Tag Archives: Rituals

Undie Run at Chapman University (College Traditions)

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Collector: “Do you participate in any specific rituals or festivals?”

Informant: “At Chapman, we have Undie Run the Wednesday night before finals week. Everyone meets up in the Piazza in like, just underwear or a bathing suit, like no clothes. I think it’s at like 12 o’clock, or 10– I don’t know I didn’t do it last semester—and everyone just runs around campus and the outskirts, and in the circle. It’s just Chapman students and there’s some faculty to supervise.”

Collector: “Why does this tradition take place?”

Informant: “To get drunk and let loose before finals. People drink at a pregame, not during the run.” 

Context

The informant is a female undergraduate student at Chapman University. The Piazza is a circular courtyard at the center of campus where many students gather for special events.

Analysis

This college tradition provides insight into American student culture and what they define as “letting go”– Indulging in alcohol, stripping into undergarments, and doing wild activities with comrades. The practice of the tradition signifies that these expressions are not appropriate for everyday life. This activity takes place at Midnight, a liminal time between day and night, almost like a magic hour where students don’t have to present themselves as polished and collegiate. A rebellious version of themselves can run wild at night but not in the day.

Festival of Lights in Downtown Riverside California

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Collector: “Did you participate in any specific rituals or festivals growing up?”

Informant: “I grew up attending the Festival of Lights in Downtown Riverside, California. It’s always around Christmas time. They cover the entire downtown city in Christmas lights. It’s beautiful. There are musicians, usually solo artists, that come out they’ll put a bucket right next to them to collect tips. There’s a guy who brings his dog with him every year while he plays banjo. There’s a lot of different vendors, like there’s one specific hot cocoa stand that’s usually there. I forget the name. Some people sell glow stick toys to kids. The crowd is mostly families and couples.”

Collector: “Is there a main ceremony or is it just seeing lights?”

Informant: “There is like a main ceremony where they turn all the lights on. You know, the first night that’s when it’s the most crowded. Everybody goes downtown and they wait for them to turn on the lights.”

Context

The informant is a twenty-year-old male from Riverside California. 

Analysis

I found the informant’s description of the Festival of Lights interesting, as I also grew up in Riverside but rarely participated in this downtown tradition. The Informant spoke fondly of the festival with warmth and smiled as he remembered small details from his childhood. I took the festival for granted, but his perspective made me see the tradition in a whole new light. The Informant feels very connected to the city of Riverside because he participated in community events annually. I felt disconnected from the community in my childhood, as I wasn’t involved in many hometown traditions. Local festivals have the power to create a sense of belonging in communities and build a strong emotional connection to a geographic location. 

Saebae

“Every new year, I visit my grandparents on both sides for saebae— the ritual bowing to elders. I lay two cushions for my grandmother and grandfather to sit on, before kneeling and bowing (usually alongside my brother) while uttering the words: ‘Have many blessings in the new year’. This is a full, deep bow— not the usual dip of the head and upper body in greeting, but one in which we kneel and briefly bring our heads down to the floor, along with our folded hands. We sit as our elders deliver a few words of advice for the new year, before they usually bring out a small envelope of saebae-don (money) as a gift. Parts of the tradition have already been lost in our household; for instance, saebae is supposed to be done in hanbok (traditional clothing)— yet I have not donned hanbok in close to a decade.”

Context:

This conversation was had with a friend and fellow classmate of mine, over text. This quote was lifted verbatim from part of our conversation.

Interpretation:

This ritual of saebae, or bowing to elders, is part of Korean custom, and also appears similarly in other East Asian cultures (i.e. in Chinese culture). With the revelation that this participant doesn’t do saebae in the most traditional manner (no hanbok), this is a testament to how rituals and practices can adapt to one’s circumstance or situation—perhaps his lack of a hanbok meant he performed the ritual identically, only without that one aspect. AsI know he also grew up in the United States rather than Korea, this environment might also have an impact on the ritual. Furthermore, the offering of advice and gift of money cement the important relationship between elders and youth in Korean society, as elders offer both advice and support to younger family members.

White Sage Smudging – Shelby S

• (co-opted) Indigenous American practice

Whenever Shelby moves into a new place, permanently or just for a short period of time, as well as after an occurrence thats makes her feel her space has been “dirtied” with negative events or emotions, she “smudges” by burning white sage with the window(s) and door(s) open to “release” the negativity.

This is a ritual among Indigenous Americans on the West Coast, where Shelby grew up (she is Black), which is performed to remove harmful spirits, forces, and “energy” from a structure, place, or person. As she’s gotten older, learned about the endangerment of white sage due to the spirituality industry’s overharvesting, as well as the general problems with appropriating Native American religious traditions, Shelby put effort into developing a sustainable and thoughtful relationship with white sage smudging and other practices only known to her because of the Indian-mania of American culture during the mid-late 20th century in which she was raised. 

She also burns other leaves and barks, such as cedar, that are used for smudging in places like West Africa. She says various affirmations, sometimes out loud and sometimes in her head, that call in protective spirits and forces while expelling harmful ones. The change in smell alone makes the space/person/object feel anew, and bugs tend to not be fans of aromatic smoke, illuminating potential origins of the belief in the “cleansing” powers of white sage, and smudging in general. 

Eating Haroseth for Passover

Informant: M.M

Nationality: American

Primary Language: English

Other Language(s): N/A

Age: 20

Occupation: Student

Residence: Denver, CO

Performance Date: 04/25/2024

M.M is 20 years old and is from Denver, Colorado. She is my friend from USC, and I asked her if there are any festivals or rituals she participates in regularly. She tells me about a holiday custom his dad does for Passover. 

“During Passover, which is this big Jewish holiday we celebrate every year, my dad always makes this special dish called Haroseth. It’s kind of a mix of fruits, nuts, and spices, and it tastes amazing. What’s cool about it is that the recipe has been passed down in our family for generations. Passover is pretty much the only time Dad ever cooks, which makes it extra special for me because Mom usually handles the kitchen. It’s kind of a treat to see him in there, taking over for once. This tradition has been around since I was a kid, and I interpret it as a way for us to connect back to our Jewish roots and kind of remember our ancestors through this longtime, shared recipe.”

Personally, this recipe keeps a part of their history alive. Culturally, it connects them to their Jewish heritage, celebrating freedom and resilience, which is what Passover is all about. Their passed-down recipe signifies how long this celebration has stood in their family and ancestors. So I assume this holiday was really important for them. It gives them a chance to remember where they came from and strengthen their identity.