Tag Archives: parody

Lead a Snot — Our Father Parody

Nationality: American
Age: 52
Occupation: Lawyer
Residence: Chicago, IL
Performance Date: 4-6-19
Primary Language: English

Text

The following piece was collected from a fifty-two year old Caucasian man from Chicago, Illinois. The man is Irish Catholic. The man will hereafter be referred to as the “Informant”, and I the “Collector”.

Informant: “When we were in Mass, my siblings and I would say our own version of the Our Father.”

Collector: “How did it go?”

Informant: “Our Father who art in heaven, hallowed be thy name. Thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread, and forgive us our trespasses, as we forgive those who trespass against us. And lead A SNOT into temptation, but deliver US from evil.”

Context

            The Informant learned that funny version of the prayer in a Catholic grade school. At the weekly Friday Masses, the children would come up with all kinds of ways to keep themselves entertained. He remembers this version because he claims it “always made [him] laugh”. While he claims he doesn’t believe only snots should be delivered to evil, he does believe it speaks a little truth about people getting what they deserve.

Interpretation

My first reaction to this piece was to laugh out loud. I am very familiar with the Our Father prayer, as I am Catholic as well. Hearing it told in a child’s way, from a grown man, was very funny. But I also believe he was right in making the point that it goes to show a little that not everyone can be forgiving. The original line is “lead us not into temptation, but deliver us from evil”. In the satirical version, the prayer points out to actually deliver the snots – the brats, the people who deserved to be punished – to evil. I thought this showed the flip side of the same coin – people can be forgiving when it suits them, but when they can conversely want people to pay for their sins.

Risque Hokey Pokey

Nationality: American
Age: 19
Occupation: College Student
Residence: Los Angeles, CA
Performance Date: April 10, 2018
Primary Language: English
Language: n/a

“There’s this song called the hokey pokey, and you kind of do it with your friends in a circle, usually at a party. You basically go along in the lyrics and they go (she pauses for a few seconds to recall the lyrics), ‘You put your right hand in. You put your right put your right hand in, and you shake it all about,’ and you keep doing that with each arm, leg, and after that you can start, like, doing different things, like you could do your butt, or you could do your nose (she pauses to think of other examples). There is a specific order you’re supposed to go in, and you’re supposed to go right hand, left hand, right foot left foot, head, butt, and then whole self, but usually if you’re with friends you’ll start shouting out really stupid things, like your elbow, etcetera, and there are risqué versions where people shout out stupid stuff.

Background Information and Context:

“[You play while] gathering with friends, and it’s a really big cultural thing. It’s like one of those [games] that everyone knows. Everyone did the hokey pokey, and it’s really easy to join in because you learn it when you are really young. The first time I did the hokey pokey was in elementary school, like first or second grade, but last year I was walking with my friend, and I said, ‘put your left hand in and shake it,’ but then she started doing it, and then I joined in and another friend joined in. We were just standing outside New North doing the hokey pokey, but we did the risqué version because, you know, college students are stupid.”

Collector’s Notes:

I was surprised to hear about the hokey pokey not once, but twice while collecting items for the folklore archive. I hadn’t heard of anyone doing the dance since I was in elementary school and did the dance, myself. I was even more surprised to hear of a risqué version of the dance given the childish connotations I had with it. Thinking about it now, this parody is not too different from those one will find of childhood shows on YouTube, adapting original material for a more sexual connotation. The purpose is usually humor, and the act of doing a risqué version of any childhood activity could be considered a coming of age of sorts. It is significant that, here, at college, one can engage in content that was once taboo, and there is no parental or teacher supervision that can stop that.

Religious ‘Crossing’ and Pre-Performance Chant Parodies

Nationality: American
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: 4/3/2015
Primary Language: English

Informant (“A”) is a 19 year old, female from Rancho Santa Fe, California, and attends The University of Southern California. She is a Human Biology major. She is of European descent and her family includes her mother, father, and older brother who attends college in Texas. Informant has studied ballet for 17 years, including work in a professional company.

A: “…Now this one is going to sound really weird but recently there was a production of ‘A Funny Thing Happened on the Way to the Forum’ and there was this kinda offensive song sung in it.
This sort of got turned into a backstage chant, and like I’ve also heard other people do this too. We all huddle in and whisper this ‘We’re gonna rape, kill, pillage and burn, we’re gonna rape kill pillage and burn, eat the babies’. We say this multiple times getting louder each time until all of us are full on screaming it backstage. You know how people can like to scream vaguely offensive stuff, but its not that bad to us because we all know where it’s from. Then right before I go on stage I’ll do like a cross, you know the like Catholic one. I’m not really religious but I’ve been doing it for years. I think it started when I did a really hard solo and it had that cross in it. It basically tells me that I’ve done all I can and now I just have to perform. It’s another aspect of getting mentally ready, because so much of performing is about being physically but also mentally on your game.”

Analysis: The crossing seems to be a sort of parody of superstition. It may be an attempt to ‘use’ a previously accepted superstition in a socially accepted way or to comically parody their own use of superstition before the performance.
This backstage chant seems to be a sort of ‘trust building exercise’ that uses both humor and chanting to reinforce a sense of community. In high stress situations like ballet performances, such reinforcement likely serves to cater trust in other dancers, as the difference between an effective performance and a mishap could rely on other dancers.

“I Believe I Can Fly” Parody

Nationality: Pakistani-American
Age: 19
Occupation: Student
Residence: CA
Performance Date: 3/06/14
Primary Language: English
Language: Urdu

The informant is a college-age male whose parents are both originally from Pakistan. He has lived in Southern California all his life, with frequent trips to Pakistan to visit extended family. Although he graduated from a public high school, he attended a private Islamic elementary school until the third grade. He says there were Muslims of many backgrounds at the school, and one of his friends (who also happened to be of Pakistani descent) used to sing this as a joke during rehearsals for school programs. It is a partial parody of a once-popular song by the artist R. Kelly.

I believe i can die

I got shot by the FBI

My momma hit me with a chicken wing 

All the way to Burger King

 

Analysis: The informant (and, according to him, his other friends and classmates) always thought the song was funny, both because “the original song was about how, you know, you can do anything if you try hard and believe in yourself, and like… not letting your fears get in the way of…getting your dreams or whatever. And then it’s like, oh, I got shot by the FBI and my mom hates me…So, that was funny;” and also that the friend in question was also a bit of a troublemaker, so the just the fact of him singing the rather inappropriate song when he was supposed to be singing a school song, “made it even funnier” to the informant.

From a more objective point of view, the elementary school attended by the informant was located in South Los Angeles, which has a high population of African-American residents. It is quite possible that this parody was learned from neighbors or friends who were African-American, as it seems to give voice, through humor, to anxieties about dangers which are uniquely part of the reality of African-Americans in South LA–that is, being “shot by the FBI” or otherwise victimized by members of potentially racist law enforcement or the government. It’s also a very stark contrast between the original song’s message of hope and inspiration and this version’s obvious (justified) pessimism about American society. On the other hand, the second and third lines seem to include stereotypes about African Americans’ supposed fondness for fried chicken and fast-food and their strict parenting style.

An online search reveals that parodies of this song are common among African Americans from LA to Pittsburgh, revealing how far and wide the common anxieties of this minority group spreads.

Fraternity Initiation – Pledge Plays

Nationality: American
Age: 83
Occupation: Businessman - retired
Residence: Glencoe, Illinois
Performance Date: 4/10/2013
Primary Language: English

My informant attended the University of Chicago during the 1940’s and early 1950’s, and was a member of the Zeta Beta Tau, or ZBT, fraternity.  While fraternity life was different than it was at other universities and certainly is different now, they had one initiation ritual in particular that my informant remembers.  After they had become fully admitted into the fraternity, the pledges had to put on a play where they got to parody the older members of the fraternity.  Each older member had to be represented at least once during this play.  Also instead of hazing rituals, the pledges had to do tasks around the house like cleaning and other chores.

Personally, I find it amazing that the USC Trojan Marching Band, or at least the alto saxophone section of the TMB, has this very same ritual.  At the end of the Weekender trip, which is the away game against either Cal or Standford depending on the year, the freshman are tasked with putting on sketches about the older members of the band.  Every older member must be represented at some point, which often means that some freshman must pull double duty and do two skits.  The fact that a tradition so similar is still being practiced 60 years later tells me that this tradition is at least somewhat universal.