Tag Archives: korean belief

Kaguya – Legend

Nationality: Korean
Age: 20
Occupation: Film & TV Production Major Student at the University of Southern California
Residence: Orion Housing at the University of Southern California
Language: English

Text:

The popular tale of The Bamboo Cutter features an old man who finds a bamboo stalk with a girl inside the stalk. The girl grows to become one of the most beautiful people in the entire empire, catching even the attention of the emperor. To win her over, she makes her suitors do insane tasks. She eventually reveals that she is extraordinarily beautiful because she is from the moon. After falling in love with the emperor, she realizes she must go back to the moon, and offers the emperor immortality so that he may not forget her. However, the idea of being tortured by an eternity where he lives forever knowing he can never be his lover is too much for the emperor to handle and he burns the immortality token she grants him.
Context:

The performer witnessed this lore in Japanese culture originally before looking into its origins within Korean folktales as many “Kaguya” characters in Japanese media are beautiful women who seem out of the male lead’s league. One of the mediums he watched with involved this type of trope was the movie Princess Kaguya. He felt that while the Kaguya trope has many supernatural elements, the idea of being “banished” somewhere such as the moon, the feeling related to the universal duty one sometimes feels toward their “point of origin” (family).

Analysis:

A common theme within East Asian cultures is the idea of family and societal duty. The moon is representative of “home” or family in which Kaguya must return to and sacrifice her hopes of love for in order to serve a power larger to herself.
Additionally, Korean Buddhist ideas of balance, harmony, and impermanence are represented through this tale as at first, Kaguya resists her role of being a “submissive” beautiful object in society. However she can only resist for so long before nature runs its course and that beauty is taken away and sent back to the moon. While bittersweet, this story serves as a tale to remind Koreans to keep their realities in check. Sometimes it’s okay to dream big and long for more, but at the end of the day, family and loyalty to your origin should be at the forefront of one’s values.

Dokkaebi (도깨비) – Legend

Nationality: Korean
Age: 20
Occupation: Film & TV Production Major Student and University of Southern California
Residence: Orion Housing at the University of Southern California
Language: English

Text: 

Dokkaebi (도깨비) translates to Goblin from Korean to English.

Context: 

“There are these creatures popular in Korean media known as ‘goblins,’ which are mischievous creatures that are essentially fairies. There’s a very famous K-drama by the same title. They usually carry these big, magical clubs which can grant wishes, and they wear outfits that look as if you were to skin a tiger and wear its skin.”

The performer heard about this legend when he was 18 and read Omniscient Viewpoint, a manhwa popular among teenagers in 2023.  He later learned it was popular to use the “Goblin” trope in various types of Korean media, ranging from horror to kids’ shows. 

Analysis: 

Dokkaebi are supernatural beings recorded in Korean Literature since medieval Korea (about 918–1392). However, the oral folktelling of the trope has evolved and remains popular into modern times, often tied to people, places, events, or dreams. For example, older renditions of the Dokkaebi are traditionally adorned in animalistic tiger skin, but in modern retellings (such as with K-pop merchandise or the K-drama Goblin (Guardian: The Lonely and Great God)), the Dokkaebi are portrayed to be at the forefront of fashion trends. This is because in the past, a tiger skin would’ve symbolized wealth and power, but now, that symbol is replaced by expensive suits. Despite physical changes to accommodate the advancing Korean folk, Dokkaebi adhere to Korean values of ethics and morals.

Oftentimes, Dokkaebi figures take on the role of playing with a karmic law: punishing the bad and rewarding the good. They’re considered neither demon nor ghost, taking on a neutral presence within Korean folklore as a figure that teaches humans lessons. Because of this, they are often considered tricksters. They emphasize that good and mischief can coexist as there is a balance and order to the way life plays out. This balance is commonly seen within Korean culture as many subscribe to concepts from Confucianism, Taoism, Buddhism, and shamanism – all of which emphasize duality and harmony.

Dokkaebi plays well into Korean folk beliefs of shamanism and animism as Dokkaebi are often derived from nature and the spiritual imbuing of objects. In some tales of Dokkaebi, the Goblins arise from normal objects turned sacred (such as old brooms or keepsakes) which gain a spirit over time (animism). If the sacred objects were cast aside carelessly, this could result in the rise of a Dokkaebi.

Clothes Are Wings

Age: 24

Text:

“Clothes are wings.”

Context:

The informer tells me that this is a Korean proverb, and essentially means “Clothes make people better”. They’re not sure where they learned it from, but they assume it’s from their parents, or from watching k-dramas.

Analysis:

I thought it was very interesting that Korea would have a proverb about physical appearances and how it affects how people may perceive you. Korean society is very much one where one’s physical appearance absolutely determines how you are treated, where you are in the social hierarchy, and what people think your character and personality is like–this is all determined by how you look. It can become so extreme to the point where it may becomes toxic–one must always be skinny and slender, conventionally attractive, pale, chic, with impeccable fashion taste regardless of your socioeconomic status.

I feel like this emphasis on physical appearance has something to do with how homogenous Korea is, and its values on community rather than the individual. By having the mindset that “clothes make the man”, it creates a standard that everyone must strive to meet in order to not stand out and disrupt the flow of what is considered “normal”. This is a Confucian ideal(community over individual), which is a foundational aspect of Korean culture and social roles.

SOUPY VS. STICKY FOODS BEFORE AN EXAM

Nationality: Korean-American
Age: 21
Occupation: Student
Residence: Los Angeles, CA
Performance Date: April 21, 2021
Primary Language: English

MAIN PIECE: 

Informant: So in Korean culture… Before like a test or an exam you’re recommended not to drink or eat something that’s like soupy or runny. So, like, don’t have soup on the day of. And you should rather have something sticky like sticky rice or taffy or something like that, that has that like “oomph” to it… ‘Cause the correlation there is like, you drink something runny or you eat something that moves, then that information will leave with it. But if you have something sticky, that’ll help your brain stick that information into your head. 

INFORMANT’S RELATIONSHIP TO THE PIECE: 

Interviewer: Do you practice this?

Informant: No, I don’t. It’s just something my mom told me about… I haven’t really thought about it before like now. 

Interviewer: But have you ever tried or tested it?

Informant: No, I haven’t.

REFLECTION:

According to James George Frazer, homeopathic magic is magic in which like produces like. We see that manifested here, as soupy foods are believed to wash away information, whereas sticky foods encourage information to stick. The idea that what you consume can directly impact your performance in daily life is not unique to Korean culture; it is widely accepted that food is tied to health. Science shows that eating certain foods leads to different physical outcomes (ex. eating carbohydrates versus eating protein before working out). What is unique about this Korean belief is that it is not based on the nutritional value of a food, but on how soupy or how sticky it is––on texture or consistency. This is why it is more likely to be considered a form of magic, than a science-based belief.