Author Archives: Mark Albano

PASSOVER

Nationality: Half-Mexican-American, Half Jewish
Age: 22
Occupation: Student
Residence: USC, from Dallas, Texas
Performance Date: 4/23/15
Primary Language: English

Interviewee: So my family was never really Jewish. My grandfather was always like, “I’m Jew-ish.” Or maybe that’s what my aunt said about him. But he never really practiced. He only went to Temple on the high holy days, like Rosh Hashanah, and even then it wasn’t guaranteed. So we never really celebrated it in our house. But I always keenly aware of the fact that I was different from other kids. And probably that mostly stemmed from me being Hispanic.

Interviewer: It’s hard to celebrate Hispanic culture. Like there are no Hispanic mainstream holidays.

Interviewee: Yeah and like living in the whitest town in the country. I tried to make my family celebrate Hanukkah, and my mom was always open to it even though she was super Catholic. She just loves God, I don’t really get it. But it never really worked out because my Dad didn’t celebrate Hanukkah as a kid, he celebrated Christmas. So that didn’t really work out.

But then my best friend since basically birth, his Mom is Jewish and his grandmother wanted to start doing Passover with them. So they invited us over for Seder. And now it’s become this big thing where I always look forward to Passover, I looked forward to it all year.

So we would get together and the joke was that he is half-Jewish on his Mom’s side, I’m half-Jewish on my dad’s side, so together the family makes an entire Jewish family.

And the thing about this friend’s grandmother is that no one in her family really likes her, but in my family we view her as a god.

Interviewer: How many times a year do you see her?

Interviewee: I make it a point to go see her whenever she’s in town. She’s really funny; she acts just like my grandmother, but she has this thick New York Jewish accent. “JR come over here, let me get a good look at you. Do a turn for me.”

So no one really likes her in that family, but in my family she is the bomb, everyone wants to hang out with her. So we would come over for Passover, and immediately she and her daughter would start fighting. It just made for the most entertaining Seders. She would be reading all slow, and her daughter would be like, “Mom you gotta pick it up.” So she would read it faster, and then at the end, she would be like, “Oh, we didn’t really do Seder this year, did we? I guess you’re not into it; you read it so quickly.” So they would start yelling and bickering.

We had some traditions with Passover that grew. Like my friend’s dad would always have the Elijah Glass. And then there is always a fight because there is a part with four children and there was four of us, me, my brother, my friend, and his sister. And there was a part with like the simple child and the wicked child. So we always fought over who was the simple child and who got to be the wicked child. You wanted to be the wicked one.

There was always the hiding of the motzah. My friend’s grandmother would hide the motzah in the house and kids would team up together and tear through the house to see who could find it first.

His grandmother would cook a brisket. So good. Motzah ball soup. We could get real Jewish.

Interviewer: And you guys didn’t really have the opportunity to get to eat that type of food?

Interviewee: We would never have that growing up. It was always like, “Ooh it’s Passover, we get to eat Motzah Ball soup.” The Seders were always super quick and not really religious. It was just fun.

ANALYSIS:

This is clearly a story about struggling to find one’s identity, as he says above that he never felt like he fit in at his all white school because of his race. I think that by turning to Judaism he found something about his difference to celebrate. That his culture no longer ostracized him from everyone else, but rather included him into this two family Seder. It is clear that the religious aspects of the dinner were not really that important because that was never why anyone really wanted to do it in these families in the first place. It seems like it is so much more about understanding and celebrating ones identity and background. With Passover and my informant’s friends grandmother, my informant was able to experience and celebrate what it was like to be Jewish; what it was like to be different. The grandmother served as the guardian into that world for my informant’s family.

THE BUTTON

Nationality: Chinese-American
Age: 22
Occupation: Student
Residence: USC, from Portland, Oregon
Performance Date: 4/23/15
Primary Language: English
Language: Chinese

ABOUT THE INFORMANT:

My informant is a senior graduating this semester from USC. He is a biomedical engineer, and is the oldest son of two immigrants from China.

EXAMPLE:

https://www.reddit.com/r/thebutton/

CONTEXT/BACKGROUND:

“I found this thing, well actually, my buddy sent it over to me because he is the one who always spends his time on the internet, Reddit in general, and he showed it to me. It’s basically this button, I guess it’s been up since April 1st. Apparently it was supposed to be like an April’s Fools joke, you know? So that’s how it all begun.

The whole concept is that there is like this timer. And it is counting down from 60 seconds. And every time someone clicks it, then the clock resets back to 60. And so far, I guess like over 800,000 people have clicked it. And you can only click it once. And in order to be eligible to click it you must have a Reddit account from before April 1st, 2015. There is like a whole wiki that the people of Reddit created on it.

But essentially, it’s like never dropped to 00. Like the clock has never run out. Someone has always clicked it before the clock runs out, you know. So, like, some people just watch it. And some sites track it, I guess.

But then like, Reddit started giving you a badge with a specific color for when you pressed it on the timer. So like Anywhere between 60 and 50 you get a purple badge, and then it keeps working its way down the wire until you get Red, which is between 10-00.

But now what’s happened is that like a hierarchy, a class system has like been established. Because the color is shown on your profile. So they will have like the red, green, purple, whatever, and then if you haven’t clicked it, it’s gray. So now like Red is like the best, with Purple seen as the worst. And then gray is like the pacifists or whatever. Like they aren’t taking part. And their are subreddits about the colors.

So now everyone has like their own community. And then there’s been like fan fiction, comics, memes, all about these freakin’ colors and the button.

It’s absurd.

And then since it’s also never run out, everyone is kind of panicking too about what will happen when it does.”

ANALYSIS:

What’s so funny about this is that there is this community that has sprung up from just a button. It is now for some people a form of identity. I do not think I could have ever predicted that if something like this happened people would care about it this much. Of course, this obsession of the button is quite contained, but people take it seriously.

I think it is interesting that people have started creating forms of media all about the button, linking the community together through inside jokes and vernacular that only they know. It has become this cause, to keep the button alive, and then in that it has turned into a system that mirrors our own in terms of society and classism. On one hand, I would like to think that for some people it is pure satire, but I think for others they actually are buying into it. There is like a real pride from being in the red group. And there are inside jokes just based on what color you are. It really is a weird mirror of society in its own way.

STAR WARS “IMPERIAL MARCH” DJ BATTLE

Nationality: Chinese-American
Age: 22
Occupation: Student
Residence: USC, From Portland, Oregon
Performance Date: 4/18/15
Primary Language: English
Language: Chinese

ABOUT THE INFORMANT:

My informant is a senior graduating this semester from USC. He is a biomedical engineer, and is the oldest son of two immigrants from China.

EXAMPLE:

https://www.youtube.com/watch?v=Uw0v6kkasMk

DESCRIPTION:

“This is this weird video I found a while ago when I was searching through the bowels of the internet. I guess it’s this DJ {DJ Skratch Bastid} like scratching the Star Wars song on turntables. Not the like heroic one, the one that Darth Vader comes out to all the time. But it’s like during this head-to-head DJ battle, and he basically just plays this out of nowhere and shuts it down.

It’s just such a classic song, you know? It’s legendary. To pull that out so spontaneously, to mash it up that way, it’s really unique. Because, like, everyone knows that song and Star Wars and Darth Vader. It’s just a show stopper.”

ANALYSIS:

The setup here is that two DJ’s are battling back and forth, with each DJ allowed a certain amount of time to cut and scratch the records of his choosing. The idea is that from the music and sounds that someone else made, using the turntables, a person can make a new song or beat to it.

This is similar to mashup culture in general; in fact it is most likely the precursor to it, as this whole DJ culture of mixing and mashing records together has been popular for several decades.

The idea of mashups in general already create some grey area as to who the writer, owner, and author of the piece of music is, considering that it someone, the DJ, is using other previously authored, by the artist, pieces of music, which are owned by the record label, to create new music.

This version adds a new wrinkle to it, in that the new music created is in fact a cover of the “Imperial March” written by John Williams from the Star Wars films. This is therefore a mashup of previously recorded material. The folklore here has a few different dimensions to it.

The Star Wars films are unequivocally one of the most iconic film franchises of all time with its music being equally as recognizable. The song in question is the theme to the villain in the film, one of the most famous villains in all of cinema, and therefore carries a sort of clout and power with it. For someone to use the song in a head-to-head battle is almost like asserting your authority over them because of the context behind it.

Here, the song takes on a new power to it than it originally did when it was featured in the films because it contains all of the lore of the Star Wars films behind it.

Hear the original “Imperial March” in the Star Wars films.

WE DON’T NEED TO BE HERE

Nationality: Mainly Irish-American
Age: 54
Occupation: Environmental Government Policy Maker
Residence: Boston, MA
Performance Date: 3/25/15
Primary Language: English

ABOUT THE INFORMANT:

My informant is a mother of three who lives just outside of Boston with her husband of over 30 years. She is originally from Cape Cod, the part of Massachusetts that is full of beaches and is a world known tourist destination. She is a lover of all thing water; she has worked extensively in water policy and water pollution as an environmentalist.

EXAMPLE:

“We don’t need to be here.”

BACKGROUND/CONTEXT:

“We have a saying from a family friend of mine, from the kids who are now like 30, 31 or so. But this was a long time ago when the youngest one was 2. They were visiting our house, and he decided that he did not want to be there anymore. There was this store, the cow store. It had all of these cows in it, singing cows on the walls.

So he just said, “We don’t need to be here”

It started because he asked, “Can we go to the cow store?” And they said sure, you know because it was like a perfect store for a kid. It had all of these cute cows in it. I don’t if it is still around. But they were staying at our house. Like sleeping over.

So he said, “Can we go to the cow store?”

And they said, “Sure, once we leave here.”

So then he said, “Can we leave. We don’t need to be here.”

It was so cute and funny. My husband and I say it all the time. It’s a good saying when we want to get out of something, but it’s kind of cuter because it came from the mouth of a babe.”

ANALYSIS:

This saying gets thrown quite a bit between the informant and her husband. I think it is a two-fold thing for them. For one, this was when they were newly weds, still young, fresh out of college. I feel as though people often want to recall those days, the good old days.

I also think that it started as something that was adorable; people like seeing kids say things so blunt, like that old T.V. show “Kids Say The Darndest Things.” But I think that after they said it back and forth a few times, it started taking on a new meaning. This idea that when they don’t want to go somewhere or want to leave someplace, that they have this code now, “We don’t need to be here.” It’s a cute way to whine. She even told me that her husband especially started saying it to their kids when the kids started to whine or complain.

SWEET CAROLINE

Nationality: Chinese-American
Age: 22
Occupation: Student
Residence: USC, from Oregon
Performance Date: 4/18/15
Primary Language: English
Language: Chinese

ABOUT THE INFORMANT:

My informant is a senior graduating this semester from USC. He is a biomedical engineer, and is the oldest son of two immigrants from China.

EXAMPLE:

Interviewee: Whenever we have parties or go to parties it is basically a requirement that we sing the Neil, what’s his name?, song – “Sweet Caroline.”

Interviewer: Neil Diamond?

Interviewee: Yeah, I think. So we have to sing that song. But it’s not just a song, it’s like everyone sings it in a circle. And then like after the “Sweet Caroline” part in the chorus, we all have to say “Ba, ba, ba” and throw are fists in the air. It matches like the horns.

And then for the “good times never felt so good,” we all yell “So good, so good, so good,” with the same fist bumping.

Interviewer: Is that it?

Interviewee: Well that’s like the basics. But then for those in the know when he says “reaching out,” you gotta reach out to the rest of the group. “Touching me,” you put your hand on you. “Touching you,” touch someone else next to you.

And then if you really know it, the “warm touching warm” part you rub your hands together like they are cold.

BACKGROUND

“This started because, at least I think it started because of him, but one of our friends is from Boston. And he is like really into Boston. And he’s a Red Sox fan. And I guess the Red Sox fans do this during baseball games at Fenway Park. It’s like their anthem. So he gets really into it during the singing. But really it’s become just like a big group thing. Singing it with everyone. It pretty much will just stop the party.”

ANALYSIS:

This song/dance has is an example of folklore traveling from location to location, event to event. What started as Neil Diamond writing a song for Caroline Kennedy has somehow gotten turned into a theme song for the Red Sox, which has then been used as a party song at USC. Probably for the person that came from Boston, who is “really into Boston,” used it as a way to show the people at USC his culture, but now the song has a whole USC culture to it. Especially at the point where it is practically guaranteed for any parties that this group of people throw or go to. It has now turned into a form of identity for this friend group at USC. Which is funny because it is derived from a form of identity for Red Sox fans and Bostonians.

“Sweet Caroline” can be heard in the film Fever Pitch about an obsessed Red Sox fan, and this is an article in The Boston Globe all about how this writer hates the tradition to sing it at the games.