Category Archives: general

Pagpag – Filipino Funeral Custom

Nationality: Filipino
Age: 51
Occupation: IT Help Desk
Residence: Naperville, IL
Language: Tagalog

Text:

“Pagpag” in Tagalog translates to “Dust off”

“If you go to a wake/funeral, you shouldn’t go straight home. You have to go and stop by somewhere else – for example a coffee shop, mall, or restaurant.”

Context:

The performer didn’t experience this tradition until his Lolo died, and it he never really questioned it, because it was common for his Filipino relatives to eat after any gathering. It was something the people he grew up with just understood. He grew up in the Philippines (rural Luzon) until he was 8, then moved to America where his family still followed this tradition.

“That way you wouldn’t bring death to the household. If there is a ghost that latches on from the funeral home or just death in general, you don’t want it to follow you home. You don’t just go to a place and drive by, you have to stop and spend some time there.” “In the Philippines, there weren’t really places to go before going home. Now whenever we go to a funeral, we do Pag pag.”

Analysis:

Pagpag is rooted in spirital folk belief of liminality: the belief that events such as death and spiritally charged and potentially dangerous. By not going home right away, people seek to disrupt the path of wandering spirits and ensure their household won’t become haunted. This ties into Filipino animism and folk Catholicism which is a blend of indigenous spiritual beleifs and Catholic concepts of afterlife (brought over in the 1500s by Spanish colonizers).

Another great value of Filipinos is community. By avoiding going home right away, this practice also forces community through shared mourning and offers emotional decompression after an emotionally taxing event. Even if it’s not tied to superstition and the fear of vengeful spirits, societies tend to pact together after devastation just to cheer each other up as it’s human nature which has been passed down across generations.

Om Nama Shivaya – A Daily Ritual

Nationality: American
Age: 18
Occupation: Student
Residence: Sammamish, Washington
Language: Hindi

Ritual: The daily repetition of Om Nama Shivaya before any tasks or actions to be taken

Background/Informant’s Interpretation: Taught by his dad, the first day of high school, this saying is close to his heart and important for his daily routine. The repetition of Om Nama Shivaya, as taught by his dad, is to help him build confidence and certainty in the fact that in whatever he does, he does it with a full heart, a Hindu God’s, Shiva, divine blessings as well. Not only does he do this before major exams, such as final in the coming weeks, but being part of numerous extracurriculars and sporting groups in high school and college, he still says this everyday to ensure he is able to perform at the fullest of his potential in whatever he sets his mind to.

My Interpretation: Coming from a similar religious background, I find this saying important and influential in terms of one’s affirmation. However, I find that this saying and others like it are something that you can find through familial connections or being present in a religious community like a Hindu Temple or connections to a priest. I find that the repentance of this ritual also builds up characters and creates confidence through an omnipresent third party, who, while judging you and is known as the destroyer of worlds, can become one of your greatest mentors and assist you in whatever it is you want to do. I find it particular present as a prayer said during poojas, a religious ceremony that celebrates or brings attention to one of the many hindu deities that a family may associate or put themself with.

Holi – The Festival of Colors

Nationality: Australian
Age: 18
Occupation: Student
Residence: Hyderabad, India
Language: English

Festival: Holi — The Festival of Colors

Background/Informant’s Interpretation: Playing with colors, since a young age in India, Holi is something fond to him, and is happy to find in the United States, being abroad and away from home. Introduced by his family, specifically, his dad, at the age of 4, Holi is a Hindu festival where individuals throw color and water at each other. To him and those across the country, it symbolizes that good has beaten evil hence spring has arrived. Music, loud drums are played and people dance in the streets with traditional food being passed around normally cold drinks and desserts like thandai and khulfi. Sweets are also made to be shared with family and friends. Recently, playing holi at USC brought fond memories of throwing colors at his sister, demonstrating shared memories through a heritage-centered festival

My Interpretation: Besides sounding like a good time, this festival is key in his development as a person, and also symbolizes how part of your heritage can be shared and showcased with others. With traditions such as the type of food and the objects being used in the festival remaining consistent, we can see that the past is being shared with the present through a shared means. Furthermore, culture is something that is shared here as it is with family and loved ones. This association plays into the idea that this festival appears on campuses and nontraditional locations, which previously would have been colorless.

Kaju Katli – A Staple Sweet

Nationality: Indian
Age: 18
Residence: Hyderabad, India
Language: English

Text: Kaju Katli

Background/Informant’s Interpretation: A sweet that roughly translates to cashew diamond, this good is enjoyed and can be found at any festival or pooja being performed in India. Traditionally, sweets are offered after a festival or pooja to celebrate the completion, the auspiciousness, and the good they tend to bring. Sometimes, his mom would make them for him to enjoy after he did well on a test or if his parents were in a good mood. This led to him consuming 10 to 15 at a time and passing out on his couch after a sugar crash. This sweet, is a processed white diamond that is prepared by a combination of dry ingredients such as cashew and sugar, making it into a fudge-like consistency. He remembers him and his dad going to local vendors and street shops to collect these sweets while being ordained in Traditional clothing called Kurtas for men and saris for women.

My Interpretation: The sweetness itself sounds key in the celebration and essential to a certain tradition that is maintained time after time. The fact that it is interchangeable with other ones that can be used, but also is needed at the end of the festival, symbolizes the fact that without it or its adjacent parts of the festival or the ritual seems to be incomplete. Hindu rituals tend to emphasize this idea of good triumphing, so the sweet is sort of a key factor in representing this in a materialistic way. Furthermore it is a cultural item that can be shared and enjoyed by others. I feel that it also connects to heritage and ties into glocal culture as a local tradition can be mass-produced and is seen on a global level in cities across the country and out of its home region.

Lunar New Year

AGE: 20 

Date of performance: 04/30/2025

Occupation: Student 

Primary Language: English 

Title-   Tết

Context- J is a Vietnamese-American student who celebrates Vietnamese holidays and festivals in the US. J tells about Tết, explaining “I celebrate Tết, which is lunar new year/Vietnamese new year. Usually kids get li xi which is lucky money (money in red envelopes) from adults but before they get it, they have to say good things/wish for good things to the adults before they receive it such as saying “I hope this year has a lot in store for you such as good fortune, a long life, good health, etc” and then the adults wish for good for the children as well. You eat a variety of dishes and celebrate the elderly who have passed away during that time by lighting incense on an altar displayed at home. People also go to a whole bunch of temples where they pray to Buddha and get blessings from monks.”

Analysis- J shares a traditional celebration of the Lunar New Year within Vietnamese culture—a popular holiday that is celebrated in Asia. Tết is a vibrant example of folklore as traditional rituals and customs within the Vietnamese community come together and are celebrated in honor of cultural identity. Some rituals within the celebration are the money in the red envelopes, which symbolize good fortune for the elderly and young. Although the Vietnamese celebration is unique, the theme of good fortune is common amongst East Asian countries. Oicotypes of certain elements such as the red envelopes convey how folklore is adaptable to its respective culture without losing its true identity.