Tag Archives: nature

The Pig Man

Nationality: American
Age: 20
Occupation: Student
Residence: 530 W. 28th st. Los Angeles
Performance Date: 03/25/23
Primary Language: English

Text: “I actually got told this story while I was in the cabin–this was Cabin 2. The story is before it was Cabin 2, the place was a pig pen. Some guy came to the island and he killed one of the pigs, and he like carved out the pig’s head and made a mask-like thing, and like lived on the island and killed people on the low. It sounds pretty fried, but I lived in the cabin probably when I was like 10 years old, and I was told the story in a very scary way and I was sitting in my little bet like ‘dude, fuck, like this is crazy.’ In the moment this stuff is very scary. When you’re at this camp, you don’t really have your phone, so when the counselors tell this stuff that they’ve told a million times, they tell it very well and there’s no other authority to check the story against.”

Context: My informant, NR, told me this story while we sat together and played NHL while listening to house music and eating frozen yogurt. This was a pretty ideal storytelling setting. He first heard this story as a middle-school-aged camper at a sleepaway summer camp in New Hampshire, and was scared by it at the time. He interpreted the legend as the crux of a practical joke that counselors enjoyed playing on campers. 

Analysis: I believe NR’s legend bears elements of practical joking in that it is leveraged by an ingroup, the counselors, to display the ignorance of the outgroup, the campers. The legend’s employment of elements that could potentially exist add credibility to the horror factor and play upon the ignorance of youth to frighten children. NR also emphasized the credibility of the storytellers, emphasizing that he defaulted to believing their account because he lacked a method to investigate other possibilities without his phone. The Pig Man’s employment of the mask also creates a fear factor, as anyone wearing the head of a dead pig would appear frightening, certainly in American culture where people are far removed from the slaughter of animals and death of animals in general. This legend can tell us about summer camp culture, in which authority is valued as well as respect for the surrounding land, which is often unsupervised and can be dangerous for a wandering child. In that spirit, the legend also plays a cautionary role, encouraging campers to stay vigilant in nature–the closer a camper is to being alone in nature, the more the camper will think of the Pig Man and desire a return to safety. I additionally believe that the death aspect of the legend taps into the childhood interest in death as a taboo topic. 

The Outpost

Nationality: American
Age: 20
Occupation: Student
Residence: 720 W. 27th St. Los Angeles
Performance Date: 03/25/23
Primary Language: English

Text: “Alright so basically it was like, so my sleepaway camp was on an island in Lake Winnipesaukee, New Hampshire and it’s like an all-boys camp whatever but basically the camp is all centered around this island and it’s all kinda in this one area and there’s this path you can take through the middle, and at the end of the path is this place called ‘the outpost,’ which is basically a little hut with a bathroom, it’s got a fire pit for camping and stuff–you could spend the night there if you didn’t want to sleep in the cabin, like people did cabin nights there. And so basically only older kids really spent the night at the Outpost, but there were these things called cabin nights where you go with your cabin and basically like post up at like a little beach along the island or play hoops for a while or you could like do random shit honestly-go swimming maybe. You’d camp out with marshmallows and do all that stuff. Basically older kids who could go to the outpost started the story, and essentially it says there’s a murderer in the outpost bathroom. All these kids are out camping, and this kid asks to go to the bathroom and basically gets like stabbed and like blicked. Nobody knows where he is after a while, but the counselor lets another kid use the bathroom–other kid pulls up, gets stabbed, whatever, blicked. At this point the counselor is like ‘yo what the fuck is going on.’ So two kids blicked, blood everywhere. Someone else gets blicked, then they run back to camp super far. One of the guys who works in the office, his dad owned the camp, and he grabbed a gun and killed the guy. It’s really scary when it’s told to you as a kid around a campfire at the outpost.”

Context: My informant, NR, told me this story while we sat together and played NHL (hockey video game) while listening to house music and eating frozen yogurt. This was a pretty ideal storytelling setting. He first heard this story as a middle-school-aged camper at a sleepaway summer camp in New Hampshire, and was scared by it at the time. He emphasized the combination of his youth, the campfire setting, and the storyteller’s authority as elements that enhanced the fear factor of the legend. As explained in the text, the camp was all-boys and the legend revolved around a remote location on the property known as the outpost, at which cabins (groups of campers) would sometimes spend the night outdoors. The legend is traditional at the camp. In hindsight, NR interprets the story as a classic scare-legend, told to encourage adherence to the ‘buddy system’ and to scare younger children. 

Analysis: In my interpretation, the legend of the Outpost offers insights into summer camp and childrens’ culture, particularly through the classic campfire-horror trope. A few dynamics at play make the legend material to the young NR. For one, his youth relative to the storytellers enhances their credibility and thus the plausibility of the legend. In the days of early adolescence, age plays a major role in credibility–this legend is most popular/effective with young children, reflecting this truth. Also, NR’s unfamiliarity with the area adds to the legend’s effect. While he was a regular camper, the Outpost region was still not completely familiar to NR, which can create gaps in understanding that are prone to being filled in with horror legends such as this. In this case, his fear of the unknown, already exacerbated by the campfire setting, became manifested by the legend of a murderer who lived in the Outpost, reflecting a classic youth’s outlook on reality. On the flip side, I view this legend as a practical joke played by counselors on campers and as a cautionary tale leveraged to ensure safety. However, contrasting with many uses of practical jokes, I do not view this necessarily as a rite of passage or an initiation ritual–I believe it is more just a tradition that the camp can collectively identify with. Due to the temporary nature of the camp experience, there is no investment in seeing the children on the other side of understanding the reality of the story. 

The Bunyip

Nationality: Australian
Age: 20
Occupation: Student
Residence: 530 W. 27th st. Los Angeles
Performance Date: 04/01/23
Primary Language: English

Text: “When Europeans first came to Australia they were worried about the native people–they did not really understand that it was a foreign place. There was a thing according to native Australians that would hang out in watering holes and billabongs called the Bunyip, and apparently it was some kind of water monster. There is no consensus description of it–some people say it looks like an ape, others say hippo or octopus, there’s a lot of variety. It’s mainly a thing in the northeast, because that’s where a lot of rivers and watering holes are. You don’t hear as much about it in Western Australia, but people still know what it is. The idea is if you go in the water, it will drown you or kill and eat you. I first heard it when I was very little from my parents–I mean there’s books about it and stuff too.”

Context: My informant, TC, communicated the legend of the Drop Bears with me and our other two roommates as we cooked a feast on a Saturday afternoon. This is a common setting for storytelling in our apartment. He first heard this story from his parents at a young age. TC’s relationship to the legend is closely intertwined with his age and maturity–as a very young boy, he believed in and feared the Bunyip, but as he aged he overcame this fear and has come of the age that is responsible for passing the legend down to younger generations. He interprets the legend as a regional cautionary story and as an entertainment piece for believers in the obscure. 

Analysis: In my interpretation, the legend of the Bunyip offers insights into both the Australian outlook on reality and into the historical attitude of aboriginals about Europeans. Nature in Australia can be particularly fatal to unprepared individuals, so it was no surprise that children are often the target audience when the legend of the Bunyip is told. Its aboriginal origin, however, does leave some room for interpretation–to me, it is unclear whether natives simply told Europeans about the Bunyip just to share culture, or if they were looking to play a joke or ward off unwelcome settlers. That being said, similar to Oring’s estimation of in-group folklore, I interpret this legend as a show of local knowledge relative to outsider ignorance–to an unfamiliar European, after seeing some of Australia’s unique wildlife, it would not be outrageous to believe a local explaining the legend of the Bunyip. This legend also highlights the Australian attachment to nature as the Bunyip inhabits watering holes, which historically have been crucial to survival for groups living in drier areas; the dangers of the legend indicate a great respect for the natural world and its power over humans. 

The Drop Bears

Nationality: Australian
Age: 20
Occupation: Student
Residence: 530 W 27th St. Los Angeles
Performance Date: 04/01/23
Primary Language: English

Text: “The Drop Bears are essentially mutated Koalas that have developed a taste for flesh, so instead of eucalyptus leaves, they eat animals. So they climb up into the biggest trees in the forest, so you never go walking in the bush alone because otherwise the drop bears will get you. They essentially drop down from the heights and land on you and knock you out and then eat you. It’s like a mutated Koala. I think the whole point of it is to prevent people from walking alone in the bush because it’s so dangerous. There’s like snakes, spiders, you name it. It was created as a myth to scare tourists, which is the funniest bit about it. It’s not like a major regional thing or a time thing, it’s just kind of like clowning people who are not that familiar with the notion. If someone was gonna go to Australia, and an Australian asked where they were gonna go, after the person replies the Australian would warn the tourist about the drop bears. It’s basically a giant joke that all the Australians are in on and everyone else is out on. I first heard it when I was young, one of my first times seeing a Koala.”

Context: My informant, TC, communicated the legend of the Drop Bears with me and our other two roommates as we cooked a feast on a Saturday afternoon. This is a common setting for storytelling in our apartment. TC first heard the legend from his parents at a young age, on one of his earliest Koala sightings, which he cannot clearly remember but guesses was on a safari. As an Australian, TC is in on the joke and is aware that Drop Bears are not real creatures, so he might be an active bearer who re-tells the legend to unsuspecting tourists or youth in Australia. My informant interprets the legend as both a caution to people considering going into nature alone and a joke to be played by Australians on non-Australian tourists. 

Analysis: I interpret this legend pretty closely to how TC interprets it. It was immediately clear to me that this story could be used in a cautionary sense to prevent children (essentially the believer population) from wandering off alone into the wild, which, with or without Drop Bears, can be very dangerous, especially in Australia. The implication of nature as a dangerous place highlights a cultural respect for nature, and the recommendation of traveling with at least one other person suggests an appreciation for companionship, whether out of amusement or out of necessity. The practical joke aspect of the legend, however, certainly caught me by surprise and added some interesting depth to the folklore–the Drop Bears are essentially leveraged by locals to display the ignorance of tourists, similar to examples from class like anchor watch in the Navy or the left-handed screwdriver. Tourists are arguably in a liminal space and definitely in a foreign space, so, in the same vein as van Gennep’s take on rites of passage, the opportunity for practical jokes as a ritual is ripe. Once the tourists have been joked on and understand the reality, they too can be initiated and tell jokes. I believe this legend gives insights to the Australian outlook on reality; I estimate that its functions come from a strong sense of national identity, pride, and humor in Australia, particularly to do with its famous wildlife and nature which can be difficult to navigate for outsiders. 

Tayoon: A Botanical Blessing

Original:

طيون

Transliteration:

Tayoon

Translation:

There is no translation

The informant is a family member of mine that has lived in Lebanon for the entirety of her life and has grown up learning the significance of certain rituals and traditions with the world around her. 

Medicine:

The informant describes this medicine as a plant that is seen very traditionally “in many Arabic or Lebanese homes”. Although the plant has an original term and transliteration, it does not have a direct translation to the English language and is “similar to the leaves grown on herbal plants”. The plant is used to heal most wounds that include “deep cuts, scrapes and other physical injuries that required care” and is done by cutting up the leaves and making it into a “paste-like texture” and rubbing it into the wound. She states that it must be wrapped on the wound and left with no other ointments or medications as it is said to “clear the wound of any bacteria and also help it heal with the nutrient provided. The elder of the family, “usually my grandmother” my informant states will usually rub the plant into the wound and say a religious prayer to accompany the physical healing for general health and prosperity.

Context:

Although it is believed to have physical healing properties similar to aloe vera, it also holds religious significance as the plant was believed to have been the “Arabic blessing from god onto [their] gardens.” This is due to the plant not being seen anywhere besides the Levantine region and is seen as a gift that is only presented to them with its supposed healing powers physically and religiously. It is seen in most elders’ gardens as it was believed to have been the most “beneficial plant for bodily treatment”. The religious prayer was usually from the Islamic book, the Qur’an and would denote speeches from there to “help the kids who get hurt from their everyday activities”. The informant states that “it was important for me to do the same for my children and grandchildren because I still believe in this plant’s medicine and how god will listen to us” conveying its importance on her family and bloodline.

Analysis:

The plant is seen as more than a healing alternative to modern-day medicine as it seems to be still used to present the significance of culture on the healing and growth of children who get hurt and are treated with this plant. Religiously, the implications of the medicine being a gift from god allows the elders of the family to be seen as authority figures performing the acts of god on the children, healing and removing their worries from a situation through the use of plants grown in their garden. This blessing of the medicine in Lebanese culture plays a larger role as my informant still believes that it is the most suitable for most cases of harm, presenting it as a sort of ritual. It signifies the transferring of culture from one generation to another as she still uses it today on her grandchildren whilst teaching them the benefits. The life cycle of a plant may also be used to depict the human life cycle as it is also religiously associated and presents connotations of healing, allowing younger generations to feel connected to this certain folk medicine for the rest of their lives and offering them protection.