Peruvian New Years Tradition: Run the Suitcase Around the Block

Nationality: Peruvian-American
Age: 20
Occupation: Student
Residence: Los Angeles
Performance Date: 4/25/19
Primary Language: Spanish
Language: English

AS is a USC game design major who’s family hails from Peru, she enjoys spreadsheets, Dungeons and Dragons, and spreadsheets about Dungeons and Dragons. AS grew up in Texas after her family moved there from Peru.
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AS: My family had a lot of traditions for New Years, I’ve heard a lot of people do this one though

AS: We fill like a like a suitcase of some sort and we run it around the block and that’s supposed to represent like good luck in traveling and like safe travels and all that stuff.

AS: So my mom makes me do it every year cuz you yeah gotta have that good luck

MW: Do you have any particular attachment to this?

AS: I mean I would still do it if I didn’t live in South Central LA and that’s dangerous

AS: I guess it’s it’s it’s kind of just like a superstitious thing to me

AS: Or it’s just like it’s a cute tradition that makes New Year’s feel different than what like normal people celebrate even it doesn’t have like a very deep impact I guess it also fills me with nostalgia for things you did as a kid so you feel like you should do it anyways.
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Analysis:
The symbolism of running around the block mimics the cyclical nature of the calendar year and separates it from the idea of linear time. The suitcase is also filled, meaning that the carrier takes home with them when they travel and provides a direct connection to home and family life. Likewise, the fact that you run around the block and return to the starting point sort of carries the message that no matter where you go you can always return home, this centers the importance of home even in a tradition that’s all about travel. The desire for safety also reveals anxieties about leaving the home. Travel to new places is scary, a journey into the unknown thus the hope for good luck works in combination with the carrying of the known with you and the promise of a safe return to that known space.

Peruvian New Years Tradition: 8 Grapes on Years

Nationality: Peruvian-American
Age: 20
Occupation: Student
Residence: Los Angeles
Performance Date: 4/25/19
Primary Language: Spanish
Language: English

AS is a USC game design major who’s family hails from Peru, she enjoys spreadsheets, Dungeons and Dragons, and spreadsheets about Dungeons and Dragons.
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Interviewer(MW): So you mentioned earlier that in Peru some holidays are celebrated differently?
AS: okay so I guess I’ll start off with New Year’s so there’s like two weird holidays that occur on New Year’s for Peruvians for some reason

AS: We do the normal thing where it’s like you used to stand by you wait until you know the countdown starts and you drink the champagne you do all that jazz.

AS: But the things that you do is after you drink the champagne you down like 12 grapes in the champagne each one’s supposed to be a wish so down your champagne you eat individual grapes as quickly as possible

MW: I’ve spent New Years in Lima, I know they have some interesting New Years Practices, so are there things that do you have any particular set things that you associate with the grapes like there’s some things that you’re supposed to wish for?

AS: There isn’t anything you’re supposed to wish for I think, like generally it’s stigmatized in Latin Society for good health to be a thing or like wish your family good health like general well-being.

AS: I guess would be something that people would would generally stick towards at least want to do one or two wishes to be around there

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Analysis:
The use of champagne as a marker of the new year exists across culture but using fruit as a conduit for wishes ties the sweetness of the fruit to the hope for a sweet new year, this invokes a similar tradition to the Jewish Rosh Hashanah practice of dipping apples in honey for a happy new year. The wish too carries meaning, like a birthday the new year is full of promise and marks a transition and making a wish is a way to codify that promise in a fun and festive way. Likewise AS’s note that there’s a focus on well-being represent anxieties about that transition, the bitterness of the alcohol in the wine might invoke this anxiety, tinging the sweetness of the grapes with a fear of the unknown and the challenges that the new year will bring.

There are 12 wishes as well, this factors into the cyclical nature of the tradition as well as each grape likely represents a month of the year thus the wishes are meant to carry the participants through the entire year.

Afikoman: Jewish Holiday Folk Game

Nationality: Jewish American
Age: 50
Occupation: Mother
Residence: Hollywood, Florida
Performance Date: 4/20/19
Primary Language: English
Language: None

Context: AW sits with her daughter preparing for the second night of her Passover Seder, the room is bustling with activity as people get food prepared for AW’s many relatives. AW’s Daughter chimes in every so often to ask questions
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Performance:
MW: So what do you know about the Afikoman?
AW: The Matzah, the bread we eat during Passover, because it represents the fact that when the jews had to flee Egypt and slavery. They left in such haste that the bread did not have a chance to rise, that’s why we have matzah.
AW: So, we eat the matzah all week so that we remember what happened to us, and during the seder…the person that leads the seder
[AW flips through her Passover Haggadah]
AW: explains to everyone…REMINDS not explains, what the bread means to us as a people
AW: they break it in half, one half to be eaten, and the other to be set aside for later. Traditionally that half is hidden by the oldest person at the seder for the children to find after the festival meal.

MW: Do you have any, like, special house rules?
AW: So we make rules, first the Afikoman has to be hidden in the house. Depending on the age of the children, if they’re very young it has to be in one specific room in the house to make it easier for them to find it. If they’re older it’s anywhere downstairs. It’s usually hidden by the person who led the seder.

MW: Ok
AW: Someone says “on your mark get set, go” and the kids race to find it, if there are young kids we hide it again so all the kids get a chance to find it.

Meaning
MW: So what does the Afikoman mean to you?
AW: It’s just part of the festival, it’s nice, you know what it’s nice because I remember the nights where we were all to grown up to do it. So it’s comforting to see the next generation carrying on our traditions.
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Analysis:
The Afikoman is wrapped which serves the practical purpose of keeping it, a dessert item, separated from the rest of the food. But the wrapping also serves a symbolic role as mimicking the way Ancient Jews would have wrapped their matzah as they fled Egypt. This mimicking is key to the overarching theme of Passover, that all Jews see themselves as having been liberated from Egypt, not just their ancestors. So in repeating the wrapping behavior modern Jews inhabit the role of their ancestors. The Talmud, a commentary on the Torah states that “We snatch matzahs on the night of Passover in order that the children should not fall asleep.” Thus, Afikomen hunting becomes a way to engage children with short attention spans during what is a fairly long religious event.
Likewise, the matzah is split in half during the seder. This might represent the delayed nature of Jewish salvation, the matzah eaten during the Seder representing the exodus itself, while the Afikomen matzah, hidden away and eaten only after the Seder ends, represents either the Mosciach, or Messiah’s final redemption of the Jewish people, or perhaps their eventual return to their homeland Israel after 40 years in the desert. For alternate uses of the Afikoman in Jewish households as a pendant for blessing see What Makes a Jewish Home Jewish

Ochs, Vennessa. “What Makes A Jewish Home Jewish?” What Makes a Jewish Home Jewish?, an Article by Vanessa Ochs, in Cross Currents, the Quarterly Journal of Opinion Covering Religion and the World., www.crosscurrents.org/ochsv.htm.

Get on the plane with your right foot: travel superstition

Nationality: Jewish-American
Age: 50
Occupation: Mother
Residence: Hollywood
Performance Date: 4/20/19
Primary Language: English
Language: none

Context:
AW sits with her daughter preparing for the second night of her Passover Seder, the room is bustling with activity as people get food prepared for AW’s many relatives. AW’s Daughter chimes in every so often to ask questions
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Performance:

M: You have a very particular travel superstition is that true?

AW: Yes, I have more than one, but yes

M: could you elaborate

AW: Ever since I got on the plane since I was a little girl my mother would remind us to start every new venture, not just the airplane…the first day of school, when I walked down the aisle…

[AW gets absorbed back into seat planning for the seder]

MW: Ohhh that’s why you tell me to do it on test days

AW: Exactly, every time you start something new you do it with your right foot, it’s good luck.

AW: The first time anyone in the history of our family did it, my grandmother got onto the ship that took her to America, she did it with her right foot and my mother reminded me, so I remind you.
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Meaning to the informant: AW: First of all it reminds me of my recently departed mother, and it’s kind of a talisman, like a rabbit’s foot. It can be a bit of a ritual. I’ve done it as long as I can remember.
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Analysis: The association between the right foot and luck is well documented and speaks to a general insecurity regarding new ventures. As one crosses a threshold into a new space, as AW did when she walked down the aisle, or any time she boards an aircraft. This step ensures that transition happens smoothly. Other examples of this can be throughout the archive as seen [here] and reflect an overarching anxiety about the unknown. In addition to providing luck the action adds a familiar element to an unfamiliar circumstance, a location with which the actor can situate themselves to provide comfort when encountering something new. For another example of travel superstition surrounding the right foot see Southbound (Paniker 174) a journal of Indian Literature

Paniker, Ayyappa, and Chitra Panikkar. “SOUTHBOUND.” Indian Literature, vol. 39, no. 4 (174), 1996, pp. 127–156. JSTOR, www.jstor.org/stable/23336198.

Moroccan: Tino Moths and Rebirth

Nationality: American
Age: 22
Occupation: Student
Residence: Los Angeles
Performance Date: 4/9/19
Primary Language: English

Informant (AH) Is a 22 Year old USC Narrative Studies student interested in user research for games, we traded stories over a podcast we record together.
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Interviewer(MW): You said you had folklore from your grandmother?
AH: Yeah, so my grandma is from morocco, there’s a lot of folklore culturey stuff and I didn’t realize it was like that until I moved away from her and was like “oh you guys don’t do that here?”
AH: But like one thing in particular is you know Tino Moths
MW: Like the plant? (Interviewer thinks AH has said Tino Moss)
AH: No the bug
MW: OHhhh Moths
AH: yeah, some people when they get into their house you think “Oh I gotta kill it or take it out of the house” but at my grandma’s house you don’t touch the moth you just admire it…because in her culture moths are kind of like ghosts when one of your family members dies they come back to you as a moth, so that was yeah.
MW: We don’t have that in my religion, but that rules
AH: Yeah, it’s sort of comforting you know, to think that the people you love are still around and stuff
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Analysis
Insect rebirth symbolism allows the departed agency and a fleeting return to the lives of their loved ones, this is reflected in the chance, almost random nature by which the moth ends up in your home. This belief offers a comfort in the wake of loss and serves to temporarily sate the low-level pain that comes with the loss of a loved one, that stays for the rest of your life. Likewise the respect for the moth constitutes a respect for the dead, because those two beings are intertwined. Likewise this piece of folklore serves to connect AH to his grandmother, so that every time he sees a moth he sees her, allowing her to transcend death and remain with him, a part of his life, as her loved ones did when the story lived with her.Thus here, the moth becomes a symbol for death, it’s ephemeral nature makes contact with it fleeting and therefore more valuable, as it carries the soul of the departed onward to wherever it goes next.