Tag Archives: good luck

“Twisted Necklace”

Context: While waiting for a pizza order, a co-worker of mine shared a good-luck ritual.

Text:

As we waited for our pizza, my coworker noticed my necklace was twisted. The pendant was behind my neck, and the clasp was at the front. She asked if she could fix it, and I said yes. After she untwisted it, she said, “Now you have to make a wish.” I was a bit confused because I’d never heard of the practice before. She explained that in her family, after they fix their jewelry they make a wish for good luck.

Analysis:

Like blowing an eyelash, I’ve heard of some people who practice luck rituals. It was interesting to hear about a ritual involving jewelry, which, in a way, made a lot of sense. Jewelry pieces are very personal items, and they reflect a lot about a person. Some of us even ritualize wearing the same jewelry every day, highlighting its importance. These pieces are sometimes seen as “good-luck” charms or handed down from generations prior. This reminds me of Fraser’s theory regarding contagious sympathetic magic. Touching these “magical” items is sometimes believed to have a positive impact on people’s lives.

Chinese New Year – Chun Lian Good Luck

Context:

The informant grew up in a Taiwanese household in the Bay Area. He grew up always celebrating Chinese New Year, a holiday that occurs every February. The holiday celebrates the start of the first day of the Lunar New Year.

Text:

“For Chinese New Year, we have, like, a red sheet of paper with Chinese calligraphy on it called Chun Lian. We stick it on the outside of our door, to ward off like evil and also brings in good luck as well.”

I asked, “Is this something that you’ve always done, like, on Chinese New Year.”

“Yeah, like, we did it always growing up.”

“So you just learned it from my parents?”

“Yes, I learned it from my parents.”

Analysis:

From what I know about Chinese New Year, many of the traditions, foods, and decorations all revolve around bringing in good luck for the new lunar new year and getting rid of all of the bad luck. This tradition does not seem to be any different. The red also seems to be a prominent theme is getting rid of the bad luck, and in tandem with the calligraphy, they are able to ring in the Chinese New Year with prosperity.

Colombian New Year’s Grapes

Age: 22

Text
“A tradition that my family has, it’s a Colombian tradition, is that on New Year’s Eve when it hits midnight I eat 12 grapes in the first 12 seconds of the new year under the table. So like my siblings and I will crawl under the table and literally just like, basically just stuff grapes into our mouths as fast as we can and it basically means good luck for the whole year.”

Context
CM describes a Colombian tradition that has always ran in her family for as long as she can remember. It’s a tradition that she does along with her siblings every New Year’s Eve to New Years transition, and it’s held in high regard in her extended family as good luck. CM also says that she isn’t sure when she started participating or who started it in her family, she just remembers participating every year.

Analysis
The 12 grapes tradition is a Colombian/family tradition that CM has participated in since she was young. She doesn’t remember when it started or who taught it to her and felt that it was always just a part of her life, which shows how folklore is disseminated informally through participation. This tradition includes aspects of sympathetic (specifically homeopathic) magic, with the relation between 12 grapes, 12 seconds, and 12 months of the new year working to create good luck. This tradition is also part of the holiday/festival that is the New Year’s celebration to transition into a new year filled with positivity and luck.

Interlocking Arms

Age: 21

Text
“I played varsity basketball all 4 years in high school, and one like common thing that would always come up throughout the season was interlocking arms. On like senior night, the seniors would interlock their arms with each other before the game as their names were getting announced to like walk up and take their pictures and get flowers and stuff. I think it was like a way of showing that we were together, kinda like one group, one team sort of thing. But also during like clutch free throws at the end of the game everybody on the bench would interlock arms for the free throws. It was kind of like a superstition, something we did for good luck. You see it a lot on like TV too like in college basketball games they’ll do it and also in soccer games during penalty shootouts a lot of times the players in the back will have their arms interlocked, so yeah like the same thing we were doing.”

Context
DZ remembers interlocking arms as an unspoken act that would come up throughout the season for his high school basketball team in moments of solidarity (senior night) and in clutch moments when they needed the best luck. He says that the whole team would always participate, and no one would have to say anything; if one person started it, everyone would follow suit. DZ notes that this wasn’t something independent to his team and that he has seen it on TV a lot, so even the first time that his team did it he had an understanding of the meaning behind the act.

Analysis
DZ’s story of interlocking arms contains a lot of different folkloric themes. He says that the gesture was always unspoken and that he knew the meaning behind it from the very first time that his team locked arms, showing how folklore can be shared and enacted through example. The gesture also become a core part of the basketball team’s identity, representing unity and the team’s bonds in valuable moments. This gesture also served multiple purposes. In moments like senior night, it was used as somewhat of a rite of passage, marking the seniors transition into a new beginning. In clutch moments during games, it served as a superstition with magic behind it, a gesture that would create good luck and influence the outcome of the game positively. These different uses are an example of Santino’s point that rituals are both symbolic and instrumental, as interlocking arms represented team togetherness and helped create good luck. DZ saying that the gesture was not one created by his team, but rather a popular gesture among athletes shows that it is a core piece of lore among the athlete folk group, and also that it exists in multiplicity and variations around the world. I, for one, always noticed this gesture by sports teams in games I watched on TV, so I thought it was very cool that somebody I knew engaged in it in their own team as well.

Golden Birthdays

Text:

S: “A golden birthday is the year you turn the same age as your birthday”

Context:

My sister turned 17 this year, and she told me that it was her golden birthday. She then explained that a golden birthday is the birthday when you turn the age of the day you were born on. For example, my sister was born on the 17th and she turned 17 years old.

Analysis:

A “golden birthday” is a form of folk speech used especially by kids. I remember hearing others at school excitedly talking about their golden birthday. It was believed that your “golden year,” the year you’re the age of your birthday, was suppose to be one of good luck. As I’ve gotten older, I haven’t heard it used or discussed much, leading me to believe that it is primarily an “esoteric” – insider’s – form of communication amongst children. I remember always being a little sad that my golden birthday is when I turn 30 – it felt very far away for a child, and I wanted to be a part of the community, an insider.