Tag Archives: luck

Karma Points

Text:

Karma Points

Minor Genre:

Superstition; Ritual

Context:

“I believe in karma. Even if someone is justified in stealing or doing horrible stuff, I could never do it because I am superstitious of the idea of karma. Even though I see so much cruelty in how people act, whether that’s on the news or politically or whatever, I still can’t bring myself to do anything horrible on purpose because I believe in it coming back to me in some sense.

“As part of my belief in karma, I believe also in ‘karma points.’ Every time I see a piece of trash I pick it up now. I got used to feeling like it’s bad karma if I lock eyes with a piece of trash on the floor and don’t pick it up and just walk by it. Every time I look at one and register it in my mind as a piece of trash, I have to go grab it and throw it away in the trash can, which gives me a positive karma point. This superstition started in the beginning of 2024. I don’t know exactly why it happened, I just picked up the trash and it transformed into the superstition it is now.”

Analysis:

It is interesting to consider how the larger concept of karma translates into every-day actions in the informant’s life, and what that says about the idea of karma as a whole. If, for example, a person convicted of murder was considered to have a low level of karma, by the informant’s logic, they could work to restore their karma by picking up pieces of trash. This is an extreme example, but it goes to show that superstitious rituals often defy logic; routinely picking up trash would not make a serial killer a “good person,” but it may have a greater positive impact on an average person. The next logical question in such a perspective is then: at what point is someone’s poor karma irredeemable by small actions?

The idea of “karma points” therefore poses interesting philosophical considerations, but it can also be examined in a psychological context. The compulsion for the informant to pick up a piece of trash every time they lock eyes on it may be suggestive of a disorder such as OCD. While the inability to suppress an obsessive urge is a symptom of OCD, it is also a common experience for people who consider themselves superstitious; they will go to great lengths to avoid taking an action that they believe will bring about a negative outcome in their life. Ritualistic superstitious actions “dig the hole deeper” for the person who engages with them; as one gets in the habit of taking a specific set of actions, they assign more emotional significance to it and therefore become less likely to disengage with the superstition.

Break a Leg Ritual

Text
“So this is like the traditional ‘break a leg!’ before a performance, because I’m a theater major. But before any type of performance, instead of just saying ‘break a leg,’ the performing group that I grew up in since I was a kid to high school, we always would say ‘break ALL your legs.’ As like a way of saying ‘you’re even gonna do better than just break a leg, like you’re gonna have a phenomenal performance.’ And then we would- I don’t know how to explain this properly, but we basically lock our pinky fingers together, and then like, bump each other’s hips, each hip twice, and then like, spin, like, turn with our arms. And I was like- everyone in the group that I grew up in performing did this, um, and was incredibly superstitious about it. It was a thing of like, even if you were called to places, you would run backstage to the other side of the stage to find the other people in the cast to do it to. Because it was an incredibly, like, you HAVE to do this. Like, if not something’s gonna go wrong. Um, and so I was incredibly superstitious about it. Like if I didn’t get the chance to do it to everyone, I, like, I was not comfortable on stage and I was like ‘something’s gonna go wrong, I’m gonna mess up, just it’s not gonna be the performance I know it can be.’

And now that I’m in college and I’m not part of this performing group anymore, I still carry it on. Um, especially with this one, like, performance group I’m part of. Backstage before every show that I’ve started since freshman year doing, I teach it to like anyone who’s new in the group, and I do it with as many people in the cast as I can do, and I even like, explain the story of it to people, like ‘this is something I used to do in my past performing community that I was a part of, and we’d say break all your legs,’ and I teach it to them and then like, they go on to do it to other people in the cast and explain it to them. So it’s something I’m like carrying on and spreading to other people.”

Context
C is a current student at the University of Southern California and grew up in Palm Desert, California. She gave the context that she had been part of the same local theater group for her preteen and teenage years until coming to college. When asked to elaborate about some of the logistics of the ritual, C explained how the ritual would be done between two people in the cast, with the goal of everyone in the cast eventually doing it with everyone else. She also stressed the importance of performing the ritual as immediately before the beginning of the performance as possible. She also described how different people in her original group believe in different degrees of consequences for not performing the ritual with everyone in the cast; while some people think it is not strictly necessary, many, including C, believe that there will be “severe and immediate consequences” during the performance for not doing it with everyone. Finally, C explained that, while she is not sure when the ritual began, allegedly everyone who her director had worked with had a similar kind of ritual, which leads her to believe it stemmed from him and evolved to what it is today.

Analysis
As C acknowledged, this tradition takes a widely-known example of theater-specific performative speech and adds an additional physical element as added superstitious behavior. I would say that this ritual combines elements of homeopathic and contagious magic. By believing that not performing this ritual correctly induces bad luck, this theater group exhibits the ‘like produces like’ belief behind homeopathic magic; however, the contact required for the ritual, perhaps to ‘share luck’ amongst the cast, suggests that the connection between two cast members lingers after contact, which is characteristic of contagious magic. There also seems to be an added dimension of promoting the group’s strength and unity; by requiring everyone in the cast to perform this bad-luck-warding behavior together, it reinforces the idea that the group is stronger together. Ultimately, I think this ritual is a perfect example of the multiplicity and variation that is often said to be a core component of folklore, and I would be interested to see if/how this ritual changes after its introduction to USC theater spaces.

“Bread and Butter” (Splitting the Pole)

• saying/banisher of bad luck

Many people subscribe to the superstition that “splitting the pole,” or in other words, walking on two different sides of a (usually tall and inanimate) object, i.e. a pole, is bad luck–sometimes promising a split in the pair’s relationship, poor fortune, or even death for one or both parties, according to different beliefs. 

Of course, for various reasons, sometimes it is impossible for two people to avoid splitting the pole, in which case one of them must say “bread and butter” to undo the bad luck. This is presumably tied to the idea that splitting the pole will cause the two to separate in some way, and butter can’t really be separated from bread once spread. 

While there is limited written documentation/proof, because the superstition around splitting the pole seems to have originated among Black Americans, many point to the context of slavery, the life-or-death need for enslaved people to stay together and seek protection in numbers, and the ever-present threat of external parties dividing them from loved ones. 

However, “bread and butter” makes even physical separation powerless, restoring the protective powers of community, especially in travel. 

Chinese New Year Festival Foods

Context: AT is a 22 year old student at USC. Her family is Taiwanese, and they celebrate Chinese New Year by cooking a variety of specific foods. AT listed these for me, along with the reasons behind why.

Text: “For one, we eat fish, because in Chinese, there’s a lot of words that sound the same and fish sounds the same as wealth. There’s a saying that every year you get more fish, you get more wealth. We also make this like fortune? cake? Or prosperity cake? It’s called fa gao, you can look it up. We make it because the word for fortune sounds like the word for rise, like bread rising. It’s really good! There’s also sweet rice cake, because it’s sticky, and the word for sticky sounds the same as the word for year. Oh, and of course, dumplings, because they look like the old fashioned coins or like ingots of gold they used to use. Let me think… oranges too, because one of the ways to say the fruit orange sounds like the way to say good luck”

Analysis: AT gave me a list of foods, all that are made and eaten due to a perceived relationship with something they sound or look like. The choice of food seems very sympathetic-magic based, specifically homeopathic magic based. Since the word for the item of food sounds like the word for another preferred item or outcome, engaging with that imitation is thought to produce said item/outcome, in this case, producing fortune in the form of money or in the form of luck. Making a food that either sounds or looks like luck/fortune is equated to making luck/fortune for oneself.

A Lucky New Year

“At the beginning of every new year, my mom and dad put an item related to school in front of Ganesha to bless my brother and I for the year to come”

At the beginning of each year, their parents pray and place an item, usually dealing with education, in front of Ganesha, one of the most worshipped Hindu deities or gods. In Hinduism, Ganesha is associated with success and removes obstacles in one’s life. This is done to bring blessings to the kids for the new year and to bring success and well-being into their lives. For her, her mother places textbooks and a student ID in front of Ganesha. Education is considered to be extremely sacred in Indian culture, specifically for her family. Education, and objects pertaining to it, are symbolic of her whole life “in the eyes of Ganesha” and seen as a sacred pursuit, thus the obstacles on this path will be removed. She also emphasized that it is a ritual and tradition she will carry on for her own family as well.

My first interpretation of this tradition was that it would bring good luck and success into their educational journey, and while that has an aspect, it also encompasses practically their entire life, rather than just the education portion. Due to the importance that education has in Indian religion, it can be seen as one of the more important factors to put blessings into. This ritual was learned through the Hindu culture, demonstrating that something like textbooks can be considered a folklore object, and the act of placing them as a gift for a deity is a folklore practice passed down through families and communities. While folklore is often word of mouth stories and myths, it can intersect with religion and the culture that surrounds it, in this case Indian culture. This practice connects her and her family to their heritage just as folklore intends to do, additionally with the prayers spoken by the parents have been passed down through their ancestors, continuing on today.