Category Archives: Legends

Narratives about belief.

Haunted House in Indiana- The Funny Man and the Woman with the Red Eyes: Sleep Paralysis and Two Traveling Ghosts, Cured by a Witchdoctor

Nationality: African-American
Age: 20
Occupation: Student at FIDM studying fashion design
Residence: 2715 Portland St Los Angeles CA 90007
Performance Date: 2/8/21
Primary Language: English

I first heard this story when I asked the speaker if she had ever seen a ghost, but when she began telling her story I remembered that I had heard parts of this tale before. The speaker told her story in a very matter-of-fact tone and spoke first about her experiences with friendly and unfriendly ghosts. For another example of a ghost legend by this same speaker, search “Haunted Theaters and Ghost Lights” in the USC folklore archive.

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When the speaker and her twin brother were three years old, they shared a room in Gary, Indiana in a house completely made of brick. “My mom came in [to the children’s bedroom], she had just put us to bed. And then she heard me and my brother laughing. And so she like came back into the room and she’s like, What’s going on here? She’s like, what’s happening? And we’re like, ‘The man, the man. He’s making a funny face.’ And there was nobody there.”

“Was I scared? No, because he was one of the friendly ones of the house,” the speaker said. “He was kind of just there for jokes and like to make children laugh, because apparently, um, his grandchildren died in the house. And he like, died out of grief. And he loved kids. So he would just play with my brother and I [sic] occasionally.”

The speaker said that there were also unfriendly ghosts, and that she had recently gotten rid of one of these malicious specters. ” “They moved with us to Florida. And at first, I didn’t notice because they didn’t approach me. At first, they would just stay in the corner. And I didn’t realize it would always be a really scary woman with two red eyes. And I didn’t know what she was. I thought she was just like, a spirit… But no, she turned out to be worse than I thought.”

The speaker said that she began to experience sleep paralysis and that “I would be screaming, and she’d be attacking me. And I couldn’t move. And I’d wake up with bruises on my arms and my legs because she was sitting on top of me.” She slept with her mother at age 17 because of these nightly attacks. When she returned to her bedroom, she said, ” “I was screaming to save my mom and my brother. But they couldn’t hear me. And then just the woman was just taking my family away from me. And I didn’t like I couldn’t do anything. I was just sitting there. And then again, my mom woke me up screaming, crying in real life. “

The speaker’s Puerto Rican grandfather, Julio, was a witch doctor. “We had to pin a square piece of black cloth underneath my pillow. I don’t know what it was to catch her something like that.” Soon after that she moved to Southern California to attend school, and she hasn’t seen either ghost since.

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This story was told at night in the kitchen, and three college-age females were present. The speaker said that she was relieved to be rid of the ghosts, and that after her parents’ divorce, she rarely visited the Gary House. She also said that the house was torn apart after the divorce, and that her father would start projects that he wouldn’t complete (for example, fixing the bathroom tub). I think these ghosts may have something to do with the divorce, but I believe that this experience was very frightening for the speaker.

This speaker later scoffed at my mentioning that a friend received therapy when recovering from his parent’s divorce. Her response suggested that children do not need therapy for this life change.

For another example of ghosts stories indicating changes in property ownership or status quo, see the scholarly article “Ghostly Possession of Real Estate: The Dead in Contemporary Estonian Folklore” by Ulo Valk (2006).

The concept of traveling ghosts is certainly frightening, and this story was welcome after a long day’s work.

Haunted Theaters and Ghost Lights

Nationality: Afro-Latinx
Age: 20
Occupation: FIDM Student Studying Fashion Design, Food Service
Residence: 2715 Portland St Los Angeles CA 90007
Performance Date: 4/13/21
Primary Language: English

My friend shared this story with me and another female friend one night in the kitchen after work. I asked this friend about her haunted house and she later shared that her classmates always left a ‘ghost light’ in the school theater. It was bad luck not to leave a ghost light. This friend also said that she believed her theater may have housed some recent ghosts.

This speaker went to an arts school in Tampa, Florida. She took classes in the drama department and was in school theater productions. Here is her story.

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“Theaters are traditionally haunted all the time… they’re just traditionally haunted,” the speaker said. “After you’re done striking a set or cleaning up or after you’re done rehearsing. You’re always supposed to leave a ghost light, or the ghost, or else that was bad luck.” I asked whether the light was meant to guide the ghosts, but she said that it existed to appease them/ She said ghosts do not like the dark, and that this was ironic.

One day after practice “a student forgot to put the ghost light on, you know, it’s not anything, not a very big deal. It’s literally like a stick and a light ball. And you roll it out onto theaters, like, but we just forgot about it. And then the next day, like a spotlight fell, and that was really bad.”

The speaker said that there were some specific ghosts she thought haunted the theater. “There were a couple of tragedies that did happen at our theater. And there was actually some of them were actually pretty recent. So I’d like to think there were good spirits rather than bad spirits,” she said. The drama director’s brother had passed away that year, and the speaker said that she would like to think that he came to see the productions at the theater. The speaker also added that a young actress had died of a disease in the past, and that there was a plaque in front of the theater honoring her memory. The speaker said that she would like to think that the actress’ ghost visited the theater as well.

When I asked what this meant to the speaker, she said that the young actress had “put so much of her craft into theater.” I suspect that knowing that deceased guests might visit the theater is comforting to the speaker, and that these two particular ghosts help future productions.

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The speaker has shared other ghost stories and believes that these stories are real, so it makes sense that she would believe these ghosts could be real as well. She began telling this story discussing ghost lights and bad luck, but the story ended on a note of good luck. I was taught to act as if a god was always watching, and I know many people feel comforted to know that someone else is guiding them during stressful parts of their life. It might be comforting to know that ghosts are watching over stage productions as well, since the ‘good’ ghosts the speaker mentioned had theater or theater-adjacent backgrounds.

I did not know that movie theaters and stages are supposed to be haunted or that actors would leave a ghost light. My school had a small theater that we used for small class meetings when the drama department was not at practice. I can’t remember a specific light that was left on the stage, but the room was never completely dark. This was likely for security reasons.

The haunted theater trope may be due to the fact that theaters serve as a sort of liminal space when not in use. Theaters are such specific buildings, and sticking around after the show is not an expected reaction. Only janitors and stage crew might remain after a show is over.

Additionally, members who know about the ghost light are ‘real’ members of the theater community. They understand the traditions of other actors and stage crew, and they are part of an in-group.

This story also draws upon similar ideas as the article ‘Ghostly Possession of Real Estate: The Dead in Contemporary Estonian Folklore’ by Ulo Valk. Actors and other community members who believe in ghosts come to terms with tragedy by carrying out traditions in the hope that loved ones continue to exist in the ‘haunted theater.’ The ghost does not necessarily need to be buried near the theater, rather the theater belongs to them because their devotion to acting tied these ghosts to this particular spot.

For another ghost legend by the same speaker, see ” Haunted House in Indiana- The Funny Man and the Woman with the Red Eyes: Sleep Paralysis and Two Traveling Ghosts” in the USC digital Folklore Archive.

The Boojum

Nationality: United States
Age: 19
Occupation: Student
Residence: Asheville, NC
Performance Date: 04/10/2021
Primary Language: English

BACKGROUND: My informant, ES, was born in the US. Her parents are mostly Irish and her mom is part-Cuban. ES has worked as a camp counselor for a few years now. This piece is a bit of folklore from her specific camp, told to her by past camp counselors. It is encouraged for the counselors to share the story with the campers and is considered an essential part of the unofficial camp history.

CONTEXT: This piece was brought to my attention through a casual conversation with my friend who is currently a camp counselor at a camp in North Carolina.

ES: So Camp Henry in like 1800 was this thing called Sunburst. And it was like a timber yard, like a whole like huge business. And, um, there’s this woman who lived there named Annie (mumbles) Annie went missing and it was believed that she was taken by this man called the Boojum.

Me: Who’s that?

ES: Boojum wasn’t really a man. He was like this old decrepit, uh, human, like person. [Had a] huge beard and the tail of a cat. (laughs) Um, he lived up in the woods by camp or by Sunburst and, um, he would collect gems, diamonds and whatever was in the river from all of the timber stuff, I guess. So, um, basically when Annie went missing there, her family was certain that the Boojum took her. But the Boojum was very — no one knew where his cave was and some people didn’t believe he was real.

Me: Do you?

ES: (laughs) Apparently if you walk along the river at night, you can hear yells like “Annie where are you?” Oh! And apparently the Boojum was in love with Annie. That’s also an important piece of information. (laughs) I’m telling this very poorly. 

Me: (laughs) No, you’re good, you’re good!

ES: But the main parts are: Annie is missing, her (ghost?) family yells “Annie where are you?”, and the Boojum’s in love with her and collected like gems and diamonds. And she was one of his “diamonds”. So now allegedly the Boojum is still there. He just like chills out. Sometimes the kids see him. Um, we have like our hangout spot for the, for our counselors is also called the Boojum. Um, and it also means vagina. I think, like, the counselors use that as like the, um, code word.

Me: (laughs) Wait really? What?

ES: Yeah, he’s not like a scary guy. He’s actually kind of nice.

THOUGHTS: I think it’s interesting that almost every camp I’ve visited or talked about with friends has some version of a “camper kidnapped story” in order to keep current campers in check. In most cases, it’s a way to keep campers from wandering off the site, staying on the trail, or not tampering with potentially dangerous areas. But something that struck me about this story is that the Boojum isn’t necessarily a scary creature or something to be feared. The way ES presents him is as a mostly harmless resident of the camp.

The Soucouyant

Nationality: United States
Age: 20
Occupation: Student/Digital Artist
Residence: Queens, NY
Performance Date: 04/11/2021
Primary Language: English

BACKGROUND: My informant, OR, was born in the US. Her parents are both immigrants from Grenada. OR is always joking about Carribeans being a very superstitious people and this piece is just one story out of the many that OR told me about her family’s beliefs. This story in particular stood out to OR because her parents always jokingly warn her brother to watch out for seductive soucouyants. 

CONTEXT: This piece is from a conversation with my friend to discuss the role of superstition in Caribbean culture. 

OR: Okay. So basically, um, the soucouyant is kind of like half vampire, half fireball. 

Me: Fireball?

OR: She’s like a blood-sucking hag, essentially. I think other islands literally just call her the hag. She sucks your blood and… okay, she usually appears like, um, either a woman or like a reeeally sexy woman during the day. And then at night, she peels off her skin and puts it in a mortar and pestle and grinds it up. (laughs) And then she turns into a literal fireball and like runs around the sky at night and she can enter your home through like a keyhole or like any crevices, or if you like leave the windows cracked. So you gotta close the windows. And um, they say, if you want her to not come in your house, you have to drop, um, like rice outside your house and you have to drop a lot because basically, she will be counting the rice until morning. I think the Haitians actually call it the Lougarou, but in Grenada, Lugar is actually a totally different thing.

THOUGHTS: I really like this story for its specificity. The concept of a half-vampire half-hag half-skinless witch creature really says a lot about the specific fears and taboos of this community. The fact that this story was aimed at OR’s brother and not OR points to the fact that the Caribbean community may fear the control that women can possess over men. OR mentioned that the story is a variation of the European version of a vampire so I think the gender swap is notable in examing the significance of this story in Caribbean culture.

For another version of this legend, see: Simpson, George Eaton. “Loup Garou and Loa Tales from Northern Haiti.” The Journal of American Folklore, vol. 55, no. 218, 1942, pp. 219–227. JSTOR, www.jstor.org/stable/535864.

Lajabless

Nationality: United States
Age: 20
Occupation: Student/Digital Artist
Residence: Queens, NY
Performance Date: 04/11/2021
Primary Language: English

BACKGROUND: My informant, OR, was born in the US. Her parents are both immigrants from Grenada. OR is always joking about Carribeans being a very superstitious people and this piece is just one story out of the many that OR told me about her family’s beliefs. OR had previously told me about soucouyants and this story is in a similar vein, depicting a seductive, villainous female/creature character.

CONTEXT: This piece is from a conversation with my friend to discuss the role of superstition in Caribbean culture. 

OR: There’s also, um, Lajabless, which, I don’t even know how this is f-cking spelled. I think it comes from the French, like La Diablesse, like a female devil. She’s got — usually in like depiction the of her she’s got like this wide flopping, brim hat. One of her feet is normal, but I think the other one is like a goat hoof or a horse hoof or like a… 

Me: She’s got a hoof.

OR: (laughs) Yeah she’s got a hoof. And the story is like, it’s mostly like an old wives’ text. The story is like some drunk asshole goes at night and sees this lady with her floppy brim hat and her skirt (which is covering her hoof) and flirts with her. Then Lajabless reveals her face under the hat and it’s like a skull face. (laughs) The — the guy’s like so freaked out. He like falls off of a cliff dies.

THOUGHTS: I think that a lot of cultures have a story of a female “seductress” leading to a man’s downfall. In biblical lore, Lilith is often portrayed as a sexual temptress. However, as the story goes, Lilith was only cast out of Eden because of her desire to be equal to Adam. I think a similar thread happens in this story. As OR tells it, Lajabless was minding her own business when a drunk and leery man makes an advance on her. It is interesting to me how women in legends are often painted as more villainous than they are when they are able to stand up to or retaliate against their male counterparts.