Tag Archives: Texas

Stonegate Mansion

Nationality: American, caucasian
Age: 20
Occupation: Student
Residence: 325 West Adams Blvd./ Los Angeles, CA 90007
Performance Date: 04/09/18
Primary Language: English

Title: Stonegate Mansion

Category: Legend, Ghost-Story

Informant: Julianna K. Keller

Nationality: American, caucasian

Age: 20

Occupation: Student

Residence: 325 West Adams Blvd./ Los Angeles, CA 90007

Date of Collection: 4/09/18

Description:

Stonegate mansion was owned by a businessman in the early 1970s. One evening, the owner of Stonegate discovered that his wife was having an affair. Overcome with anger he took out his aggression on his wife and daughter, killing them both. Upon hearing the cries of his employer, the Stonegate’s butler ran into the scene hoping to save her. Quick to hide his crime and appease his emotions further, Mr. Stonegate then murdered the butler as well. All of the murders took place in the upstairs parlor.

The mansion was later turned over to the state before it was sold to a private company that renovated it and now lents it out for parties and celebrations. The owners keep all parties exclusive to the first floor. Owners and visitors alike say that evil spirits haunt the second and third stories, warning people to keep away from the area of the infamous crime.

Context/Significance:

Stonegate Mansion is located in Fort Worth Texas. Known for its architectural design, The Stonegate Mansion features more than 12,000 square feet of gleaming hardwoods, marble floors, soaring ceilings, and floor-to-ceiling windows that overlook majestic oak trees and immaculate landscaping. The Stonegate Mansion is spacious enough for groups of up to 300, but intimate enough for parties of 20.

In 1972, Cullen Davis spent $6 million to build the five-bedroom, 11-bath mansion with an indoor pool and a 2,000-square-foot (190 m2) master bedroom. In its prime, the luxurious, contemporary home of courtyards, tunnels and balconies at 4100 Stonegate Blvd. was decorated with more than 100 oil paintings. The mansion was designed by Albert S. Komatsu and Associates.

Explaining its darker past, in 1976 a man in black, wearing a black wig, shot and killed two people there. Three witnesses described Davis as the shooter. But in a trial in Amarillo he was acquitted of the killing of his 12-year-old stepdaughter, Andrea Wilborn, who was murdered execution-style in the basement. Prosecutors also later dismissed charges related to the killing of former TCU basketball player Stan Farr, who police found dead in the kitchen, and the wounding of Davis’ estranged wife, Priscilla, and her friend Gus “Bubba” Gavrel. Davis’ oil-based business empire later crumbled. He moved out of the mansion in 1983 and declared bankruptcy in 1987.

 

Personal Thoughts:

I’ve never been to Stonegate mansion, but my roommate had her Senior Prom in one of its ballrooms. She says the estate is gorgeous and home to many celebrations in the area. The mansion doesn’t advertise the ghosts online, but she says that the stories are common knowledge to those who live in the area.

Fiesta San Antonio

Age: 20
Occupation: Student
Residence: Los Angeles, CA / Carmel, CA
Performance Date: 4/20/16
Primary Language: English

TO is a junior at the University of Southern California, and spent most of her childhood in San Antonio, TX.

TO described a popular festival that took place in her hometown:

“Fiesta is just a giant celebration held right around now in San Antonio, and it’s supposed to celebrate the Alamo and the Battle of San Jacinto. The whole thing is really colorful: people wear colorful clothes and decorate everything with bright flowers, and they have these things called cascarones, which are hollow eggs filled with confetti that you’d crack on e=people’s heads. They also have this ‘Battle of Flowers’ parade, where they literally have a calvary, and they pick a bunch of local girls to be ‘princesses.’ The princesses wear these huge colorful gowns covered in flowers with really long trains, and they each ride on a float.”

I asked TO if having the parade in her hometown made it less special over the years:

“A bit, yeah. The whole thing was really fun but I didn’t really participate much. The public schools would always get school off on the day of the Battle of the Flowers, like it was a holiday, but I never did. I was always a little weirded out by the princesses, and I knew a couple girls who participated in that, but I was never really interested. You had to be a part of a very old San Antonio family to be in it, and honestly be pretty wealthy. It kind of had a debutante ball vibe, like you were presenting yourself to Texas society.”

My analysis:

Fiesta San Antonio sounds a lot like other festivals around the world, with parades, cavalry and a princess “court.” This had it’s own Texas coloring though, and as someone from southern California I’d never heard of most of these traditions, or things like the cascarones. It was interesting to learn about the vivid relationship the city has with the Texas Revolution, and it almost makes San Antonio seem like a different kid of American city – the old Mexican influence is still very prevalent there, unlike a more modern influence in Los Angeles. The local history clearly still impacts citizens today, but the novelty can wear off after awhile for people like TO.

Agarita Jelly

Nationality: American
Occupation: Botanist
Residence: San Antonio, Texas
Performance Date: 3/16/16
Primary Language: English

Agarita is a Texas bush with sweet red berries protected by spiny leaves. The informant describes the family procedure for collecting and using the berries:

“To get enough berries to make jelly, you lay a blanket around the base, then hit the bush with a stick so that all the berries fall off. Old ladies used to then put all the collected berries in an apron, then toss them up to let the wind blow away all the debris, while the berries fall back down into the apron. My mom at some point decided to set up a fan on our porch, so we could just pour the berries from one bucket to another and not have to worry about tossing them. The fan worked much better.”

The recipe:

5 1/2 pounds agarita berries (late May)

1 1/2 cups of water

1 box of Sure-Jel

7 cups of sugar

Crush fruit with a potato masher, add water, cover, simmer for 10 minutes, and crush again. Strain, measure out 5 cups of juice, add 1 box of Sure-Jel, and bring to full rolling boil. Add 7 cups of sugar, bring to full rolling boil for 1 minute, then pour into jars.   Use water bath to sterilize jars and seal lids.  Yields around 4 pints.

Agarita berry collecting May 2010-2395 Agarita collecting 5-31-10-2381

This folk recipe is made from a plant which grows in a very specific geographic area, mostly in Texas, and it’s interesting that throughout time the practice has evolved with new technology available (the fan), allowing for more jelly to be produced. Even living in Texas I’ve never seen agarita jelly sold at the store, so it’s interesting that it’s mostly a small family process passed down, and was never commercialized.

Prayer Before Performance

Nationality: Lebanese-American
Age: 19
Occupation: Student
Residence: Plano, Texas
Performance Date: March 13, 2016
Primary Language: English
Language: n/a

“The Rangerette Prayer was a very special prayer to our team, and we said it before every performance on the football field or dance competition or wherever we were or whatever we were about to do. We would get in a circle, and um cross our arms, right over left, and hold each other’s hands with one foot pointing toward the middle, facing the middle. Um and basically the um seniors and juniors would sing like uh the first part of the song and have the freshmen and sophomores imitate the second part, and essentially we had to learn it that way, we learned the song from the seniors and juniors. And the prayer was the Lord’s prayer and we sang it in a more dragged out kind of tone, and we were never really taught the tune, we just sort of had to pick it up from the juniors and seniors. We also had like a special ending that was, “In the name of the Father who created us, the spirit who sanctified us, and the son who redeemed us,” or something like that and then we all said Amen. It was kind of funny because the ending we all did not know very well because the seniors and juniors said it so quickly that we didn’t even really know what we were saying until much later.”

 

Informant: The informant is a nineteen-year-old college freshman from Dallas, Texas. While in high school, she was a member of the Jesuit Rangerettes Dance and Drill Team. She attended the all-girls Catholic high-school, Ursuline Academy of Dallas, the sister school of Jesuit Dallas (an all-boys Catholic school). She began dancing when she was three, performing ballet, jazz, and lyrical styles of dance, which eventually led her to the high-school drill team. She currently attends Oklahoma State University.

 

Analysis:

The Rangerettes Dance and Drill Team is an extracurricular activity unique to Texas and a few other southern states. The team performs at the half-time of football games on Friday nights, as well as at basketball, soccer, and rugby games. They wear leotards with fringe skirts, fringe and sequin overlays, gauntlets, a belt, white cowgirl boots, and sequined cow-boy hats. The season does not end with football season; rather, the team continues to perform at Jesuit events and participates in two dance competitions in the spring. Because this team is a year-long commitment, there are many extenuating traditions that serve to unify and “bond” the members of the team, in order to foster a spirit of sisterhood.

I think that this practice exemplifies the bonds that the members of the Rangerettes are supposed to have. Because members of the team attend an all-girls Catholic school, there is an emphasis upon prayer. By holding hands in a circle and singing a prayer, the bonds of the team are exhibited through this practice. The holding hands in a circle solidifies the bonds that hold a team together, and also represent the sisterhood that is supposed to be in place. A team cannot succeed if they are not unified, and by demonstrating their unity before a performance, they are striving to succeed in their performance. Also, if this ritual is not practiced before a performance, there is a possibility of failure or bad luck when the team performs. This once again reinforces the need for the team to be unified as they are dancing as one team and must be on count.

In addition, the manner in which the team members learn the prayer is representative of the way in which the team works. The older, veteran members, always juniors and seniors begin the prayer. This demonstrates their “seniority” and their authority on the team. They have been there before, and understand the importance of this ritual, and are in turn passing it on to the next generation of team members. As the younger, new members, always freshmen and sophomores, echo the seniors and juniors, they are reflecting their need to learn from the older members in order to become fully part of the team so that they might continue to pass down this tradition over the years. It is also interesting how the juniors and seniors never formally taught the prayer, but rather expected the new members to simply pick it up.

This may not be unique to simply the prayer ritual on this team, but could also extend to the rest of the ways in which the new members are expected to become acclimated to the team. The veteran members expect the new members to simply “pick up” what they already know, without overtly telling them. This could be concordant with rituals that decide who is “in” and who is “out” when it comes to members of the team, as well as the attitudes that older members generally had toward the new members. The idea that the older members were wiser due to their experience might have been carried out not just through this prayer ritual, but through other practices on the team as well.

Aggie Joke

Nationality: Irish-American
Age: 76
Occupation: Homemaker
Residence: Dallas, Texas
Performance Date: March 15, 2016
Primary Language: English
Language: n/a

“The Aggie Joke would be: How many Aggies does it take to change a lightbulb?

And the answer is: One, plus twelve to turn the ladder.

 

And this has an interesting context to me because polish jokes were the same, or very similar. For example, in the lexicon of south-side of Chicago, it would be how many “polacks” does it take to change a ladder. That was how people used to take before political correctness. I grew up in Chicago and of course and it was very ethnically divided and intense city like New York, or many other places in the country where a lot of immigrants came, and there were a lot of specific neighborhoods: the Polish neighborhood, the Lithuanian neighborhood, the Italian neighborhood, the Irish neighborhood, and they all had their own Church, and if you were Polish you didn’t walk across a couple of streets to go to the Italian Church and everybody kind of kept in their own little neighborhood or enclave. And back in the day, when I was growing up, of course political correctness had not reared its head, and so it was very common and not really thought much of for people to refer to people of other nationalities in a way that would today be considered horrible. You would never today call an Italian person a “dago”, you wouldn’t call an Irish person a “mick” you wouldn’t call a Jewish person a “kike,” but that was very common back then and nobody thought much of it, so that kind of language is no longer acceptable.”

 

Informant: the informant was born in Chicago, and attended high school and college there, graduating with a degree in English. After marrying and having one child, she moved to Dallas, Texas where she raised three children with her husband. She is of Irish descent, her father being from Ireland, and her mother was born in Wisconsin after her parents moved from Ireland, and her heritage and tradition are very important to her. She is a grandmother of five children.

 

Analysis:

To me, it seems like the cultural context of this joke is well-captured by the informant. Aggies, which is a name given to those who attend Texas A&M University, are usually considered to be their own group of people. If you attend A&M, as people refer to it in Texas, you are an Aggie and are now associated with that group of people. There has long been a rivalry between the University of Texas at Austin and Texas A&M, a rivalry that could have given way to Aggie jokes.

It is fitting that the Aggie joke fits that of the Polish joke that the informant, who is seventy-six years old, was used to. The joke was meant to be derogatory toward a specific group of people. Within the context of the informant’s age it was the Polish group, because this was a time in Chicago when ethnic groups kept to themselves and formed groups and lived in the same neighborhoods. Because it is meant to point-out how one group is slow-witted, this joke is especially belittling.

Therefore, in the state of Texas, it is no surprise that such a joke would be made with the Aggies as the subject. This is due to the rivalry with the University of Texas, because it has often been understood that it is harder to get into the University of Texas than Texas A&M, giving way to “dumb Aggie” jokes like this one. To me, this emphasizes how a joke pointed at one group can be changed to target another group, thereby continuing to be popular despite the changing times. Although it is no longer directed at Polish groups, this joke is still able to be told because it points at Aggies, something that is culturally accepted, especially in Texas. This demonstrates how a joke can keep its basic framework but vary in context and change to fit the modern culture.