Tag Archives: Protection

Dream Catcher

Nationality: American
Age: 20
Occupation: Student
Residence: Los Angeles, CA
Performance Date: 4/25/12
Primary Language: English

My informant here brought up the notion of a “Dream Catcher”, and began to tell me about her dream catcher that she had growing up as a kid. She told me that the basis of her dream catcher was that it was a round piece of wood with leather bands webbed inside of it, with feathers coming out of the top and hanging from the bottom. She said that her parents had bought it for her at some point when she was in elementary school in Pennsylvania. She remembers her mom telling her that if she placed it on the outside doorknob of her room, it would catch all of the bad dreams and nightmares that she would have, and would only allow her to have good and sweet dreams.

My informant said that she believed in this notion completely, and left it on her door for years until she moved out of her house in high school. “I don’t think I would have been able to sleep without it” my informant said. She found solace in believing that it was there to protect her, even though she “knew it probably didn’t actually do anything real”.

My informant tells me that her parents told her that it was a longstanding Native American tradition to use dream catchers, and that it had protected them from nightmares for centuries. “It was just something I believed and didn’t think about too much”, she said, “after a while it completely just blended in with my door, it’s like it was supposed to be there”.

I believe that this piece of folklore may have truly been started by the Native Americans years ago, and transferred to many parts of our culture because it is a nice idea and a good way to find solace in your sleep. I feel that it has lived on through parents giving them to their children, perhaps because the parents truly believe in them, and perhaps because they feel that it is a good part of growing up. I would believe that it is mostly children that use dream catchers, but believe that many adults do as well, as a part of keeping a tradition that they have had since childhood.

Don’t Go Barefoot Before May 1st

Nationality: American
Age: 70s
Residence: NC
Performance Date: 2001
Primary Language: English

My informant for this story is my friend’s grandmother.

When I was younger, I would spend the night at my friend’s house fairly often.  His house was where all of us would hang out and play video games or watch movies.  For some reason, we didn’t spread out going to all of our houses very much.  Since we were at his house so often, we often were there when his grandparents were over at the same time.  As a result, I got to know them pretty well and developed a friendship with each of his grandparents.  One time, when I was spending the night at his house, I went downstairs to the kitchen to get a drink.  It was in March.  I remember it because we were watching March Madness on TV.  I came downstairs barefoot and as I walked to the kitchen, I hear his grandmother say “don’t you know you’re not supposed to go barefoot before May 1st?”

She said it in a friendly and joking way, so I sort of laughed it off but as I thought about it, I wondered what she meant.  I didn’t say anything at the time but at a later date, I asked her what she meant and she explained that her husband’s family always warned against going barefoot before May 1st.  She explained that they took it very seriously and forbade their children from doing so and it was evidently because generations earlier, one of the children in the family went barefoot to the outhouse.  Though it was spring, it was still very chilly and the child caught a cold, developed pneumonia and died.  I was surprised to hear this was the reason, but I often think about that as I am walking around the house barefoot.

Theater Occupational Superstition: Macbeth (Version II)

Interview Extraction:

Interviewer: (continued from a pervious question) “So it’s considered bad luck to whistle in the theatre, right?”

Informant: “If you are whistling backstage it is considered back luck. I don’t know what you do to cure that, it’s not like ‘The Scottish Play’ where you have to go outside, twirl around three times and spit into the wind or something. I never entirely understood that one…”

Interviewer: “And that ‘cure’ changes every theatre your at, doesn’t it?”

Informant: “It seems to be, the cure for that seems to vary a lot with who ever you talk to. I don’t know where that superstition came from.”

Interviewer: “And is it true that that they think Shakespeare actually took real witchcraft and put it in his play?”

Informant: “Uh, well… I don’t know. However. In the production that Orson Welles did for The Public Theatre, supposedly he hired real voodoo witch doctors to play the witches. Hints, Voodoo Macbeth. And at the beginning of the play, the witch doctors arrived and they requisitioned a goat. Which was provided to them. And they then proceeded to go into the basement of the theatre for three days and at the end of that time they emerged with their drums to use in the production. Presumably they also requisitioned some lumber with which to make the sides of those drums, I don’t know… Anyway. When the production opened one of the New York Times critics was particularly vicious and did not like the play. And the cast and the crew were sort of moping around because they had gotten this really horrid review and the compliment of witch doctors supposedly went to Orson Welles and said ‘this man made you all so sad, is he a bad man?’ And Orson Welles supposedly said yes. And then three days later the critic got sick and died. You may draw your own conclusions from that! But yes, supposedly the theory was that voodoo was done.”

Analysis:

The Macbeth superstition is among the most common superstitions that people working in theater follow.  The legend of Macbeth is that it is bad luck to say ‘Macbeth’ in the theater.  To prevent unlucky things from happening such as the set falling over, people are encouraged to say ‘The Scottish Play’.  If you do make the mistake of saying ‘Macbeth’, you have to cut the curse by performing some kind of protection ritual.  This ritual changes based on who you talk to due to the fact that it is such widespread legend and many people have different ideas about the curse.  The first time I heard about the legend was in Boston, when I broke the rule of not saying ‘Macbeth’ in the theater, and the people I was with made me run around the theater three times to cure the curse.  The next time I heard about ‘The Scottish Play’ legend was in Los Angeles, where the cure for the curse was to spin around three times and spit over your shoulder.  It is hard to say if the cure changes based on your location because people in theater often travel for work, so the ideas on the legend would be mixed.  There are many different origin stories behind the legend of Macbeth, and the story my informant mentions is only one possibility of why people in theater are attracted to this superstition.

The production of Voodoo Macbeth was a real production that occurred in 1936 under the Federal Theater Project, and the New York Times critic that gave the production a bad review really did die three days after he published his review.  Whiter or not the cause of death was related to Voodoo Macbeth remains to be determined.  His cause of death could have been influenced by homeopathic magic, in which his anxiety over the threat of the witchdoctors caused him to die or the cause could have been from contagious magic, in which the witchdoctors actually performed a spell.  This depends on your view of witchcraft.  Or perhaps his death was unrelated to the theater production, and the timing of his passing was just a coincidence.  The fact that this really happened gives the legend more power in the imaginations of those who tell the story.

Real instances such as this are what makes ‘The Scottish Play’ superstition such a popular belief in theater culture.  Another reason why this superstition is so popular along with other theater superstitions is that believing in them is fun.  People are attracted to theater because it is about storytelling.  Therefore when people in theater participate in these kind of customs, they are doing so because it is an extension of working in an occupation that is full of play.

My informant was born in 1961, Connecticut.  He has more than 30 years of experience in theater and has worked on over hundreds of productions.  He continues to work on theater productions today, and serves as the associate professor of theater practice and technical direction at the University of Southern California. He lives in Los Angeles, CA.

Korean Superstition – The Ill at Funerals

Nationality: Korean
Age: 51
Occupation: Nurse
Residence: Cerritos, California
Performance Date: April 2007
Primary Language: Korean
Language: English

“The physically ill in Korea do not attend funerals in fear that death will find them.”

 

My informant first heard about this superstition when about a decade ago, she was puzzled by her mother-in-law’s unwillingness to attend her (as in the mother-in-law’s) brother’s funeral.  When Gwi questioned her opposition to attending, her mother-in-law who is from the rural city of Daegu in Korea, explained that she was already ill.  Spirits at the funeral could sense an ill person’s presence and would follow her home.  She was afraid of the spirits following her after the funeral to take her with them, so she avoided going.  This kind of superstition is wide spread among the country folks in Korea.  They would never attend a funeral no matter how beloved the deceased was to them if they are ill because they believed the spirits would mark them as the next to die.

If I were battling a fatal disease, I would feel too vulnerable to go to such a gloomy and morbid ceremony.  Not necessarily that I believe spirits would follow me home, but I would be afraid to watch a funeral because death would just seem so real and closer to me.  However, I would still find the courage to attend a beloved’s funeral because perhaps I may find consolation in that death does not have to be so scary and remote as many people make it out to be.

“Sticks and stones may break my bones, but words will never hurt me.”

Nationality: Mexican-American
Age: 19
Occupation: Student
Residence: Downey California
Performance Date: December 2006
Primary Language: English
Language: Spanish

“Sticks and stones may break my bones, but words will never hurt me.”

 

My informant who is currently a first-year college student first heard this proverb in his elementary school in Downey, CA from his teacher in third grade.  There had been a problem with certain kids being targets for bullies in class.  The teacher decided to address this issue to the class.  She told everyone to remember that even though physical pain cannot be helped, you can always choose how to take words from others.  The only way words have power is when the person allows them to hurt him or her.

This proverb is not usually used on adults but mostly on children.  I do not think this proverb can apply to adults as well because the circumstances are different.  When children taunt, the taunting consists of silly rhymes, sticking out the tongue and such whereas when adults exchange harsh words with each other, those words are personal and have the ability to hit someone at a vulnerable spot.  Parents and teachers teach young children about not allowing words to hurt them because many children tend to pick on others not for any legitimate reasons of dislike but from mere prejudice.  I believe this proverb can apply very well to children but not to adults.