Tag Archives: Mexican

Las Posadas

Nationality: Mexican American
Age: 23
Occupation: Supervisor
Residence: Los Angeles
Language: English and Spanish

Text: “Every December, my family would take a trip to Jalisco, Mexico, from where we are from. For nine nights starting from the 16th to the 24th, we do Las Posadas. It starts with a procession, where kids and adults carry candles, sing songs, and walk from house to house, asking for shelter just like Mary and Joseph did. At each house, they will deny us entry until we get to the last house, and we all gather to pray, sing more songs, and eat food like tamales and pan dulce. The last night is the biggest; there’s a piñata usually shaped like a star and a lot of fireworks and kids running around playing games.” 

Context: My informant told me about this ritual that she does every year. As a kid, she started participating, dressing up as an angel, but now she helps her mom organize the singing and food. Las Posadas are elaborate with actors for Mary and Joseph and scripted songs. 

Interpretation: Las Posadas is a ritual that transforms sacred narrative into a performance. This ritual is rooted in Catholic tradition but shaped by local Mexican customs; it reenacts Mary and Joseph’s search for lodging as a form of communal empathy. The nine nights reflect both religious devotion and a buildup of community. The use of candles, song, food, and movement through space blends sensory experience with spiritual meaning, making the tradition memorable and multi-generational. The piñata is in the shape of a star, ties religious symbolism, and is indigenous. 

Empacho

Nationality: Mexican
Age: 38
Occupation: Mechanic
Residence: Los Angeles
Language: Spanish and English

Text: “When I was little, if I had a stomachache or was constipated, my grandma would say I had empacho. She would rub my stomach with oil while massaging my stomach and back. Then she would give me a té de manzanilla boiled with the pit of an avocado. I wasn’t allowed to eat cold food after that, only warm soups. No doctors were involved, just her hands and prayers.”

Context: The informant explained that he and his cousins were often diagnosed with empacho by their grandmother when they had constipation, bloating, or stomach cramps. He explained that empacho is believed to be caused by eating too much, eating improperly, or food “sticking” in the stomach. His grandmother learned the treatment from a neighborhood curandera (a folk healer) in Michoacán. He doesn’t fully believe in the diagnosis now, but he did say the treatment did make him feel better. It was comforting. 

Interpretation: Empacho is considered to be a folk illness in Mexican medicine. The idea that food can cause an internal imbalance that requires hands-on shows how healing illustrates how illness is perceived not just as biological but also energetic. The act of rubbing or even pulling the stomach is a way of drawing out the illness. Using warmth (like tea or massage) is a way to counteract the “coldness” in the body. This ritual becomes not only a form of medical intervention but a cultural one, preserving heritage and asserting identity. 

El Caballo Dorado Dance

Age: 20


Date of performance: 4/25/2025


Language: Spanish


Nationality: Mexican American


Occupation: Full-Time Student


Primary Language: English


Residence: California

Text: “El Caballo Dorado” AKA ‘The Golden Horse’

Context:

My informant recalled a dance they learned as a child during a party, which they associated with ‘ranchero’ culture. The dance, known as “El Caballo Dorado,” is commonly performed at indoor parties, sometimes even during public celebrations outdoors, and features traditional clothing. It derives its name from traditional Mexican song under the same name that plays during the dance Similar to the “Cha Cha Slide” in American party culture, my informant added that it’s a group dance with synchronized movements. A signature move among the male dancers includes holding one hand on their cowboy hat and the other with a thumb tucked under their belt, reinforcing its cowboy-related theme. The dance starts at a manageable pace but increases in speed, turning into a sort of informal competition where participants must keep up with the rhythm. Those who fall behind are seen as having “lost,” though there isn’t a single winner—multiple people can succeed if they maintain the pace. The informant emphasized its role as both a cultural expression and a competitive party activity.

Analysis:

I listened to this song growing up under a Hispanic household, in doing so I hold a similar interpretation to my informant. Much alike my informant, I never learned the actual history about this dance just its background. This has made me arrive at the conclusion that—though it might’ve initially had a significant historical value upon its commencement—it has ultimately evolved to the traditional point of serving as just an entertainment value for Hispanic communities. Despite this, it has held on strong due to its levels of complexities people in the community take it and have continued to pass down throughout generations. Music is a strong foundation for most Latin communities, and this song and dance has served to cement this ideology of bringing generations of diverse individuals to continue to share the dance floor and enjoy their culture.

3 Reyes Mago & Rosca de Reyes

Age: 20


Date of performance: 4/25/2025


Language: Spanish


Nationality: Mexican American


Occupation: Full-Time Student


Primary Language: English


Residence: California

Context:

My informant shared their experience with the celebration of “3 Reyes Magos,” or “Three Kings Day,” a tradition rooted in the biblical story of the Magi visiting the infant Jesus. Celebrated on January 6th during the Feast of the Epiphany, this holiday marks the end of the Christmas season. While the original story involves the kings bringing symbolic gifts such as gold, the modern tradition has adapted so that the Three Kings now bring presents to well-behaved children. Families typically wake up to find gifts left by the kings, much alike Christmas. One key tradition associated with the day that my informant shared, is the sharing of Rosca de Reyes aka, ‘The Kings Cake‘, a round, sweet bread with a hidden baby Jesus figurine inside. Finding this figure comes with the responsibility of hosting a future family party, a duty that applies even if the recipient is a child—placing the hosting obligation on the parent. This celebration blends religious meaning, family bonding, and festive customs that are passed down through generations.

Analysis:

Though distinctively different traditions, a similar meaning behind the Hispanic holiday is shared with my informant. I believe this holiday, shares a lot with the American traditions Christmas holds, so it acts like a second one for most. I’ve witnessed that sometimes it even hold more value than the traditional day of Christmas considering its the exact date that Jesus was supposedly born. I found it interesting how my informants background changed some of the traditions acted during this holiday and the meaning behind them. For example, as a Salvadorian, upon finding the hidden baby Jesus, the recipient makes tamales for the family. Making tamales is a heavy and arduous task that can take an entire day, which further amplifies the significance and value of this action and event.

The Legend of Popocatepetl & Iztaccíhuatl

Nationality: Mexican
Age: 75
Occupation: Unemployed
Residence: Los Angeles, CA
Language: Spanish

Text: 

“My grandmother told me this legend about the two highest volcanoes in the hemisphere in Mexico City: Popocatepetl and Iztaccihuatl. When the Aztec Empire dominated the valley of Mexico, it was common knowledge that neighboring towns had to be subject to a mandatory tax. The chief of the Tlaxacaltecas, who were the enemies of the Aztecs, decided to fight for his people’s freedom. The chief’s daughter, named Izataccihuatl, fell in love with Popocaetepetl, who was a warrior. Right before the war, Popocatepetl asked the chief for the hand of the princess. The father agreed and told him once he got back from war, they would have a wonderful wedding. But a woman who was in love with Popocatepetl told the princess that he had died in combat. The princess then died of sadness. Popocatepetl came back and found out that she died. Devastated, he ordered a tomb to be built under the sun, creating a huge mountain. He took the princess and laid her on the mountain. He kissed her lips and died with her. From then on, they remained together, facing each other. Over time, snow covered their bodies, creating two volcanoes.”

Context: 

My informant is from Mexico City, and her grandmother used to tell her this love story about the two volcanoes that they could see from their home.

Analysis: 

The story is a legend that explains the origin of two of Mexico’s most famous natural landmarks: the volcanoes Popocatépetl and Iztaccíhuatl. It’s a legend that explains how something of the natural world came to be. It is also a tragic love story that shows how miscommunication and longing lead to death. The mountains facing each other are a symbol of the symbolic permanence of love and grief.