Tag Archives: clothing

Future Spouse String Initial

Context: I had a string hanging off my jacket when Informant pointed it out and told me this piece of folklore. I asked informant to repeat the lore to me so I could record it.

Informant: “I heard from my grandma that when you have a little string hanging off from your clothes, that you have to pull it off and then throw it behind your shoulder. The you find where the string landed, and it should make the shape that is the initials of your future spouse.”

Background Information: Informant did not necessarily remember when their grandma had told them this, but they knew that she had. Informant did not necessarily believe in the validity of the folklore, but enjoyed doing it and sharing it with others anyway. The informant’s grandmother, however, is apparently a very avid believer in the lore.

Thoughts: The folklore is interesting, and something I have heard before. The folklore serves as a fortune telling device, and displays the notion that things which we attach to our physical selves (clothes), can embody ourselves and our lives. The folklore is a fun game to play as well as a serious predictor of the unknowns of the future. Either way, it is a comfort to its practitioners.

You Can’t Give Away a Dead Person’s Shoes

Nationality: American
Age: 79
Occupation: Retired; Former Schoolteacher
Residence: Baltimore, MD
Performance Date: May 2, 2021
Primary Language: English
Language: Yiddish

Main piece: When someone dies, after the mourning period is over and it’s appropriate to give the clothes away that can still be worn, and you can give them to whoever you want – the recipient can take everything. Not the shoes. You don’t wear a dead person’s shoes. 

Background: My informant is a seventy-nine year old Jewish woman living in Baltimore, Maryland. She describes herself as a follower of “bubbe-meises” (Yiddish), translated to “grandmother’s fables”, or a more serious version of old wive’s tales that are often accompanied by superstitions. 

Context: A previous informant was discussing a traditional Jewish practice of washing your hands after a funeral. A discussion ensued about Jewish funeral rites and traditions, and my informant mentioned this one. My informant learned that from her mother, and takes the practice incredibly seriously, though it is not a situation she personally has faced. However, she does recall her mother refusing to offer her father’s shoes to family friends after his passing. 

Analysis: My informant had no idea why this practice existed, nor is there any talmudic or religious reason connected to or behind this. It is possible that unlike shirts or pants, shoes cannot be washed, and so the person who used to inhabit them can never fully be removed from the shoes. It’s also possible that, pre-industrialization, a person only owned one pair of shoes, and therefore had a higher sentimental value/significance to the person. The shoes would also be tailor made for that individual, so it is possible that the family just couldn’t give away the person’s shoes, because they wouldn’t fit anybody else. 

The Victory Dance of the University of Texas Rowers

Nationality: American
Age: 20
Occupation: Student
Residence: Columbus, OH
Performance Date: April 30, 2021
Primary Language: English

Main piece: When Texas [University of Texas] wins NCAA or they do well or something I think, they dance. They have this little, like, line dance kind of thing. They do this dance in their “unis”, so their rowing unisuits, they’re like leotards but for rowers, and then they have those on, plus these you know, standard cowboy boots. And they get these as part of the gear, so they get their rowing suits, their leggings, their shirts, and a pair of cowboy boots. So they’ll dance in those if they do well, onstage. And it’s kind of exciting, kind of entertaining, but sad if you’ve lost, which I guess is part of the fun. 

Background: KP is a sophomore coxswain for The Ohio State University rowing team. After coxing competitively in Maryland clubs for four years, she was recruited to cox at Ohio, which she has now done for two years. The Ohio State University rowers are currently ranked third in their region for rowing by the NCAA (though those rankings change frequently), but are Division 1. Texas, while not Ohio’s rival (which is Michigan), they are seen as “good” (according to KP), and a serious competitor. 

Context: A couple of months ago, I received a text from KP after a competition, who was upset that her team lost to Michigan. When I asked why, she explained that the loss is particularly “sad” when Michigan, Yale, or Texas wins; Texas because “they dance with their cowboy boots when they win. Which is kinda awesome but sad when they’re line dancing on a stage and you just have to look up at them in sadness.” When interviewing KP for the Archive about folklore in rowing (via Zoom, as she is still on campus in Ohio), I immediately asked her about this tradition. She had watched Texas do their victory dance at previous competitions. 

Analysis: Texas’s victory dance is a way to celebrate their (Texan) identity, distinguish themselves from other teams, bond with each other, and also glory in their victory in a semi-taunting way. The addition of cowboy boots to their uniform apparel, a stereotypical “cowboy” attire, is a way of representing the University of Texas and distinguishing them from the other teams, who are dressed in an otherwise similar way (it is important to note that while KP has only seen the Texas team perform this dance wearing cowboy boots, there have been videos posted online where they do the celebratory victory dance barefoot or wearing flip flops). While line dancing is not exclusive to Texas (and in fact its origins are believed to be from European folk dances), there is a connotation that line dancing today is accompanied by country/western music and performed by cowboys or ranch hands (i.e., working-class people). This is interesting because rowing itself has often been viewed as an elitist/classist niche sport, as it is an incredibly expensive endeavor in which to participate (in a later part of our discussion, KP refers to rowing as “classist” and “pretentious”). However, after further research, I discovered that the Texas team’s dance is often accompanied by the song “God Bless Texas”, so in this instance, the rowers choose to align their identity with state nationalism, and as an extension, their school (University of Texas is part of the State System, which is a governmental entity). Furthermore, the older rowers teach the incoming freshmen the dance. In a video I found online entitled “Texas Rowing Dance Tutorial”, the sophomore rowers were teaching the incoming athletes the dance. This practice would normally occur in person, but due to COVID, this rehearsal was done over Zoom, recorded, and posted to YouTube. The dance then also serves as a ritualistic bonding between members of the group and is perhaps even an incentive for them to practice harder in order to win so that they can then perform the dance in front of an audience. Finally, KP found the dance to be “sad if you’ve lost, but I guess that’s part of the fun”. Historically, victory dances have been used to both celebrate a victory and antagonize the losing participants. KP finding the dance sad, so much so that she believes that losing to Texas to be a particularly upsetting loss, shows that the victory dance is also used to make their fellow competitors feel lower, therefore elevating themselves. The dance is performed on a stage during the handing out of awards; all of the teams are required to stay there and watch. The practice of line dancing by the University of Texas rowing team therefore serves to show both state and team superiority over their competitors.

Good Luck to Bleed on Designs in Fashion Industry

Nationality: Afro-Latinx
Age: 20
Occupation: FIDM Student in Fashion Design, Food Service
Residence: 2715 Portland St Los Angeles CA 90007
Performance Date: 4/13/21
Primary Language: English

This friend is a student studying fashion design at FIDM, and she often alters housemates’ old clothes or creates new designs when she doesn’t have schoolwork. She attends one particular class that requires she use a small mannequin and canvas to create fabric patterns.

Three females including myself were in the kitchen when I asked her whether the fashion industry has any superstitions. We held this conversation after a day of work, and we discussed other folk beliefs in the same sitting. The speaker said that it is good luck to bleed on new fashion designs because this means the designer put their ‘blood, sweat and tears’ into the piece.

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In the fashion industry, “It is good luck to bleed on things. Like if you’re pinning stuff on your body form, and you prick your finger a little bit, and you get like a little blood on like your costume or your design, it is considered good luck.” The speaker said that she had accidently done this while creating her own designs, and that she learned this tip from a female professor.

Designers are not supposed to bleed on purpose. Doing so ruins the sentiment. I asked if blood was still a good sign if the design were made out of expensive fabric, and the speaker said yes, that’s not a problem because blood is very easy to wash out with hydrogen peroxide and warm water.

The speaker said that this superstition meant a lot to her because she has bled on past designs and believes this helped make these projects successful. “It’s kind of like that statement, like I put my blood sweat and tears into this. So like, I can’t tell you how many countless nights I have cried over literal costumes, trying to get them done. And then when they come out amazing. Like, that’s how I know. Like, I can feel that good luck, because you know, you experience it.

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This speaker has struggled to get where she is now. She did not go immediately to FIDM after graduating high school, and she started her first year in Fall 2020. She has needed to share a room with an incompatible roommate, and she has needed to take up two food service jobs to continue working toward her passion even when is is difficult. I think the idea that blood as a symbol of struggle resonates with the speaker in part because she has needed to struggle to complete her designs.

New Clothes – Persian New Year

Nationality: Persian-American
Age: 79
Occupation: Retired
Residence: San Ramon, CA
Performance Date: April 18, 2021
Primary Language: English
Language: Farsi

Description of Informant

PK (79) is a small, frail woman with dyed blonde hair and piercing eyes. PK was born and raised in Abadan, Iran in an “Oil Company Family.” OCFs were families whose primary income came from the large British oil company in Iran. They were well compensated and taken care of, living in western-style homes in protected communities. Many OCFs were secular or subscribed to a western religion in favor of Islam. PK immigrated to England in 1976 before coming to America (California) in 1978.

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Context of Interview

The informant, PK, is cooking a traditional Persian stew (khoresh) while describing the custom to the collector, BK, her grandson. Text spoken in Farsi is translated and italicized.

Interview

BK: So you were saying, in the morning when you wake up, all your clothes are new?

PK: Yes, from underwear and beyond— now they say everything should be new. Everything new. It’s with the new year, new clothing, new everything. Now frankly if it has any other meaning I don’t know. But from childhood we would wake up [in the new year] with so much joy and mirth and we’d all change our clothes, from underwear to undershirts, everything. They would sew new clothes, you know? [In Iran] it wasn’t like now where you’d go shopping… you had to have your clothes made. “Khayat,” you know, tailor. Then, everything was new. Even a ribbon for your hair was new. Everything new.

BK: What would happen to the old stuff?

PK: Nothing. It’s not like we threw it away! We just… wanted something new. Then, all dressed up, we’d go do “Aideedani” [visiting people during the new year].

Collector’s Reflection

With the strike of the new year, PK’s family would immediately change their clothes. Often, the clothing they changed into had been sewn specially for the occasion. It was not essential to change your entire wardrobe— that would be wasteful. But it was important to begin the new year fresh, and clothing was a part of this. You wouldn’t only wear a new t-shirt and shorts, though. Men would dress in tailored suits, women would adorn themselves in fresh jewels.

This tradition has evolved as the world has Westernized. Persian-Americans often go on a shopping spree on or prior to the new year to stock up on fresh clothing. The time aligns with the American tradition of “Spring Cleaning,” so while in Iran one wouldn’t toss their old garments, today it’s much more “out with the old, in with the new.”