Author Archives: Mintra Maneepairoj

Japanese New Year’s Eve Traditions

Nationality: American
Age: 24
Occupation: Student
Residence: Los Angeles
Performance Date: April 8th, 2013
Primary Language: English
Language: Japanese

Informant Background: This individual was born and grew up in Hawaii. His family is of Japanese and Chinese descent. He speaks Japanese and English. His family still practice many Japanese traditions, also many Chinese traditions. They celebrate some of the Japanese holidays. Many of the folk-beliefs and superstitious are still practiced. His relatives who are Japanese lives in Hawaii as well. He currently lives in Los Angeles to attend college.

 

At New Year’s Eve, it is a Japanese tradition that you eat long strand of noodles which signifies a long and healthy life. Next, you have to eat the sticky rice, mochi, which represent how your family will stick together. Then, you go to the temple where you can make a wish and pick up different kinds of blessed paper which represents different things in your life such as: safe travel, good study, etc. You do these things with your family, relative, and close friends.

Though the informant’s family migrated to Hawaii two generations ago they still practice Japanese rituals and traditions during important holidays. It is not only important that these rituals have to be performed, but also importance that they are performed correctly to bring the individual a good coming next year.

 

 

I believe that almost everybody have some kind of New Year’s Even traditions depending on the culture. New Year’s Eve is also one of the main periods of liminality since it is the transition period of one of the longest life cycle measurement. The New Year also signifies the end of something as well as the beginning. This tradition shows how food and everyday activity is made special during the liminal period as a way to create foreshadow of events or even a positive self-fulfillment prophecy(making a wish at midnight, drinking champagne, etc).

According to the informant the food consumed during this time of year is made slightly different but from the same ingredients as the food eaten every day. The form of the food becomes metaphor to many valued aspect in that culture: long life and family ties. Similar to other culture holiday traditions, certain foods are exclusive to those events and those events only.

The blessed paper is to foresee and start the New Year with good luck and goals for the coming year. I’ve observed on my trip to Japan once that there are many type of these paper that one can purchased: good luck, good grades, good relationship, pass an exam, get into university, etc. This reflects the idea of a “life fulfillment prophecy” where the beliefs that you will get good luck can help bring you good luck.

In this Japanese tradition to do all the traditions is not only to foreshadow a good year but also foreshadow a good year with your family. The idea that these rituals are done with people close to you shows how the transition period is not only important to the individual, but the collective as well.

The performance of these traditions also shows how some individual is reinforcing his cultural identity from his geographical origin without being there.

Musubis and Chopsticks

Nationality: American
Age: 24
Occupation: Student
Residence: Los Angeles
Performance Date: April 8th, 2013
Primary Language: English
Language: Japanese

Informant Background: This individual was born and grew up in Hawaii. His family is of Japanese and Chinese descent. He speaks Japanese and English. His family still practice many Japanese traditions, also many Chinese traditions. They celebrate some of the Japanese holidays. Many of the folk-beliefs and superstitious are still practiced. His relatives who are Japanese lives in Hawaii as well. He currently lives in Los Angeles to attend college.

 

Japanese rice balls, called Musibi, are never made as a perfect circle. They are can be in other geometric shapes. Because the spherical Musibi are made at funeral, so it is bad omen to make them in that shape out of context. That is why it is common to see them in triangular shape. You also cannot put your chopstick vertically into your bowl of rice or any food because that is what you do with candles and incent sticks at a funeral. You also cannot pass food from chopstick to chopstick. You’re supposed to put it down on a plate for the other person to pick it up….This is because during funeral people would sometimes pass the bones of the deceased by using chopstick…If you do any of these things, you will have bad luck and something bad will happen to someone close to you.  

The informant is from Hawaii but his family is originally from Japan. So he practices many Japanese traditions. These practices he learned from his parents and grandparents growing up as things that you must not do simply because it is only reserve for funeral time.

 

 

I never realized why the Japanese rice balls at restaurants come in triangular shape until the informant told me about the tradition. From experience rice balls always come in triangular shape no matter how it’s cooked. It is common to see it through Japanese movies and cartoons as well.

I heard about not sticking chopsticks into rice bowls from people of Chinese descent because of the same reason. I also heard it from a tour guide while visiting Japan for the first time.

This belief reflects the importance of funeral as an event, an exclusive event. There are many beliefs and traditions surrounding it and specific things you do only during funerals. To do something you would do at a funeral in everyday life is then bringing yourself and the people around you bad omen. It is clearly reflect in these beliefs and practice which parallel everyday life activities.

Hate Ritual

Nationality: American
Age: 24
Occupation: Student
Residence: Los Angeles
Performance Date: April 13th, 2013
Primary Language: English
Language: Cantonese

Informant Background: The informant is originally from Hong Kong. She now lives permanently in the United States but travels back once a year to visit her relatives in Hong Kong. She speaks both Cantonese and English. Her family practices many of the Chinese traditions, folk-beliefs, and superstitions. She celebrates many of the Chinese holidays through cooking of special “holiday food.”

 

This is something you do if you have someone you really really hate. You can draw a picture of that person, then write his/her name on the paper…The paper is the special kind that people use to burn during funerals…Then you can take that piece of paper to a tree and put it down above the root. Then take of your shoes and hit the paper on the drawing as hard as you can. Just hold the shoe in your hand and go ta-ta-ta-ta…Oh, and it has to be your shoes. Then you shout stuff you want to say to that person like: “go die,” “die,” “I hate you,” etc. Then hopefully the stuff you said would happen to the person you drew on the paper.

The informant said she learned about this while she was growing up in Hong Kong. She heard it from her classmates. It is something children would do when they dislike their classmates or friends.

 

I think this shows how while both Eastern and Western culture perceive children as a separate group from society where they are always represented as innocence beings. In contrary to many beliefs children has anger and hatred that adult does. Though many society tries to have a separate category for children where they are thought of as innocence creatures, children do understand the concept of hatred and violence. This ritual shows anger and repression of anger among children. This ritual shows that children can be violent and ill-meaning, the opposite of the ideal angelic image of children.

This ritual is an example of homeopathic magic where “like” creates   “like;” idea that the drawing of the person on the paper. It also has element of contagious magic through the use of one’s own shoes. It appears that this ritual is a metaphor how you will stomp the person you dislike into the ground with your own feet. Similar to sticking pins into voodoo dolls.

The use of funeral paper reflects how you wish bad thing for the person because funeral rituals and objects are reserved for that event, and not everyday life. Using funeral paper is to foreshadow the misfortune that individual. The chanting of bad omens while stomping the paper with your own shoes reflects the idea of homeopathic magic how you wish the words you said will translate into that person’s life. This is similar to the idea of the voodoo doll how the image of the target is created on an object and the rituals performed will reflect on the target.

This ritual not only shows anger as emotions but also as action. It is both violent in force and words through both the hitting of the paper and the shouting of ill-intention phrases.

Mother Daughter wedding traditions in Hong Kong

Nationality: American
Age: 24
Occupation: Student
Residence: Los Angeles
Performance Date: April 13th, 2013
Primary Language: English
Language: Cantonese

Informant Background: The informant is originally from Hong Kong. She now lives permanently in the United States but travels back once a year to visit her relatives in Hong Kong. She speaks both Cantonese and English. Her family practices many of the Chinese traditions, folk-beliefs, and superstitions. She celebrates many of the Chinese holidays through cooking of special “holiday food.”

 

On the wedding day, before the wedding, the bride’s mother will comb the bride’s hair three times… I think the first time is so that the couple will love each other forever. Then second is so the bride can have one child per year… And third is that the bride and groom will grow old together.

The informant learned about this through her aunt and observations of the weddings she attended in Hong Kong. According to the informant this is a common Chinese wedding ritual. She said it is usually a time shared privately by mother and daughter only.

 

I think this tradition clearly reflects how wedding is more than about the bride and the groom coming together but also their relative and other people in their lives. In this case it is the ties between the mother and the daughter. This is similar to Western traditions where the mother would help the bride get ready for the ceremony in a separate room hidden from the crowd.

The bride’s mother is passing down the knowledge and wisdom. The first blessing is so that the bride and groom will have the unconditional love as her family. The second reflects how the older generation wants the next generation to keep continuing the bloodline through children. It also reflects how marriage is about celebrating reproduction through different metaphors. The third is for the bride and groom to grow old with grey hair together. I think the combing of the hair reflects this idea of beauty since women tends to grow their hair longer than men. Hair color also reflects a person’s age through color. This tradition has the element of the number three which occurs in many cultures through different rituals.

Wedding ritual is a way to always strengthen the ties between the older and younger generation, and younger generation to the next generation. This tradition then keep the mother involve before losing her daughter to the other family. The combing of the hair is also an act a mother would perform when the daughter was younger; this is a way of bringing closure before they say their goodbyes.

Yes/No Pencil Ritual

Nationality: American
Age: 24
Occupation: Student
Residence: Los Angeles
Performance Date: April 13th, 2013
Primary Language: English
Language: Cantonese

Informant Background: The informant is originally from Hong Kong. She now lives permanently in the United States but travels back once a year to visit her relatives in Hong Kong. She speaks both Cantonese and English. Her family practices many of the Chinese traditions, folk-beliefs, and superstitions. She celebrates many of the Chinese holidays through cooking of special “holiday food.”

 

Many grade school children play this game with a pencil. You can only use pencil. No mechanical pencils or pen. So first you would write on a piece of paper: “yes” and “no.” Then you put the paper on the table and then put the pencil in the middle of the paper. There are usually four people at each corner of the table. Then you call on the spirit into the pencil…After that you can ask the spirit questions about your life…you know something like: does he like me, will we be together, how long will we be together, am I going to pass this test, etc… But you can be cursed to die if you ask about how the spirit died or who the spirit is. It is okay to ask about their past life but never ask for the name or how he/she became a spirit. Sometimes more specific things can be written on the paper for different situations…I heard some news in Chinese newspaper where people die from this game because they ask the question they shouldn’t.

The informant stated that she played with her friends in middle school in Hong Kong, though she said that many adults play this game as well. She said she did it when she played the game nothing happened but she and her friends got very scared that she tore the paper into many pieces, broke the pencil, and ran away from the room as fast as they could.

 

I think this game challenges the idea of beliefs and the origin of ghosts and spirits. As seen by many other ghost stories, spirits usually arises from untraditional death or improper burial. In this case it is taboo and deathly to find the origin of the spirit. This game also reflects how people are unsure about the status of their lives; also trying to find answer to unanswerable questions in life. Not being able to ask how the spirit came to be also reflects the unknown origin of how ghost came to be.

The use of the pencil shows how the idea of ghost is most of the time associated with objects with no modern technology; how they are paused in certain time period.

The paper and the pencil reflect the idea of contagious magic how an object can possess power after certain rituals. In this case the informant and her friends destroyed those objects because they perceived those objects as having power after the rituals performed.

This dare is also similar to the idea of children folklore where there are underlying meanings, in the case the fear of the unknown. Similar to how female children conduct their Bloody Mary dare in groups as a bonding experience, this dare has a similar underlying purpose. It is a group bonding experience under the shared fearful experience, or bonded under the same curse. Similar to the Bloody Mary dare, the truth value is not as significant as the actions performed.

The dare as a ritual then turned into a legend through unofficial and official storytelling. The news about death from this game is then a memorate for the legend and keeps the ritual as an existing and ongoing legend.