Category Archives: general

The Renaissance Fair

Nationality: American
Age: 54
Occupation: Unemployed
Residence: Vacaville, CA
Language: English

Text: The Renaissance Fair is a themed festival that recreates aspects of life during the Renaissance era. Held annually in places like Novato, California, the fair features costumed participants, staged jousting matches, medieval-style music and dancing, handcraft demonstrations, and food like roasted turkey legs. Visitors often dress up and speak in faux “Old English” dialects, fully immersing themselves in the historical fantasy. In the 1970s and 1980s, the fair in Novato was a major regional event that lasted for a month, attracting people from all over Northern California. While many attended only for a day, it offered an intense and theatrical experience of a different time period.

Context: Yeah, we used to go to the Renaissance Fair back in the ’70s and early ’80s—probably about four or five times when I was a kid, like from age seven to twelve. It was in Novato, and people came from all over Northern California for it. It ran for a month, but we’d just go one day each year with the family.

Everyone really went all in. People dressed in full costume—like knights, peasants, royalty—all of it. They talked in these funny fake Old English accents the whole time, like “Good morrow, my lord!” kind of stuff. There were beer-drinking competitions, workshops, handcrafts, singing, dancing, and this big jousting arena set up in the middle. It was dusty and hot—always in the summer—so I mostly remember the heat, the dirt, and how packed it would get.

The tents were set up in these big circles, kind of like a village. And everyone was walking around eating those giant cooked turkey legs. As a kid, it felt like stepping into another world. I remember the singing and dancing being really cool, and just seeing people so into it. It was like going to a regular fair, but with way more character.

Analysis: I find this recurring fair very fascinating as it claims to be centered around the time period of the Renaissance, yet is not very strict about historical accuracy. To me what it seems to be more focused on is imagination, performance, and community. It appears to be less of a history lesson and more of a form of storytelling, where everyone becomes a character in a large whimsical play. While there are technically performers and audience members, the involvement and integration of both makes the lines blur between the two. This type of immersion into a different world is not the type of memory a kid forgets easily. I think that’s why these type of event continue to be so popular. They offer families a way to create memories that will last a lifetime.

I think festivals also reflect a more modern desire for play and theatricality in adulthood. This type of festival demands buy in and participation, you must create the joy rather than just receive it.

A.B. Rent-a-Camel

Nationality: American
Age: 82
Occupation: Retired
Residence: Tucson, AZ

A guy needs to travel across the desert and the only way to get across this desert is by camel. He comes across a place that rents camels called A.B. Rent-a-Camel. He asks A.B., who runs the place, for a camel and A.B. says “follow me” and shows him to his camel. The man notices there’s a bag of bricks on the side of the camel but thinks nothing of it. A.B. says “before you leave you need to take the camel to the watering trough and have him drink, so the man does. He begins his journey and about halfway through his camel stops walking and sits down. The man tries slapping and yelling at the camel but nothing will make him move. Later in the day A.B. comes up on his camel and asks what happened. The man replies, “it just stoped”. A.B. asks “well did you brick him?”. The man says “what’s bricking?”. A.B. says “Well when the camel is drinking from the trough you take the two bricks from the bag and slam them against his nuts”. The man says “doesn’t that hurt?” and A.B. replies, “not if you keep your thumbs on the outside of the bricks.”

Informant Analysis: I first heard this joke from my father and it’s been one of my favorites to tell ever since. No matter what party you’re at or who is there, it’s sure to get a laugh from anyone. My father had lot’s of good jokes but this was definitely my favorite of them all.

My Analysis: This joke, passed down from the informant’s father, works as a way to connect and get people laughing together. The over-the-top punchline and ridiculous imagery use discomfort to catch people off guard and make the joke hit harder. The fake “bricking” technique is a funny twist on the kind of weird advice older generations pass down. It plays like a long-winded story that ends in a totally unexpected way, which is part of what makes it so memorable. More than just a joke, it shows how humor can be a way to share connection, surprise, and a little chaos.

Seven Degrees of Separation From Kevin Bacon

Nationality: American
Age: 54
Occupation: Unemployed
Language: English

Informant Analysis: I first heard about the “Seven Degrees of Kevin Bacon” when I was younger. The idea is that any actor, or really any person, can be linked to Kevin Bacon through seven or less people. It’s like a pop culture twist on the “six degrees of separation” theory, which suggests everyone on Earth is connected by six or fewer people. My dad always thought it was funny and kind of spooky how often it worked. It stuck with me because it turns celebrity culture into something you can play with.

My Analysis: This idea that everyone is somehow connected to Kevin Bacon is a fun way people explore how weirdly small the world can feel. It plays into this deeper belief that we’re all more connected than we realize, especially through pop culture. The randomness of using Kevin Bacon as the center makes it more of a running joke, but it still explores how interesting social networks are. At its core, it’s about how connections, coincidence, and community.

Paul Bunyan

Nationality: American
Age: 55
Residence: Vacaville, CA
Language: English

Informant Analysis: I grew up in Iowa, but I remember always hearing stories about Paul Bunyan when I was a kid. We used to go up to Leech Lake in Minnesota for vacations, which is right next to Paul Bunyan State Forest, so his name was everywhere. I heard that there were 10,000 lakes in Minnesota, and the story went that Paul Bunyan and his big blue ox, Babe, made them all just by stomping around. There’s this huge statue of him in Bemidji, and I remember seeing it for the first time and thinking, “Oh wow, this must be real.” For a while, I actually believed it—that some giant lumberjack had made the lakes just walking through the woods.

My Analysis: The informant’s memory of Paul Bunyan shows how folklore can shape a sense of place and identity, especially in childhood. Growing up hearing the legend and visiting places like Leech Lake and Bemidji, she associated real landscapes with this larger-than-life figure. The fact that she believed it as a child shows how folklore isn’t just a story, it becomes a way of understanding the world, especially when it’s reinforced by tangible things like statues and place names. The tale of Paul Bunyan creating Minnesota’s lakes is very whimsical, but it offers a cultural explanation for the landscape and reflects the importance of logging and wilderness in the identity of that region.

Folktale: Tale of Two Tengu

Date of Performance: 04/01/2025

Nationality: Japanese

Primary Language: English

Residence: Manila, Philippines

My informant, who is half-Japanese, recounts to me a folktale from a children’s book his parents would read to him as a child. The story revolves around two Tengu, Japanese supernatural creatures who resemble demons, their most notable feature being their long noses, which can extend and retract at will. The tale begins as one Tengu, sitting atop a mountain far from civilization, extends his nose to extreme lengths until it reaches a farming village. The people of the village don’t know what it is, but the daughter of the village’s head uses his nose to hang her expensive laundry, leaving several kimonos on it. When the Tengu retracts his nose, he discovers them, and is overjoyed at his good luck – he is then met with jealousy from his friend, another Tengu, who, watching his success, extends his own nose to the village. Instead of expensive clothes, however, when he does so, he gets nothing but bruises and welts, as the children of the town have used his nose as a plaything, climbing, hitting, and toying with it. He retracts his nose, and much to his dismay, has received nothing for his jealousy but bad fortune.

My informant tells this story with a humorous tone – this was his favorite story growing up – and explains its message as “pretty simple”, probably created as a cautionary tale against the pitfalls of envy. He says it aligns with similar Japanese folktales that preach humility, that portray characters who, out of greed, try to replicate the good fortunes of others at their own expense.

My interpretation of this story is quite similar – I think it reflects the cultural and social values prioritized by a community oriented society like Japan. Mirroring its traditionally Buddhist, antimaterialist cultural history, the emphasis on admonishing qualities such as greed and envy make sense. Interestingly, after researching the story further, I found it to be quite unique – it can be traced back exclusively to one storybook (likely the one my informant was shown as a child), the author of which claims the tale has been passed down in their family. Like my informant, the author is part-Japanese, and as some note the Tengu’s description in the story as having unusual, foreign qualities, and so I believe it is likely to have been corrupted from another older tale into something more reflective of the author’s personal background and heritage.