Category Archives: Folk Beliefs

Navaratri

‘Every year for 9 days my family celebrates a festival called Navaratri. My mom (especially where she’s from in South India, a town called Chennai) has a ton of dolls that she puts on steps in our house called ‘Golu’ to tell stories. The steps are basically a showcase of stories of all the Hindu gods. Some people have really small steps and not many Golus, but my mom loves to go all out… The festival involves Pujas to celebrate the goddess Durga who is practically the mother goddess Mahadevi. She is known for protection and motherhood. Durga is celebrated for 9 days and nights because we’re told she killed the demon Mahishasura.’ – HP

HP has grown up celebrating Navaratri ever since she can remember. She enjoys celebrating this festival, as it’s a time where her friends and family come over to eat and talk, celebrate and do a puja. They gather around to see all the dolls. When she was younger she loved to see the different stories her mom would create with the dolls and put on the steps. Every time she visits India, her mom always buys a new doll for the Golu, so throughout her life, she has accumulated many. She wants to carry out this tradition for the rest of her life and share it with her own loved ones and future family. Its a way to show creativity with faith.

A photo captured in HP’s home of the Golu and dolls during Navaratri

Navaratri is a festival full of culture, heritage, and faith. The festival encompasses many prayers, customs, rituals, and incorporates countless folk beliefs, gestures, and storytelling. This festival includes many folkloristic properties. The stories told from the Golu and to the family and friends who gather around spread and share the heritage and ancestry important in the Hindu religion. Furthermore, many storytellings of Hindu faith, such as about the Gods and Goddesses, are shared, allowing for the audiences to continue to spread these tales, just as HP has done with me. This festival allows for Hindu creativity to bloom and be on display for any and all visitors. HP reminiscing on her past Navaratri holidays show that importance and especially the endurance of this ritual in her life. Additionally, her desire to continue these festivities with her future family encapsulates folklore and its inevitable spread of culture and heritage.

No Marriage After Death

‘It is a Hindu custom (based on what my mom says) that you are not supposed to get married within a year of death of a close family member. That is a time of mourning. Also, after one year, you basically have another funeral called the Last Rites. When my dad’s mom died my parents couldn’t get married that year even though they met 10 months after she died and were engaged.’ -HP

While HP has never had to partake in this custom, she recognizes that it is an important custom of Hindu culture. She believes that it brings unity to the family before bringing in someone new. This custom is centuries old in Hindu faith.

My first impression of this custom was surprise at how the Hindu community respects and remembers loved ones that have passed and allow a period of mourning. Refraining from such celebrations, like a wedding, allows those involved to grieve and truly acknowledge the loved one who passed away. I think that this is a very sensitive and beautiful way to show honor to the departed, as they refrain from any activities that may take away from the impact the person had. Additionally, the celebration of the Last Rites practice, being common in Hindu tradition a year after death, feels like a final remembrance and closure for all. These customs are from traditional beliefs, many of which probably sprouted from folk practices throughout the history of India and Hindu culture. Folklore also encompasses cultures and beliefs, sharing this in common with these customs. It is also evident that HP and her family learned these rituals from ancestral sources; practices that have been learned, taught, and passed down through generations, just as folklore is known for.

The Lost Dutchman

‘ This story is a true folklore story, at least for Arizona, and like all folklore, at least I believe, it has molded and changed over generations. This is the permutation that I learned and now recall… which is certainly probably not even close to the original form of this tale. In Arizona, back in the mid-1800s, there was a miner, a gold miner. This takes place in an area called the Superstition Mountains, directly east of Phoenix. Beautiful red rocks with huge buttress cliffs. On the north side, there is a place called Weaver’s needle which is a huge spike of sandstone sticking out of the desert. When the Apache’s lived in this area, there was a Dutchman and his partner… he was German and not Dutch, but back then everyone referred to Germans as Dutchmen. The Dutchman was portrayed as being an old, grizzled man with a long beard and a mule or donkey with saddle bags and a pickaxe. They were out prospecting for gold, and the Apache were living in this area. The Dutchman and his partner had gone into this area that the Apache considered sacred… a sacred burial and hunting ground. No one was supposed to go in there, but the Dutchman and his partner did. They found gold and created a gold mine. At one point, he and his partner brought out a few of the gold nuggets to have them assayed and confirmed that it was real gold, not fool’s gold. It turned out to be 100% 24 carat gold… so they went back to the mine and began mining out all of the gold. They buried the treasure nearby and took as much as they could. The legend has it that the Apache found out about this and killed the Dutchman and his partner for invading their sacred lands. The Dutchman and his partner never told anyone where this mine was, and awhile later, the remains of the Dutchman was found, but never of his partner… The idea was where was the mine? So, legend has it that the mine was found within the shadows of weaver’s needle. We don’t know if its morning shadows, evening, afternoon… For many years, people would go searching for the gold mine and treasure, and often when the prospectors got close to finding this mine, they mysteriously disappeared. The Apache would tell no one what truly happened… that they know nothing about this… but hundreds of people went missing. The legend goes that the ghosts of the Dutchman and his partner would kill and hide the prospectors when they got close to the gold.’ – PB

When PB was growing up, him, his brother, and his dad would go hiking and camping all around the Superstition Mountains in Arizona. His dad would tell them stories about the lost Dutchman… PB recalls that he cannot remember if they were the stories his dad learned growing up, or perhaps they got mixed up with stories he had mixed ups from the tales told during campfire nights with the scouts. PB’s dad would tell him this story whenever they would go camping in the shadows of Weaver’s Needle, and of course PB would get up to go look around for the gold mine. He grew up learning about this legend, and everyone in his scout group did too. He would often tell and recount these tales on hikes and around the campfires with his friends while being at the Superstition mountains.

While I have been to the Superstition Mountains many time growing up, I had never heard this legend before, but I knew of many ghost stories surrounding the history of the Native American peoples who lived in this area of Arizona. This piece of folklore fits well into the oral tradition that much of folklore embodies. This tale has been passed down throughout diverse communities for over a century. It combines cultural beliefs and important historical characteristics allowing for the imagination of story tellers to further spread and most definitely adapt this tale, as PB recalled his version is most likely very different from the one he heard decades ago, and especially from the original narrative. This legend also uses the supernatural to provide moral understandings for the disappearances of many and the cultural significance of the land. This piece of folklore has been an integral part of the folklore surrounding this part of Arizona, and the seemingly well-named Superstition Mountains. It is a tale I will now pass through to my peers and family when going back to visit this beautiful desert.

Apache Tear Mountain

‘ In Arizona, there is a mountain called Apache Tear Mountain. Back in the mid and late 1800s, the Apache people lived around this mountain. They were peace-loving and wonderful people. They raised their families in this area, but at one point, the Apache that lived around there went to war with another Native American tribe. The tale goes that the warriors of the Apache tribe met and fought the other tribe on top of the mountain. They fought and fought and fought… Many warriors of the Apache tribe were killed. At the end of the battle, the wives and daughters went to the top of the mountain and saw their family members… grandfathers, fathers, uncles, and brothers… dead from battle. The women wept and cried, and as they cried their tears fell down the mountain and turned to beautiful black glassy stone which then turned into obsidian… the Apache tears.’ – PB

Growing up, PB and his dad would travel to Pima, a town in central Arizona. It was on this drive his dad would always remind him of this legend that many people in Arizona know and share with others. His dad learned this from his father, who was actually a miner in central Arizona, mining silver, copper, tin, and manganese. PB remembers when he would travel to Apache Tear Mountain, he would ask for Apache Tears and would be brought beautiful black stones, stones of obsidian. He even went into the mountain on hikes and trips, and recalls that when he would dig in the soil, it would unearth even more beautiful obsidian. While he learned this from his father, PB has also shared this tale with his own family and children, taking them to the exact spot he grew up going.

This legend was told to me as a child, and has been a story I share with friends on road trips throughout the Arizona deserts. This piece of folklore follows many of the trends that lore is known for. It latches on to the cultural beliefs of the Native American peoples in Arizona and combines it with the legends that were told among these communities. While it can be assumed that these legends were adapted as they flowed through the many diverse communities who told them, this is still a key aspect of folklore; the adaptation of the tradition as it follows through many cultures. Furthermore, this legend combines the tradition and cultural beliefs with an origin for a mineral formed among a mountain, allowing the imagination to give reason as to why and how obsidian was created there in the first place. This tale also allows these communities to uphold the sacred connection to the land in central Arizona. History and legends are combined into one, giving a unique oral tradition to a tale told thousands of times.

Salem Witches

‘ As an anthropologist, I spent decades interviewing people in the Mayan highlands, throughout central America and Mexico, and the Andes all about their folklore, ghost stories, and witch stories… but I want to tell you the one that I grew up with in New England, a piece of folklore so important to me it changed the way I live. When we were kids, the histories and the stories of the Salem Witch Trials are something that everybody was taught. We were told these stories from our first grammar school class. I grew up during a period in the 70s where there was a whole revitalization of interest in witches. Because of the feminist movement, there was a retelling of who these women were. It is said that in 1692, the craze started… it went for a full year. Anyone who was considered an outcast or spoke out, were all accused of being witches. Here, in these little towns of New England, people were paranoid beyond belief. They were having heavy winters, people were starving, they were jealous of each other… there was so much religious belief that the devil was constantly surrounding them… he’s in the goats… he’s in your neighbor… he’s everywhere. So, in the late 1600s, this group of girls sitting around the fire, with a Caribbean woman named Tituba and the girls asked her to tell them a story to pass the time. Her story was about the devil, and the devil turning girls into witches. This got in the little girls’ heads, and before long, all of them start to have these visions of witches… that people are having paralytic attacks, epileptic attacks, visions and hallucinations, sleepwalking… They say this was all because of the witches. During this brutal Winter, the town of Salem used a book written by a British King called “How to Tell a Witch”, and they used this book to identify the ‘witches’. Over 200 people had been accused as witches. So, when I was growing up, I grew up with pictures of the Devil with puritanical etchings, pictures of the devil riding goats in the churches… These things were in my brain as real things that really happened. I was taught that the history is in my house, my clothes, the furniture, everywhere. Somehow, I am connected to them. So, I grew up with this belief that witches were our friends… that witches were these falsely accused woman… not falsely accused because witches don’t exist… we believed they did, and that they were killed because they were smart woman who spoke out and killed for that. Many of us identified as witches growing up… I did. So many of us growing up during this time thought we were witches and led a life to resemble the tales we heard of our ancestors.” – JB

JB has a personal connection to the tales of the Salem Witch Trials, specifically to the tales that were revitalized during the 70s. JB grew up very close to Salem Town, in which the trials happened. They were passed down to her throughout her childhood in places like school, or from friends and their parents. She felt so strongly about these tales and memmorates that she began to live a life similar to that of a witch. She believed she was one, she decided that her and her friends were the “new witches” and with that she prayed to the trees, the rivers, and to something much older than any religion she knew. JB recalls that the story she tells now, the tales she passes down to her own family are intertwined with those of the Salem Witches.

To me, this piece of JB’s life was very interesting, as I also grew up learning about the Salem Witch Trials, but not during a time where these stories were regenerated and strengthened. I learned about it more in the historical sense, what my teachers believed to be factual events during this time period. I was not told any tales or legends of these times. JB’s recounting of her experience shows how much historical folklore can be passed down through generations and continue to take effect on those who hear them, as it did to her and her peers. Additionally, the cultural beliefs of these legends have continued to adapt and be passed down to many audiences across the world. The adaptation can even be seen in JB’s interpretation of the legends, as in the 70s, the theme had changed to show the power of the women, rather than the ‘sin’ many past tales condemned them to have. It can also be assumed that these tales in the late 1800s and early 1900s were performed for audiences, as much folklore is. This folklore also took hold in shaping many communities throughout the last centuries, growing over time and bringing people together, fostering a sense of connection to such historical events.