Category Archives: Festival

The Hodag

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Nationality: American
Age: 80
Occupation: Retired, Former Museum Curator
Residence: Kelseyville, California
Performance Date: May 1, 2021
Primary Language: English

Background:

This story came from lumberjack camps In Northern Wisconsin. The Hodag was first reported in the late 1800s, and since has become a figure representative of the region surrounding its supposed place of origin. During my informant’s youth, the town just north of him, Rhinelander, used the Hodag as its symbol, also acting as the high school mascot there. They even have a huge country music festival called the Hodag.

Context:

The informant, my grandfather, says that the Hodag is an important piece of lore to everyone in North Wisconsin. So much so, that my grandparents had their first kiss at the Hodag music festival, and my grandpa’s band played there. Early accounts of the Hodag were even published in the local newspapers, so it’s an important and ever-present aspect of the culture there.

Main Piece:

“So the Hodag is this weird creature that has like a frog kind of head, a fat, squat lizards body, with bulldog-like legs, with big horns protruding out of its head and down its back, and a big horn at the end of its tail, so it was a weird-looking thing. So there were–it was supposed to roam the north woods of Wisconsin, and probably where the story came from was in the lumberjack camps in Northern Wisconsin. Um, one guy–I don’t know his name–it’s said that he actually caught a hodag and burned it. And they published a picture with ashes and a pile of horns. Some people believed that, but to make it really convincing they actually made a taxidermy one and toured it as a sideshow with the circus. When the Smithsonian sent someone to verify it, the guy who created it admitted it was false. Later I was doing some research as the director of Marathon County Historical Museum and reading through some old papers from the 1890s, and there were a couple articles I found really interesting. One claimed that “all kinds of mischief” was going on in the lumberjack camps in Northern Wisconsin, North of Rhinelander. I don’t remember much detail, but there was a bunch of chaos in the camps and the lumberjacks thought there was Hodag in the woods near them. And the other instance, there was a lumberjack that disappeared in the woods and it was blamed on the hodag–they said it ate him.”

Analysis:

Following some more digging, I was able to find out that the Hodag is believed to have come about as a response to the abusive treatment of animals, especially oxen, in lumber camps (Kearney). This seems reasonable because it was not the only terrifying beast to have originated from such camps. As a giant lumberjack, early Paul Bunyan stories also often featured the Hodag. What I find particularly interesting, however, is how this manifestation of abuse and cruelty made its way into the hearts and minds of so many locals in the area. Although it may have sprung from cruelty, the fact that the Hodag once made it into state and even national news headlines completely transformed it. When it had been seen by the nation, outsiders began to think of Rhinelander as the home of the Hodag, thereby associating the two. Because the legend of the creature had been scaled up, it grew from its original representation of cruelty to become a symbol of pride for the locals of the area.

For More on the Hodag and Other North American Beasts:

Kearney, Luke Sylvester (1928). The Hodag and Other Tales of the Logging Camps. Madison, WI. pp. 9–17.

The Yulenissa

Nationality: American
Age: 22
Occupation: Student
Residence: Oregon
Performance Date: 04/21/2021
Primary Language: English

Context

The interviewee is one of my housemates and we often engage in conversation about his Danish heritage. This folklore is a myth that he continues to practice as part of a family tradition.

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Performance

The following is transcribed from the story told by the interviewee.

“On Christmas growing up, we have this thing called the Yulenissa, they are these gnome things in Scandinavia. Kind of these small creatures. So every Christmas they visit and we have to leave a bowl of porridge out before night. And in the morning, we would see their footprints outside the house and there will be this whole set-up of how they snuck in. There’s a string down the fireplace and you’ll see ashes of small footprints around the house or something like that. And the Yulenissa is this trickster that’s meant to do tricks and he’ll bring presents but he’s not meant to be Santa. He doesn’t do nice things, you’re meant to put the porridge out or he would trick you. My mom did this when she was growing up with her Danish Dad and so it became a thing that we did in the family.”

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Analysis

This story feels very familiar perhaps because it closely resembles the myth of Santa Claus. But unlike Santa Claus, the Yulenissa is known to be a trickster. Because the Yulenissa is a trickster, there are specific steps one must take in order to ensure that their family is kept safe, which is seen in putting the porridge out. On a personal level, I think the Yulenissa is important in upholding tradition. In this myth, there are consequences if the members of that culture do not uphold the tradition. This Danish tradition is seen to have been passed down from one member of the family to another, and the spirit of bringing the family together to thwart the trickster remains.

Almond and Luck

Nationality: American
Age: 22
Occupation: Student
Residence: Oregon
Performance Date: 04/18/2021
Primary Language: English

Context

The interviewee is one of my housemates and we often engage in conversation about his Danish heritage. This folklore is a food ritual that he practices as part of a family tradition.

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Performance

The following is transcribed from the story told by the interviewee.

“Every Christmas eve we would eat pickled herring and rice pudding. The tradition is that we would have a bowl of rice pudding and at the bottom of one of the bowls there would be an almond. And whoever would get the almond would have good luck the next year. And in order to celebrate this good luck, the person who got the almond would get a marzipan pig. Sometimes if we got too lazy to go to the store to buy the pig, we would just make a different animal out of marzipan. Last year we made a penguin out of marzipan and I remember once we made a spider. It’s just a fun thing that we would do every Christmas eve.”

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Analysis

This is a Danish tradition that serves to celebrate a festival. The ritual happens near the end of the dinner and is meant to bookend the festival by giving a person luck for the coming year. For the interviewee, this custom is very much about having a shared experience with the family, and one that is fun and wholesome. The tradition has clearly developed over the year, the family not just using a marzipan pig but allowing the children in the family to create new and interesting animals such as the spider or penguin. But ultimately, the spirit of the custom remains the same. On a cultural level, this custom helps enforce the end of a year and celebrate new beginnings.

The Rodeo Queen

Nationality: American
Age: 22
Occupation: Student
Residence: Oregon
Performance Date: 04/20/2021
Primary Language: English

Context

The interviewee is one of my housemates and we often engage in conversation about our different hometowns. This folklore about a festival comes from a dinner where the house was sharing various stories from our childhood.

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Performance

The following is transcribed from the story told by the interviewee.

“In my hometown, we had a frolic and rodeo. There were lasso cows and ride bucking broncos and barrel racing. And at the Rodeo, they would select a Rodeo Queen that will represent the rodeo until the next year. And there is always a parade right before the rodeo of all the log trucks in my hometown that would drive down the main street. And you get to eat carnival food and do the classic carnival things”

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Analysis

Carnivals are fairly common around America. What I found unique about his story were the log trucks that were paraded around. This is very specific to his hometown of Philomath where logging is the main source of income for the people that live there. Putting log trucks on display and parading them around shows how the people recognize the importance of that industry and how they celebrate it. It is meant to reinforce and instill a sense of pride in people of the industry that their town relies on. While it can seem like a festival about fun and games, it is very much about building a spirit of community and getting everyone to gather around a single and common idea. To have a Rodeo Queen is an example of creating a symbol is which people can rally around. And while America is clearly not a monarchy anymore, the concept of it is used in order to build a sense of hometown belonging.

Nowruz Celebrations in Lebanon

Nationality: Iranian-American
Age: 62
Occupation: Pediatric Anesthesiologist
Residence: Palo Alto, CA
Performance Date: April 21st, 2021
Primary Language: English
Language: Farsi

RA: “Nowruz is the Iranian New Year, and it’s a different time every spring. I was young when we left Iran, so I don’t really remember celebrating Nowruz there. We also never went back there during the spring, so the timing never worked out after we moved. When we lived in the UK, we couldn’t really celebrate Nowruz there either because we were so separated from our extended family, and there weren’t many Iranians living in London at the time. Most of my memories of Nowruz come from Lebanon. There were a lot of Iranians living in Lebanon then, and there still are, so it was a big holiday that lots of people there celebrated, even people who weren’t Iranians. There were lots of Nowruz parties and celebrations in the parks so you would sometimes see bonfires and lots of music just while walking around. What made Lebanon interesting is that there were lots of Arabs who celebrated with us, in addition to a lot of British and American ex-pats who worked with my dad at the oil company. So our Nowruz celebrations always had lots of people who had no clue what was going on but who were having lots of fun. My favorite part of Nowruz—because there were, you know, lots of parts like in most Iranian holidays—Anyways, my favorite part was Chahar Shanbeh Soori, where you’re jump over fireworks or a bonfire. You make wishes for the new year, and you leave behind the bad things you don’t want to take into the new year. I think its celebrated it on the last Wednesday before the new year because shanbeh means first in Farsi, but it might be the first Wednesday of the new year, I don’t really remember. There’s lots of partying and food, because there always is at Iranian holidays, and afterward we would build bonfires to jump over. This feels super dangerous in hindsight… there were bonfires all over this park we went to, and there was also a big bonfire in the center of the park that we would all sing and dance around. My brothers and I would race each other and jump over as many bonfires in the park as we could…which I can’t believe they let us do, but I think parents just liked to let their kids loose then. I just remember it being really beautiful at night, because you could see bonfires glowing everywhere across the park, and also in people’s backyards and front yards—wherever you could build a bonfire. That must have been so dangerous, but I don’t remember anyone ever burning themselves, just having lots of fun.  “

Informant’s interpretation:

AB: “Why was this your favorite part of Nowruz? What did Chahar Shanbeh Soori (did I say that right?) mean to you?”

RA: “I only ever celebrated Nowruz when I was young, because I left Lebanon in Middle School, so I don’t remember much now. I just remember how beautiful the fires were and how much fun I had with my family running around the park. It’s a beautiful part of beginning the new year, and I think it really helps energize and excite you for the new year.”

Personal interpretation:

Fire is important in many Iranian practices due to its spiritual significance in Zoroastrianism. Fire is often associated with cleansing and with divinity, so the role of fire in Chahar Shanbeh Soori may be seen as a way of cleansing yourself of impurities before the year to come, as well as entreating the divine to bless the coming year.