, and every so often, the ants perch their heads up and chant: ‘If the log rolls over we will al be dead!’”

 

The informant is not sure where it comes from, but thinks his sister, who was around ten at the time they began making a ritual of telling this story around campfires (the informant was around six) learned it from her Girl Scout troop. At least once every camping trip since the first it’s retold. He likes it because they thought it to be hilarious, and they could also recite it from memory after the first time they heard it. He finds humor the fact that the rich people and the poor man just distract from the joke. He also likes the visual produced by the final scene (the informant says he imagines it as a single frame comic strip with the ants on a log and a speech bubble).

The structure of this story is so memorable it makes it extremely easy to retell. The groups of three (the right man, rich woman, and poor man; the three recitations of the “log rolls over…”), which occur frequently in folklore originating in Europe may be a result of their being so memorable. The repetition that occurs in the dialogue also makes it easier to remember, but perhaps what makes it so sticky is that the real joke of the story has almost nothing to do with the lengthy set up (which in itself is funny because it’s completely unexpected).