Category Archives: Kinesthetic

Body movements

Mithai

My informant is a Pakistani male that has lived in many different countries across the world, yet his attachment to Pakistan and its culture plays a significant role in his life and how he lives.

Traditional Food:

Mithai is a “type of box or category of sweets” that exist within Pakistani culture. It is comprised of “different sweet treats and toffees that you give out to houses at the weddings.” He describes these sweets as a form of an invite for party favours that occur at the wedding. The sweets are often seen as a ‘thank you’ or token of appreciation and reminder of the wedding, they are the “staple sweets at Pakistani weddings”

Context:

The Mithai is usually made by certain stores in Pakistan that specialize in providing the sweets “on a large scale when they also are able to maintain the best quality” for the guests. Even though my informant is Pakistani and has seen these sweets at weddings and different family events that he has attended, it is “a general desi traditional sweet that also exists in India”. This sweet is provided before the dinner or reception as a sort of snack or small bite in order to keep the guests satiated and entertained for the long day of traditions ahead.

Analysis:

The incorporation of food into big events in Pakistan such as weddings allows the guests to feel like they are being cared for in a certain environment. It ties it back to their culture as the unified feeling of togetherness that is provided in the event is seen through Pakistani food as a whole which is usually made for sharing and family-oriented events. The ability that their culture possesses by bringing their families together with food allows them to maintain their connections with the children and set in place the values that they hold when prioritising family. Furthermore, this is seen in the wedding sweets as the guests are seen as part of the family and are given the opportunity to celebrate the day with the community whilst being fed and incorporated into a family tradition.

Swedens National Dance

Text: 

The Hambo

Context: 

Collector: “Give us a brief history on practice and use of the Hambo.” 

Informant: “The Hambo is Swedens national dance, and is a couple’s dance that originated in the late 19th century and became popular across Sweden and other Nordic countries. It is characterized by its graceful, flowing movements and the use of a gliding step that gives the dance a smooth and fluid quality. The music for the Hambo is typically played on a fiddle or accordion and has a lively, upbeat tempo. The dance is usually performed at traditional Swedish celebrations, such as Midsommar, festivals, and weddings. It is more often taught in schools as part of physical education and is sometimes performed by professional dance troupes.“

Collector: “How did Hambo play a role in your life?“

Informant: “Dancing is a very integral part of Scandinavian celebrations and ceremonies, symbolizing joy, unity, and tradition. My father made me start Scandinavian dancing from a young age, so it has just become a part of who I am. From this I have developed a tremendous appreciation for dance, which brings a joy I cannot obtain from anything else.“

Analysis:

The Hambo seems to play a crucial role as a performance in the carrying out of many Swedish traditions, which makes sense since it comes from a nordic country. Sweden is a small nordic country, regions known for having rich, nationally recognized folklore. These countries typically weaponized folklore against the presence of outside, unwelcomed invaders during the 19th and 20th centuries. With this weaponization comes a greater sense of nationalism, and as a result, spurs the interconnectedness of its peoples and cultures. This way, countries like Sweden are able to act more like a single body, and strengthen themselves under their unity. Larger, more powerhouse countries like France, the UK, or the USA, did not require such weaponization for their strength was more industrial as opposed to cultural. This is why you see a weak, distilled presence of folklore within all of them.

Children’s Hand Game: Concentrate

The game requires two players. One hand is facing down, one hand is facing up, your hands are mirrored with each other, and then you clap three times on your own. To start, you do those actions while singing “Concentrate, 48, no repeats, or hesitates, ill go first, you’ll go second, let’s concentrate on _”
The informant stated that the category to concentrate on is chosen before the start of the game. For example, the category could be Disney characters, fast food restaurants, books, movies, or anything else. Then the informant said the point of the game was to continue to list out things in that category while alternating back and forth, doing the same hand-clapping motions every time a response is given. The game ends when one of the individuals runs out of responses, someone hesitates, or something is repeated.

The informant has an older sister who is five years older than her. She states that growing up, her sister knew so many games such as hand clapping games meant to pass the time. Whether it was in car rides, in line at Disney World, and before Iphones and Ipads, it became an integral thing for them. She stated that when they would play, they would think “Oh you’re bored, oh you don’t have anything to do, you just want to be silly for a second” and it would alleviate their boredom. Additionally, she added that at other times the adults would be busy and thus she and her sister would need to occupy themselves so they would be able to be silly and have fun. She added that she was a girl scout and learned many other hand games through this as well. Lastly, she mentioned that she still plays now for nostalgia and that she has taught it to some of her friends now as a way to disconnect from being on their phones all the time.

 The hand-clapping game resembles many other games in the sense that its pace is fast and creates a competitive environment between its players. The urgency to play whenever one was bored shows how children are able to be creative and innovative. Considering the link between being a girl scout and having the knowledge of all these games shows that there is a purpose to learning these games and that we view them as having value and not just something silly. They provide children with something they can do that stimulates their minds and can also now help to detach themselves from using technology for entertainment so much.

Tinikling

Text:

The tinikling is a dance performed by Filipino people where the dancers hop between two bamboo poles held on either side by other performers, as the bamboo poles are tapped on the ground in a specific rhythm.

Context:

The informant is 67, was born and raised in the United States, and whose parents were born and raised in the Philippines. She performed this dance for school as part of physical education and sometimes for school performances. The dance was taught by the school as the national dance of the Philippines. 

Analysis:

Tinikling, the national folk dance of the Philippines, is a dance inspired by the movements of the bird that it is named after. Though there are many stories about the origin of this dance, the one with most historical context is that it arose among the indigenous Filipino people after Spanish colonists would punish the Filipino people working in their plantations by smacking their feet with bamboo sticks. Therefore, the form of folk dance that evolved from this punishment serves as an act of rebellion against past colonization and occupation, as well as a celebration of Filipino heritage. The dance is performed not only in the Philippines, but survives in the younger generations who perform the dance, usually in cultural clubs at universities.

USC Football Superstitions – kick the lamp post

Nationality: Chinese
Age: 20
Occupation: student
Residence: school - California; home - Washington
Language: English

Text:

NC: “Before a football game, when you are walking to the Coliseum, you have to kick the lamp post right before you leave campus or else USC will have bad luck in the game. I have no idea where that comes from, but my friend told me on our way to one of the first football games we went to our freshman year. We saw a bunch of other people doing it too, so we did it. Now, I always do it because I don’t want to curse the team with bad luck. It’s like subconscious, I mean I’m not superstitious about anything else, but I always do it without fail before the game. You only do it before football games too, nothing else.”

Context:

NC is a undergraduate student at USC. She is 20 years old, and she is a sophomore. She is from Seattle, Washington, and did not most of USC traditions before coming to the school. She originally learned of this superstition in the fall of her freshman year. She does not know the origins of this tradition. I collected this superstition in person and recorded her to transcribe what she stated.

Analysis:

University of Southern California, as do many old and large universities, has many traditions that are passed on through new students in each incoming class. Often, the origins of these traditions are lost over the years, as is the case with this superstition. USC has a very large culture that is very specific to the people who are a part of the community, especially regarding football. These might be hand gestures, songs, objects, or in this case, superstitions. Even though many people who attend this school are not superstitious people by nature, they still partake in this game day good luck action. Kicking a lamp post for luck is not based in reason, and probably seems silly to people who are not a part of the community, as is common with superstitions. However, the desire to be a part of the community and partake in rituals nudges people to take part in a superstition they might initially think is illogical. As a person begins to feel the belonging associated with partaking in certain ritual experiences, the person is more and more likely to do the act associated with the superstition, until they believe in the truth of the superstition themselves, essentially causing an illusionary truth effect. This superstition clearly shows cultural influence on a person’s personal beliefs.