Tag Archives: ritual

Korean Doljabi Tradition

Text: “I’m Korean, and there is a tradition that we do on our first birthday called Doljabi. Basically, we are placed in front of various items that each represent something. For example, at my Doljabi, there was an orange to represent food, a dollar bill to represent wealth, a gavel to represent law, and a stethoscope to represent medicine. As a one-year-old child, we have to crawl towards an object and pick one, and whichever we pick, represents our future. I picked the dollar bill, of course, and growing up, my parents always reminded me that I will become wealthy just because I picked this. I’m not entirely sure if I believe that whatever you pick comes true, but I would not mind if it does.”

Context: The informant is ethnically Korean but lives in Canada. His grandparents moved from Korea to Canada, so he is a second-generation Canadian. He says he does not celebrate many Korean traditions now, especially being at college, but his mother has tried to engrain as much of Korean culture in him and his siblings as possible. He said he has no recollection of this celebration himself, since he was only one year old, but his parents often remind him of it. He has seen photos of himself in the hanbok, the traditional Korean clothing, and there is a video on his father’s old video camera of him crawling towards the money. He said it makes sense for him that he chose money, and his parents always joke that they knew he would become money-oriented because of this. He said this celebration still resonates with him, as he is a Business major and wants to go into investment banking. He said money is not the only factor that drives him, but it is important for him, and he hopes to become relatively wealthy in the future.

Analysis: The Doljabi ritual is a life cycle celebration celebrated at a pivotal point in one’s life, their first birthday. This ritual is symbolic, as the object that the baby chooses has the power to predict their future. In this sense, it is not only celebrating birth and the start of childhood, but rather, the start of selfhood, and choosing a future for yourself. The ritual shows the power of folkloric performance in terms of structuring and forming identity. The rest of the baby’s future, including their identity, can be solely based on an object that they choose. Many people put full faith into this tradition, meaning that they believe their trajectory is fixed by it.  

This ritual is also a form of homeopathic magic. This object can represent something larger. For example, in this case, choosing money means that they will become wealthy. In this case, like produces like, and grabbing an object that represents money, will imitate a result of wealth for the future. Even though the baby is too young to understand what their actions mean, the adults take it very seriously, and believe that their choice in object is a form of prophecy. It is not just about the child, but the projection of values. In Korean culture, they value success, shown through the objects (wealth, medicine, law). This shows what professions or attributes are desirable in a person. This also highlights the pedagogical aspect of folklore, especially related to culture. In this sense, Korean culture is trying to teach children, at such a young age, what traits and professions are valued in a person. This becomes a way for the child to understand their role in their cultural identity. 

Even though the informant shows that they are skeptic of the tradition, the significance of the memory, which is lived on through their family continuing to joke about it, shows the lasting power of performative tradition. Even though Doljabi may be viewed as superstitious and dramatic, its emotional resonance is what allows it to persist throughout generations. Even when these traditions may be detached from institutional belief, they still hold power. Despite people not believing in the actual “magic” of the tradition, they want to perform it because it is still fun, meaningful, and feels important, since it is a tradition.

Lastly, Doljabi also functions as a way to maintain heritage. This is especially the case because the informant grew up outside of Korea, in Canada. It is a way for people to maintain ties to their ancestry and culture. Doljabi is often performed with grandparents and accompanied with Korean food and a hanbok, which is traditional Korean clothing. This shows how folk objects can work together to serve a greater purpose of maintaining cultural heritage.

Indonesian Wedding Ritual

Text: “You know how at American weddings, the bride throws a bouquet? And whoever catches it is going to get married next. In my family, I think this originates from Indonesia, we buy a holy chicken, like a live chicken. They buy this chicken, it’s expensive, and they keep it at the house. The parents of the groom throw it and all the moms of those unmarried try to catch it. And whoever catches it, their kid is going to get married next. When I went to my cousin’s wedding back in New York, her mom insisted that she do this tradition, even though she found it very strange in Western context. I still have the video of the chicken being thrown, because we all thought it was ridiculous. But my mom told me that it is really sacred in Indonesian culture, and everyone in our family must participate in it.”

Context: The informant, KP, is half-Indonesian and has a very strong connection to her culture. She visits Indonesia with her family every summer and has become familiar with many Indonesian traditions. She describes this celebration as one that she learned when she was younger, at the first Indonesian wedding she went to. However, she has a lot of family in the United States, since her grandparents moved here, and they do this celebration at weddings here too. She said it sounds like a silly tradition to people on the outside, but in Indonesian culture, and her family specifically, it is a sacred ritual that they must do.

Analysis: 

This wedding ritual illustrates a life cycle celebration, specifically, marriage. It manifests this life cycle celebration as folk performance. The wedding is no longer about only the union of two people, but rather about showcasing cultural values, specifically surrounding family and social continuity. It is also about creating community in a sacred way, as ritualizing the act makes it much more significant. The ritual is passed down through generations, through repeated performance. 

This act is also rooted in homeopathic magic. The chicken is a representation of marriage, and catching the chicken transfers that marriage. In many cultures, animals can represent folk beliefs and hold symbolic power. The fact that the mothers are the ones catching the chicken also shows how marriage is not just about the bride and groom, but a communal affair, shaped by family and friends.

It also reaffirms the cultural belief in fate and the social pressure surrounding marriage and fertility, specifically for women. This is especially clear because the mothers are the ones catching the chicken, which reflects the cultural pressure placed on women to find their husband and start the next generation. Women are often both the agents and subjects of marriage rituals. In many cultures, women are the ones who have to perform the ritual, but they are also the most affected by the outcome. This highlights gender expectations about marriage and status in certain cultures. In this sense, the ritual is a reinforcement of patriarchal values, where women’s roles are tied to marriage, reproduction, and continuing a family.

This is also an example of an oicotype, as there are many regional variations of this wedding tradition. It is similar to the American tradition of throwing a bouquet, but it has a variation based on local beliefs. Specifically, in Indonesia, animals often hold sacred significance, which is why they have to use a “special” chicken. 

Lunar New Year

AGE: 20 

Date of performance: 04/30/2025

Occupation: Student 

Primary Language: English 

Title-   Tết

Context- J is a Vietnamese-American student who celebrates Vietnamese holidays and festivals in the US. J tells about Tết, explaining “I celebrate Tết, which is lunar new year/Vietnamese new year. Usually kids get li xi which is lucky money (money in red envelopes) from adults but before they get it, they have to say good things/wish for good things to the adults before they receive it such as saying “I hope this year has a lot in store for you such as good fortune, a long life, good health, etc” and then the adults wish for good for the children as well. You eat a variety of dishes and celebrate the elderly who have passed away during that time by lighting incense on an altar displayed at home. People also go to a whole bunch of temples where they pray to Buddha and get blessings from monks.”

Analysis- J shares a traditional celebration of the Lunar New Year within Vietnamese culture—a popular holiday that is celebrated in Asia. Tết is a vibrant example of folklore as traditional rituals and customs within the Vietnamese community come together and are celebrated in honor of cultural identity. Some rituals within the celebration are the money in the red envelopes, which symbolize good fortune for the elderly and young. Although the Vietnamese celebration is unique, the theme of good fortune is common amongst East Asian countries. Oicotypes of certain elements such as the red envelopes convey how folklore is adaptable to its respective culture without losing its true identity.

Vietnamese Mid-Autumn Festival

AGE: 20 

Date of performance: 04/30/2025

Occupation: Student 

Primary Language: English 

Title-   Tết Trung Thu

Context- J shares a Vietnamese festival he celebrates to commemorate the fall season— “Usually we go to this big Vietnamese church where they hold fall fest and usually you just sit around and listen to a whole bunch of live music. There’s also different performances like the lion/dragon dance and you eat moon cake. It’s a time for family to hang around and spend time with each other where you play different viet games like lotto (Vietnamese bingo) and an animal gambling game where you put money on a certain animal and roll a dice and if the dice is a picture of your animal, you win money.”

Analysis- J tells about the Vietnamese mid-autumn festival filled with games and money, paired with ritual food and performances. Specifically, the lion/dragon dance takes place. These dances are typically high energy in extravagant costumes made with bright colors as a way to manifest good fortune and deter bad spirits. The theme of good fortune is common not only throughout the Vietnamese culture, but East Asia as well. J also mentions the eating of moon cake, which symbolizes completeness and unity. Tết Trung Thu is a living example of folklore as traditions, customs, rituals and cultural identity are celebrated when the festival is celebrated. There are symbolic rituals such as the lion/dragon dance, and traditional foods like the moon cake.

Toss of the bouquet

Date_of_performance: 04/25/2025

Informant Name: FR

Language: English 

Nationality: American

Occupation: Student/Vaulting Coach

Primary Language: English

Residence: Westwood

INTERVIEW:

I recently went to my cousin’s wedding in the beginning of April, I guess you can call that recently. One thing that I saw my cousin do after they got married during the reception, was toss the bouquet to the crowd. I knew what it meant, but my younger sister was confused why she did that, so we talked to my mom about it and this is what she said is the meaning of it: “Usually, at traditional weddings, brides will through the bouquet towards family and friends who gather on the dance floor and the person who catches it, if they are single or in a relationship, it would mean they would get married next. It usually surrounds women guests. It basically symbolizes good luck and love in your future relationships. It doesn’t mean it will actually happen, it is supposed to be a lighthearted and fun game where the person who catches the bouquet could get teased and to put pressure on their partner to make a move.” I found this interesting that the bride is willing to make the wedding about someone else and the excitement of them possibly getting married instead of wanting to keep all of the attention of them and their partner and how they just got married. I think my cousin did to keep the wedding ritual alive because it is to normalized to do the bouquet toss at weddings, you get peer pressured to do the traditions that your parents did before you because it is seen as the norm and what everyone should do. I just found the idea of tossing a bouquet at your wedding an interesting wedding ritual.

MY ANALYSIS

I agree with FR about how she choose to make her wedding about someone else by tossing the bouquet. I find western wedding traditions so fascinating and how it mostly focused on the women being given away to the man. For example, the dad walking the bride down the isle as a way to “give her away” to the husband. And now tossing the bouquet to the women guests to see if their partner proposes and it is always about heterosexual relationships or weddings. All of the weddings I’ve been too, have mostly been heterosexual weddings (due to my family members mainly being straight) and all of them have done the bouquet toss. But, the traditional aspects of weddings, example the bouquet toss, is rooted in folklore and the idea that the brides are met with rituals before getting married as a way to represent women losing their innocence and/or virginity. The bouquet toss falls under the idea of whoever gets the bouquet is next to lose their innocence by getting married and “belonging” to their partner and possibly losing the individuality they had before.